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Macbeth, LA Opera

On Thursday evening October 13, Los Angeles Opera transmitted Giuseppe Verdi’s Macbeth live from the Dorothy Chandler Pavilion, in the center of the city, to a pier in Santa Monica and to South Gate Park in Southeastern Los Angeles County. My companion and I saw the opera in High Definition on a twenty-five foot high screen at the park.

COC’d Up Ariodante

Director Richard Jones never met an opera he couldn’t ‘change,’ and Canadian Opera Company’s sumptuously sung Ariodante was a case in point.

Jamie Barton at the Wigmore Hall

“Hi! … I’m at the Wigmore Hall!” American mezzo-soprano Jamie Barton’s exuberant excitement at finding herself performing in the world’s premier lieder venue was delightful and infectious. With accompanist James Baillieu, Barton presented what she termed a “love-fest” of some of the duo’s favourite art songs. The programme - Turina, Brahms, Dvořák, Ives, Sibelius - was also surely designed to show-case Barton’s sumptuous and balmy tone, stamina, range and sheer charisma; that is, the qualities which won her the First and Song Prizes at the 2013 BBC Cardiff Singer of the World Competition.

And London Burned: in conversation with Raphaela Papadakis

Raphaela Papadakis seems to like ‘playing with fire’. After her acclaimed performance as the put-upon maid, Anna, in Independent Opera’s production of Šimon Voseček’s Beidermann and the Arsonists at Sadler’s Wells last year, she is currently rehearsing for the premiere this week of And London Burned, a new opera by Matt Rogers which has been commissioned by Temple Music Foundation to commemorate the 350th anniversary of The Great Fire of London.

Toronto: Bullish on Bellini

Canadian Opera Company has assembled a commendable Norma that is long on ritual imagery and war machinery.

The Nose: Royal Opera House, Covent Garden

“If I lacked ears, it would be bad, but still more bearable; but lacking a nose, a man is devil knows what: not a bird, not a citizen—just take and chuck him out the window!”

Věc Makropulos in San Francisco

A fixation on death at San Francisco Opera. A 337 year-old woman gave it all up just now after only six years since she last gave it all up on the War Memorial stage.

The Pearl Fishers at English National Opera

Penny Woolcock's 2010 production of Bizet's The Pearl Fishers returned to English National Opera (ENO) for its second revival on 19 October 2018. Designed by Dick Bird (sets) and Kevin Pollard (costumes) the production remains as spectacular as ever, and ENO fielded a promising young cast with Claudia Boyle as Leila, Robert McPherson as Nadir and Jacques Imbrailo as Zurga, plus James Creswell as Nourabad, conducted by Roland Böer.

Center for Contemporary Opera presents Jane Eyre (World Premiere)

Louis Karchin’s Jane Eyre, a full-length opera in three acts with a libretto by Diane Osen based on Charlotte Bronte’s novel, will receive its world premiere at The Kaye Playhouse (Hunter College) on Thursday, October 20, 7:30pm with a second performance on Saturday, October 22, 8pm. Jane Eyre is Karchin’s second opera, composed in 2014, following his critically acclaimed one-act comic opera Romulus.

A Venetian Double: English Touring Opera

Francesco Cavalli’s La Calisto was the composer’s fifteenth opera, and the ninth to a libretto by Giovanni Faustini (1615-1651). First performed at the Teatro Sant’Apollinaire in Venice on 28th November 1651, the opera by might have been sub-titled ‘Gods Behaving Badly’, so debauched are the deities’ dalliances and deviations, so egotistical their deceptions.

Boston Early Music Festival announces the appointment of Melinda Sullivan to the new position of the Lucy Graham Dance Director

Cambridge, MA–The Boston Early Music Festival (BEMF) is pleased to announce the appointment of Melinda Sullivan to the new position of the Lucy Graham Dance Director.

Academy of Ancient Music: The Fairy Queen at the Barbican Hall

At the end of Shakespeare’s A Midsummer Night’s Dream, Theseus delivers a speech which returns to the play’s central themes: illusion, art and the creative imagination. The sceptical king dismisses ‘The poet’s vision - his ‘eye, in a fine frenzy rolling’ - which ‘gives to airy nothing/ A local habitation and a name’; such art, and theatre, is a psychological deception brought about by an excessive, uncontrolled imagination.

Vaughan Williams and Friends: St John's Smith Square

Following the success of previous ‘mini-festivals’ at St John’s Smith Square devoted to Schubert and Schumann, last weekend pianist Anna Tilbrook curated a three-day exploration of the work of Ralph Vaughan Williams and his contemporaries. The music performed in these six concerts was chosen to reflect the changing contexts in which it was composed and to reveal the vast changes in society, politics and culture which occurred during Vaughan Williams’ long life-time (1872-1958) and which shaped his life and creative output.

