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Elsewhere

POP Butterfly: Oooh, Cho-Cho San!

I was decidedly not the only one who thought I was witnessing the birth of a new star, as cover artist Janet Todd stepped in to make a triumphant appearance in the title role of Pacific Opera Project’s absorbing Madama Butterfly.

The Maryland Opera Studio Defies Genre with Fascinating Double-Bill

This past weekend, the Maryland Opera Studio (MOS) presented a double-billed performance of two of Kurt Weill’s less familiar staged works: Zaubernacht (1922) and Mahagonny-Songspiel (1927).

Daniel Kramer to step down as English National Opera’s Artistic Director

Daniel Kramer is to step down as ENO’s Artistic Director at the end of July 2019 in order to focus on directing more opera and theatre full time.

Wexford Festival Opera's award-winning Il bravo to be streamed on ARTE.tv

From 7 pm (CEST), this Sunday 21 April, ARTE, the European public service broadcaster, will stream one of last year’s Wexford Festival Opera productions, Saverio Mercadante’s Il bravo, which was recently named ‘Best Opera Production’ at The Irish Times Irish Theatre Awards. Il bravo will be freely available worldwide on ARTE’s digital on-demand culture channel, Arte Concert, as part of ARTE’s 2019 Opera Season, a special online service for lovers of classical music. The opera will subtitled in English, German and French.

Nash Ensemble at Wigmore Hall: Focus on Sir Harrison Birtwistle

The Nash Ensemble’s annual contemporary music showcase focused on the work of Sir Harrison Birtwistle, a composer with whom the group has enjoyed a long and close association. Three of the six works by Birtwistle performed here were commissioned by the Nash Ensemble, as was Elliott Carter’s Mosaic which, alongside Oliver Knussen’s Study for ‘Metamorphosis’ for solo bassoon, completed a programme was intimate and intricate, somehow both elusive in spirit and richly communicative.

Bampton Classical Opera 2019: Stephen Storace - Bride & Gloom (Gli sposi malcontenti)

Newly-wed Casimiro and Eginia hardly seem to be enjoying a state of marital bliss. Why does Eginia sleep on her own, and why is her ex, Artidoro, still hanging around? He now seems to have an eye for the undoubted charms of Casimiro’s sister, Enrichetta - but she’s also attracted the lustful interest of dull and dusty Dr Valente, a man likely to turn nasty if thwarted …

McVicar's Faust returns to the ROH

To lose one Marguerite may be regarded as a misfortune; to lose two looks like carelessness. But, with the ROH Gounod’s Faust seemingly heading for ruin, salvation came in the form of an eleventh-hour arrival of a redeeming ‘angel’.

The Nibelungen-Myth. As Sketch for a Drama

From the womb of Night and Death was spawned a race that dwells in Nibelheim (Nebelheim), i.e. in gloomy subterranean clefts and caverns: Nibelungen are they called; with restless nimbleness they burrow through the bowels of the earth, like worms in a dead body; they smelt and smith hard metals.

Transylvanian-born mezzo-soprano Eszter Balogh wins the 2019 Handel Singing Competition

Following the final on Saturday 6 April, the Handel Singing Competition announced mezzo-soprano Eszter Balogh as the 2019 winner. Alongside Eszter, the finalists were Patrick Terry (countertenor), David de Winter (tenor) and William Thomas (bass) and the final took place at St George’s, Hanover Square in London in front of a live audience.

English National Opera announces 2019/20 Season

ENO’s 2019/20 season features seven new productions and three revivals, the greatest number of new productions for five years.

A superb Semele from the English Concert at the Barbican Hall

It’s good to aim high … but be careful what you wish for. Clichéd idioms perhaps, but also wise words which Semele would have been wise to heed.

A performance of Vivaldi's La Senna festeggiante by Arcangelo

In 1726 on 25 August, Jacques-Vincent Languet, Comte de Gergy, the new French ambassador to the Venetian Republic held a celebration for the name day of King Louis XV of France. There was a new piece of music performed in the loggia at the foot of Languet's garden with an audience of diplomats and, watching from gondolas, Venetian nobles.

