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News

Vittorio Grigolo and Angela Gheorghiu on why they love La bohème (The Royal Opera)

Maria Callas Remastered

Central City Opera’s 2014 Festival Trailer

Is Tamar Iveri’s career over?

Dallas Opera Teams with San Diego Opera

By Mark Lowry [TheaterJones, 20 June 2014]
The Dallas Opera's previously announced world premiere of Great Scott in 2015 will now be co-produced with the recently saved San Diego Opera.
[More . . . .]

Opera Conference 2014: Audiences Reimagined

The Metropolitan Opera to cancel its Live in HD transmission of John Adams’s The Death of Klinghoffer scheduled for this fall

New York, NY (June 17, 2014 ) — After an outpouring of concern that its plans to transmit John Adams’s opera The Death of Klinghoffer might be used to fan global anti-Semitism, the Metropolitan Opera announced the decision today to cancel its Live in HD transmission, scheduled for November 15, 2014. The opera, which premiered in 1991, is about the 1985 hijacking of the Achille Lauro cruise ship and the murder of one of its Jewish passengers, Leon Klinghoffer, at the hands of Palestinian terrorists.

“I’m convinced that the opera is not anti-Semitic,” said the Met’s General Manager, Peter Gelb. “But I’ve also become convinced that there is genuine concern in the international Jewish community that the live transmission of The Death of Klinghoffer would be inappropriate at this time of rising anti-Semitism, particularly in Europe.” The final decision was made after a series of discussions between Mr. Gelb and Abraham Foxman, National Director of the Anti-Defamation League, representing the wishes of the Klinghoffer daughters.

In recent seasons, the Metropolitan Opera has championed contemporary operatic masterpieces as part of its ongoing efforts to keep opera artistically current. Previously, the Met has presented John Adams’s other two major operas, Doctor Atomic (in 2008) and Nixon in China (in 2011). “John Adams is one of America’s greatest composers and The Death of Klinghoffer is one of his greatest works,” said Gelb. The Met will go forward with its stage presentation of The Death of Klinghoffer in its scheduled run of eight performances from October 20 to November 15. In deference to the daughters of Leon and Marilyn Klinghoffer, the Met has agreed to include a message from them both in the Met’s Playbill and on its website.

In recent years, The Death of Klinghoffer has been presented without incident at The Juilliard School (2009), the Opera Theatre of St. Louis (2011), and as recently as this March in Long Beach, California. The Met’s new production was first seen in London at the English National Opera in 2012, and received widespread critical acclaim.

A Digital Orchestra for Opera? Purists Take (and Play) Offense

By Michael Cooper [NY Times, 11 June 2014]
Nothing about Wagner’s epic “Ring” cycle is small in scale, but when a would-be impresario came up with the idea of staging it in West Hartford, Conn., he envisioned replacing its massive orchestral forces with the digital sounds of sampled instruments.
[More....]

Ariadne auf Naxos trailer (The Royal Opera)

Is cinema the future of opera?

By John Suchet [Classic FM, 11 June 2014]
I love opera, but sometimes even the thought of going to see it is nerve-wracking. Are the tickets going to bankrupt me? Do I have to dress up? And how much will I actually see (if I am up in the gods will the action be too far away and if I use those little binoculars, will I be able to read the surtitles)? In short: is it worth the hassle?
[More....]

Thomas Hampson sings Strauss’ “Befreit” op. 394

Notturno.gif

In 2014, American baritone Thomas Hampson celebrates Richard Strauss’ 150th anniversary.

[More....]

Naxos App: Wagner's Ring Cycle

Harrison Birtwistle Documentary: Notes from the bottom of a garden

The Queen Takes a Bow: Eve Queler Brought Devia to ‘Devereux’—and Wowed Audiences

By James Jorden [NY Observer, 10 June 2014]
At Carnegie Hall last Thursday, a capacity crowd witnessed what might be the final official act of a monarch who has reigned for more than four decades.
[More....]

Lucky Number

[Opera News, June 2014]
F. Paul Driscoll talks to the cast and creative team of "27" — a new opera by Ricky Ian Gordon and Royce Vavrek about the singular world of Gertrude Stein and Alice B. Toklas. The curtain goes up at Opera Theatre of Saint Louis on June 14.
[More....]


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Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy. »

First Night of the BBC Proms : Elgar The Kingdom

The BBC Proms 2014 season began with Sir Edward Elgars The Kingdom (1903-6). It was a good start to the season,which commemorates the start of the First World War. From that perspective Sir Andrew Davis's The Kingdom moved me deeply.  »

Le nozze di Figaro, Munich

One is unlikely to come across a cast of Figaro principals much better than this today, and the virtues of this performance indeed proved to be primarily vocal.  »

Winterreise and Trauernacht at the Aix Festival

That’s A Winter’s Journey and A Night of Mourning for metteurs-en-scène William Kentridge (South Africa) and Katie Mitchell (Great Britain), completing the clean sweep of English language stage directors for the Aix Festival productions this year. »

James Gilchrist at Wigmore Hall

Assured elegance, care and thoughtfulness characterised tenor James Gilchrist’s performance of Schubert’s Schwanengesang at the Wigmore Hall, the cycles’ two poets framing a compelling interpretation of Beethoven’s An die ferne Geliebte.  »

Music for a While: Improvisations on Henry Purcell

‘Music for a while shall all your cares beguile.’ Dryden’s words have never seemed as apt as at the conclusion of this wonderful sequence of improvisations on Purcell’s songs and arias, interspersed with instrumental chaconnes and toccatas, by L’Arpeggiata.  »

Nabucco at Orange

The acoustic of the gigantic Théâtre Antique Romain at Orange cannot but astonish its nine thousand spectators, the nearly one hundred meter breadth of the its proscenium inspires awe. There was excited anticipation for this performance of Verdi’s first masterpiece. »

Richard Strauss: Notturno

Richard Strauss may be most closely associated with the soprano voice but this recording of a selection of the composer’s lieder by baritone Thomas Hampson is a welcome reminder that the rapt lyricism of Strauss’s settings can be rendered with equal beauty and character by the low male voice.  »

Saint Louis: A Hit is a Hit is a Hit

Opera Theatre of Saint Louis has once again staked claim to being the summer festival “of choice” in the US, not least of all for having mounted another superlative world premiere. »

La Flûte Enchantée (2e Acte)
at the Aix Festival

In past years the operas of the Aix Festival that took place in the Grand Théâtre de Provence began at 8 pm. The Magic Flute began at 7 pm, or would have had not the infamous intermittents (seasonal theatrical employees) demanded to speak to the audience. »

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