Bloodless Manon Lescaut at DNO

Trying to work around Manon Lescaut’s episodic structure, this new production presents the plot as the dying protagonist’s feverish hallucinations. The result is a frosty retelling of what is arguably Puccini’s most hot-blooded opera. Musically, the performance also left much to be desired.

English Touring Opera: Xerxes

It is Herodotus who tells us that when Xerxes was marching through Asia to invade Greece, he passed through the town of Kallatebos and saw by the roadside a magnificent plane-tree which, struck by its great beauty, he adorned with golden ornaments, and ordered that a man should remain beside the tree as its eternal guardian.

English National Opera: Tosca

Poor Puccini. He is far too often treated as a ‘box-office hit’ by our ‘major’ opera houses, at least in Anglophone countries. For so consummate a musical dramatist, that is something beyond a pity. Here in London, one is far better advised to go to Holland Park for interesting, intelligent productions, although ENO’s offerings have often had something to be said for them.

Don Pasquale in San Francisco

With only four singers and a short-story-like plot Don Pasquale is an ideal chamber opera. That chamber just now was the 3200 seat War Memorial Opera House where this not always charming opera buffa is an infrequent visitor (post WWII twice in the 1980’s after twice in the 40’s).

“Written in fire”: Momenta Quartet blazes through an Indonesian chamber opera

“Yang sementara tak akan menahan bintang hilang di bimasakti; Yang bergetar akan terhapus.” (“The transient cannot hold on to stars lost in the Milky Way; that which quivers will be erased.”) As soprano Tony Arnold sang these words of Tony Prabowo’s chamber opera Pastoral, with astonishingly crisp Indonesian diction, the first night of the second annual Momenta Festival approached its end.

English National Opera: Don Giovanni

Some operas seemed designed and destined to raise questions and debates - sometimes unanswerable and irresolvable, and often contentious. Termed a dramma giocoso, Mozart’s Don Giovanni has, historically, trodden a movable line between seria and buffa.

World Premiere Eötvös, Wigmore Hall, London

Péter Eötvös’ The Sirens Cycle received its world premiere at the Wigmore Hall, London, on Saturday night with Piia Komsi and the Calder Quartet. An exceptionally interesting new work, which even on first hearing intrigues: imagine studying the score! For The Sirens Cycle is elegantly structured, so intricate and so complex that it will no doubt reveal even greater riches the more familiar it becomes. It works so well because it combines the breadth of vision of an opera, yet is as concise as a chamber miniature. It's exquisite, and could take its place as one of Eötvös's finest works.



Jennifer Zetlan [Photo by J & J Photography courtesy of Columbia Artists Management Inc.]
19 Oct 2016

Center for Contemporary Opera presents Jane Eyre (World Premiere)

Louis Karchin’s Jane Eyre, a full-length opera in three acts with a libretto by Diane Osen based on Charlotte Bronte’s novel, will receive its world premiere at The Kaye Playhouse (Hunter College) on Thursday, October 20, 7:30pm with a second performance on Saturday, October 22, 8pm. Jane Eyre is Karchin’s second opera, composed in 2014, following his critically acclaimed one-act comic opera Romulus.  »

Recently in Commentary

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22 Dec 2008

Bayerische Staatsoper Announces Program for 2009 Munich Opera Festival

The Bayerische Staatsoper announced its program of the 2009 Munich Opera Festival — the only festival of its kind in the world so rich in tradition, with roots reaching as far back as 1875. »

17 Dec 2008

Keith Jameson — Comprimario Extraordinaire

Most opera-world publicity is accorded star singers, but we take another tack here to look at American tenor Keith Jameson who has made a specialty of character or comprimario parts, while at the same time building a solid reputation as sophisticated musician and actor, a performer who can seize the moment and elevate a role to first rank for the time he is on stage. »

23 Nov 2008

The ‘Colors’ of La Fanciulla

The transition in Giacomo Puccini’s mature period from one autonomous phase to another (although the two are connected by subtle links) is a fact that has been accepted by operatic scholars.  »

17 Nov 2008

Opera in Germany

Following a recent visit to Germany, Wes Blomster surveys the vibrant opera scene in Berlin and Magdeburg.  »

04 Nov 2008

Elektra at Royal Opera House

“Opera directing is very different to theatre directing”, says Charles Edwards, director of Elektra at the Royal Opera House this season. “It has to be the music that motivates you”. For this production, he works with Mark Elder, “an extraordinarily theatrically-minded conductor who sees theatre in everything he hears”. »

23 Oct 2008

Chaslin Chats About Wuthering Heights

Writer Frank Cadenhead discusses Wuthering Heights, the nearly-finished new operatic endeavor by composer Frédéric Chaslin. Cadenhead recently traveled to Valenica, Spain, where Chaslin and librettist Paula Heil Fisher are hard at work on the piece. »

