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Elsewhere

O18: Unsettling, Riveting Sky on Swings

Opera Philadelphia’s annual festival set the bar very high even by its own gold standard, with a troubling but mesmerizing world premiere, Sky on Wings.

Vaughan Williams: A Sea Symphony — Martyn Brabbins BBCSO

From Hyperion, an excellent new Ralph Vaughan Williams A Sea Symphony with Martyn Brabbins conducting the BBC Symphony Orchestra and BBC Symphony Chorus, Elizabeth Llewellyn and Marcus Farnsworth soloists. This follows on from Brabbins’s highly acclaimed Vaughan Williams Symphony no 2 "London" in the rarely heard 1920 version.

Simon Rattle — Birtwistle, Holst, Turnage, and Britten

Sir Simon Rattle and the London Symphony Orchestra marked the opening of the 2018-2019 season with a blast. Literally, for Sir Harrison Birtwistle's new piece Donum Simoni MMXVIII was an explosion of brass — four trumpets, trombones, horns and tuba, bursting into the Barbican Hall. When Sir Harry makes a statement, he makes it big and bold !

OSJ: A Funny Thing Happened on the Way to the Harem

Opera San Jose kicked off its 35th anniversary season with a delectably effervescent production of their first-ever mounting of Mozart’s youthful opus, The Abduction from the Seraglio.

Superlative Lohengrin from Bayreuth, 1967

The names of Belfast-born soprano Heather Harper and Kansas-born tenor James King may not resonate for younger music lovers, but they sure do for folks my age. Harper was the glowing, nimble soprano in Colin Davis’s renowned 1966 recording of Handel’s Messiah and in Davis’s top-flight recording (ca. 1978) of Britten’s Peter Grimes, featuring Jon Vickers.

Isouard's Cinderella: Bampton Classical Opera at St John's Smith Square

A good fairy-tale sweeps us away on a magic carpet while never letting us forget that for all the enchanting transformations, beneath the sorcery lie essential truths.

The Royal Opera House lets everyone in on the act

The Royal Opera House today opens the doors to its transformed new home, following an extensive three-year construction project.

A Winterreise both familiar and revelatory: Ian Bostridge and Thomas Adès at Wigmore Hall

‘“Will you play your hurdy-gurdy to my songs?” the wanderer asks. If the answer were to be a “yes”, then the crazy but logical procedure would be to go right back to the beginning of the whole cycle and start all over again. This could explore a notion of eternal recurrence: we are trapped in the endless repetition of this existential lament.’

Stars of Lyric Opera at Millennium Park, 2018

Lyric Opera of Chicago’s annual concert, Stars of Lyric Opera at Millennium Park, given during last weekend, was both a tribute to the many facets of opera and a preview of what lies ahead in the upcoming repertoire season.

Classical Opera: Bastien und Bastienne on Signum Classics

Pride and Prejudice, North and South, Antony and Cleopatra, Much Ado About Nothing: literary fiction and drama are strewn with dissembling lovers who display differing degrees of Machiavellian sharpness in matters of amatory strategy. But, there is an artless ingenuousness about Bastien and Bastienne, the eponymous pastoral protagonists of Mozart’s 1768 opera, who pretend not to love in order to seal their shared romantic destiny, but who require a hefty dose of the ‘Magician’ Colas’s conjuring/charlatanry in order to avoid a future of lonely singledom.

A Stunning Semiramide from Opera Rara

In early October 1822, Gioachino Rossini summoned the librettist Gaetano Rossi to a villa (owned by his wife, the soprano Isabella Colbran) in Castenaso, just outside Bologna. Their project: to work on a new opera, which would be premiered during the Carnival in Venice on 3rd February the following year, based on the legend of Queen Semiramide.

Dorothea Röschmann at Wigmore Hall: songs by Schumann, Wolf and Brahms

One should not judge a performance by its audience, but spying Mitsuko Uchida in the audience is unlikely ever to prove a negative sign. It certainly did not here, in a wonderfully involving recital of songs by Schumannn, Wolf, and Brahms from Dorothea Röschmann and Malcolm Martineau.

