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Elsewhere

The Met’s ‘Le Nozze di Figaro’ a happy marriage of ensemble singing and acting

The cast of supporting roles was especially strong in the company’s new production of Mozart’s matchless masterpiece

Syracuse Opera’s ‘Die Fledermaus’ bubbles over with fun, laughter and irresistible music

The company uncorks its 40th Anniversary season with a visually and musically satisfying production of Johann Strauss Jr.’s farcical operetta

Capriccio at Lyric Opera of Chicago

Although performances of Richard Strauss’s last opera Capriccio have increased in recent time, Lyric Opera of Chicago has not experienced the “Konversationsstück für Musik” during the past twenty odd years.

On The Death of Klinghoffer

This is a revised version of my review of the Sept 5th 1991American premiere of The Death of Klinghoffer, at the Brooklyn Academy of Music. The opera was first performed at Brussels’ La Monnaie the previous spring.

Anna Netrebko, now a dramatic soprano, shines in the Met’s dark and murky ‘Macbeth’

The former lyric soprano holds up well — and survives the intrusive close-up camerawork of the ‘Live in HD’ transmission

Arizona Opera Presents First Mariachi Opera

Houston Grand Opera commissioned Cruzar la Cara de la Luna from composer José “Pepe” Martínez, music director of Mariachi Vargas de Tecalitlán, who wrote the text together with Broadway and opera director Leonard Foglia. The work had its world premier in 2010. Since then, it has traveled to several cities including Paris, Chicago, and San Diego.

Plácido Domingo: I due Foscari, London

“Why should I go to hear Plácido Domingo” someone said when Verdi’s I due Foscari was announced by the Royal Opera House. There are very good reasons for doing so.

Philip Glass’s The Trial

Music Theatre Wales presented the world premiere of Philip Glass’s The Trial (Kafka) last night at the Linbury, Royal Opera House. Music Theatre Wales started doing Glass in 1989. Their production of Glass’s In the Penal Colony in 2010 was such a success that Glass conceived The Trial specially for the company.

Joyce DiDonato: Alcina, Barbican, London

To say that the English Concert’s performance of Handel’s Alcina at the Barbican on 10 October 2014 was hotly anticipated would be an understatement. Sold out for weeks, the performance capitalised on the draw of its two principals Joyce DiDonato and Alice Coote and generated the sort of buzz which the work did at its premiere.

Un ballo in maschera in San Francisco

The subject is regicide, a hot topic during the Italian risorgimento when the Italian peninsula was in the grip of the Hapsburgs, the Bourbons, the House of Savoy and the Pontiff of the Catholic Church.

A New Don Giovanni and Anniversary at Lyric Opera of Chicago

Lyric Opera of Chicago opened its sixtieth anniversary season with a new production of Mozart’s Don Giovanni directed by Artistic Director of the Goodman Theater, Robert Falls.

Grande messe des morts, LSO

It was a little over two years ago that I heard Sir Colin Davis conduct the Berlioz Requiem in St Paul’s Cathedral; it was the last time I heard — or indeed saw — him conduct his beloved and loving London Symphony Orchestra.

Guillaume Tell, Welsh National Opera

Part of their Liberty or Death season along with Rossini’s Mose in Egitto and Bizet’s Carmen, Welsh National Opera performed David Pountney’s new production of Rossini’s Guillaume Tell (seen 4 October 2014).

Mose in Egitto, Welsh National Opera

Welsh National Opera’s production of Rossini’s Mose in Egitto was the second of two Rossini operas (the other is Guillaume Tell) performed in tandem for their autumn tour.

L’incoronazione di Poppea, Barbican Hall

In Monteverdi’s first Venetian opera, Il Ritorno d’Ulisse (1641), Penelope’s patient devotion as she waits for the return of her beloved Ulysses culminates in the triumph of love and faithfulness; in contrast, in L’incoronazione di Poppea it is the eponymous Queen’s lust, passion and ambition that prevail.

Rameau’s Les Paladins, Wigmore Hall

After the triumphs of love, the surprises: Les Paladins, under their director Jérôme Correas, and soprano Sandrine Piau are following their tour of material from their 2011 CD, ‘Le Triomphe de L’amour’, with a new amatory arrangement.

