THE INNER VOICE: The Making of a Singer
Renee Fleming evidently started out determined to write a different sort of opera singer's memoir. She calls her book "the autobiography of my voice" and tries gamely to keep matters of breath control, vocal placement, posture and resonance at center stage. She succeeds about half the time, and that makes her slim volume well worth reading. Inevitably, there is a certain amount of backstage chitchat and career-mongering in the mix, but Fleming deserves credit for at least trying to write a book that rises above all that.
Fleming is the daughter of two school music teachers from upstate New York (her mother sang with the Rochester Opera) who discovered her voice as an adolescent and seems to be still surprised by the success it has brought her as opera star, recitalist and soloist with orchestras. Even today, having reached the very top of the operatic tree, she writes of feeling insecure and having anxiety attacks that can come close to making her cancel engagements.
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