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Elsewhere

Lust for Revenge: Barenboim and Herlitzius fire up Strauss’s Elektra in Berlin

As the German language describes so beautifully, a “Schrei aus tiefstem Herzen” was felt as Evelyn Herlitzius channelled an Elektra from the depths of her soul.

Semyon Bychkov heading to NYC and DC with Glanert and Mahler

Heading to N.Y.C and D.C. for its annual performances, the Royal Concertgebouw Orchestra invited Semyon Bychkov to return for his Mahler debut with the Fifth Symphony. Having recently returned from Vienna with praise for their rendition, the orchestra now presented it at their homebase.

Lost Stravinsky re-united with Rimsky-Korsakov, Gergiev, Mariinsky

Igor Stravinsky's lost Funeral Song, (Chante funèbre) op 5 conducted by Valery Gergiev at the Mariinsky in St Petersburg This extraordinary performance was infinitely more than an ordinary concert, even for a world premiere of an unknown work.

Philippe Jaroussky at the Wigmore Hall: Baroque cantatas by Telemann and J.S.Bach

On Tuesday evening this week, I found myself at The Actors Centre in London’s Covent Garden watching a performance of Unknowing, a dramatization of Schumann’s Frauenliebe und Leben and Dichterliebe (in a translation by David Parry, in which Matthew Monaghan directed a baritone and a soprano as they enacted a narrative of love, life and loss. Two days later at the Wigmore Hall I enjoyed a wonderful performance, reviewed here, by countertenor Philippe Jaroussky with Julien Chauvin’s Le Concert de la Loge, of cantatas by Telemann and J.S. Bach.

The new Queen of the City of Birmingham Symphony Orchestra

Here is one of the next new great conductors. That’s a bold statement, but even the L.A. Times agrees: Mirga Gražinytė-Tyla’s appointment “is the biggest news in the conducting world.” But Ms. Mirga Gražinytė-Tyla will be getting a lot of weight on her shoulders.

Falstaff at Manitoba Opera

Manitoba Opera chose to open its 44th season by going for the belly laughs — literally — as it notably presented its inaugural production of Verdi’s Falstaff.

Gothic Schubert : Wigmore Hall, London

Macabre and moonstruck, Schubert as Goth, with Stuart Jackson, Marcus Farnsworth and James Baillieu at the Wigmore Hall. An exceptionally well-planned programme devised with erudition and wit, executed to equally high standards.

Rusalka, AZ Opera

On November 20, 2016, Arizona Opera completed its run of Antonín Dvořák’s fairy Tale opera, Rusalka. Loosely based on Hand Christian Andersen’s The Little Mermaid, Joshua Borths staged it with common objects such as dining room chairs that could be found in the home of a child watching the story unfold.

First new Ring Cycle in 40 Years, Leipzig

Consistently overshadowed by the neighboring Bayreuth, the far less stuffy Oper Leipzig (Wagner’s birthplace) programmed after forty years their first complete Ring Cycle.

San Jose’s Beta-Carotene Rich Barber

You didn’t have to know the Bugs Bunny oeuvre to appreciate Opera San Jose’s enchanting Il barbiere di Sivigila, but it sure enhanced your experience if you did.

Manon Lescaut at Covent Garden

If there was ever any doubt that Puccini’s Manon is on a road to nowhere, then the closing image of Jonathan Kent’s 2014 production of Manon Lescaut (revived here for the first time, by Paul Higgins) leaves no uncertainty.

Fierce in War, dazzling in Peace: Joyce DiDonato at the Concertgebouw

Many opera singers are careful to maintain an air of political neutrality. Not so mezzo-soprano Joyce DiDonato, who is outspoken about causes she holds dear. Her latest project, a very personal response to the 2015 terror attacks in Paris, puts her audience through the emotional wringer, but also showers them with musical rewards.

Walter Braunfels Orchestral Songs Vol 2

Honours yet again to Oehms Classics who understand the importance of excellence. A composer as good, and as individual, as Walter Braunfels deserves nothing less.

Simplicius Simplicissimus

I wonder if Karl Amadeus Hartmann saw something of himself in the young Simplicius Simplicissimus, the eponymous protagonist of his three-scene chamber opera of 1936. Simplicius is in a sort of ‘Holy Fool’ who manages to survive the violence and civil strife of the Thirty Years War (1618-48), largely through dumb chance, and whose truthful pronouncements fall upon the ears of the deluded and oppressive.

2017 Summer Festival at Lucerne

Lucerne Festival announces its 2017 Summer Festival.

Lucia di Lammermoor at Lyric Opera of Chicago

For its second opera of the 2016-17 season Lyric Opera of Chicago has staged Gaetano Donizetti’s Lucia di Lammermoor in a production seen at the Maggio Musicale Fiorentino and the Grand Théâtre de Genève.