Puccini : The Girl of the Golden West, ENO London

At the ENO, Puccini's La fanciulla del West becomes The Girl of the Golden West. Hearing this opera in English instead of Italian has its advantages, While we can still hear the exotic, Italianate Madama Butterfly fantasies in the orchestra, in English, we're closer to the original pot-boiler melodrama. Madama Biutterfly is premier cru: The Girl of the Golden West veers closer, at times, to hokum. The new ENO production gets round the implausibility of the plot by engaging with its natural innocence.

Anna Caterina Antonacci, Wigmore Hall, London

Presenting a well-structured and characterful programme, Italian soprano Anna Caterina Antonacci demonstrated her prowess in both soprano and mezzo repertoire in this Wigmore Hall recital, performing European works from the early years of the twentieth century. Assuredly accompanied by her regular pianist Donald Sulzen, Antonacci was self-composed and calm of manner, but also evinced a warmly engaging stage presence throughout.

Il barbiere di Siviglia, Royal Opera

Bold, bright and brash, Moshe Leiser and Patrice Caurier’s Il barbiere di Siviglia tells its story clearly in complementary primary colours.

Gluck and Bertoni at Bampton

Bampton Classical Opera’s 2014 double bill neatly balanced drollery and gravity. Rectifying the apparent prevailing indifference to the 300th centenary of Christoph Willibald Gluck birth, Bampton offered a sharp, witty production of the composer’s Il Parnaso confuso, pairing this ‘festa teatrale’ with Ferdinando Bertoni’s more sombre Orfeo.


OPERA TODAY ARCHIVES »

Commentary

Photo by Richard Lobell
19 Oct 2014

On The Death of Klinghoffer

This is a revised version of my review of the Sept 5th 1991American premiere of The Death of Klinghoffer, at the Brooklyn Academy of Music. The opera was first performed at Brussels’ La Monnaie the previous spring.  »

Recently in Commentary

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11 
26 Jan 2009

Anne Ozorio Interviews Ingo Metzmacher on Die tote Stadt

Erich Korngold’s Die tote Stadt comes to the Royal Opera House in January 2009. It’s the first time this production has been seen in London : it is the famed Willy Decker production from Salzburg in 2004 which did so much to restore Korngold’s status.  »

14 Jan 2009

Who Was Mary Lewis?

“Mary Lewis, the golden haired soprano” — does that name mean much to today’s lovers of singing and good music?  »

11 Jan 2009

The Works of Giacomo Puccini

The following are recordings of major works by Giacomo Puccini. Click the link to access. »

22 Dec 2008

Bayerische Staatsoper Announces Program for 2009 Munich Opera Festival

The Bayerische Staatsoper announced its program of the 2009 Munich Opera Festival — the only festival of its kind in the world so rich in tradition, with roots reaching as far back as 1875. »

17 Dec 2008

Keith Jameson — Comprimario Extraordinaire

Most opera-world publicity is accorded star singers, but we take another tack here to look at American tenor Keith Jameson who has made a specialty of character or comprimario parts, while at the same time building a solid reputation as sophisticated musician and actor, a performer who can seize the moment and elevate a role to first rank for the time he is on stage. »

23 Nov 2008

The ‘Colors’ of La Fanciulla

The transition in Giacomo Puccini’s mature period from one autonomous phase to another (although the two are connected by subtle links) is a fact that has been accepted by operatic scholars.  »

17 Nov 2008

Opera in Germany

Following a recent visit to Germany, Wes Blomster surveys the vibrant opera scene in Berlin and Magdeburg.  »

04 Nov 2008

Elektra at Royal Opera House

“Opera directing is very different to theatre directing”, says Charles Edwards, director of Elektra at the Royal Opera House this season. “It has to be the music that motivates you”. For this production, he works with Mark Elder, “an extraordinarily theatrically-minded conductor who sees theatre in everything he hears”. »

23 Oct 2008

Chaslin Chats About Wuthering Heights

Writer Frank Cadenhead discusses Wuthering Heights, the nearly-finished new operatic endeavor by composer Frédéric Chaslin. Cadenhead recently traveled to Valenica, Spain, where Chaslin and librettist Paula Heil Fisher are hard at work on the piece. »

21 Oct 2008

An interview with Scott Lindroth

An interview with Scott Lindroth by Tom Moore »

03 Oct 2008

Korngold opera the “Hair” of its day

Back in the 19th century it was not smoke, but hair that got in one’s eyes. »

03 Oct 2008

Tom Moore Interviews Mark Engebretson

A virtuoso saxophonist, performing internationally, Mark Engebretson is also a composer whose recent works often take place at the interface between the live performer and the computer. »

03 Oct 2008

Tom Moore Interviews Alejandro Rutty

Composer Alejandro Rutty is newly-arrived in North Carolina, where he teaches at UNC Greensboro. »

19 Sep 2008

Pergolesi’s Home Service Really Delivers!

