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Elsewhere

Edward Gardner conducts Berlioz's L’Enfance du Christ

L’Enfance du Christ is not an Advent work, but since most of this country’s musical institutions shut down over Christmas, Advent is probably the only chance we shall have to hear it - and even then, only on occasion. But then Messiah is a Lenten work, and yet …

Fantasia on Christmas Carols: Sonoro at Kings Place

The initial appeal of this festive programme by the chamber choir, Sonoro, was the array of unfamiliar names nestled alongside titles of familiar favourites from the carol repertoire.

Dickens in Deptford: Thea Musgrave's A Christmas Carol

Both Venus and the hearth-fire were blazing at Trinity Laban Conservatoire of Music and Dance during this staging of Thea Musgrave’s 1979 opera, A Christmas Carol, an adaptation by the composer of Charles Dickens’ novel of greed, love and redemption.

There is no rose: Gesualdo Six at St John's Smith Square

This concert of Christmas music at St John’s Smith Square confirmed that not only are the Gesualdo Six and their director Owain Park fine and thoughtful musicians, but that they can skilfully shape a musical narrative.

Temple Winter Festival: The Tallis Scholars

Hodie Christus natus est. Today, Christ is born! A miracle: and one which has inspired many a composer to produce their own musical ‘miracle’: choral exultation which seems, like Christ himself, to be a gift to mankind, straight from the divine.

A new Hänsel und Gretel at the Royal Opera House

Fairy-tales work on multiple levels, they tell delightful yet moral stories, but they also enable us to examine deeper issues. With its approachably singable melodies, Engelbert Humperdinck's Märchenoper Hänsel und Gretel functions in a similar way; you can take away the simple delight of the score, but Humperdinck's discreetly Wagnerian treatment of his musical material allows for a variety of more complex interpretations.

Bohuslav Martinů – What Men Live By

World premiere recording from Supraphon of Bohuslav Martinů What Men Live By (H336,1952-3) with Jiří Bělohlávek and the Czech Philharmonic Orchestra from a live performances in 2014, with Martinů's Symphony no 1 (H289, 1942) recorded in 2016. Bělohlávek did much to increase Martinů's profile, so this recording adds to the legacy, and reveals an extremely fine work.

Berlioz: Harold en Italie, Les Nuits d'été

Hector Berlioz Harold en Italie with François-Xavier Roth and Les Siècles with Tabea Zimmermann, plus Stéphane Degout in Les Nuits d’été from Hamonia Mundi. This Harold en Italie, op. 16, H 68 (1834) captures the essence of Romantic yearning, expressed in Byron's Childe Harold’s Pilgrimage where the hero rejects convention to seek his destiny in uncharted territory.

Rouvali and the Philharmonia in Richard Strauss

It so rarely happens that the final concert you are due to review of any year ends up being one of the finest of all. Santtu-Matias Rouvali’s all Richard Strauss programme with the Philharmonia Orchestra, however, was often quite remarkable - one might quibble that parts of it were somewhat controversial, and that he even lived a little dangerously, but the impact was never less than imaginative and vivid. This was a distinctly young man’s view of Strauss - and all the better for that.

‘The Swingling Sixties’: Stravinsky and Berio

Were there any justice in this fallen world, serial Stravinsky – not to mention Webern – would be played on every street corner, or at least in every concert hall. Come the revolution, perhaps.

Le Bal des Animaux : Works by Chabrier, Poulenc, Ravel, Satie et al.

Belgian soprano Sophie Karthaüser’s latest song recital is all about the animal kingdom. As in previous recordings of songs by Wolf, Debussy and Poulenc, pianist Eugene Asti is her accompanist in Le Bal des Animaux, a delightful collection of French songs about creatures of all sizes, from flea to elephant and from crayfish to dolphin.

The Pity of War: Ian Bostridge and Antonio Pappano at the Barbican Hall

During the past four years, there have been many musical and artistic centenary commemorations of the terrible human tragedies, inhumanities and utter madness of the First World War, but there can have been few that have evoked the turbulence and trauma of war - both past and present, in the abstract and in the particular - with such terrifying emotional intensity as this recital by Ian Bostridge and Antonio Pappano at the Barbican Hall.

First revival of Barrie Kosky's Carmen at the ROH

Charles Gounod famously said that if you took the Spanish airs out of Carmen “there remains nothing to Bizet’s credit but the sauce that masks the fish”.

Stanford's The Travelling Companion: a compelling production by New Sussex Opera

The first performance of Charles Villiers Stanford’s ninth and final opera The Travelling Companion was given by an enthusiastic troupe of Liverpudlian amateurs at the David Lewis Theatre - Liverpool’s ‘Old Vic’ - in April 1925, nine years after it was completed, eight after it won a Carnegie Award, and one year after the composer’s death.

