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The Barber of Seville, ENO London

This may be the twelfth revival of Jonathan Miller’s 1987 production of Rossini’s The Barber of Seville for English National Opera, but the ready laughter from the auditorium and the fresh musical and dramatic responses from the stage suggest that it will continue to amuse audiences and serve the house well for some time to come.

Monteverdi: Il ritorno d’Ulisse in patria, Bostridge, Barbican London

The third and final instalment of the Academy of Ancient Music’s survey of Monteverdi’s operas at the Barbican began and ended in darkness; the red glow of the single candle was an apt visual frame for a performance which was dedicated to the memory of the late Andrew Porter, the music critic and writer whose learned, pertinent and eloquent words did so much to restore Monteverdi, Cavalli and other neglected music-dramatists to the operatic stage.

English Touring Opera - Debussy, Massenet and Offenbach

English Touring Opera’s recent programming has been ambitious and inventive, and the results have been rewarding. We had two little-known Donizetti operas, The Siege of Calais and The Wild Man of the West Indies, in spring 2015, while autumn 2014 saw the company stage comedy by Haydn (Il mondo della luna) and romantic history by Handel (Ottone).

Boesch and Martineau Schubert Complete Songs, Wigmore Hall, London

The Wigmore Hall's complete Schubert Songs series of 40 concerts began with a recital by Florian Boesch and Graham Johnson. (Read my review here). If anything, though, the second concert, where Boesch was accompanied by Malcolm Martineau, was even better. The programme was beautifully planned, and the performance exceptional, even by the very high standards of the Wigmore Hall.

Shostakovich Lady Macbeth of Mtsensk - ENO London

It took artistic courage to choose Shostakovich Lady Macbeth of Mtensk to start the ENO's 2015-2016 season. Shostakovich isn't an easy sell, and so full of sex and violence that some minds - like Josef Stalin - would be aghast. But Mark Wigglesworth is passionate about Shostakovich , and as new Music Director of the ENO, he's making a point. Good opera needs artistic vision.

Berg Wozzeck Fabio Luisi Zurich Opera

Zurich Opera brought Alban Berg Wozzeck to the Royal Festival Hall, London . Fabio Luisi conducted Philharmonia Zurich and a very good cast in a concert performance. With all pretence at staging removed (apart from natural good acting) we could focus on the sheer musical audacity of Berg's writing, and pick up on the processes the music employs to create the drama.

“Nessun Dorma — The Puccini Album”

Sounds swirl with an urgent emotionality and meandering virtuosity on Jonas Kaufmann’s new Puccini album—the “real one”, according to Kaufmann, whose works were also released earlier this year on Decca records, allegedly without his approval.

Verismo Double Header in Los Angeles

LA Opera got its season off to an auspicious beginning with starry revivals of Gianni Schicchi and Pagliacci.

Viva Verdi at Opera Las Vegas

On September 9, 2015, Opera Las Vegas presented James Sohre’s production of Viva Verdi at the Smith Center’s Cabaret Jazz. It was a delightful evening of arias, duets and ensembles by Giuseppe Verdi (1813-1901). The program included many of the composer’s blockbuster arias and scenes from famous operas such as Aida, La traviata, and Macbeth.

Barbera Sings a Fascinating Recital in San Diego

On Saturday, September 19, San Diego Opera opened its 2015-2016 season with a recital by tenor René Barbera. This was the first Polly Puterbaugh Emerging Artist Award Recital and no artist could have been more deserving than the immensely talented Barbera.

Sweeney Todd at the San Francisco Opera

Did the iconic “off-beat” and “serious” American musical hold the stage of the War Memorial Opera House? The excited audience (standees three deep) thought so and roared their appreciation.

Sondra Radvanovsky Stars in the Title Role of Anna Bolena

The First of Three Donizetti Queens She Will Sing at the Met This Season

Wigmore Hall Complete Schubert Song Series begins with Boesch and Johnson

The Wigmore Hall, London, has launched Schubert : The Complete Songs, a 40-concert series to run through the 2015 and 2016 seasons. There have been Schubert marathons before, like BBC Radio 3's all-Schubert week and The Oxford Lieder Festival's Schubert series last year, but the Wigmore Hall series will be a major landmark because the Wigmore Hall is the Wigmore Hall, the epitome of excellence.

