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Elsewhere

Bampton Classical Opera Young Singers' Competition 2019

Applications will open on March 1, 2019 for Bampton Classical Opera’s fourth biennial Young Singers’ Competition. The competition was launched in 2013 to celebrate the company’s 20th birthday. It is now well established and identifies, rewards and nurtures some of the country’s most talented young professional singers aged 21-32 and their accompanists.

Petrenko Directs Beethoven’s Missa Solemnis

The quick rise to prominence and thin catalog of recordings by Russian conductor Kirill Petrenko, outgoing General Music Director of the Bayerische Staatsoper and incoming chief conductor of the Berlin Philharmonic, renders each of his forays into the classic repertoire significant. Last Sunday morning, the Bayerisches Staatsorchester gave the first of three performances of Beethoven’s Missa Solemnis under his direction.

Stéphanie D’Oustrac: Sirènes

After D’Oustrac’s striking success as Cassandre in Berlioz Les Troyens, this will reach audiences less familiar with her core repertoire in the baroque and grand opéra. Berlioz’s Les nuits d’été and La mort d’Ophélie, Wagner’s Wesendonck Lieder and the Lieder of Franz Liszt are very well known, but the finesse of D’Oustrac’s timbre lends a lucid gloss which makes them feel fresh and pure.

Faust in Marseille

We sat, bewildered, all of us, watching (enduring) Gounod’s sweet little tear jerker as a nasty drug trip. Except for the Australian Marguerite it was an all French cast and they all gamely played along, the sophisticated verse of Offenbach’s librettists Jules Barbier and Michel Carré clearly sailing out over an abrasive pit.

Down in flames: Les Troyens, Opéra de Paris

Hector Berlioz’s Les Troyens with Philippe Jordan conducting the Opéra National de Paris. Since Les Troyens headlined the inauguration of Opéra Bastille 30 years ago, we might have expected something special of this new production. It should have been a triumph, with such a good conductor and some of the best singers in the business. But it wasn't.

Luminous Mahler Symphony no.3: François-Xavier Roth, Gürzenich-Orchester Köln

Gustav Mahler’s Symphony No.3 with François-Xavier Roth and the Gürzenich-Orchester Köln, now at last on CD, released by Harmonia Mundi, after the highly acclaimed live performance streamed a few months ago.

Andrew Davis conducts Berlioz’s L’enfance du Christ at Hoddinott Hall

A weekend commemorating the 150th anniversary of the death of Hector Berlioz (1803-1869) entitled Berlioz: The Ultimate Romantic was launched in style from Cardiff’s Hoddinott Hall with a magnificent account of L’enfance du Christ (Childhood of Christ). The emotional impact of this ‘sacred trilogy’ seemed to gain further weight for its performance midway between Christmas and Easter, neatly encapsulating Christ’s journey from birth to death.

Love Songs: Temple Song Series

In contrast to the ‘single-shaming’ advertisement - “To the 12,750 people who ordered a single takeaway on Valentine’s Day. You ok, hun?” - for which the financial services company, Revolut, were taken to task, this Temple Music recital programme on 14th February put the emphasis firmly on partnerships: intimate, impassioned and impetuous.

Philip Glass: Akhnaten – English National Opera

There is a famous story that when Philip Glass first met Nadia Boulanger she pointed to a single bar of one of his early pieces and said: “There, that was written by a real composer”. Glass recalls that it was the only positive thing she ever said about him

Rachvelishvili excels in ROH Orchestra's Russian programme

Cardboard buds flaming into magic orchids. The frenzied whizz of a Catherine Wheel as it pushes forth its fiery petals. A harvest sky threshed and glittering with golden grain.

Independent Opera & Britten Sinfonia celebrate bicentenary of Queen Victoria & Prince Albert's births

To celebrate the bicentenary of Queen Victoria and Prince Albert’s births in 2019, Independent Opera (IO) and Britten Sinfonia present the first public performance of Joby Talbot’s new cantata A Sheen of Dew on Flowers on Thursday 11 April at the Barbican.

English National Opera to reprise its 5* production of Paul Bunyan at the historic Alexandra Palace Theatre

Following its sell-out success at Wilton’s Music Hall in September 2018, English National Opera’s acclaimed production of Benjamin Britten’s Paul Bunyan will be revived in May at the equally historically remarkable venue of Alexandra Palace Theatre.

Glyndebourne celebrates 25 years of its award-winning opera house in 2019

Unveiled in 1994, the new auditorium increased capacity by 50% to 1,200 seats and significantly improved backstage facilities. This allowed more people to enjoy world-class opera at Glyndebourne and enabled the company to stage bigger and more ambitious productions in the years that followed.

