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Elsewhere

La bohème, LA Opera

On May 25, 2016, Los Angeles Opera presented a revival of the Herbert Ross production of Giacomo Puccini’s opera, La bohème. Stage director, Peter Kazaras, made use of the Dorothy Chandler Pavilion’s wide stage by setting some scenes usually seen inside the garret on the surrounding roof instead.

Amazons Enchant San Francisco

On May 21, 2016, Ars Minerva presented The Amazons in the Fortunate Isles (Le Amazzoni nelle Isole Fortunate), an opera consisting of a prologue and three acts by seventeenth century Venetian composer Carlo Pallavicino.

Mathis der Maler, Dresden

While Pegida anti-refugee demonstrations have been taking place for a while now in Dresden, there was something noble about the Semperoper with its banners declaring all are welcome, listing Othello, the Turk, and the hedon Papageno as examples.

The Makropulos Case, Munich

Opera houses’ neglect of Leoš Janáček remains one of the most baffling of the many baffling aspects of the ‘repertoire’. At least three of the composer’s operas would be perfect introductions to the art form: Jenůfa, Katya Kabanova, or The Cunning Little Vixen would surely hook most for life.

Orphée et Euridice, Seattle

It’s not easy for critics to hit the right note when they write about musical collaborations between students and professionals. We have to allow for inevitable lack of polish and inexperience while maintaining an overall high standard of judgment.

Die Meistersinger von Nürnberg, Munich

Die Meistersinger at the theatre in which it was premiered, on Wagner’s birthday: an inviting prospect by any standards, still more so given the director, conductor, and cast, still more so given the opportunity to see three different productions within little more than a couple of months).

Il barbiere di Siviglia at Glyndebourne

Director Annabel Arden believes that Rossini’s Il barbiere di Siviglia is ‘all about playfulness, theatricality, light and movement’. It’s certainly ‘about’ those things and they are, as Arden suggests, ‘based in the music’.

Oedipe at Covent Garden

George Enescu’s Oedipe was premiered in Paris 1936 but it has taken 80 years for the opera to reach the stage of Covent Garden. This production by Àlex Ollé (a member of the Catalan theatrical group, La Fura Dels Baus) and Valentina Carrasco, which arrives in London via La Monnaie where it was presented in 2011, was eagerly awaited and did not disappoint.

Gounod’s Roméo et Juliette at Lyric Opera, Chicago

Lyric Opera of Chicago staged Charles Gounod’s Roméo et Juliette as the last opera in its current subscription season.

L’incoronazione di Poppea, RAO

‘The plot is perhaps the least moral in all opera; wrong triumphs in the name of love and we are not expected to mind.’

Madame Butterfly , ENO

Anthony Minghella’s production of Madame Butterfly for ENO is wearing well. First seen in 2005, it is now being aired for the sixth time and is still, as I observed in 2013, ‘a breath-taking visual banquet’.

An interview with Tobias Ringborg

I arrive at the Jerwood Space, where rehearsals are underway for Garsington Opera’s forthcoming production of Idomeneo, to find that the afternoon rehearsal has finished a little early.

Valiant but tentative: La straniera at the Concertgebouw

This concert version of La straniera felt like a compulsory musicology field trip, but it had enough vocal flashes to lobby for more frequent performances of this midway Bellini.

London Festival of Baroque Music 2016: Words with Purcell

As poetry is the harmony of words, so music is that of notes; and as poetry is a rise above prose and oratory, so is music the exaltation of poetry.

The Dark Mirror: Zender’s Winterreise

From experiments with musique concrète in the 1940s, to the Minimalists’ explorations into tape-loop effects in the 1960s, via the appearance of hip-hop in the 1970s and its subsequent influence on electronic dance music in the 1980s, to digital production methods today, ‘sampling’ techniques have been employed by musicians working in genres as diverse as jazz fusion, psychedelic rock and classical music.

Great Scott Wows San Diego

On May 7, 2016, San Diego Opera presented the West Coast premiere of Great Scott, an opera by Terrence McNally and Jake Heggie. McNally’s original libretto pokes fun at everything from football to bel canto period opera. It includes snippets of nineteenth century tunes as well as Heggie's own bel canto writing.