Matthew Rose and Tom Poster at Wigmore Hall

An interesting and thoughtfully-composed programme this, presented at Wigmore Hall by bass Matthew Rose and pianist Tom Poster, and one in which music for solo piano ensured that the diverse programme cohered.

Ekaterina Semenchuk sings Glinka and Tchaikovsky

To the Wigmore Hall for an evening of magnificently old-school vocal performance from Ekaterina Semenchuk. It was very much her evening, rather than that of her pianist, Semyon Skigin, though he had his moments, especially earlier on.

Hubert Parry's Judith at the Royal Festival Hall

Caravaggio’s depiction (1598-99) of the climactic moment when the young, beautiful, physically weak Judith seizes the head of Holofernes by the enemy general’s hair and, flinching with distaste, cleaves the neck of the occupying Assyrian with his own sword, evokes Holofernes’ terror with visceral precision - eyes and screaming mouth are wide open - and is shockingly theatrical, the starkly lit figures embraced by blackness.

La Pietà in Rome

Say "La Pietà" and you think immediately of Michelangelo’s Rome Pietà. Just now Roman Oscar-winning film composer Nicola Piovani has asked us to contemplate two additional Pietà’s in Rome, a mother whose son is dead by overdose, and a mother whose son starved to death.

Matthias Goerne: Schumann – Liederkreis, op 24 & Kernerlieder

New from Harmonia Mundi, Matthias Goerne and Lief Ove Andsnes: Robert Schumann – Liederkreis, op 24 and Kernerlieder. Goerne and Andsnes have a partnership based on many years of working together, which makes this new release, originally recorded in late 2018, well worth hearing.

Orfeo ed Euridice in Rome

No wrecked motorcycle (director Harry Kupfer’s 1987 Berlin Orfeo), no wrecked Citroen and black hearse (David Alagna’s 2008 Montpellier Orfée [yes! tenorissimo Roberto Alagna was the Orfée]), no famed ballet company (the Joffrey Ballet) starring in L.A. Opera’s 2018 Orpheus and Eurydice).

Jack the Ripper: The Women of Whitechapel - a world premiere at English National Opera

Jack the Ripper is as luridly fascinating today as he was over a century ago, so it was no doubt sensationalist of the marketing department of English National Opera to put the Victorian serial killer’s name first and the true subject of Iain Bell’s new opera - his victims, the women of Whitechapel - as something of an after-thought. Font size matters, especially if it’s to sell tickets.

Tosca at the Met


The 1917 Met Tosca production hung around for 50 years, bested by the 1925 San Francisco Opera production that lived to the ripe old age of 92.  The current Met production is just 2 years old but has the feel of something that can live forever.


OPERA TODAY ARCHIVES »

Commentary

17 Apr 2019

Daniel Kramer to step down as English National Opera’s Artistic Director

Daniel Kramer is to step down as ENO’s Artistic Director at the end of July 2019 in order to focus on directing more opera and theatre full time. »

Recently in Commentary

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24 Mar 2005

Operatic Detritus

In an introduction to the score for his “Darkbloom: Overture for an Imagined Opera,” which will have its premiere with the Boston Symphony Orchestra tonight, John Harbison calls the piece the remnant of a misguided project, an “unproduceable” opera based on a “famous and infamous” American novel. »

21 Mar 2005

James Levine on Opera in Concert

CAMBRIDGE—James Levine doesn’t like pushy producers and stage directors any more than most opera lovers do. In a panel discussion at Harvard last Monday centered on the BSO’s recent performances of Wagner’s ‘’The Flying Dutchman,” the music director spoke about the advantages of opera in concert. »

20 Mar 2005

The Opera That Changed a Career

He was the toast of the new Russian Communist regime, a young composer who had captivated audiences under the banner of the emerging cultural revolution. But in 1936, Dmitry Shostakovich’s reputation plummeted after Stalin attended his immensely popular opera, Lady Macbeth of the Mtsenk, at the Bolshoi Theater. »