Honegger: Jeanne d’Arc au bûcher

Marion Cotillard and Marc Soustrot bring the drama to the sweeping score of Arthur Honegger’s Jeanne dArc au bûcher, an adaptation of the Trial of Joan of Arc

Luisa Miller in San Francisco

Luisa Miller sits on the fringes of the repertory, and since its introduction into the modern repertory in the 1970’s it comes around every 15 or so years. Unfortunately this 2015 San Francisco occasion has not bothered to rethink this remarkable opera.

Salieri: La grotta di Trofonio (Trofonio’s Cave)

Demonised by Pushkin and Peter Shaffer, Antonio Salieri lives in the public imagination as the embittered rival of Wolfgang Amadeus Mozart — whose genius he lamented and revered in equal measure, and against whom he schemed and plotted at the Emperor Joseph II’s Viennese court.

Chicago Lyric’s Stars Shine at Millennium Park

The annual concert given by Lyric Opera of Chicago as an outdoor event previewing the forthcoming season took place on 11 September 2015 at Millennium Park.

Far in the Heavens — Choral Music of Stephen Paulus

Stephen Paulus provided the musical world, and particularly the choral world, with music both provocative and pleasing through a combination of lyricism and a modern-Romantic tonal palette.

For Odyssey Opera, No Operatic Challenge is Too Great

For a company founded in 2013, Odyssey Opera has an astounding track record. To take on Korngold’s Die tote Stadt is ambitious enough, but to do so within only a year of the company’s founding seems almost single-minded.

Gluck: Orphée et Eurydice

Orpheus — that Greek hero whose songs could enchant both deities and beasts, whose lyre has become a metaphor for the power of music itself, and whose journey to the Underworld to rescue his wife, Eurydice, kick-started the art of opera in Mantua in 1607 — has been travelling far and wide around the UK in 2015.



Sondra Radvanovsky in the title role of Donizetti's Anna Bolena. [Photo by Ken Howard/Metropolitan Opera.]
24 Sep 2015

Sondra Radvanovsky Stars in the Title Role of Anna Bolena

The First of Three Donizetti Queens She Will Sing at the Met This Season »

Recently in Commentary

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02 Jun 2008

A Tribute to Franco Zeffirelli

Among the tributes that came to the legendary Producer, Designer and Director Franco Zeffirelli, in the remaining days of this past March, a little gem of a celebration was held at the Lincoln Triangle Barnes and Noble bookstore, on the evening of March 28th. »

28 May 2008

An Interview with Allen Anderson

By Tom MooreComposer Allen Anderson will be familiar to aficionados of contemporary music through various works released on CRI, or those in the Research Triangle through his presence in the new music scene here in North Carolina, where he has taught at UNC since 1996. »

27 May 2008

Books 'n Things

Two excellent books on opera have come to hand, providing many hours of entertaining reading. I combine notice of them with a few thoughts about composer Paul Moravec’s CDs, and his forthcoming opera premiere at Santa Fe Opera in 2009.  »

09 May 2008

Canada’s Brueggergosman makes the most of Mozart

When Toronto’s Opera Atelier asked her to sing Elettra in Mozart’s Idomeneo Measha Brueggergosman hesitated. »

09 May 2008

Fort Worth Opera Festival features “Angels in America”

In 2007 it was an experiment; now it’s a new summer festival firmly rooted in fertile Texas turf with a bright view of its second season and of the more distant future as well. »

09 May 2008

Spoleto USA revives opera, hall

Operas do not often get a second chance. A new work is premiered and — if it’s a co-commission — it moves on to another company or two. »

21 Apr 2008

Berlin’s “other” opera often stellar

It is, you might say, the little opera that can. True, if it’s size of the budget, the price of tickets and the number of seats that concerns you, the Komische Oper is clearly the third of Berlin’s opera houses. »

17 Feb 2008

Interview with Canadian Mezzo-Soprano, Jean Stilwell, and pianist, Patti Loach

“Quand je vous aimerais? Ma fois, je ne sais pas?” are Carmen’s first words of seduction. »

13 Jan 2008

Tom Moore Interviews Dimitri Cervo

Oct. 25, 2007, Sala Cecilia MeirelesI met the young gaucho composer Dimitri Cervo at the 2003 Bienal of Contemporary Music, where his works for solo flute and strings, Pattapiana [named for Pattapio Silva, a great Brazilian flutist who died tragically young at the beginning of the last century] made quite an impression. »

27 Dec 2007

Houston puts final touches on new Heggie opera

There’s still a hint of jest in the comparison, but it’s not without reason that Jake Heggie and Terrence McNally are mentioned now and then in opera circles as “the Strauss and Hofmannsthal of the 21st century.” »