Two of Garsington Opera's 2018 productions to reach a wider audience

Garsington Opera is delighted to announce that on Saturday 6 October, BBC Radio 3’s ‘Opera on 3’, will broadcast the production of its first festival world premiere - The Skating Rink by David Sawer set to a libretto by Rory Mullarkey based on a novel by Chilean author Roberto Bolaño.

The Path of Life: Ilker Arcayürek sings Schubert at Wigmore Hall

Wigmore Hall’s BBC Radio 3 Lunchtime Concert 2018-19 series opened this week with a journey along The Path of Life as illustrated by the songs of Schubert, and it offered a rare chance to hear the composer’s long, and long-germinating, setting of Johann Baptist Mayrhofer’s philosophical rumination, ‘Einsamkeit’ - an extended eulogy to loneliness which Schubert described, in a letter of 1822, as the best thing he had done, “mein Bestes, was ich gemacht habe”.

Heine through Song: Florian Boesch and Malcolm Martineau open a new Wigmore Hall season

The BBC Proms have now gone into hibernation until July 2019. But, as the hearty patriotic strains rang out over South Kensington on Saturday evening, in Westminster the somewhat gentler, but no less emotive, flame of nineteenth-century lied was re-lit at Wigmore Hall, as baritone Florian Boesch and pianist Malcolm Martineau opened the Hall’s 2018-19 season with a recital comprising song settings of texts by Heinrich Heine.

Elgar Orchestral Songs - SOMM

Edward Elgar's Sea Pictures are extremely well-known, but many others are also worth hearing. From SOMM recordings, specialists in British repertoire, comes this interesting new collection of other Elgar orchestral songs, sponsored by the Elgar Society.

Prom 74: Handel's Theodora

“One of the most insufferable prigs in a literature.” Handel scholar Winton Dean’s dismissal of Theodora, the eponymous heroine of Handel’s 1749 oratorio, may well have been shared by many among his contemporary audience.

Remembering and Representing Dido, Queen of Carthage: an interview with Thomas Guthrie

The first two instalments of the Academy of Ancient Music’s ‘Purcell trilogy’ at the Barbican Hall have posed plentiful questions - creative, cultural and political.

Landmark Productions and Irish National Opera present The Second Violinist

Renaissance madrigals and twentieth-century social media don’t at first seem likely bed-fellows. However, Martin - the protagonist of The Second Violinist, a new opera by composer Donnacha Dennehy and librettist Enda Walsh - is, like the late sixteenth-century composer, Carlo Gesualdo, an artist with homicidal tendencies. And, Dennehy and Walsh bring music, madness and murder together in a Nordic noir thriller that has more than a touch of Stringbergian psychological anxiety, analysis and antagonism.

The Rake's Progress: British Youth Opera

The cautionary tale which W.H. Auden and Chester Kallman fashioned for Igor Stravinsky’s 1951 opera, The Rake’s Progress - recounting the downward course of an archetypal libertine from the faux fulfilment of matrimonial and monetary dreams to the grim reality of madness and death - was, of course, an elaboration of William Hogarth’s 1733 series of eight engravings.


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Commentary

ROH new exterior
19 Sep 2018

The Royal Opera House lets everyone in on the act

The Royal Opera House today opens the doors to its transformed new home, following an extensive three-year construction project. »

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02 Nov 2004

Peter Gelb and the Met

In today's Wall Street Journal, Heidi Waleson opines on the future of the Met under Peter Gelb's leadership. She maintains that, given his background with Sony, this is a radical choice. Comparing his work at Sony with the Met, she... »

31 Oct 2004

Obstacles to Celebrity

Brownlee lends voice to the subject of race By Richard Dyer, Globe Staff | October 31, 2004 African-American divas have swept triumphantly across the international operatic stage for decades, and in this country Leontyne Price became a household name and... »

28 Oct 2004

Octavio Roca on Carmen

Carmen Forever By Octavio Roca October 19, 2004 Bizet's legendary heroine still inspires artists and opera lovers. The woman is fascinating, no question about it. Little by little, we are still getting to know Carmen. The fascination is strong, and... »

28 Oct 2004

FT on Countertenor Lawrence Zazzo

US countertenor who is a wow in Europe By Francis Carlin Published: October 28 2004 03:00 | Last updated: October 28 2004 03:00 It is always a good sign when you find a singer attending a performance of something else... »