05 Mar 2005

Celebrating Lorin Maazel

Wien ist zwar Stätte vieler seiner künstlerischen Triumphe – und doch auch des vielleicht bitters ten Wermutstropfens in einer formidablen Karriere: Lorin Maazel, der am Sonntag 75 Jahre alt wird, war einer der kürzestdienenden Direktoren der Staatsoper, kapitulierte nach nur zwei Spielzeiten, weil die Angriffe gegen ihn unerträglich geworden waren und die Kulturpolitik, verbündet mit den Angreifern, versagte. Immerhin: Das so genannte “Blocksystem”, eine Spielplangestaltung in “kleinen Serien”, wie sie der Nachfolger Maazels dann nannte, gab zwar den Ausschlag für eine Kampagne gegen den dirigierenden Direktor, doch pflegt die Staatsoper es bis heute. »

04 Mar 2005

A Profile of Brenda Harris

Singing offbeat, nontraditional roles can be a path to oblivion for an opera singer. For Brenda Harris, that road has led to fame, fortune and as much work as she can handle. It also means that Harris often is learning new roles. »

03 Mar 2005

Mozart? Maybe Not.

01. März 2005 Ein Rokokoherr mittleren Alters, Frack, Spitzenjabot, gepudertes Haar – könnte das nicht Mozart sein? Niemand weiß, wie der Komponist wirklich ausgesehen hat. So galt es denn als „Weltsensation”, als die Berliner Gemäldegalerie ihren bisherigen „Herrn im grünen Frack” vor wenigen Wochen aufgrund einer computergestützten Analyse des Musikliebhabers Wolfgang Seiller als neu entdecktes Mozart-Porträt präsentierte. Gemalt hatte es der seinerzeit renommierte Münchner Porträtist Johann Georg Edlinger „vor 1790”, was aber nun auf „um 1790” umfunktioniert wurde. »

02 Mar 2005

James Levine and the 21st Century

We’re undeniably in the era of James Levine. The Cincinnati-born, 61-year-old conductor is right now art music’s Great Enabler. As music director of the Metropolitan Opera for nearly the last 30 years and in the home stretch of his first season as chief conductor of the Boston Symphony Orchestra, his potential for goosing the possibilities of 21st-century classical music performance is unique. »

26 Feb 2005

Dietrich Fischer-Dieskau at Berlin Cathedral's 100 Year Jubilee

Der Berliner Bariton Dietrich Fischer-Dieskau gehörte über Jahrzehnte hinweg zu den weltweit gefeierten Liedsängern. Der fast 80jährige ist nach wie vor als Dirigent, Maler, Buchautor, Ehrengast aktiv – und wird heute im Konzert des Rundfunk-Sinfonieorchesters Berlin zum 100jährigen Jubiläum des Berliner Doms als Sprecher auftreten. Volker Blech sprach mit Dietrich Fischer-Dieskau. »

26 Feb 2005

Nikolaus Harnoncourt at Zurich Opera

It is the day before the opening night. Zurich is agog for the new production of Monteverdi’s opera L’incoronazione di Poppea, but there is a snag. The Poppea has gone sick. A new one has had to be flown in from Frankfurt, and in only a matter of hours has had to be acclimatised to the radical staging and familiarised with the edition of the score that Zurich Opera is using. »

23 Feb 2005

Die Welt Interviews Rolando Villazón

Der 32-jährige Mexikaner Rolando Villazón hat sich in seinen wenigen Karrierejahren bereits als eine der größten Tenor-Hoffnungen erwiesen. Ein Interview mit dem nie stillsitzenden Lockenkopf ist wie eine Bühnenvorstellung. Manuel Brug hat es erfahren. »