21 Oct 2008

An interview with Scott Lindroth

An interview with Scott Lindroth by Tom Moore »

03 Oct 2008

Korngold opera the “Hair” of its day

Back in the 19th century it was not smoke, but hair that got in one’s eyes. »

03 Oct 2008

Tom Moore Interviews Mark Engebretson

A virtuoso saxophonist, performing internationally, Mark Engebretson is also a composer whose recent works often take place at the interface between the live performer and the computer. »

03 Oct 2008

Tom Moore Interviews Alejandro Rutty

Composer Alejandro Rutty is newly-arrived in North Carolina, where he teaches at UNC Greensboro. »

19 Sep 2008

Pergolesi’s Home Service Really Delivers!

The United States premiere of Pergolesi’s Home Service will be presented by The Chamber Opera of Memphis in cooperation with the University of Memphis Rudi E. Scheidt School of Music on Thursday, October 16 at 7:30 p.m. in Harris Concert Hall (3775 Central Ave.). »

18 Sep 2008

Dr. Ulrike Hessler First Woman Appointed Intendant to Semper Oper in Dresden

For the first time in its 169 year history, the Saxonian State Opera — home to world premiere performances of most Richard Strauss and several Wagner operas — has appointed a woman as its General Director. »

17 Sep 2008

Lawrence Brownlee Expands Repertoire in 2008-09 Season

The remarkable Lawrence Brownlee has proven himself to be one of the most prominent bel canto tenors on the international scene. »

14 Sep 2008

Vivica Genaux Focuses on Baroque Repertoire in 2008-09 Season

The 2008-09 season of radiant mezzo-soprano Vivica Genaux promises to add further luster to her credentials as one of the world’s leading interpreters of music of the Baroque and bel canto periods. »

08 Sep 2008

“Great Performances” remembers Pavarotti — What remains is the voice.

Luciano Pavoritti died on September 6, 2007. The all-too-ample figure and the fables associated with him are already retreating from memory. »

19 Aug 2008

Singers from South Africa and Sweden win Seattle Wagner Competition

A soprano originally from South Africa and a tenor from Sweden sang their way to top honors in the 2008 International Wagner Competition staged by the Seattle Opera on August 16 in Marion Oliver McCaw Hall, the company's handsome home. »

06 Jul 2008

Opera at the BBC Proms — the world’s biggest Music Festival

London’s musical life shuts down for eight weeks while the Proms reign supreme, and no wonder ! »

02 Jun 2008

A Tribute to Franco Zeffirelli

Among the tributes that came to the legendary Producer, Designer and Director Franco Zeffirelli, in the remaining days of this past March, a little gem of a celebration was held at the Lincoln Triangle Barnes and Noble bookstore, on the evening of March 28th. »

28 May 2008

An Interview with Allen Anderson

By Tom MooreComposer Allen Anderson will be familiar to aficionados of contemporary music through various works released on CRI, or those in the Research Triangle through his presence in the new music scene here in North Carolina, where he has taught at UNC since 1996. »

27 May 2008

Books 'n Things

Two excellent books on opera have come to hand, providing many hours of entertaining reading. I combine notice of them with a few thoughts about composer Paul Moravec’s CDs, and his forthcoming opera premiere at Santa Fe Opera in 2009.  »

09 May 2008

Canada’s Brueggergosman makes the most of Mozart

When Toronto’s Opera Atelier asked her to sing Elettra in Mozart’s Idomeneo Measha Brueggergosman hesitated. »

09 May 2008

Fort Worth Opera Festival features “Angels in America”

In 2007 it was an experiment; now it’s a new summer festival firmly rooted in fertile Texas turf with a bright view of its second season and of the more distant future as well. »

09 May 2008

Spoleto USA revives opera, hall

Operas do not often get a second chance. A new work is premiered and — if it’s a co-commission — it moves on to another company or two. »

21 Apr 2008

Berlin’s “other” opera often stellar

It is, you might say, the little opera that can. True, if it’s size of the budget, the price of tickets and the number of seats that concerns you, the Komische Oper is clearly the third of Berlin’s opera houses. »

17 Feb 2008

Interview with Canadian Mezzo-Soprano, Jean Stilwell, and pianist, Patti Loach

“Quand je vous aimerais? Ma fois, je ne sais pas?” are Carmen’s first words of seduction. »

13 Jan 2008

Tom Moore Interviews Dimitri Cervo

Oct. 25, 2007, Sala Cecilia MeirelesI met the young gaucho composer Dimitri Cervo at the 2003 Bienal of Contemporary Music, where his works for solo flute and strings, Pattapiana [named for Pattapio Silva, a great Brazilian flutist who died tragically young at the beginning of the last century] made quite an impression. »