28 Oct 2004

A Tribute to Robert Merrill (1919-2004)

MEMORIES OF ROBERT MERRILL: AMERICAN OPERATIC ICON by James Engdahl, Engdahl Artists International Robert Merrill, born Moishe Miller in the Williamsburg section of Brooklyn, passed away last Saturday, October 22, 2004, as he watched the first game of the World... »

27 Oct 2004

FT on the Future of Wexford Opera Festival

Wexford's dilemma for future operas By Andrew Clark Published: October 27 2004 03:00 | Last updated: October 27 2004 03:00 When Wexford's opera festival was young and innocent, audiences used to talk of "one for the head, one for the... »

27 Oct 2004

Looking for Wolfgang in All the Wrong Places

Scientists dig up family skeletons Luke Harding in Berlin Wednesday October 27, 2004 The Guardian It has been a mystery for more than a century - is a skull in an Austrian basement really that of arguably the greatest composer... »

22 Oct 2004

The Guardian Profiles René Jacobs

Not so hippy now Since the 1960s, René Jacobs has been a pioneer of the early music movement. Stephen Everson hears how his vision has evolved Friday October 22, 2004 The Guardian Anyone who still thinks "authentic" performances of baroque... »

21 Oct 2004

An Interview with Michael Kaye on Puccini Rediscovered

*New Repertoire Discoveries for Singers: An Interview with Michael Kaye* by Maria Nockin Did you ever wonder why that last Tales of Hoffmann you sang had all those photocopied sheets added in? Or why the version of "Butterfly" you learned... »

17 Oct 2004

The Independent: John Tavener Rejects Orthodox Faith; To Compose Theatric Work Based on Krishna

Top composer Tavener turns to Islam for inspiration The Orthodox faith inspired him for more than 25 years, but after a rift with his spiritual adviser, the composer has rejected its 'tyranny' in a major work based on the Koran.... »

10 Oct 2004

Ópera Actual Interviews Anne Sofie von Otter

El sexo en la ópera no es sólo vulgar: ya nos aburre Fuera de la escena, la mezzo sueca es áspera y poco acogedora. Sus escasas sonrisas son un premio y sus respuestas son rápidas y precisas. Una evidente robustez... »

10 Oct 2004

Daily Telegraph Interviews Pierre Boulez

Mistakes? I've made a few... (Filed: 04/10/2004) Pierre Boulez, the greatest and most uncompromising composer-conductor of our time, is mellowing as he approaches 80. He talks to Ivan Hewett However hard one normally prepares for interviews, there's always the feeling... »

07 Oct 2004

Deborah Voigt withdraws from Vancouver Opera’s production of Der Rosenkavalier

*Deborah Voigt withdraws from Vancouver Opera's production of Der Rosenkavalier* Vancouver, BC ~ American soprano Deborah Voigt, who was to make her role début as the Marschallin in the company's première production of Richard Strauss's Der Rosenkavalier, has withdrawn from... »

07 Oct 2004

Licia Albanese at the Opening of the San Francisco Performing Arts Library and Museum's Exhibition "Madame Butterfly: From Puccini to Miss Saigon"

Many a tear was shed when soprano Licia Albanese sang. Now she is celebrating her signature work, 'Madama Butterfly.' Allan Ulrich, Special to The Chronicle Monday, October 4, 2004 Was she or wasn't she? Licia Albanese is adamant. "Diva? Hah!... »

06 Oct 2004

Le Figaro Interviews Felicity Lott

Deux reprises, des tournées, un DVD, le prix de la critique : La Belle Hélène par le tandem Minkowski/Pelly fut l’un des plus grands et des plus durables succès du Châtelet. De quoi donner envie de reconduire l’équipe gagnante dans un autre Offenbach : ce sera La Grande Duchesse de Gérolstein. Mais à une condition : que la vedette en soit à nouveau Dame Felicity Lott, la plus française des chanteuses britanniques, dont la classe et le naturel s’imposent de l’opérette viennoise à l’opéra-bouffe français, en passant par la nostalgie du Chevalier à la rose ou le désespoir de La Voix humaine. Nous avons rencontré cette femme délicieuse début septembre, juste avant que le spectacle n’inaugure la nouvelle salle de Grenoble, «rodage» précédant les représentations parisiennes. »