27 Dec 2007

‘Polish’ Not Change for Santa Fe Opera

Incoming general director of Santa Fe Opera, Charles MacKay, has made clear he is “in the tradition -- I will not be an agent for radical change,” at the celebrated New Mexico summer opera festival, MacKay says. »

26 Dec 2007

Tom Moore Interviews Frederick Carrilho

Composer Frederick Carrilho was born in 1971 in the state of Sao Paulo, and has studied guitar and composition, most recently at UNICAMP in Campinas. His music has been heard at the recent biennial festivals of contemporary music in Rio, with the Profusão V – Toccata making a strong impression at the Bienal of 2007. We spoke in Portuguese. »

28 Nov 2007

Tom Moore Interviews Marisa Rezende

October 23, 2007, Sala Cecilia Meireles, Rio de Janeiro »

28 Nov 2007

Guanajuato Opera a document of Mexican history

What makes the first visit to Guanajuato’s Teatro Juárez breathtaking is the suddenness of the encounter. »

19 Nov 2007

Nikolai Brucher — An Interview

Oct. 25, 2007, Rio de Janeiro. »

11 Nov 2007

José Orlando Alves — An Interview

José Orlando Alves is a young composer, originally from Minas Gerais, but who spent many years in Rio de Janeiro, where he has been active for a decade with the composers’ collaborative, Preludio XXI. »

02 Sep 2007

The Pleasures of Presence — The Small Loudspeakers of Richard Sequerra

In the long ago, when the best source of music reproduction in the home was a handsome piece of furniture, fitted with hidden audio components, and usually called radio-phonographs, my family had one — from Avery Fisher I believe — that had among its controls a switch labeled ‘presence.’ »

28 Aug 2007

An Interview with Canadian mezzo-soprano, Kimberly Barber.

Uncut with Canada’s Mistress of the trouser-role: the multifaceted Kimberly Barber. »

27 Aug 2007

Glimmerglass Opera 2007 — An Overview

Glimmerglass Opera is in a watershed year. With the departure of Paul Kellogg, who had considerable success developing that annual festival, General and Artistic Director Michael Macleod has chosen to begin his tenure with a variation on the usual four-opera-season, namely a thematic collection of pieces based on the “Orpheus” legend. “Don’t look back” is the marketing catch phrase. »

27 Aug 2007

Jan Neckers on Recently Reissued Historicals

Almost thirty years ago a century old tradition ended with the last performance of I Maestri Cantatori. »

20 Aug 2007

Santa Fe Opera in Changing Times

Santa Fe Opera’s announcement August 10 that English-born impresario, Richard Gaddes, General Director of the company since 2001, will retire at the end of season 2008, took the local opera community by surprise. »

16 Aug 2007

The Week that Was for Opera: Santa Fe — Dallas — Denver/St Louis — Toronto

The week just ended was certainly of historic moment in the world of North American opera companies. »

24 Jun 2007

Countertenor David DQ Lee: Winning Hearts and Minds at Cardiff Singer of the World

Perhaps it is a sign that, at last, the countertenor voice has come of age in the hearts and minds of both audiences and the opera establishment. »

17 Jun 2007

New Frocks for Old – Cardiff Singer of the World, 2007

Back in the early 1980’s two good ideas came to fruition: the much-needed new concert hall for Cardiff, capital city of Wales, and plans to hold within it the first “Singer of the World” competition. »

25 May 2007

Opera on the move at Spoleto USA

Charleston, S.C. — For over 20 years it was two operas a season here at Spoleto USA, the all-arts festival brought to this cultural capital of the Old South by Gian Carlo Menotti in 1977. »

20 May 2007

Rising to the occasion – Michael Maniaci saves the day at La Fenice

It is every young opera singer’s dream. »

10 May 2007


On May 9th, when Santa Fe Opera finally announced that Alan Gilbert had left his post as Music Director of that company, a long-standing rumor was made official. »

25 Apr 2007

Kelly Kaduce sings Anna Karenina

Robert Gierlach wishes he could rewrite “Anna Karenina,” the Tolstoi whopper turned into an opera by librettist Colin Graham and composer David Carlson. It’s not that Gierlach, who sings Vronsky in the world premiere of the work at Florida Grand Opera on April 28, has misgivings about the author’s artistry; he simply wishes that the story could have a happy ending. »