18 Feb 2005

A Star Is Born

Phumzile Sojola got the call less than 36 hours before the concert. University of Kentucky alum Gregory Turay, who was set to be the featured soloist on the Lexington Philharmonic’s Feb. 4 concert, was sick and might not be able to sing. The orchestra needed a tenor in the wings. OK, Sojola thought. He knew the scheduled arias. »

18 Feb 2005

Le Figaro Profiles Valery Gergiev

Pas facile à coincer, Valery Gergiev. Le chef russe le plus charismatique de sa génération a voué sa vie au Kirov de Saint-Pétersbourg, dont il a fait l’un des théâtres lyriques les plus recherchés du monde. Mais il anime aussi trois festivals : les Nuits blanches de Saint-Pétersbourg, le Festival de Pâques de Moscou et celui de Mikkeli en Finlande. N’oublions pas non plus qu’il est directeur musical de l’Orchestre philharmonique de Rotterdam, premier chef invité du Metropolitan Opera de New York, et l’un des maestros préférés du Philharmonique de Vienne, qu’il dirige tant au Musikverein qu’au Festival de Salzbourg et en tournée. Avec un tel calendrier, guère de place pour des invitations à droite et à gauche, et s’il a fait récemment ses débuts aux «Proms» de Londres avec l’Orchestre symphonique de la BBC, c’était une exception dont on se demande si elle va se généraliser, donnant un nouveau tour à une carrière jusqu’ici focalisée sur quatre orchestres. »

17 Feb 2005

Marcello Viotti Has Died

BERLIN – Marcello Viotti, the music director of Venice’s famed La Fenice Theater who also conducted at New York’s Metropolitan Opera and other leading houses, died at a German hospital after falling into a coma. He was 50. Viotti died Wednesday night after being in a coma for several days at a clinic in Munich, Germany, his agent, Paul Steinhauser, said by telephone from Vienna, Austria. »

15 Feb 2005

L'Express Interviews Natalie Dessay

Il y a un miracle Natalie Dessay. Sa Reine de la Nuit (dans La Flûte enchantée, de Mozart) ou son Olympia (des Contes d’Hoffmann, d’Offenbach), irrésistibles de présence et de drôlerie, ont déjà marqué l’histoire de l’opéra. On se régale de sa présence sur scène, de son tempérament explosif, on admire sa voix de soprano léger à la virtuosité sans limites, et on respecte la femme, diva humble et sincère. On aime Natalie, on croit la connaître, mais elle reste un mystère. Après une saison triomphale, couronnée par un enregistrement (Amor, consacré à la musique de Richard Strauss, chez Virgin Classics) et une victoire de la musique, soudain, patatras! Comme il y a deux ans, une opération des cordes vocales oblige la chanteuse à annuler des représentations. Le doute et la peur viennent ébranler ce petit bout de femme d’ordinaire débordant d’énergie. Pourquoi? Natalie Dessay s’en explique ici »

11 Feb 2005

A Profile of Rolando Villazon

Rolando Villazon has the opera world on a string. The young Mexican tenor has just completed a fairy tale year, with acclaimed debuts at New York’s Metropolitan Opera, Covent Garden in London and the Staatsoper in Berlin. He released his first CD, a collection of Italian arias; several critics ranked it among the best classical recordings of 2004. And his face graced the covers of a number of opera periodicals. »

09 Feb 2005

Il Gazzettino Interviews Claudio Scimone

Maestro Scimone, cosa rappresenta per lei questo riconoscimento del consiglio regionale che la indica come come ambasciatore della cultura veneta nel mondo? «In un primo momento, oltre che commosso, sono rimasto anche un po’ stupito soprattutto considerando il libro d’oro molto ristretto di questo premio, assegnato sinora solo a un Patriarca di Venezia e a un eroe. Poi ho pensato che il significato di questa scelta del consiglio regionale è il riconoscere come sia importante per la nostra regione l’arte e la cultura che sono l’elemento di identificazione più importante del Veneto». »