Akhnaten Offers L A Operagoers Both Ear and Eye Candy

Akhnaten is the third in composer Philip Glass’s trilogy of operas about people who have made important contributions to society: Albert Einstein in science, Mahatma Gandhi in politics, and Akhnaten in religion. Glass’s three operas are: Einstein on the Beach, Satyagraha, and Akhnaten.

Shakespeare in the Late Baroque - Bampton Classical Opera

Shakespeare re-imagined for the very Late Baroque, with Bampton Classical Opera at St John's Smith Square. "Shakespeare, Shakespeare, Shakespeare....the God of Our Idolatory". So wrote David Garrick in his Ode to Shakespeare (1759) through which the actor and showman marketed Shakespeare to new audiences, fanning the flames of "Bardolatory". All Europe was soon caught up in the frenzy.

Soldier Songs in San Diego

David Little composed his one-man opera, Soldier Songs, ten years ago and the International Festival of Arts & Ideas of New Haven, Connecticut, premiered it in 2011. At San Diego Opera, the fifty-five minute musical presentation and the “Talk Back” that followed it were part of the Shiley dētour Series which is held in the company’s smaller venue, the historic Balboa Theatre.

Barber of Seville [Hollywood Style] in Los Angeles

On Saturday evening November 12, 2016, Pacific Opera Project presented Gioachino Rossini’s comic opera The Barber of Seville in an updated version that placed the action in Hollywood. It was sung in the original Italian but the translation seen as supertitles was specially written to match the characters’ Hollywood identities.


OPERA TODAY ARCHIVES »

Commentary

17 Nov 2016

2017 Summer Festival at Lucerne

Lucerne Festival announces its 2017 Summer Festival. »

Recently in Commentary

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14 Jan 2005

Mozart's Portrait — Doubts Emerge

Nur wer mit den Eigentümlichkeiten Wiens und seiner Bewohner, ihren Empfindlichkeiten und Ab grenzungen, vor allem im Umgang mit den einverleibten Idolen, einigermaßen vertraut ist, kann ermessen, welch empfindlichen Nerv die Nachricht treffen musste, die am Dreikönigstag aus Berlin, ausgerechnet Berlin, verbreitet wurde, dass in der Berliner Gemäldegalerie ein bisher unbekanntes Mozart-Porträt aufgetaucht sei. Zwar wurde zugleich eine elektronische Kopie dieses Bildnisses mitgeliefert, auch der Name des Malers, Johann Georg Edlinger, genannt und mitgeteilt, es sei 1790 bei Mozarts letztem Aufenthalt in München entstanden, alles Nähere jedoch soll erst bei einem Vortrag am 27. Januar 2005 durch den Oberkustos der Berliner Gemäldegalerie, Rainer Michaelis, bekannt gegeben werden. Also just an Mozarts 249. Geburtstag. »

11 Jan 2005

Going It Alone

The conductor Sir John Eliot Gardiner — for 20 years one of the most famous names contracted to the recording company Deutsche Grammophon — has launched his own CD label, after recovering from the blow of the abrupt severance of his contract with DG. Sir John faced a crisis when the company pulled the plug just as he was planning the gargantuan project of touring with and recording live the complete Bach cantatas throughout the year 2000, which would have resulted in over 50 CDs. »

07 Jan 2005

A Lost Portrait of Mozart Recovered?

Musikgenie zwischen Verschwendungssucht und verhärmter Armut — doch aus Mozart-Porträts spricht auch Lebensfreude, Lust am Genuß und tödliche Krankheit. Höchste Zeit, über Amadeus-Legenden nachzudenken. War Mozart dicklich und wohlgenährt? Ein neu aufgetauchtes Bildnis zeigt den Salzburger Meister in seiner späten Zeit, im Jahre 1790. Mozart war 34 Jahre alt und hatte noch gut ein Jahr zu leben. Die Sensation: Pausbäckig und jovial, den Jackenknopf mühsam über dem Bäuchlein geschlossen, bietet Mozart einen Anblick gesunder Lebensfreude und jovialer Genußfähigkeit. »

29 Dec 2004

Salieri Redux

For Mozart's Archrival, an Italian Renaissance By JASON HOROWITZ MILAN - For more than 200 years, Antonio Salieri's obscure opera "Europa Riconosciuta" ("Europa Revealed") was forgotten. Before its return to La Scala this month, the opera had not been performed... »

29 Dec 2004

Marketing Classical Music

Folks tirelessly trying to market classical music these days will settle on almost any hook to lure customers, from martini bars in lobbies and cutesy program titles to that reliable, when-all-else-fails measure, the deeply discounted ticket price. I’m just old-fashioned enough to prefer come-ons that actually have something substantive to do with the music itself, and I’m a sucker for promotions that involve historic pegs – the anniversary of a composer’s birth or death, or of a composition’s first performance, for example. »