Bellini’s Adelson e Salvini, London

A foiled abduction, a castle-threatening inferno, romantic infatuation, guilt-laden near-suicide, gun-shots and knife-blows: Andrea Leone Tottola’s libretto for Vincenzo Bellini’s first opera, Adelson e Salvini, certainly does not lack dramatic incident.

Manitoba Opera: Of Mice and Men

Opera as an art form has never shied away from the grittier shadows of life. Nor has Manitoba Opera, with its recent past productions dealing with torture, incest, murder and desperate political prisoners still so tragically relevant today.

Opera Las Vegas Announces Full Production of Carmen

Tickets on Sale NOW for June 10 & 12 Performances at UNLV’s Performing Arts Center Box Office

The Rose and the Ring

Published in 1855 as an entertainment for his two daughters, William Makepeace Thackeray’s The Rose and the Ring is a burlesque fairy-tale whose plot — to the author’s wilful delight, perhaps — defies summation and elucidation.


OPERA TODAY ARCHIVES »

Commentary

Tobias Ringborg [Photo by Ryan Garrison]
21 May 2016

An interview with Tobias Ringborg

I arrive at the Jerwood Space, where rehearsals are underway for Garsington Opera’s forthcoming production of Idomeneo, to find that the afternoon rehearsal has finished a little early. »

Recently in Commentary

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08 Jan 2010

An interview with Hilary Hahn

American violinist Hilary Hahn has entered her fourth decade, having turned thirty last year, and for her eleventh disc she takes on a collaborative role, as obbligatist in a program of Bach cantata arias with soprano Christine Schäfer and baritone Matthias Goerne, accompanied by the Münchener Kammerorchester under the direction of Alexander Liebreich.  »

07 Jan 2010

An Interview with Ricardo Zohn-Muldoon

Composer Ricardo Zohn-Muldoon is presently on the faculty of the Eastman School of Music in Rochester, New York. He grew up in Guadalajara, Mexico, where he and colleague Carlos Sanchez-Gutierrez played in a rock and roll band together.  »

25 Dec 2009

An Interview with William Price

Composer William Price was born in Missouri (1971) and raised in Alabama, where he is presently professor of music theory at the University of Alabama at Birmingham.  »

17 Dec 2009

An Interview with John Fitz Rogers

John Fitz Rogers is presently an associate professor of composition at the University of South Carolina School of Music.  »

04 Nov 2009

The 18th Bienal of Contemporary Brazilian Music, 2009

Rio de Janeiro, which has had a string of winning luck in recent days — not only will it host the 2014 World Cup of soccer, but also the 2016 Olympic Games — continues a laudable and venerable tradition in the arts — the Biannual Festival of Contemporary Brazilian Music, now in its 18th edition.  »

26 Oct 2009

An Interview with Ileana Perez-Velazquez

An Interview with Ileana Perez-VelazquezBy Tom Moore  »

11 Oct 2009

Oxford Lieder - Britain's top Song Festival

In the autumn, Oxford is especially beautiful. The ancient colleges are swathed in scarlet vines, and the mellow evening light creates great atmosphere. For those who love art song, though, the best reason for visiting Oxford at this time of year is the Oxford Lieder Festival, which starts October 16th 2009. »

06 Oct 2009

Imogen Cooper's Birthday at the Wigmore Hall

This wasn't an ordinary concert but something very special. The Wigmore Hall was honouring Imogen Cooper on her 60th birthday. She is greatly loved here, both as soloist and as partner in song recitals. The atmosphere was electric. The house was packed, with many famous pianists and singers in the audience. It was a historic occasion, but it felt like a party among friends. »

06 Sep 2009

Christof Loy speaks about the new Tristan und Isolde at the Royal Opera House, London.