Russian romances at Wigmore Hall

The songs of Tchaikovsky and Rachmaninov lie at the heart of the Romantic Russian art song repertoire, but in this duo recital at Wigmore Hall it was the songs of Nikolay Medtner - three of which were framed by sequences by the great Russian masters - which proved most compelling and intriguing.

Wolfgang Rihm: Requiem-Strophen

The world premiere recording of Wolfgang Rihm's Requiem-Strophen (2015/2016) with Mariss Jansons conducting the Symphonieorchester des Bayerischen Rundfunks and the Chor des Bayerischen Rundfunks with Mojca Erdmann, Anna Prohaska and Hanno Müller-Brachmann, from BR Klassik NEOS.

Don Giovanni: Manitoba Opera

Manitoba Opera turned the art of seduction into bloodsport with its 2018/19 season-opener of Mozart’s dramma giocoso, Don Giovanni often walking a razor’s edge between hilarious social commentary and chilling battles for the soul.

Jonathan Miller's La bohème returns to the Coliseum

And still they come. No year goes by without multiple opportunities to see it; few years now go by without my taking at least one of those opportunities. Indeed, I see that I shall now have gone to Jonathan Miller’s staging on three of its five (!) outings since it was first seen at ENO in 2009.

Sir Thomas Allen directs Figaro at the Royal College of Music

The capital’s music conservatoires frequently present not only some of the best opera in London, but also some of the most interesting, and unusual, as the postgraduate students begin to build their careers by venturing across diverse operatic ground.

Unknown, Remembered: in conversation with Shiva Feshareki

It sounds like a question from a BBC Radio 4 quiz show: what links Handel’s cantata for solo contralto, La Lucrezia, Samuel Beckett’s Krapp’s Last Tape, and the post-punk band Joy Division?


OPERA TODAY ARCHIVES »

Commentary

27 Nov 2018

Unknown, Remembered: in conversation with Shiva Feshareki

It sounds like a question from a BBC Radio 4 quiz show: what links Handel’s cantata for solo contralto, La Lucrezia, Samuel Beckett’s Krapp’s Last Tape, and the post-punk band Joy Division»

Recently in Commentary

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03 Feb 2012

An Aria of Lincoln Center — The Metropolitan Opera

To the dismay of New York opera fans, the original Metropolitan Opera House, located at Broadway and 39th Street, was to be torn down and replaced by a new hall a mere 30 blocks away. »

02 Feb 2012

Barcelona’s Liceo Opera in Financial Crisis

Confronting a financial shortfall, the Gran Theatro del Liceo in Barcelona has announced a reduction in performances this season with two scheduled operas cancelled.  »

02 Feb 2012

Bayreuth Festspielhaus

In an interview, Katharina Wagner, 33, granddaughter of the composer and co-director of the Richard Wagner Bayreuth Festival, spoke of the declining state of the legendary Festival House on the “Green Hill” at Bayreuth.  »

01 Feb 2012

The Smola Prize

A Swiss soprano and an Australian baritone shared the 20,000 Euro Emmerich Smola Prize awarded on Monday.  »

31 Jan 2012

Angela Meade Wins Beverly Sills Artist Award

The seventh annual Beverly Sills Artist Award, carrying with it a $50,000 prize, was awarded to American soprano Angela Meade.  »

31 Jan 2012

Vienna State Opera Keeps It’s Team

Jan. 31, 2012. The recent announcement of the extension of the contract for Dominique Meyer, the General Director of the Vienna State Opera was a firm endorsement of his leadership by the Austrian government. Meyer, 57, the first French person to hold the office, will continue now through August 31, 2020. »

25 Jan 2012

Interview with Lise Lindstrom — An Intelligent Soprano’s Guide to Turandot and Salome

Lise Lindstrom, who made a notable splash in the opera world (debuts at La Scala and at the Met) with her portrayals of Giacomo Puccini’s Turandot, has recently undertaken the still more demanding role of Salome.  »

30 Dec 2011

Vivica Genaux — An Interview

I spoke with Vivica Genaux in December 2011, when she stopped in New York at the end of one of her concert tours.  »

28 Dec 2011

The English Oratorio: A Celebration (Barbican Hall, London)

When we think of the ‘English oratorio’, the composer whose name most readily comes to mind is George Frideric Handel, the ‘adopted’ Englishman who in the first half of the eighteenth-century both anticipated and dictated English musical and theatrical taste.  »

27 Nov 2011

Piotr Beczala

Piotr Beczala, the Polish lyric tenor, stars in the current La Traviata at the Royal Opera House, London.  »

12 Oct 2011

Ten Years of Celebrating Song: Oxford Lieder Festival 2011

In just ten years, the Oxford Lieder Festival has become Britain’s most important Lieder festival, with an international following.  »

05 Oct 2011

Wes Blomster 1929-2011

It is with great sadness to report that Wes Blomster has passed on.  »

03 Oct 2011

The Inaugural Cambridge Handel Festival: a rosy dawn?

