08 Oct 2006
Mary-Lou Vetere-Borghoff interviews Soprano Jennifer O’Loughlin of the Vienna Volksoper »
08 Oct 2006
Introduction: Philip Gossett is one of those rarities in academia: a scholar of the first order and a consummate teacher. »
01 Oct 2006
The character configuration in Vivaldi’s Tito Manlio is unusual because of its musical pairing of the prima donna Servilia with the seconda donna Vitellia not just once, but twice in the second act of the opera. »
01 Oct 2006
Tito Manlio, Vivaldi’s second opera in Mantua for the 1718/19 season, is fraught with political and familial tensions.1 »
12 Sep 2006
What a difference a year makes. Music lovers who rely on their memories to find the right places to hear music in Paris could be for a surprise if they do not check beforehand what France has now to offer. »
01 Sep 2006
The curious phenomenon of British tenor manqué, Ian Bostridge, continues to astound, as his concert and even operatic dates, primarily in Europe, mount; his recordings increase, and his appeal to a certain section of the classical audience (they would likely call themselves, “cognoscenti”) endures. I have to wonder why? »
23 Jun 2006
Nestling artistically in a bowl, carefully arranged and lit to suit the camera early in the programme, the testicles seemed to glow softly with their hidden history, their inherent potential and, now, their very lack of future. »
08 May 2006
With its mismatched couples and absurd plot, Cosi Fan Tutte is thought of as Mozart's 'frivolous' opera. »
07 May 2006
The scene is an urban wasteland at night. A young man is having sex with a woman in the back of a car while his sidekick keeps watch. An older man appears, hell-bent on attacking his daughter’s seducer. »
20 Apr 2006
A new opera from the Finnish composer Kaija Saariaho. »
09 Apr 2006
She'll always have ParisSexual icon, dark temptress or a smutty comedienne? Helen of Troy has fascinated writers and composers for centuries. »
07 Apr 2006
The Royal Opera House is publicly funded - so why does it charge more than £100 per seat, asks Rosie Millard »
03 Apr 2006
I met with Iestyn Davies at 1330 hours precisely, on the steps of the Hippodrome theatre, Bristol, England, where he was singing the role of Hamor in Welsh National Opera’s riveting production of Handel’s “Jephtha”. »
20 Mar 2006
Ian Bostridge sings Benjamin Britten. »
20 Mar 2006
Rupert Christiansen laments the lost art of the castrato »
28 Feb 2006
He's a terrible old rogue - but to opera composers, he's irresistible. Tim Ashley on the deathless appeal of Falstaff »
16 Feb 2006
Conservatism is once more on the rise in the orchestral world but the starchy old Met, under new boss Peter Gelb, is trying to buck the trend. »
16 Feb 2006
First she was forced to sing mezzo roles. Then she was invited to be president of Lithuania. Violeta Urmana tells Tim Ashley why she prefers life as a soprano »
10 Feb 2006
According to Charles K. Moss, "Robert Schumann was one of the driving forces of the young Romantic movement in Germany. And like many in his generation, Schumann did not seem destined to become a composer, let alone one who would be so influential in the development of a new style. But music became all-important to Schumann, and he displayed multiple talents as a performer, composer, and literary exponent of Romanticism, championing new composers and their works and influencing the musical tastes of a generation." This year marks the 150th anniversary of Schumann's death. »
08 Feb 2006
Dmitry Shostakovich survived Stalin's rule by the skin of his teeth. But is his music really the Soviet propaganda that many people claim? »
30 Jan 2006
Secrets of a Beethoven manuscript. »
17 Jan 2006
It must not have been an easy life, being Wolfgang Amadeus Mozart (1756-1791). Perhaps even more so after the fact when scholars began to do their research and “wanna bes” began their intimations and psychoanalyzing. In the more seventy-five years of Mozart scholarship and its coming of age, one must ask: How much more is there to learn, to research? »
14 Jan 2006
In from the cold »
13 Jan 2006
SAN FRANCISCO OPERA [11 January 2006]: "The San Francisco Opera today unveiled a new visual identity for the Company, heralding the beginning of a new era under the leadership of David Gockley, who became the Company’s sixth general director on January 1, 2006. Elements of San Francisco Opera’s new image include a new logo, a glamorous and sophisticated new look for the print materials, and a major redesign of the Company’s Web site." »