Lucrèce Borgia in Toulouse

This famed murderess worked her magic on Toulouse’s Théâtre du Capitole stage, six dead including her beloved long lost son. It was Victor Hugo’s carefully crafted 1833 thriller recrafted by Italian librettist Felice Romano that became Donizetti’s fragile Lucrezia Borgia.

Amanda Majeski makes a stunning debut at Covent Garden in Richard Jones's new production of Kát’a Kabanová

How important is ‘context’, in opera? Or, ‘symbol’? How does one balance the realism of a broad social milieu with the expressionistic intensity of an individual’s psychological torment and fracture?

Returning to heaven: The Cardinall's Musick at Wigmore Hall

The Cardinall’s Musick invited us for a second time to join them in ‘the company of heaven’ at Wigmore Hall, in a recital that was framed by musical devotions to St Mary Magdalene and the Virgin Mary.

Diana Damrau’s Richard Strauss Residency at the Barbican: The first two concerts

Listening to these two concerts - largely devoted to the music of Richard Strauss, and given by the soprano Diana Damrau, and the superlative Bavarian Radio Symphony Orchestra in the second - I was reminded of Wilhelm Furtwängler’s observation that German music would be unthinkable without him.

De la Maison des Morts in Lyon

The obsessive Russian Dostoevsky’s novel cruelly objectified into music by Czech composer Leos Janacek brutalized into action by Polish director Krzysztof Warlikowski beatified by Argentine conductor Alejo Pérez.

A First-Ever Recording: Benjamin Godard’s 1890 Opera on Dante and Beatrice

The composer Benjamin Godard (1849–95) is today largely unknown to most music lovers. Specialist collectors, though, have been enjoying his songs (described as “imaginative and delightful” by Robert Moore in American Record Guide), his Concerto Romantique for violin (either in its entirety or just the dancelike Canzonetta, which David Oistrakh recorded winningly decades ago), and some substantial chamber and orchestral works that have received first recordings in recent years.

La Nuova Musica perform Handel's Alcina at St John's Smith Square

There was a full house at St John’s Smith Square for La Nuova Musica’s presentation of Handel’s Alcina.


OPERA TODAY ARCHIVES »

Commentary

21 Feb 2019

Bampton Classical Opera Young Singers' Competition 2019

Applications will open on March 1, 2019 for Bampton Classical Opera’s fourth biennial Young Singers’ Competition. The competition was launched in 2013 to celebrate the company’s 20th birthday. It is now well established and identifies, rewards and nurtures some of the country’s most talented young professional singers aged 21-32 and their accompanists. »

Recently in Commentary

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23 Feb 2005

Die Welt Interviews Rolando Villazón

Der 32-jährige Mexikaner Rolando Villazón hat sich in seinen wenigen Karrierejahren bereits als eine der größten Tenor-Hoffnungen erwiesen. Ein Interview mit dem nie stillsitzenden Lockenkopf ist wie eine Bühnenvorstellung. Manuel Brug hat es erfahren. »

18 Feb 2005

A Star Is Born

Phumzile Sojola got the call less than 36 hours before the concert. University of Kentucky alum Gregory Turay, who was set to be the featured soloist on the Lexington Philharmonic’s Feb. 4 concert, was sick and might not be able to sing. The orchestra needed a tenor in the wings. OK, Sojola thought. He knew the scheduled arias. »

18 Feb 2005

Le Figaro Profiles Valery Gergiev

Pas facile à coincer, Valery Gergiev. Le chef russe le plus charismatique de sa génération a voué sa vie au Kirov de Saint-Pétersbourg, dont il a fait l’un des théâtres lyriques les plus recherchés du monde. Mais il anime aussi trois festivals : les Nuits blanches de Saint-Pétersbourg, le Festival de Pâques de Moscou et celui de Mikkeli en Finlande. N’oublions pas non plus qu’il est directeur musical de l’Orchestre philharmonique de Rotterdam, premier chef invité du Metropolitan Opera de New York, et l’un des maestros préférés du Philharmonique de Vienne, qu’il dirige tant au Musikverein qu’au Festival de Salzbourg et en tournée. Avec un tel calendrier, guère de place pour des invitations à droite et à gauche, et s’il a fait récemment ses débuts aux «Proms» de Londres avec l’Orchestre symphonique de la BBC, c’était une exception dont on se demande si elle va se généraliser, donnant un nouveau tour à une carrière jusqu’ici focalisée sur quatre orchestres. »

17 Feb 2005

Marcello Viotti Has Died

BERLIN – Marcello Viotti, the music director of Venice’s famed La Fenice Theater who also conducted at New York’s Metropolitan Opera and other leading houses, died at a German hospital after falling into a coma. He was 50. Viotti died Wednesday night after being in a coma for several days at a clinic in Munich, Germany, his agent, Paul Steinhauser, said by telephone from Vienna, Austria. »