01 Oct 2004

Le Monde on Film Makers and Opera

L'opéra au cinéma, entre chic et surprise LE MONDE | 30.09.04 | 14em5 La mise en scène d'opéra est, pour des cinéastes comme Benoît Jacquot, Atom Egoyan, Robert Altman... l'occasion d'expériences exceptionnelles. "Il y a dans l'opéra un truc qui... »

29 Sep 2004

A Profile of Anna Netrebko

In the October 2004 issue of BBC Music magazine, Amanda Holloway writes: The phrase most often used of Anna Netrebko is a 'package': stunning looks, acting ability and a gorgeous, effortless lyric soprano voice. The following is a profile... »

27 Sep 2004

Pavarotti’s forgotten predecessor: Bruno Prevedi

By Jan Neckers The line of Decca-tenors seems to run straight from Del Monaco to Bergonzi to Pavarotti. Granted there are some intrusions by Giuseppe Campora, Giuseppe Di Stefano and Franco Corelli but their names are not widely associated with... »

22 Sep 2004

Joseph Schmidt (1904-2004)

This is not a biography of the Jewish tenor. Just some personal thoughts on a few interesting aspects. Those interested in a biographical article and an outstanding discography better purchase the June 2000 issue of The Record Collector where your servant and Hansfried Sieben devoted more than sixty small print pages to the tenor. Those able to read German can still buy Alfred Fasbind’s biography published at the Schweizer Verlagshaus in Zürich 1992. It is still available in some German bookshops and maybe with the author himself (Rosenbergstrasse 16, 8630 Rüti, Switzerland). »

21 Sep 2004

THE RISE OF NEAPOLITAN COMIC OPERA

Goldberg No. 27 By Brian Robins During the eighteenth century Naples was one of the largest and most vibrant cities in Europe. Hot, dirty and overcrowded, it was a city of teeming life and colour that flowed from court and... »

18 Sep 2004

Kiri Te Kanawa in Philadelphia

Soprano still sings, and talks about it By David Patrick Stearns Inquirer Music Critic The majestic voice of Metropolitan Opera radio announcer Milton Cross became painfully flummoxed at the name Kiri Te Kanawa. It was the soprano's 1974 debut at... »

12 Sep 2004

Chicago Tribune on Bolcom's Wedding

William Bolcom: The `Wedding' planner By John von Rhein Tribune music critic September 12, 2004 Elden is William Bolcom's middle name, but it might just as well be Eclectic. He's perhaps the most versatile "serious" composer now at work in... »

08 Sep 2004

The Independent: The Sydney Opera House: a father and son enterprise

In 1966 Jørn Utzon was forced to quit as architect of the Sydney Opera House before it was complete. Next week, the first new interiors he and his son have designed will be revealed. Louis Jebb reports 07 September 2004... »

07 Sep 2004

ÓPERA ACTUAL: Angela Gheorghiu

Angela Gheorghiu "Sé lo que quiero en la vida" Todavía resuenan los ecos de su renuncia a esa Traviata que inauguraba la pasada temporada del Teatro Real. Después de su paso fugaz por el Liceu y por el reciente Festival... »

05 Sep 2004

NYT: Why the Dying Richard Strauss Couldn't Get Enough of 'Daphne'

Why the Dying Richard Strauss Couldn't Get Enough of 'Daphne' By BRYAN GILLIAM ON June 11, 1949, his 85th birthday, Richard Strauss performed at his piano for the last time. A camera crew was filming a short documentary on him... »

01 Sep 2004

Pro Ópera: Deborah Voigt, en México

Deborah Voigt, en México Una de las más importantes sopranos de Estados Unidos visitó nuestro país a finales del pasado mes de mayo para dar dos recitales con la Orquesta Sinfónica Nacional. [remainder of article here]... »

01 Sep 2004

Classical Singer Interviews Plácido Domingo

Plácido Domingo by Cristina Necula The term "force of nature" often applies to those human beings who encompass at once faith, passion, inexhaustible energy, and complete dedication to their mission in life. Their impact on the world is lasting, carrying... »