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Elsewhere

San Diego Opera presents Adams’ Riveting Nixon in China

Nixon in China is a three-act opera with a libretto by Alice Goodman and music by John Adams that was first seen at the Houston Grand Opera on October 22, 1987. It was the first of a notable line of operas by the composer.

Ars Minerva presents Castrovillari’s La Cleopatra in San Francisco

It is thanks to Céline Ricci, mezzo-soprano and director of Ars Minerva, that we have been able to again hear Daniele Castrovillari’s exquisite melodies because she is the musician who has brought his 1662 opera La Cleopatra to life.

World Premiere of Jennifer Higdon’s opera Cold Mountain at Santa Fe Opera this August

East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.

An Ideal Cast in Chicago’s Tannhäuser

Lyric Opera of Chicago, in association with the Royal Opera House, Covent Garden, has staged a production of Richard Wagner’s Tannhäuser with an estimable cast.

Winners of the Metropolitan Opera National Council Auditions Announced

Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition

A Chat with Julia Noulin-Mérat

Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.

Madame Butterfly, Royal Opera

Puccini and his fellow verismo-ists are commonly associated with explosions of unbridled human passion and raw, violent pain, but in this revival (by Justin Way) of Moshe Leiser’s and Patrice Caurier’s 2003 production of Madame Butterfly, directorial understatement together with ravishing scenic beauty are shown to be more potent ways of enabling the sung voice to reveal the emotional depths of human tragedy.

Tosca in Marseille

Rarely, very rarely does a Tosca come around that you can get excited about. Sure, sometimes there is good singing, less often good conducting but rarely is there a mise en scène that goes beyond stock opera vocabulary.

Poetry beyond words — Nash Ensemble, Wigmore Hall

The Nash Ensemble’s 50th Anniversary Celebrations at the Wigmore Hall were crowned by a recital that typifies the Nash’s visionary mission. Above, the dearly-loved founder, Amelia Freeman, a quietly revolutionary figure in her own way, who has immeasurably enriched the cultural life of this country.

Arizona Opera Presents Magritte Style Magic Flute

On March 7, 2015, Arizona Opera presented Dan Rigazzi’s production of Die Zauberflöte in Tucson. Inspired by the works of René Magritte, designer John Pollard filled the stage with various sizes of picture frames, windows, and portals from which he leads us into Mozart and Schikaneder’s dream world.

Henry Purcell: A Retrospective

There are some concert programmes which are not just wonderful in their execution but also delight and satisfy because of the ‘rightness’ of their composition. This Wigmore Hall recital by soprano Carolyn Sampson and three period-instrument experts of arias and instrumental pieces by Henry Purcell was one such occasion.

Die Meistersinger and The Indian Queen
at the ENO

It has been a cold and gray winter in the south of France (where I live) made splendid by some really good opera, followed just now by splendid sunshine at Trafalgar Square and two exquisite productions at English National Opera.

Rise and Fall of the City of Mahagonny, Royal Opera

At long last, Rise and Fall of the City of Mahagonny has come to the Royal Opera House. Kurt Weill’s teacher, Busoni, remains scandalously ignored, but a season which includes house firsts both of this opera and Szymanowsi’s King Roger, cannot be all bad.

How to Write About Music: The RILM Manual of Style

RILM Abstracts of Music Literature is an international database for musicological and ethnomusicological research, providing abstracts and indexing for users all over the world. As such, RILM’s style guide (How to Write About Music: The RILM Manual of Style) differs fairly significantly from those of more generalized style guides such as MLA or APA.

Unsuk Chin: Alice in Wonderland, Barbican, London

Unsuk Chin’s Alice in Wonderland returned to the Barbican, London, shape-shifted like one of Alice’s adventures. The BBC Symphony Orchestra was assembled en masse, almost teetering off stage, creating a sense of tension. “Eat me, Drink me”. Was Lewis Carroll on hallucinogens or just good at channeling the crazy world of the subconscious?

Welsh National Opera: The Magic Flute and Hansel and Gretel

Dominic Cooke’s 2005 staging of The Magic Flute and Richard Jones’s 1998 production of Hansel and Gretel have been brought together for Welsh National Opera’s spring tour under the unifying moniker, Spellbound.

A worthy tribute for a vocal seductress of the ancient régime

Carolyn Sampson has long avoided the harsh glare of stardom but become a favourite singer for “those in the know” — and if you are not one of those it is about time you were.

Double bill at Guildhall

Gaetano Donizetti and Malcolm Arnold might seem odd operatic bedfellows, but this double bill by the Guildhall School of Music and Drama offered a pair of works characterised by ‘madness, misunderstandings and mistaken identity’ which proved witty, sparkling and imaginatively realised.