The haughty beauties that are the ancient colleges of Cambridge were definitely feeling the heat this past weekend, and not even the cooling streams of the Cam and its tributaries could assuage the heat of an Indian summer in the Fens of Eastern England.  »

12 Jul 2011

Raffaele Cardone, Miami Lyric Opera

Remember when opera was all the rage? Remember when you could walk across to any town and experience a whole different opera scene, a different opera house, different orchestras and singers?  »

12 Jul 2011

“Opera is like a tree” — ZhengZhong Zhou

In Gounod’s Faust at the Royal Opera House in October 2011, Zhengzhong Zhou is alternating with Dmitri Hvorostovsky in the part of Valentin. Alternating, not covering or substituting. Since Zhou is very young, it’s quite a challenge. »

30 Jun 2011

Luca Pisaroni sings Handel at Glyndebourne

Luca Pisaroni is one of one the more exciting young bass-baritones of his generation. In July 2011, he sings Argante in the first ever Handel Rinaldo at the Glyndebourne Festival. »

27 Jun 2011

Madama Butterfly by Caurier and Leiser

Patrice Caurier and Moshe Leiser’s Madama Butterfly is such a classic that it is being filmed for the second time at the Royal Opera House, London.  »

22 Jun 2011

Will Crutchfield: Interview with the Director of Opera for the Caramoor Festival

Will Crutchfield made his name as a writer and musicologist in the mid-1980s, becoming the youngest music critic in the history of The New York Times.  »

17 Jun 2011

Jeremy White and the British character singer tradition

Divas make headlines, but character singers are fundamental to the British opera tradition. “Character singing,” says Jeremy White, one of the stalwarts of the Royal Opera House, “is much more than just voice.” »

16 Jun 2011

Jane Henschel — An Interview

Since her first significant and highly acclaimed debut as a guest artist with the Netherlands Opera in 1992, in the taxing role of the Nurse in Richard Strauss’s Die Frau ohne Schatten, American mezzo-soprano Jane Henschel has triumphed in opera houses across the world, marvelling international audiences with her musical versatility, vocal strength and striking stage presence. »

14 Jun 2011

New directions at the Royal Opera House

John Fulljames has been appointed Associate Director for Opera at the Royal Opera House.  »

10 Jun 2011

Luke Bedford’s Seven Angels

There has been much eager anticipation for Luke Bedford’s opera Seven Angels.  »

31 May 2011

Handel – True or False?

“Germanico del sig. Hendl”. Since 1929 the printed catalogue of the Conservatorio Cherubini in Florence (section “Opere teatrali”, p. 143) has contained a Handel title not mentioned in any other sources.  »

22 May 2011

Liudmyla Monastyrska — An Interview

Ukrainian soprano Liudmyla Monastyrska certainly knows how to make the most of every opportunity.  »

20 May 2011

A Fond Remembrance of Hildegard Behrens

Hildegard Behrens died in August of 2009. Considered one of the great Wagnerian sopranos of her day, many tributes were pubished acclaiming her virtues and accomplishments on and off stage. Previously unknown information, however, has come to light concerning her personal life that spans from before the flowering of her career and thereafter. This is an informal account of events by Charles Pratt as told to Shirley Hessel. »

22 Apr 2011

Cyrano, Florida Grand Opera

To enter into David DiChiera’s space as he talks opera shop is to risk being pulled into his world, rapt by a tractor beam emitting a constant flow of music theater load.  »

13 Apr 2011

Still Dangerous After 181 Years?