The United States premiere of Pergolesi’s Home Service will be presented by The Chamber Opera of Memphis in cooperation with the University of Memphis Rudi E. Scheidt School of Music on Thursday, October 16 at 7:30 p.m. in Harris Concert Hall (3775 Central Ave.). »

18 Sep 2008

Dr. Ulrike Hessler First Woman Appointed Intendant to Semper Oper in Dresden

For the first time in its 169 year history, the Saxonian State Opera — home to world premiere performances of most Richard Strauss and several Wagner operas — has appointed a woman as its General Director. »

17 Sep 2008

Lawrence Brownlee Expands Repertoire in 2008-09 Season

The remarkable Lawrence Brownlee has proven himself to be one of the most prominent bel canto tenors on the international scene. »

14 Sep 2008

Vivica Genaux Focuses on Baroque Repertoire in 2008-09 Season

The 2008-09 season of radiant mezzo-soprano Vivica Genaux promises to add further luster to her credentials as one of the world’s leading interpreters of music of the Baroque and bel canto periods. »

08 Sep 2008

“Great Performances” remembers Pavarotti — What remains is the voice.

Luciano Pavoritti died on September 6, 2007. The all-too-ample figure and the fables associated with him are already retreating from memory. »

19 Aug 2008

Singers from South Africa and Sweden win Seattle Wagner Competition

A soprano originally from South Africa and a tenor from Sweden sang their way to top honors in the 2008 International Wagner Competition staged by the Seattle Opera on August 16 in Marion Oliver McCaw Hall, the company's handsome home. »

06 Jul 2008

Opera at the BBC Proms — the world’s biggest Music Festival

London’s musical life shuts down for eight weeks while the Proms reign supreme, and no wonder ! »

02 Jun 2008

A Tribute to Franco Zeffirelli

Among the tributes that came to the legendary Producer, Designer and Director Franco Zeffirelli, in the remaining days of this past March, a little gem of a celebration was held at the Lincoln Triangle Barnes and Noble bookstore, on the evening of March 28th. »

28 May 2008

An Interview with Allen Anderson

By Tom MooreComposer Allen Anderson will be familiar to aficionados of contemporary music through various works released on CRI, or those in the Research Triangle through his presence in the new music scene here in North Carolina, where he has taught at UNC since 1996. »

27 May 2008

Books 'n Things

Two excellent books on opera have come to hand, providing many hours of entertaining reading. I combine notice of them with a few thoughts about composer Paul Moravec’s CDs, and his forthcoming opera premiere at Santa Fe Opera in 2009.  »

09 May 2008

Canada’s Brueggergosman makes the most of Mozart

When Toronto’s Opera Atelier asked her to sing Elettra in Mozart’s Idomeneo Measha Brueggergosman hesitated. »

09 May 2008

Fort Worth Opera Festival features “Angels in America”

In 2007 it was an experiment; now it’s a new summer festival firmly rooted in fertile Texas turf with a bright view of its second season and of the more distant future as well. »

09 May 2008

Spoleto USA revives opera, hall

Operas do not often get a second chance. A new work is premiered and — if it’s a co-commission — it moves on to another company or two. »

21 Apr 2008

Berlin’s “other” opera often stellar

It is, you might say, the little opera that can. True, if it’s size of the budget, the price of tickets and the number of seats that concerns you, the Komische Oper is clearly the third of Berlin’s opera houses. »

17 Feb 2008

Interview with Canadian Mezzo-Soprano, Jean Stilwell, and pianist, Patti Loach

“Quand je vous aimerais? Ma fois, je ne sais pas?” are Carmen’s first words of seduction. »

13 Jan 2008

Tom Moore Interviews Dimitri Cervo

Oct. 25, 2007, Sala Cecilia MeirelesI met the young gaucho composer Dimitri Cervo at the 2003 Bienal of Contemporary Music, where his works for solo flute and strings, Pattapiana [named for Pattapio Silva, a great Brazilian flutist who died tragically young at the beginning of the last century] made quite an impression. »