06 Feb 2005

Roll Over Stockhausen

When did the music die? And why? It will be 30 years in August since the death of Dmitri Shostakovitch. Next year also marks the 30th anniversary of the death of Benjamin Britten. Aaron Copland, older than both of them, lived on until 1990 and Olivier Messiaen until 1992. But apart from these? I can see them already. The protestations on behalf of the half-forgotten and semi-famous, the advocates of Henze and Berio, the followers of Tavener and Adès. Perhaps there will be a good word for Golijov or Gubaidulina, for Piazzola or Saariaho (enthusiasms I share). And maybe, even now, there remains someone who believes that Stockhausen should be mentioned in the same breath as Bach, the last of the true believers clinging to the shipwreck of modernism. »

02 Feb 2005

Jirí Belohlávek Named to Head BBCSO

The BBC Symphony Orchestra confirmed yesterday that its new chief conductor from the first night of the 2006 Proms will be the Czech maestro Jirí Belohlávek. It was known two and a half years ago that Leonard Slatkin would be standing down from the job at the end of last season’s Proms, so the announcement about his successor has been a long time coming, but the welcome news of Belohlávek’s appointment is not a surprise. I floated him as the most likely choice in an article on these pages back in July last year. It was a hunch, but one based on a reasoned study of the form book, since he seemed to have precisely the qualities that the BBC should be looking for. »

01 Feb 2005

Teresa Berganza — Two Interviews

Le coeur des amoureux de bel canto va battre plus fort, mardi soir au Théâtre des Champs-Élysées. La série «Les Grandes Voix» de Jean-Pierre Le Pavec accueille l’une des plus grandes dames de l’histoire de l’opéra au dernier demi-siècle. A un mois de son soixante-et-onzième anniversaire, Teresa Berganza précise qu’il ne faut pas espérer entendre le Chérubin ou la Rosine des années 50 : avec sa voix d’aujourd’hui, elle se consacre maintenant au récital, faisant la part belle au répertoire ibérique, qu’il soit espagnol (de Falla) ou argentin (Piazzolla). Mais elle a toujours la même discipline, la même élégance, le même pétillement : un petit bout de femme vif-argent et intarissable, qui vous donne l’impression qu’on s’est toujours connus. Rencontre avec une immense artiste, qui a participé à l’âge d’or de l’opéra. »

30 Jan 2005

Mozart Here, Mozart There, Mozart Everywhere

Mozart-Tage in Wien, Mozartwoche in Salzburg. Und das alles 2005, wo doch das Mozartjahr erst 2006 droht. Vor lauter Ankündigungen und Vorausschauen, was die Welt, was Österreich im Besonderen im Jubiläumsjahr an Plänen ventiliert, droht Mozarts Musik zur Nebensache zu werden. Das ist ihr Glück. Denn so bleibt sie, während wohlbestallte Koordinatoren und Intendanten über Aktionen von hoch bezahlten Kasperln diskutieren, doch die Hauptsache. »

28 Jan 2005

Encountering David Daniels

``I’m Tom Brady’s best friend,’’ joked David Daniels. ``I’m sure he’d love to read that!’’ OK, the world’s leading countertenor isn’t really Brady’s bud. ``But I did meet him,’’ Daniels continued. ``It was when I sang (Handel’s) `Messiah’ in Ann Arbor.’’ Brady was quarterback for the University of Michigan football team when Daniels, now 38, was a graduate student there. ``A lot of times the football players would come to concerts – they were always trying to enlighten them to the music world, arts and culture – and he came backstage and I got to shake his hand,’’ Daniels recalled. ``If you asked him, he might remember me as this guy who sang like a woman.’‘ »

28 Jan 2005

Denyce Graves Goes to the Treasure Coast

With a voice as strong and clear as the winter wind through the cherry trees, Denyce Graves sang for all America last week at President Bush’s inaugural ceremony. Graves, who was born and raised in Washington, D.C., is something of a musical emissary — she’s had the lead roles in opera houses all over the globe, and is considered one of the most dynamic mezzo-sopranos on the world stage. »