20 Dec 2004

Michael Tilson Thomas Turns 60

The ageless baton By Allan Ulrich Published: December 20 2004 13:44 | Last updated: December 20 2004 13:44 The conductor Michael Tilson Thomas turns 60 this week and, despite a few streaks of silver in his hair, his is a... »

19 Dec 2004

E' morta Renata Tebaldi

E' morta Renata Tebaldi Era la "rivale" di Maria Callas SAN MARINO - Renata Tebaldi è morta alle 03.30 nella sua casa di San Marino. La grande cantante lirica, nata a Pesaro, avrebbe compiuto 83 anni nel febbraio prossimo. La... »

17 Dec 2004

Krassimira Stoyanova: A Biographical Note

The Wiener Staatsoper's 2004-2005 season includes Verdi's Simon Boccanegra, which premiered on 8 December. Krassimira Stoyanova performed the role of "Amelia" to rave reviews. Beginning 3 January 2005, she will appear at the Met's production of Turandot in the role... »

15 Dec 2004

Renée Fleming: Not By Talent Alone

Aiming For Her Very Top Note Tue Dec 14, 7:00 PM ET Curt Schleier Renee Fleming understands that natural talent isn't enough to assure success. In fact, Fleming said during a recent interview, natural ability can work against you. Take... »

13 Dec 2004

Demonstrations of the École de Danse of the Ballet de l’Opéra National de Paris

The Paris Opera Ballet School, founded by Louis XIV in 1713—it’s the world’s oldest academy for producing classical dancers—is now located in a utilitarian complex specifically built for it in Nanterre, on the bleak outskirts of the City of Light. But for more than a century it was located in the bowels of the lavish Palais Garnier, at the hub of urban elegance. It was there—cocooned in that opera house’s imposing Second Empire decorative excesses of varicolored marble offset by gilt and bronze; of statues, bas-reliefs, frescos, and mosaics; of deep red plush and heavy figured and tasseled drapery; of an infinity of mirrors and chandeliers—that I saw the daylong program this extraordinary school, the oldest and arguably the greatest of its kind, modestly calls its “Demonstrations.” »

13 Dec 2004

What's On Le Figaro's Christmas List?

Notre sélection de DVD pour les fetes La rituelle ruée sur les cadeaux de Noel passe, cette année encore plus que la précédente, par le déferlement des DVD musicaux : archives, documentaires, retours sur les vieilles gloires ou concerts de... »

13 Dec 2004

Opera Etiquette

Going to the Theater Miss May The Epoch Times Dec 12, 2004 Dear Miss May: I am very lucky and am able to go to NY soon for a weekend of theater and, well, just enjoying New York. I attended... »

13 Dec 2004

Anna Netrebko on 60 Minutes

Anna Netrebko: A Happy Diva Singer Does Opera Music Videos Dec 12, 2004 7:45 pm US/Eastern Anna Netrebko in St. Petersburg Photograph: © Peter Rigaud There isn't a musical instrument on earth that can produce sounds as varied, as beautiful,... »

11 Dec 2004

Bolcom in Chicago

Marriage and manners By George Loomis [Financial Times] Published: December 10 2004 02:00 | Last updated: December 10 2004 02:00 The general director of Lyric Opera of Chicago, William Mason, likes to put his company's relationship with William Bolcom in... »

03 Dec 2004

An Interview with Juan Diego Flórez

"Nunca he sido un melómano" Es el tenor del momento, y sorprende que ostente la corona al reconocérsele sólo como un experto rossiniano. Odia las entrevistas porque le roban parte de su tiempo libre, un tesoro que valora desde la... »

03 Dec 2004

Joan Sutherland Named as 2004 Kennedy Center Honoree

World of opera graced by the true grande dame By T.L. Ponick SPECIAL TO THE WASHINGTON TIMES Published December 3, 2004 Legendary coloratura soprano Joan Sutherland says she was "bowled over" upon learning that she would be a 2004 Kennedy... »

30 Nov 2004

La Diva Renée

The 'Voice' of the Darling Diva By BARBARA JEPSON November 30, 2004 New York For sheer beauty of sound, no soprano today can match Renee Fleming. Her rich, golden-hued voice shines and seduces; she can sustain a long-lined legato passage,... »

30 Nov 2004

Lorraine Hunt Lieberson at NY Philharmonic

Turning Tragedy into Art By Jeannie Williams 29 Nov 2004 An interview with mezzo-soprano Lorraine Hunt Lieberson, who makes her New York Philharmonic debut this month. "I am drawn to these characters, the juicier the better, and sometimes that means... »

