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News

Patricia Petibon: Francis Poulenc — Voyage à Paris

anger’s aweigh

By John Yohalem [Parterre Box, 22 October 2014]

It was a night a-tingle with excitement at the Metropolitan Opera House. At least part of this lay in never knowing when vocal protests might explode (verbally) somewhere in the auditorium.

[More . . . . ]

The Royal Shakespeare Company Releases Music From Its Archive

By Ari Shapiro [NPR, 12 October 2014]

For more than a century, the Royal Shakespeare Company in England has hired composers to write original music for its productions. That sheet music has sat in a vault for decades — until now.

[More . . . .]

Joyce DiDonato at the Gowanus Ballroom

Trusting the ensemble — Charles Hazlewood

How playing an instrument benefits your brain

Architecture: The Opera Garnier

Monteverdi to Mozart: 1600-1800

Jacopo_Vignali_-_Orphée_et_Eurydice.jpg

Vienna State Opera live at home

In Bruges

By John Yohalem [16 September 2014, Parterre Box]

They say that Boston, despite many cultural distinctions, ain’t no opera town, and for some decades—generations?—this has been true. But tides of change will break, even on the shores of the Hub. There is a baroque opera revival, spawned by the Boston Early Music Festival (a Monteverdi trilogy arriving next spring) and leading to hi-jinks at the region’s many schools, and to Boston Baroque, which gives Handel’s Agrippina in April. The somewhat traditional Boston Lyric Opera presents everything from Lizzie Borden (last month) to La Traviata (next month), though confining itself to three or four productions a year.

[More . . . .]

Elīna Garanča: Meditation

Great Expectations: A New Season Of New Music

By Tom Huizenga [NPR Music]

Musicologist and pianist Charles Rosen once quipped: "The death of classical music is perhaps its oldest continuing tradition." But it's tough to see much gloom when faced with the diversity of premieres and provocative programming around the country in the 2014-2015 season.

[More . . . .]

Theatre of war: new-found patriotism meets old-school propaganda in a Russian opera about Crimea

By Amelia Glaser [2 September 2014, The Calvert Journal]

This year, Russia has revelled in grand demonstrations. If Sochi’s opening ceremony is now a distant memory, the annexation of Crimea has offered a theme for mass spectacle to rival those of the Soviet Union. The Night Wolves motorcycle club (Russia’s Hells Angels) recently hosted their annual bike show in Sevastopol in Crimea, dedicated to the defenders of the fatherland from 1941 to 2014. Poems celebrating Russia’s historical struggle for Crimea were interspersed with black-clad “fascists” dancing to soundbites from Barack Obama and Angela Merkel. President Vladimir Putin sent a greeting; Steven Seagal made an appearance. These larger-than-life images of a triumphant fatherland, venerated leader and glorious history suggested a new return to Socialist Realism, albeit with a post-socialist twist.

[More . . . .]

The Classical Cloud

By Alex Ross [8 September 2014, The New Yorker]

Recently, while moving my CD collection to new shelving, I struggled with feelings of obsolescence and futility. Why bother with space-devouring, planet-harming plastic objects when so much music can be had at the touch of a trackpad—on Spotify, Pandora, Beats Music, and other streaming services that rain sonic data from the virtual entity known as the Cloud?

[More . . . .]

Operalia 2014 winners include Mario Chang, Rachel Willis-Sørensen

By David Ng [31 August 2014, LA Times]

The winners of the 2014 Operalia competition were announced Saturday evening at the conclusion of the finals competition held at the Dorothy Chandler Pavilion. Tenor Mario Chang from Guatemala and soprano Rachel Willis-Sørensen of the U.S. took home the two first-place prizes.

[More . . . .]


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Nabucco in Novi Sad

After the horrors of Jagoš Marković’s production of Le Nozze di Figaro in Belgrade, I was apprehensive lest Nabucco in Serbia’s second city of Novi Sad on 27th October would be transplanted from 6th century BC Babylon to post-Saddam Hussein Tikrit or some bombed-out kibbutz in Beersheba.  »

La Bohème in San Francisco

First Toronto, then Houston and now San Francisco, the third stop of a new production of Puccini's La bohème by Canadian born, British nurtured theater director John Caird. »

Radvanovsky Sings Recital in Los Angeles

Every once in a while Los Angeles Opera presents an important recital in the three thousand seat Dorothy Chandler Pavilion.  »

L’elisir d’amore, Royal Opera

This third revival of Laurent Pelly’s production of Donizetti’s L’elisir d’amore needed a bit of a pep up to get moving but once it had been given a shot of ‘medicinal’ tincture things spiced up nicely. »

Samling Showcase, Wigmore Hall

Founded in 1996, Samling describes itself as a charity which ‘inspires musical excellence in young people’.  »

La cenerentola in San Francisco

The good news is that you don’t have to go all the way to Pesaro for great Rossini. »

Rameau: Maître à danser — William Christie, Barbican London

Maître à danser: William Christie and Les Arts Florissants at the Barbican, London, presented a defining moment in Rameau performance practice, choreographed with a team of dancers.  »

Le Nozze di Figaro — or Sex on the Beach?

The most memorable thing (and definitely not in a good way) about this performance of Le Nozze di Figaro at the Serbian National Theatre in Belgrade was the self-serving, infantile, offensive and just plain wrong production by celebrated Serbian theatre director Jagoš Marković.  »

The Met mounts a well sung but dramatically unconvincing ‘Carmen’

Should looks matter when casting the role of the iconic temptress for HD simulcast? »

Maurice Greene’s Jephtha

Maurice Greene (1696-1755) had a highly successful musical career. Organist of St. Paul’s Cathedral, a position to which he was elected when he was just 22 years-old, he later became organist of the Chapel Royal, Professor of Music at the University of Cambridge and, from 1735, Master of the King’s Music. »

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