“Opera has so much to give” says Christof Loy, whose new production of Tristan und Isoldeopens at the Royal Opera House on 29th September. This opera is so familiar that everyone assumes they know it. But Loy’s approach involves going straight back to the score, and to the inherent drama in the music. “I don’t like superficial distractions". »

04 Sep 2009

Wigmore Hall / Kohn Foundation launches the Sixth International Singing Competition

The distinguished jury (including sopranos Dames Margaret Price and Anne Evans, and baritones Thomas Allen and Wolfgang Holzmair) has now whittled down the original 148 entrants (from 41 different countries) to 34 (including 6 from the US) and according to the Chairman and Wigmore Hall Director John Gilhooly, ‘There’s a terrific buzz about this year - it always takes about ten years for a competition to build, so we are now really at our peak, and I think I can promise you some exciting singing.’  »

11 Aug 2009

Seattle to mount new “Tristan” in 2010

SEATTLE - Underscoring its role as America’s leader in the world of Wagner, the Seattle Opera will stage an entirely new production of Tristan und Isolde in 2010. »

15 Jul 2009

The Met's Favorite Tenor: Marcello Giordani

Marcello Giordani, at present singing a generally highly praised Cavaradossi at the Royal Opera House in London, is the leading exponent of the great Italian and French tenor roles at the Metropolitan Opera, and the man whom James Levine describes as ‘my favorite tenor.’ This prominence has been arrived at after a steady rise to fame: he will celebrate the 25th year of his career in the 2010-11 season. »

29 Jun 2009

Dalibor Jenis sings Renato in the Royal Opera house Un ballo in maschera.

“Everything in opera comes from Italy”, says Dalibor Jenis, who sings Renato in the current Royal Opera House Un ballo in maschera. “Italian is the language of music, my second mother language” »

15 Jun 2009

Czech Bass Wins BBC Cardiff Singer Of The World Song Prize

Young Czech bass Jan Martiník last night (FRI) won the BBC Cardiff Singer of the World Song Prize 2009 final at St David’s Hall, Cardiff. »

15 Jun 2009

Russian Soprano Wins BBC Cardiff Singer of the World

Beautiful Russian soprano Ekaterina Shcherbachenko last night won the world’s greatest operatic competition BBC Cardiff Singer of the World. »

12 Jun 2009

BBC Cardiff Singer of the World Finalists Named

The five talented singers to compete in the final of BBC Cardiff Singer of the World, which is organised by BBC Cymru Wales, have been named. »

10 Jun 2009

Ukrainian Counter-Tenor Wins Third Concert in BBC Cardiff Singer of the World

Cardiff: 10 June 2009 — Ukrainian counter-tenor Yuriy Mynenko, aged 30, last night (TUES) won the third concert in BBC Cardiff Singer of the World. »

10 Jun 2009

Finalists Named For Song Prize

Cardiff: 9 June 2009 — The five artists were today (WED) named to take part in the BBC Cardiff Singer of the World Song Prize final at St David’s Hall, Cardiff on Friday (June 12). »

09 Jun 2009

Russian Soprano Wins Second Concert Round in BBC Cardiff Singer of The World

Cardiff: 9 June 2009 — Russian soprano Ekaterina Shcherbachenko last night (MON) won the second concert round in BBC Cardiff Singer of the World. »

09 Jun 2009

Royal Ballet’s Ondine heralds new Henze season in London

In April 2010, the Royal Opera House, London, will stage a new production of Hans Werner Henze's opera Elegy for Young Lovers. Henze is perhaps the greatest living German opera composer, hugely important in Europe, so this new production is eagerly awaited. »

09 Jun 2009

Japan Wins First Concert Round in BBC Cardiff Singer of the World 2009

Cardiff: 8 June 2009 — Japanese soprano Eri Nakamura last night (SUN) won the opening concert round in BBC Cardiff Singer of the World. »

25 May 2009

Italian Opera on the Road

You want to see Opera as the Italians do it? Go to Beijing, Tokyo, Savonlinna and Wiesbaden »

24 May 2009

Michael Volle’s intriguing Dr Schön, in the Royal Opera House’s new Lulu.

There’s a buzz about the new Lulu at the Royal Opera House, spreading by word of mouth from those who’ve heard it being prepared. Berg’s opera hasn’t been heard at Covent Garden for 30 years, though there was an acclaimed production at Glyndebourne in 1996 with Christine Schäfer as Lulu.  »

20 May 2009

Bryn Terfel Gives Advice to BBC Cardiff Singer of World Competitors

With just one month to go before facing the judges in the world’s most prestigious singing competition what could be better than some advice from past competitor and opera super star Bryn Terfel? »

18 May 2009

Anthony Michaels-Moore — from the army to the world stage.