28 Nov 2004

Natalie Dessay Rehabilitating After Another Surgical Procedure

La chanteuse Natalie Dessay s'explique sur ses nombreuses défections LE MONDE | 27.11.04 | 19h06 La soprano colorature a du subir une nouvelle intervention chirurgicale le 17 novembre. Depuis le début de la saison, les nombreuses défections de la soprano... »

28 Nov 2004

Le Figaro Interviews Peter Eötvös on Angels in America

Eötvös : "Je ne cherche plus, je trouve" Après le lyrisme russe revisité dans Trois Soeurs, chef-d'oeuvre unanimement salué, et Le Balcon de Genet ramené du coté de la chanson française, reçu plus froidement, le troisième opéra de Peter Eötvös... »

26 Nov 2004

On Callas Forever

One for the opera buffs: 'Callas Forever' profiles a diva on the downslope Friday, November 26, 2004 By WILLIAM ARNOLD SEATTLE POST-INTELLIGENCER MOVIE CRITIC At first thought, Fanny Ardant would seem all wrong to play opera diva Maria Callas.... »

21 Nov 2004

On Robert Carsen

He's a smooth operator John Allison [Times Online] Robert Carsen may be a showman but his intent is serious FOR more than a decade Robert Carsen has been one of the operatic world's most visible directors, but right now he... »

18 Nov 2004

On Lulu's Portrait

Ascription of Identity: The Bild Motif and the Character of Lulu Silvio José Dos Santos The most controversial aspect of Alban Berg's opera Lulu — and one that has generated considerable criticism — is the composer's conception of the protagonist's... »

18 Nov 2004

The Biting Kiss

"Pardon me, but your teeth are in my neck": Giambattista Marino, Claudio Monteverdi, and the bacio mordace Massimo Ossi Claudio Monteverdi's "Eccomi pronta ai baci" presents an odd pairing of a first-person female voice with a three-voice low male ensemble;... »

16 Nov 2004

Manhattan School of Music to Present Hoiby's A Month in the Country

LEE HOIBY: A Month in the Country Libretto by William Ball after the play by Ivan Turgenev The Manhattan School of Music Opera Theater presents Lee Hoiby's A Month in the Country on Wednesday, December 8 and Friday, December 10... »

12 Nov 2004

Lebrecht on Gelb

How the Met was fixed By Norman Lebrecht / November 11, 2004 The Metropolitan Opera House in New York regards itself, with some justice, as the world's greatest. In America, it has no close competitor: the Met's annual deficit can... »

10 Nov 2004

Haroun and the Sea of Stories at NYC Opera

An American master premieres at City Opera An interview with Charles Wuorinen 10/26/2004 The world premiere of Haroun and the Sea of Stories features an inspired cross-section of artists among the most respected in their disciplines: Salman Rushdie, one of... »

09 Nov 2004

Biographical Note: Angela M. Brown

For a Fill-In Aida, a Triumph Long in Coming By ANNE MIDGETTE [NY Times] Angela M. Brown grew up singing gospel music in her grandfather's Baptist church in Indianapolis, but her father, an autoworker, didn't see that as the makings... »

08 Nov 2004

Appearing at the Met: Verdi's I Vespri Siciliani

Dubious History - Miraculous Music By John Yohalem [Playbill Arts] November 1, 2004 I Vespri Siciliani, a collaboration between Verdi and librettist Eugène Scribe, produced some astounding music--but historical fact was sacrificed to fit the drama. John Yohalem delves into... »

03 Nov 2004

A New Series on the History of Opera

Signifying Nothing: On the Aesthetics of Pure Voice in Early Venetian Opera Mauro Calcagno1 Operas written in Venice in the 1640s feature surprisingly long melismas often setting seemingly insignificant words, in opposition to (although concurrently with) traditional madrigalisms. This magnification... »

03 Nov 2004

Dario Volonté: A Biographical Note

by Miguel A. DeVirgilio Dario Volonté was born on September 1, 1963, in Buenos Aires, although his family came from a humble household some 250 miles north of the capital, Entre Rios. His musical vocation began late after having discovered... »

03 Nov 2004

An Interview with Ewa Podles

Contralto taking on fresh challenge in 'Il Trovatore' By TOM STRINI Journal Sentinel music critic Posted: Nov. 1, 2004 Ewa Podles, a leading international concert and opera contralto, will make her Milwaukee debut Saturday, courtesy of the Florentine Opera. She... »

02 Nov 2004

Peter Gelb and the Met

In today's Wall Street Journal, Heidi Waleson opines on the future of the Met under Peter Gelb's leadership. She maintains that, given his background with Sony, this is a radical choice. Comparing his work at Sony with the Met, she... »

31 Oct 2004

Obstacles to Celebrity

Brownlee lends voice to the subject of race By Richard Dyer, Globe Staff | October 31, 2004 African-American divas have swept triumphantly across the international operatic stage for decades, and in this country Leontyne Price became a household name and... »