LA Opera: Barber of Seville

Saturday, February 28, 2015, was the first night for Los Angeles Opera’s revival of its 2009 presentation of The Barber of Seville, a production by Emilio Sagi, which comes originally from Teatro Real in Madrid in cooperation with Lisbon’s Teatro San Carlos. Sagi and onsite director, Trevor Ross, made comedy the focus of their production and provided myriad sight gags which kept the audience laughing.

Mirabai: New opera, holograms and eternal love

A brand new opera — especially one that is groundbreaking— can really put an opera company on the map. British composer Barry Seaman’s stunning new work, Mirabai, which explores the story of the free thinking, mystic 16th century Hindu princess, Mira, is ambitious on many levels — artistically, technically and creatively.


OPERA TODAY ARCHIVES »

Commentary

Jennifer Higdon [Photo by J. Henry Fair]
26 Mar 2015

World Premiere of Jennifer Higdon’s opera Cold Mountain at Santa Fe Opera this August

East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30. »

Recently in Commentary

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28 Oct 2004

Octavio Roca on Carmen

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28 Oct 2004

FT on Countertenor Lawrence Zazzo

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28 Oct 2004

A Tribute to Robert Merrill (1919-2004)

MEMORIES OF ROBERT MERRILL: AMERICAN OPERATIC ICON by James Engdahl, Engdahl Artists International Robert Merrill, born Moishe Miller in the Williamsburg section of Brooklyn, passed away last Saturday, October 22, 2004, as he watched the first game of the World... »

27 Oct 2004

FT on the Future of Wexford Opera Festival

Wexford's dilemma for future operas By Andrew Clark Published: October 27 2004 03:00 | Last updated: October 27 2004 03:00 When Wexford's opera festival was young and innocent, audiences used to talk of "one for the head, one for the... »

27 Oct 2004

Looking for Wolfgang in All the Wrong Places

Scientists dig up family skeletons Luke Harding in Berlin Wednesday October 27, 2004 The Guardian It has been a mystery for more than a century - is a skull in an Austrian basement really that of arguably the greatest composer... »

22 Oct 2004

The Guardian Profiles René Jacobs

Not so hippy now Since the 1960s, René Jacobs has been a pioneer of the early music movement. Stephen Everson hears how his vision has evolved Friday October 22, 2004 The Guardian Anyone who still thinks "authentic" performances of baroque... »

21 Oct 2004

An Interview with Michael Kaye on Puccini Rediscovered

*New Repertoire Discoveries for Singers: An Interview with Michael Kaye* by Maria Nockin Did you ever wonder why that last Tales of Hoffmann you sang had all those photocopied sheets added in? Or why the version of "Butterfly" you learned... »

17 Oct 2004

The Independent: John Tavener Rejects Orthodox Faith; To Compose Theatric Work Based on Krishna

Top composer Tavener turns to Islam for inspiration The Orthodox faith inspired him for more than 25 years, but after a rift with his spiritual adviser, the composer has rejected its 'tyranny' in a major work based on the Koran.... »

10 Oct 2004

Ópera Actual Interviews Anne Sofie von Otter

El sexo en la ópera no es sólo vulgar: ya nos aburre Fuera de la escena, la mezzo sueca es áspera y poco acogedora. Sus escasas sonrisas son un premio y sus respuestas son rápidas y precisas. Una evidente robustez... »

10 Oct 2004

Daily Telegraph Interviews Pierre Boulez

Mistakes? I've made a few... (Filed: 04/10/2004) Pierre Boulez, the greatest and most uncompromising composer-conductor of our time, is mellowing as he approaches 80. He talks to Ivan Hewett However hard one normally prepares for interviews, there's always the feeling... »

07 Oct 2004

Deborah Voigt withdraws from Vancouver Opera’s production of Der Rosenkavalier

*Deborah Voigt withdraws from Vancouver Opera's production of Der Rosenkavalier* Vancouver, BC ~ American soprano Deborah Voigt, who was to make her role début as the Marschallin in the company's première production of Richard Strauss's Der Rosenkavalier, has withdrawn from... »

07 Oct 2004

Licia Albanese at the Opening of the San Francisco Performing Arts Library and Museum's Exhibition "Madame Butterfly: From Puccini to Miss Saigon"

Many a tear was shed when soprano Licia Albanese sang. Now she is celebrating her signature work, 'Madama Butterfly.' Allan Ulrich, Special to The Chronicle Monday, October 4, 2004 Was she or wasn't she? Licia Albanese is adamant. "Diva? Hah!... »

