27 Nov 2007
STRAUSS : Elektra
Elektra: Tragedy in one act.
Hamlet: Opéra in five acts. Music composed by Ambroise Thomas. Libretto by Michel Carré and Jules Barbier after The Tragedy of Hamlet, Prince of Denmark by William Shakespeare.
Advertised in the program as the first opera written in the New World, La Púrpura de la Rosa (PR) was premiered in 1701 in Lima (Peru), but more than the historical feat, true or not, accounts for the piece’s interest.
Das Liebesverbot: Grosse komische Oper in two acts.
Opera in three acts. Words and music by Richard Wagner.
Parsifal. Bühnenweihfestspiel (“stage dedication play”) in three acts.
“German poet, dramatist and novelist. One of the most important literary and cultural figures of his age, he was recognized during his lifetime for his accomplishments of almost universal breadth. However, it is his literary works that have most consistently sustained his reputation, and that also serve to demonstrate most clearly his many-faceted relationship to music. . . .
This theme relates to operas based on the works of Friedrich von Schiller.
Here are operas based on French literature from Balzac, Hugo and beyond:
Le Cid, Opéra in 4 acts
I puritani, opera seria in three acts
Zaira, Tragedia lirica in two acts.
Athalia: Oratorio (sacred drama) in 3 acts
Lucrezia Borgia: Melodramma in a prologue and two acts.
La Esmeralda: Opéra in four acts.
Ernani: Dramma lirico in four parts.
Oberst Chabert (Colonel Chabert): Tragic opera in 3 acts.
Otello: Dramma lirico in four acts.
Music composed by Giuseppe Verdi. Libretto by Arrigo Boito after The Tragedie of Othello, the Moore of Venice by William Shakespeare.
A Midsummer Night’s Dream, a comedy in five acts with incidental music.
Le Marchand de Venise (“The Merchant of Venice”): Opéra in three acts.
Gli Equivoci (The Comedy of Errors): Opera in two acts.
Elektra: Tragedy in one act.
Music composed by Richard Strauss. Libretto by Hugo von Hofmannsthal .
First Performance: 25 January 1909, Opernhaus, Dresden
|Klytemnestra, widow of Agamemnon||Mezzo Soprano|
|Elektra, daughter of Klytemnestra||Soprano|
|Chrysothemis, daughter of Klytemnestra||Soprano|
|Aegisth, Klytemnestra’s paramour||Tenor|
|Orest, son of Agamemnon and Klytemnestra||Baritone|
|Tutor to Orest||Baritone|
|Confidante of Klytemnestra||Soprano|
|Trainbearer of Klytemnestra||Soprano|
|2nd and 3rd Maids||2 Mezzo Sopranos|
Setting: Ancient Mycenae
Maids try to wash away the blood in the palace where Agamemnon was murdered by his wife Klytemnestra and her lover Aegisth. The princess Elektra, in dishevilled state, enters the courtyard for her daily ritual of lamenting her dead father. She swears vengeance and awaits the return of her brother Orest to enact the deed. Her sister Chrysothemis warns her of the royal couple’s plans to imprison Elektra and describes her yearning for motherhood. Elektra scorns her and, on hearing that Klytemnestra suffers nightmares of vengeance, is determined to confront their mother. Feigning a reconciliatory tone, Elektra gains Klytemnestra’s confidence, and they remember happier times when Agamemnon was alive. The Queen, plagued physically and mentally, begs her daughter to help but Elektra promises that only death can bring relief and describes how Agememnon’s murder will be avenged. Klytemnestra receives a message and leaves with joyous laughter. Chysothemis returns to tell Elektra that two strangers have arrived with news of the death of Orest. Elektra demands that the two sisters carry out the deed themselves but Chrysothemis refuses. Alone, Elektra digs up the axe that murdered her father. One of the strangers reveals himself as Orest, and brother and sister are reunited. Orest enters the palace and Klytemnestra’s death cries are heard. Aegisth returns and Elektra lights his way into the palace to meet his doom. As the court celebrates the return of Orest, Elektra dances in triumph and falls lifeless to the ground. Chrysothemis hammers on the closed doors of the palace calling her brother’s name.
[Synopsis Source: Boosey & Hawkes]