The new brochure of the 2011-2012 season at Paris’ Opéra-Comique has only arrived in the past few days and has already caused a stir in two countries.  »

10 Apr 2011

Paata Burchuladze, The Tsar’s Bride, London

“A tale of corruption, passion and poisoning”, as the Royal Opera House, London, describes its first-ever production of Rimsky-Korsakov’s The Tsar’s Bride, with Paata Burchuladze, highly experienced in this repertoire.  »

01 Apr 2011

From the Field to the Stage

“All the world’s a stage” and for Morris Robinson the translation was literal. From the football field to the grand opera he managed to make few stage set changes along the way. »

20 Feb 2011

Virginia Arts recalls Civil War

For geography buffs the Rappahannock is a river that flows from Virginia’s Blue Ridge Mountains to Chesapeake Bay.  »

01 Feb 2011

Real Opera In New Jersey

In an episode of the series West Wing, political strategist Josh Lyman (played by Bradley Whitford) visits his friend and speech writer Sam Seaborn (Rob Lowe) in New York City before heading to New Hampshire for a promising candidate’s campaign speech.  »

31 Jan 2011

Elizabeth Futral — An Interview

Elizabeth Futral has established herself as one of the major coloratura sopranos in the world today. With her stunning vocalism and vast dramatic range, she has embraced a diverse repertoire that includes Vivaldi, Handel, Mozart, Bellini, Donizetti, Rossini, Verdi, Glass, and Previn. »

31 Jan 2011

Elisabeth Meister — An Interview

British soprano, Elisabeth Meister, is a rare combination of pragmatism, serious intent, personal warmth and infectious energy.  »

31 Dec 2010

Andrea Clearfield — An Interview

Composer and pianist Andrea Clearfield is a fundamental presence on the contemporary music scene in Philadelphia, with a long collaboration with the Relâche Ensemble to her credit, as well as a monthly salon in her home (with close to 25 years of concerts) that brings together artists from various disciplines, not only music.  »

09 Dec 2010

Renée Fleming Named By Lyric Opera Of Chicago First Ever Creative Consultant

December 9, 2010 CHICAGO – The Board of Directors of Lyric Opera of Chicago announced today that soprano RENÉE FLEMING has been named Creative Consultant, a first in this company’s history.  »

06 Dec 2010

Rodney Waschka — An Interview

Rodney Waschka is a professor at North Carolina State University in Raleigh, where his multifarious activities are fundamental to the presence of contemporary music in the state.  »

18 Nov 2010

Stellan Sagvik: An Interview

Swedish composer Stellan Sagvik is a protean figure with a large and diverse body of work ranging from works for solo flute (most recently written for his wife, Kinga Práda), to chamber music — five string quartets, with another on the way, and symphonies, operas and choral music.  »

07 Nov 2010

New Adriana Lecouvreur in London — Alessandro Corbelli

A completely new production of Francesco Cilea’s Adriana Lecouvreur is coming to the Royal Opera House, London.  »

03 Nov 2010

Overture to London’s Handel Festival 2011

The small but perfectly formed Grosvenor Chapel in London’s exclusive Mayfair was the venue last Monday night for a programme of Handel vocal and instrumental music of considerable quality — if minimal quantity.  »

03 Nov 2010

Marcela Pavia — An Interview

Composer Marcela Pavia was born and raised in Rosario, Argentina, and comes from a family of Italian immigrants.  »

13 Oct 2010

Joan Sutherland: My Starter Diva

I was sixteen and knew nothing about opera, had just seen my first Traviata at the City Opera (Patricia Brooks, Placido Domingo), was entranced by the melodies — especially the Brindisi and “Sempre libera” — and wanted more.  »

10 Oct 2010

Oxford Lieder Festival 2010

The Oxford Lieder Festival is small, but is extremely important. It's quite an achievement, extremely well organized and comprehensive, a model for intelligently-presented festivals of any kind.  »

24 Sep 2010

Pierre Jalbert: An Interview

Composer Pierre Jalbert (b.1967), of French Canadian ancestry, was born and raised in northern New England, and studied composition at Oberlin Conservatory and at the University of Pennsylvania, where he worked with George Crumb.  »

13 Sep 2010

Kate Lindsey: An Interview

This season Santa Fe Opera offered new productions that ranged from standard repertoire (Madame Butterfly and The Magic Flute) to a world premiere (Lewis Spratlan’s Life is a Dream) with The Tales of Hoffmann and Albert Herring falling somewhere amidst.  »

13 Sep 2010

Bruce Adolphe: An Interview

Bruce Adolphe, born and raised in the New York area, a student of composition at Juilliard in the sixties and seventies, has an impressive body of work commissioned by artists known on every continent, and was chosen by the Music Library Association to write a piece for brass (Triskelion) marking the sixtieth anniversary of the Association, premiered by the American Brass Quintet at the national meeting in Indianapolis in February, 1991.  »

12 Sep 2010

Mohammed Fairouz: An Interview

As one of the most sought after composers of the young generation, Mohammed Fairouz has many commissions and a substantial body of work, and maintains a busy performance schedule. »

09 Sep 2010

Jacques Imbrailo, Malatesta at the Royal Opera House

Jacques Imbrailo sings Dr Malatesta in Donizetti’s Don Pasquale at the Royal Opera House, London »