09 Apr 2007

'Giulio Cesare' at The Met — Two Views

Here are two views of Handel's Giulio Cesare in Egitto (HWV 17), a drama in three acts, performed at The Met on 6 April. »

07 Apr 2007

Ruth Ann’s Rampage: Nobody Wins

Based on reading the New York Times’ account of Met opera soprano Ruth Ann Swenson’s distemper with her home company in New York, published Thursday 5 April over the byline of Daniel J. Wakin, it is hard to find either motivation or reasonable expectation of reward for any of the participants in this travesty – reporter, newspaper, opera manager Peter Gelb (who comes off best), or, least of all, the distraught diva. »

08 Mar 2007

Conlon makes his mark at LA Opera

To his work as music director of the Los Angeles Opera James Conlon brings two commitments that some in music would find incompatible. »

22 Feb 2007

Launch of BBC Cardiff Singer of the World 2007

Record number of singers auditioned Three countries competing for first time New sponsorship and increased prize money »

14 Feb 2007

The Handel Singing Competition 2007 – Win or Lose?

Singing competitions are a mixed blessing. »

08 Feb 2007

HGO announces season

Two Mozart operas — “Magic Flute” and “Abduction from the Serail” — head the list of works to be performed by the Houston Grand Opera in its 2007- 08 season that opens with Verdi’s “Masked Ball” on October 19. »

15 Nov 2006

BBC Cardiff Singer of the World 2007

The worldwide search is on for opera’s rising stars to compete for the coveted title BBC Cardiff Singer of the World 2007 and a £15,000 prize. »

07 Nov 2006

On The Academy of Vocal Arts

The Academy of Vocal Arts, based in the hub of Philadelphia, has one of the richest traditions of training and nurturing operatic singers. »

16 Oct 2006

Opera at Curtis

Curtis, America’s top fully funded conservatory, is on the move as one of the nation’s leading opera preparatory programs. »

08 Oct 2006

“A voice so beautiful, it will break your heart.”

Mary-Lou Vetere-Borghoff interviews Soprano Jennifer O’Loughlin of the Vienna Volksoper »

08 Oct 2006

Settling the Score — An Interview with Philip Gossett

Introduction: Philip Gossett is one of those rarities in academia: a scholar of the first order and a consummate teacher. »

01 Oct 2006

Pairing and Elaboration

The character configuration in Vivaldi’s Tito Manlio is unusual because of its musical pairing of the prima donna Servilia with the seconda donna Vitellia not just once, but twice in the second act of the opera. »

01 Oct 2006

Pratolino, Venice, Mantua: Musings on Vivaldi’s Tito Manlio

Tito Manlio, Vivaldi’s second opera in Mantua for the 1718/19 season, is fraught with political and familial tensions.1 »

12 Sep 2006

Opera in Paris

What a difference a year makes. Music lovers who rely on their memories to find the right places to hear music in Paris could be for a surprise if they do not check beforehand what France has now to offer. »

01 Sep 2006

The Bostridge Phenomenon

The curious phenomenon of British tenor manqué, Ian Bostridge, continues to astound, as his concert and even operatic dates, primarily in Europe, mount; his recordings increase, and his appeal to a certain section of the classical audience (they would likely call themselves, “cognoscenti”) endures. I have to wonder why? »

23 Jun 2006

"Castrato" — In Search of a Lost Voice

Nestling artistically in a bowl, carefully arranged and lit to suit the camera early in the programme, the testicles seemed to glow softly with their hidden history, their inherent potential and, now, their very lack of future. »

08 May 2006

Hello, cruel world

With its mismatched couples and absurd plot, Cosi Fan Tutte is thought of as Mozart's 'frivolous' opera. »

07 May 2006

Andrew Clark: All the world’s his stage

The scene is an urban wasteland at night. A young man is having sex with a woman in the back of a car while his sidekick keeps watch. An older man appears, hell-bent on attacking his daughter’s seducer. »

20 Apr 2006

Alex Ross on Adriana Mater

A new opera from the Finnish composer Kaija Saariaho. »

09 Apr 2006

The Guardian on Helen of Troy and Opera

She'll always have ParisSexual icon, dark temptress or a smutty comedienne? Helen of Troy has fascinated writers and composers for centuries. »

07 Apr 2006

Rosie Millard on the price of tickets at Covent Garden

The Royal Opera House is publicly funded - so why does it charge more than £100 per seat, asks Rosie Millard »