15 Feb 2005

L'Express Interviews Natalie Dessay

Il y a un miracle Natalie Dessay. Sa Reine de la Nuit (dans La Flûte enchantée, de Mozart) ou son Olympia (des Contes d’Hoffmann, d’Offenbach), irrésistibles de présence et de drôlerie, ont déjà marqué l’histoire de l’opéra. On se régale de sa présence sur scène, de son tempérament explosif, on admire sa voix de soprano léger à la virtuosité sans limites, et on respecte la femme, diva humble et sincère. On aime Natalie, on croit la connaître, mais elle reste un mystère. Après une saison triomphale, couronnée par un enregistrement (Amor, consacré à la musique de Richard Strauss, chez Virgin Classics) et une victoire de la musique, soudain, patatras! Comme il y a deux ans, une opération des cordes vocales oblige la chanteuse à annuler des représentations. Le doute et la peur viennent ébranler ce petit bout de femme d’ordinaire débordant d’énergie. Pourquoi? Natalie Dessay s’en explique ici »

11 Feb 2005

A Profile of Rolando Villazon

Rolando Villazon has the opera world on a string. The young Mexican tenor has just completed a fairy tale year, with acclaimed debuts at New York’s Metropolitan Opera, Covent Garden in London and the Staatsoper in Berlin. He released his first CD, a collection of Italian arias; several critics ranked it among the best classical recordings of 2004. And his face graced the covers of a number of opera periodicals. »

09 Feb 2005

Il Gazzettino Interviews Claudio Scimone

Maestro Scimone, cosa rappresenta per lei questo riconoscimento del consiglio regionale che la indica come come ambasciatore della cultura veneta nel mondo? «In un primo momento, oltre che commosso, sono rimasto anche un po’ stupito soprattutto considerando il libro d’oro molto ristretto di questo premio, assegnato sinora solo a un Patriarca di Venezia e a un eroe. Poi ho pensato che il significato di questa scelta del consiglio regionale è il riconoscere come sia importante per la nostra regione l’arte e la cultura che sono l’elemento di identificazione più importante del Veneto». »

06 Feb 2005

Roll Over Stockhausen

When did the music die? And why? It will be 30 years in August since the death of Dmitri Shostakovitch. Next year also marks the 30th anniversary of the death of Benjamin Britten. Aaron Copland, older than both of them, lived on until 1990 and Olivier Messiaen until 1992. But apart from these? I can see them already. The protestations on behalf of the half-forgotten and semi-famous, the advocates of Henze and Berio, the followers of Tavener and Adès. Perhaps there will be a good word for Golijov or Gubaidulina, for Piazzola or Saariaho (enthusiasms I share). And maybe, even now, there remains someone who believes that Stockhausen should be mentioned in the same breath as Bach, the last of the true believers clinging to the shipwreck of modernism. »

02 Feb 2005

Jirí Belohlávek Named to Head BBCSO

The BBC Symphony Orchestra confirmed yesterday that its new chief conductor from the first night of the 2006 Proms will be the Czech maestro Jirí Belohlávek. It was known two and a half years ago that Leonard Slatkin would be standing down from the job at the end of last season’s Proms, so the announcement about his successor has been a long time coming, but the welcome news of Belohlávek’s appointment is not a surprise. I floated him as the most likely choice in an article on these pages back in July last year. It was a hunch, but one based on a reasoned study of the form book, since he seemed to have precisely the qualities that the BBC should be looking for. »

01 Feb 2005

Teresa Berganza — Two Interviews

Le coeur des amoureux de bel canto va battre plus fort, mardi soir au Théâtre des Champs-Élysées. La série «Les Grandes Voix» de Jean-Pierre Le Pavec accueille l’une des plus grandes dames de l’histoire de l’opéra au dernier demi-siècle. A un mois de son soixante-et-onzième anniversaire, Teresa Berganza précise qu’il ne faut pas espérer entendre le Chérubin ou la Rosine des années 50 : avec sa voix d’aujourd’hui, elle se consacre maintenant au récital, faisant la part belle au répertoire ibérique, qu’il soit espagnol (de Falla) ou argentin (Piazzolla). Mais elle a toujours la même discipline, la même élégance, le même pétillement : un petit bout de femme vif-argent et intarissable, qui vous donne l’impression qu’on s’est toujours connus. Rencontre avec une immense artiste, qui a participé à l’âge d’or de l’opéra. »