06 Oct 2004

Le Figaro Interviews Felicity Lott

Deux reprises, des tournées, un DVD, le prix de la critique : La Belle Hélène par le tandem Minkowski/Pelly fut l’un des plus grands et des plus durables succès du Châtelet. De quoi donner envie de reconduire l’équipe gagnante dans un autre Offenbach : ce sera La Grande Duchesse de Gérolstein. Mais à une condition : que la vedette en soit à nouveau Dame Felicity Lott, la plus française des chanteuses britanniques, dont la classe et le naturel s’imposent de l’opérette viennoise à l’opéra-bouffe français, en passant par la nostalgie du Chevalier à la rose ou le désespoir de La Voix humaine. Nous avons rencontré cette femme délicieuse début septembre, juste avant que le spectacle n’inaugure la nouvelle salle de Grenoble, «rodage» précédant les représentations parisiennes. »

01 Oct 2004

Le Monde on Film Makers and Opera

L'opéra au cinéma, entre chic et surprise LE MONDE | 30.09.04 | 14em5 La mise en scène d'opéra est, pour des cinéastes comme Benoît Jacquot, Atom Egoyan, Robert Altman... l'occasion d'expériences exceptionnelles. "Il y a dans l'opéra un truc qui... »

29 Sep 2004

A Profile of Anna Netrebko

In the October 2004 issue of BBC Music magazine, Amanda Holloway writes: The phrase most often used of Anna Netrebko is a 'package': stunning looks, acting ability and a gorgeous, effortless lyric soprano voice. The following is a profile... »

27 Sep 2004

Pavarotti’s forgotten predecessor: Bruno Prevedi

By Jan Neckers The line of Decca-tenors seems to run straight from Del Monaco to Bergonzi to Pavarotti. Granted there are some intrusions by Giuseppe Campora, Giuseppe Di Stefano and Franco Corelli but their names are not widely associated with... »

22 Sep 2004

Joseph Schmidt (1904-2004)

This is not a biography of the Jewish tenor. Just some personal thoughts on a few interesting aspects. Those interested in a biographical article and an outstanding discography better purchase the June 2000 issue of The Record Collector where your servant and Hansfried Sieben devoted more than sixty small print pages to the tenor. Those able to read German can still buy Alfred Fasbind’s biography published at the Schweizer Verlagshaus in Zürich 1992. It is still available in some German bookshops and maybe with the author himself (Rosenbergstrasse 16, 8630 Rüti, Switzerland). »

21 Sep 2004

THE RISE OF NEAPOLITAN COMIC OPERA

Goldberg No. 27 By Brian Robins During the eighteenth century Naples was one of the largest and most vibrant cities in Europe. Hot, dirty and overcrowded, it was a city of teeming life and colour that flowed from court and... »

18 Sep 2004

Kiri Te Kanawa in Philadelphia

Soprano still sings, and talks about it By David Patrick Stearns Inquirer Music Critic The majestic voice of Metropolitan Opera radio announcer Milton Cross became painfully flummoxed at the name Kiri Te Kanawa. It was the soprano's 1974 debut at... »

12 Sep 2004

Chicago Tribune on Bolcom's Wedding

William Bolcom: The `Wedding' planner By John von Rhein Tribune music critic September 12, 2004 Elden is William Bolcom's middle name, but it might just as well be Eclectic. He's perhaps the most versatile "serious" composer now at work in... »

08 Sep 2004

The Independent: The Sydney Opera House: a father and son enterprise

In 1966 Jørn Utzon was forced to quit as architect of the Sydney Opera House before it was complete. Next week, the first new interiors he and his son have designed will be revealed. Louis Jebb reports 07 September 2004... »

07 Sep 2004

ÓPERA ACTUAL: Angela Gheorghiu

Angela Gheorghiu "Sé lo que quiero en la vida" Todavía resuenan los ecos de su renuncia a esa Traviata que inauguraba la pasada temporada del Teatro Real. Después de su paso fugaz por el Liceu y por el reciente Festival... »

05 Sep 2004

NYT: Why the Dying Richard Strauss Couldn't Get Enough of 'Daphne'

Why the Dying Richard Strauss Couldn't Get Enough of 'Daphne' By BRYAN GILLIAM ON June 11, 1949, his 85th birthday, Richard Strauss performed at his piano for the last time. A camera crew was filming a short documentary on him... »

01 Sep 2004

Pro Ópera: Deborah Voigt, en México

Deborah Voigt, en México Una de las más importantes sopranos de Estados Unidos visitó nuestro país a finales del pasado mes de mayo para dar dos recitales con la Orquesta Sinfónica Nacional. [remainder of article here]... »

01 Sep 2004

Classical Singer Interviews Plácido Domingo

Plácido Domingo by Cristina Necula The term "force of nature" often applies to those human beings who encompass at once faith, passion, inexhaustible energy, and complete dedication to their mission in life. Their impact on the world is lasting, carrying... »