27 Dec 2007

Houston puts final touches on new Heggie opera

There’s still a hint of jest in the comparison, but it’s not without reason that Jake Heggie and Terrence McNally are mentioned now and then in opera circles as “the Strauss and Hofmannsthal of the 21st century.” »

27 Dec 2007

‘Polish’ Not Change for Santa Fe Opera

Incoming general director of Santa Fe Opera, Charles MacKay, has made clear he is “in the tradition -- I will not be an agent for radical change,” at the celebrated New Mexico summer opera festival, MacKay says. »

26 Dec 2007

Tom Moore Interviews Frederick Carrilho

Composer Frederick Carrilho was born in 1971 in the state of Sao Paulo, and has studied guitar and composition, most recently at UNICAMP in Campinas. His music has been heard at the recent biennial festivals of contemporary music in Rio, with the Profusão V – Toccata making a strong impression at the Bienal of 2007. We spoke in Portuguese. »

28 Nov 2007

Tom Moore Interviews Marisa Rezende

October 23, 2007, Sala Cecilia Meireles, Rio de Janeiro »

28 Nov 2007

Guanajuato Opera a document of Mexican history

What makes the first visit to Guanajuato’s Teatro Juárez breathtaking is the suddenness of the encounter. »

19 Nov 2007

Nikolai Brucher — An Interview

Oct. 25, 2007, Rio de Janeiro. »

11 Nov 2007

José Orlando Alves — An Interview

José Orlando Alves is a young composer, originally from Minas Gerais, but who spent many years in Rio de Janeiro, where he has been active for a decade with the composers’ collaborative, Preludio XXI. »

02 Sep 2007

The Pleasures of Presence — The Small Loudspeakers of Richard Sequerra

In the long ago, when the best source of music reproduction in the home was a handsome piece of furniture, fitted with hidden audio components, and usually called radio-phonographs, my family had one — from Avery Fisher I believe — that had among its controls a switch labeled ‘presence.’ »

28 Aug 2007

An Interview with Canadian mezzo-soprano, Kimberly Barber.

Uncut with Canada’s Mistress of the trouser-role: the multifaceted Kimberly Barber. »

27 Aug 2007

Glimmerglass Opera 2007 — An Overview

Glimmerglass Opera is in a watershed year. With the departure of Paul Kellogg, who had considerable success developing that annual festival, General and Artistic Director Michael Macleod has chosen to begin his tenure with a variation on the usual four-opera-season, namely a thematic collection of pieces based on the “Orpheus” legend. “Don’t look back” is the marketing catch phrase. »

27 Aug 2007

Jan Neckers on Recently Reissued Historicals

Almost thirty years ago a century old tradition ended with the last performance of I Maestri Cantatori. »

20 Aug 2007

Santa Fe Opera in Changing Times

Santa Fe Opera’s announcement August 10 that English-born impresario, Richard Gaddes, General Director of the company since 2001, will retire at the end of season 2008, took the local opera community by surprise. »

16 Aug 2007

The Week that Was for Opera: Santa Fe — Dallas — Denver/St Louis — Toronto

The week just ended was certainly of historic moment in the world of North American opera companies. »

24 Jun 2007

Countertenor David DQ Lee: Winning Hearts and Minds at Cardiff Singer of the World

Perhaps it is a sign that, at last, the countertenor voice has come of age in the hearts and minds of both audiences and the opera establishment. »

17 Jun 2007

New Frocks for Old – Cardiff Singer of the World, 2007

Back in the early 1980’s two good ideas came to fruition: the much-needed new concert hall for Cardiff, capital city of Wales, and plans to hold within it the first “Singer of the World” competition. »

25 May 2007

Opera on the move at Spoleto USA

Charleston, S.C. — For over 20 years it was two operas a season here at Spoleto USA, the all-arts festival brought to this cultural capital of the Old South by Gian Carlo Menotti in 1977. »

20 May 2007

Rising to the occasion – Michael Maniaci saves the day at La Fenice

It is every young opera singer’s dream. »

10 May 2007


On May 9th, when Santa Fe Opera finally announced that Alan Gilbert had left his post as Music Director of that company, a long-standing rumor was made official. »

25 Apr 2007

Kelly Kaduce sings Anna Karenina

Robert Gierlach wishes he could rewrite “Anna Karenina,” the Tolstoi whopper turned into an opera by librettist Colin Graham and composer David Carlson. It’s not that Gierlach, who sings Vronsky in the world premiere of the work at Florida Grand Opera on April 28, has misgivings about the author’s artistry; he simply wishes that the story could have a happy ending. »

09 Apr 2007

'Giulio Cesare' at The Met — Two Views

Here are two views of Handel's Giulio Cesare in Egitto (HWV 17), a drama in three acts, performed at The Met on 6 April. »