30 Jan 2005

Mozart Here, Mozart There, Mozart Everywhere

Mozart-Tage in Wien, Mozartwoche in Salzburg. Und das alles 2005, wo doch das Mozartjahr erst 2006 droht. Vor lauter Ankündigungen und Vorausschauen, was die Welt, was Österreich im Besonderen im Jubiläumsjahr an Plänen ventiliert, droht Mozarts Musik zur Nebensache zu werden. Das ist ihr Glück. Denn so bleibt sie, während wohlbestallte Koordinatoren und Intendanten über Aktionen von hoch bezahlten Kasperln diskutieren, doch die Hauptsache. »

28 Jan 2005

Encountering David Daniels

``I’m Tom Brady’s best friend,’’ joked David Daniels. ``I’m sure he’d love to read that!’’ OK, the world’s leading countertenor isn’t really Brady’s bud. ``But I did meet him,’’ Daniels continued. ``It was when I sang (Handel’s) `Messiah’ in Ann Arbor.’’ Brady was quarterback for the University of Michigan football team when Daniels, now 38, was a graduate student there. ``A lot of times the football players would come to concerts – they were always trying to enlighten them to the music world, arts and culture – and he came backstage and I got to shake his hand,’’ Daniels recalled. ``If you asked him, he might remember me as this guy who sang like a woman.’‘ »

28 Jan 2005

Denyce Graves Goes to the Treasure Coast

With a voice as strong and clear as the winter wind through the cherry trees, Denyce Graves sang for all America last week at President Bush’s inaugural ceremony. Graves, who was born and raised in Washington, D.C., is something of a musical emissary — she’s had the lead roles in opera houses all over the globe, and is considered one of the most dynamic mezzo-sopranos on the world stage. »

28 Jan 2005

Homage to Marian Anderson

Start buying pieces of fine art this week for 37 cents. The Marian Anderson first-class postage stamp, the 28th in the Black Heritage series, debuted Thursday in Washington, D.C. Richard Sheaff designed the stamp, which is based on an Albert Slark oil painting. Sheaff previously designed nine stamps that include Paul Robeson, Thurgood Marshall, Langston Hughes, Roy Wilkins and Patricia Harris. »

26 Jan 2005

Comparing Tebaldi and de los Angeles

According to popular legend, one great operatic soprano comes along every generation. The years directly following the end of World War II were singularly blessed with the emergence of no fewer than three great divas. The tempestuous and too-short life of Maria Callas, regarded by many as the greatest, ended in 1977. But her two greatest rivals lived into old age, by strange fate – the force of destiny? – dying within less than a month of each other. »

26 Jan 2005

Julia Jones Conducts at the Wiener Staatsoper

VIENNA, Jan. 23 -It was just eight years ago that the Vienna Philharmonic, which doubles as the orchestra of the Vienna State Opera, officially admitted the first woman to its august ranks. On Jan. 12, there were at least six in the pit for “Parsifal.” On the 13th, there was one in the pit for “Don Giovanni.” On Saturday, there was one at the head of the orchestra: Julia Jones, an English conductor who made her debut here in 2001, has conducted a number of times here since, and who led a robust “Così Fan Tutte” during the house’s second annual “Vienna Mozart Days” (which ends with a final “Nozze di Figaro” on Jan. 29). »

24 Jan 2005

Le Figaro Interviews Marc Minkovski

A 20 ans, Marc Minkovski fondait les Musiciens du Louvre et, très vite, imprimait sa sensibilité gourmande sur le répertoire baroque, puis sur des Offenbach qui ont fait mouche à Lyon, Grenoble et Paris. On se souvient d’un grand Couronnement de Poppée à Aix-en-Provence, d’un admirable Pelléas et Mélisande, salle Favart, pour le centenaire de l’oeuvre en 2002. A l’Opéra de Paris, Gérard Mortier en fait aujourd’hui un pilier de ce qui ne ressemble pas à de la sagesse : le voici aux commandes musicales d’une nouvelle Flûte enchantée venue du Festival de la Ruhr, et donnée en pâture au délirant groupe catalan La Fura del Baus. Le chef, lui, s’occupe surtout de Mozart. »

21 Jan 2005

John Eliot Gardiner Goes It Alone — Take Two

What is it that urges an eminent musician to spurn the mainstream record industry and set up on his own? Some orchestras have been doing it for quite a while, bypassing the major companies and releasing competitively priced discs of live performances that regularly lead the market and at the same time help to promote the orchestras’ image. Where the London Symphony Orchestra led the way in that field, Sir John Eliot Gardiner, who already has a formidable backlist of recordings to his credit, is now blazing a trail for the individual artist by launching his own label, Soli Deo Gloria, the first two albums of which have just gone on sale. »