Currently, Anthony Michaels- Moore is singing Belcore in L’Elisir d’amore at the Royal Opera Hose, London.  »

12 May 2009

The Tuscan Convent Where Wagnerian Singers Are Trained

In a convent in the lovely Tuscan country side, near Lucca (Giacomo Puccini’s birthplace) there is the Mount Graal.  »

29 Apr 2009

Kwangchul Youn makes his long-awaited debut at the Royal Opera House, London.

Youn made his Bayreuth debut in 1996, only six years after coming to Europe. He sang the Nightwatchman in Der Meistersinger von Nürnberg.  »

26 Apr 2009

Lost portrait of Handel’s librettist Paolo Rolli resurfaces in Todi, Italy

Paolo Antonio Rolli (Rome, 13 June 1687 — Todi, 20 March 1765) arguably ranks among the top-three Italian librettists of the 18th century, next to Metastasio and — later — Da Ponte.  »

19 Apr 2009

Der Ring des Nibelungen

“From the womb of Night and Death was spawned a race that dwells in Nibelheim (Nebelheim), i.e. in gloomy subterranean clefts and caverns: Nibelungen are they called; with restless nimbleness they burrow through the bowels of the earth, like worms in a dead body; they smelt and smith hard metals.  »

07 Apr 2009

Reasons to be Cheerful

London: Sue Loder reviews Alessandro and the Handel Singing Final »

22 Mar 2009

Historic Performances: Maria Callas

Although born in New York City, Maria Callas (1923-1977) received her musical education in Greece and started her career in Italy.  »

12 Mar 2009

Charles Workman — the American dying to sing “Acis” for the Royal Opera

American? Well, yes, that’s what it says on one of his passports, but the other is British and he and his family reside in the UK and have done since 1995.  »

08 Mar 2009

Tristan und Isolde in Chicago

By the close of the first act of Richard Wagner’s Tristan and Isolde in its current production at Lyric Opera of Chicago the audience has been given a strong impression of the multi-faceted characters bound up in the musical drama unfolding on stage.  »

26 Jan 2009

Anne Ozorio Interviews Ingo Metzmacher on Die tote Stadt

Erich Korngold’s Die tote Stadt comes to the Royal Opera House in January 2009. It’s the first time this production has been seen in London : it is the famed Willy Decker production from Salzburg in 2004 which did so much to restore Korngold’s status.  »

14 Jan 2009

Who Was Mary Lewis?

“Mary Lewis, the golden haired soprano” — does that name mean much to today’s lovers of singing and good music?  »

11 Jan 2009

The Works of Giacomo Puccini

The following are recordings of major works by Giacomo Puccini. Click the link to access. »

22 Dec 2008

Bayerische Staatsoper Announces Program for 2009 Munich Opera Festival

The Bayerische Staatsoper announced its program of the 2009 Munich Opera Festival — the only festival of its kind in the world so rich in tradition, with roots reaching as far back as 1875. »

17 Dec 2008

Keith Jameson — Comprimario Extraordinaire

Most opera-world publicity is accorded star singers, but we take another tack here to look at American tenor Keith Jameson who has made a specialty of character or comprimario parts, while at the same time building a solid reputation as sophisticated musician and actor, a performer who can seize the moment and elevate a role to first rank for the time he is on stage. »

23 Nov 2008

The ‘Colors’ of La Fanciulla

The transition in Giacomo Puccini’s mature period from one autonomous phase to another (although the two are connected by subtle links) is a fact that has been accepted by operatic scholars.  »

17 Nov 2008

Opera in Germany

Following a recent visit to Germany, Wes Blomster surveys the vibrant opera scene in Berlin and Magdeburg.  »

04 Nov 2008

Elektra at Royal Opera House

“Opera directing is very different to theatre directing”, says Charles Edwards, director of Elektra at the Royal Opera House this season. “It has to be the music that motivates you”. For this production, he works with Mark Elder, “an extraordinarily theatrically-minded conductor who sees theatre in everything he hears”. »

23 Oct 2008

Chaslin Chats About Wuthering Heights

Writer Frank Cadenhead discusses Wuthering Heights, the nearly-finished new operatic endeavor by composer Frédéric Chaslin. Cadenhead recently traveled to Valenica, Spain, where Chaslin and librettist Paula Heil Fisher are hard at work on the piece. »

21 Oct 2008

An interview with Scott Lindroth

An interview with Scott Lindroth by Tom Moore »