27 Dec 2007

Houston puts final touches on new Heggie opera

There’s still a hint of jest in the comparison, but it’s not without reason that Jake Heggie and Terrence McNally are mentioned now and then in opera circles as “the Strauss and Hofmannsthal of the 21st century.” »

27 Dec 2007

‘Polish’ Not Change for Santa Fe Opera

Incoming general director of Santa Fe Opera, Charles MacKay, has made clear he is “in the tradition -- I will not be an agent for radical change,” at the celebrated New Mexico summer opera festival, MacKay says. »

26 Dec 2007

Tom Moore Interviews Frederick Carrilho

Composer Frederick Carrilho was born in 1971 in the state of Sao Paulo, and has studied guitar and composition, most recently at UNICAMP in Campinas. His music has been heard at the recent biennial festivals of contemporary music in Rio, with the Profusão V – Toccata making a strong impression at the Bienal of 2007. We spoke in Portuguese. »

28 Nov 2007

Tom Moore Interviews Marisa Rezende

October 23, 2007, Sala Cecilia Meireles, Rio de Janeiro »

28 Nov 2007

Guanajuato Opera a document of Mexican history

What makes the first visit to Guanajuato’s Teatro Juárez breathtaking is the suddenness of the encounter. »

19 Nov 2007

Nikolai Brucher — An Interview

Oct. 25, 2007, Rio de Janeiro. »

11 Nov 2007

José Orlando Alves — An Interview

José Orlando Alves is a young composer, originally from Minas Gerais, but who spent many years in Rio de Janeiro, where he has been active for a decade with the composers’ collaborative, Preludio XXI. »

02 Sep 2007

The Pleasures of Presence — The Small Loudspeakers of Richard Sequerra

In the long ago, when the best source of music reproduction in the home was a handsome piece of furniture, fitted with hidden audio components, and usually called radio-phonographs, my family had one — from Avery Fisher I believe — that had among its controls a switch labeled ‘presence.’ »

28 Aug 2007

An Interview with Canadian mezzo-soprano, Kimberly Barber.

Uncut with Canada’s Mistress of the trouser-role: the multifaceted Kimberly Barber. »

27 Aug 2007

Glimmerglass Opera 2007 — An Overview

Glimmerglass Opera is in a watershed year. With the departure of Paul Kellogg, who had considerable success developing that annual festival, General and Artistic Director Michael Macleod has chosen to begin his tenure with a variation on the usual four-opera-season, namely a thematic collection of pieces based on the “Orpheus” legend. “Don’t look back” is the marketing catch phrase. »

27 Aug 2007

Jan Neckers on Recently Reissued Historicals

Almost thirty years ago a century old tradition ended with the last performance of I Maestri Cantatori. »

20 Aug 2007

Santa Fe Opera in Changing Times

Santa Fe Opera’s announcement August 10 that English-born impresario, Richard Gaddes, General Director of the company since 2001, will retire at the end of season 2008, took the local opera community by surprise. »

16 Aug 2007

The Week that Was for Opera: Santa Fe — Dallas — Denver/St Louis — Toronto

The week just ended was certainly of historic moment in the world of North American opera companies. »

24 Jun 2007

Countertenor David DQ Lee: Winning Hearts and Minds at Cardiff Singer of the World

Perhaps it is a sign that, at last, the countertenor voice has come of age in the hearts and minds of both audiences and the opera establishment. »

17 Jun 2007

New Frocks for Old – Cardiff Singer of the World, 2007

Back in the early 1980’s two good ideas came to fruition: the much-needed new concert hall for Cardiff, capital city of Wales, and plans to hold within it the first “Singer of the World” competition. »

25 May 2007

Opera on the move at Spoleto USA

Charleston, S.C. — For over 20 years it was two operas a season here at Spoleto USA, the all-arts festival brought to this cultural capital of the Old South by Gian Carlo Menotti in 1977. »

20 May 2007

Rising to the occasion – Michael Maniaci saves the day at La Fenice

It is every young opera singer’s dream. »

10 May 2007

SANTA FE TO CHANGE MUSIC DIRECTORS

On May 9th, when Santa Fe Opera finally announced that Alan Gilbert had left his post as Music Director of that company, a long-standing rumor was made official. »