12 Jan 2006
Birgit Nilsson died on 25 December 2005 at age 87. Her death was announced on 11 January 2006. Here are three tributes to this great soprano. »
09 Jan 2006
Scientists reveal results of tests on skull unearthed by Viennese gravedigger »
07 Jan 2006
How to stage a revolutionBeaumarchais, the dramatist behind The Marriage of Figaro and The Barber of Seville, was more than a mere playwright - he shaped the 18th century. »
07 Jan 2006
The phoenixA poet, priest and womaniser, who ended his days as a grocer, he also wrote the words to some of the greatest operas. On the eve of Mozart's 250th anniversary, Anthony Holden looks at the colourful life of his librettist, Lorenzo da Ponte »
01 Jan 2006
With the 250th anniversary of the composer's birth just weeks away, the source of his brilliance is being disputed. Alice O'Keeffe reports »
20 Dec 2005
Franz Lehár was not the first to think of Goethe as an opera or operetta hero. There was the precedent of Giacomo Meyerbeer himself who in his old age wrote theatre music for a piece called La Jeunesse de Goethe. The piece was never performed. »
11 Dec 2005
The following are the nominees for the Grammy award in selected categories pertaining to classical vocal music. »
10 Dec 2005
Giulio Cesare in Egitto was the fifth of the full-length operas composed by Handel for London’s Royal Academy of Music, the opera company founded in 1719 by a group of noblemen with the objective of staging Italian opera seria. »
08 Dec 2005
Giulia Grisi must be, by whatever standard is applied, regarded as one of the greatest and most important soprano singers who ever graced the operatic stage, »
15 Nov 2005
Classical performing organizations are feeling a little antsy nowadays, all except for the ones that are flat-out running scared. »
11 Nov 2005
For those who are subscribers to FeedBlitz, please take notice that changes have been made to the settings to correct certain errors. Subscribers to Opera Today (All Articles) will receive articles but no news headlines. Subscribers who want both articles... »
01 Nov 2005
Puccini's Turandot is an opera to whose sinister charms I was long immune. I'm not sure what happened in recent years to make me love it. »
29 Oct 2005
The city-funded Théâtre du Châtelet, an operatic David to Paris Opera’s Goliath, managed to make the biggest artistic splash of the new season. Richard Wagner’s Die Walküre, which opened October 21, following Das Rheingold by two days, was generally well cast, surely conducted and, as staged by Robert Wilson, brimming with theatrical interest. The two final operas will follow in November/December with two complete cycles offered in April. »
27 Oct 2005
No opera history is complete without mentioning that Auber’s La Muette de Portici caused Belgium’s revolution against Holland in 1830. As a historian I know there are three falsehoods in that one small sentence. »
23 Oct 2005
A few years ago, I had the rare experience of attending a performance of Tosca in a small farm community where opera was a fairly new commodity. After the second act ended, with Scarpia's corpse lying center stage, I happened to overhear a young, wide-eyed woman say to her companion, "I knew she was upset, but I didn't think she'd KILL him!" »
17 Oct 2005
New York City Opera opened in February, 1944, at the height of the battles of Anzio and Truk. If skeptics thought it frivolous to start an opera company in the middle of a world war, Fiorello LaGuardia straightened them out: the music-loving Mayor believed that opera was essential to city life, and he wanted lower- and middle-class New Yorkers to have it at affordable prices, without pretension. »
10 Oct 2005
Aleksandr Sergeevich Pushkin (1799-1837) is generally considered Russia’s greatest poet. According to Andrew Kahn, his contemporaries held him “above all the master of the lyric poem, verse that is famous for its formal perfection and its reticent lyric persona, and infamous for its resistance to translation.” [Alexander Pushkin, The Queen of Spades and Other Stories, trans. Alan Myers, Oxford and New York: Oxford University Press, 1997] »
05 Oct 2005
The Story of the Chevalier Des Grieux and Manon Lescaut by Abbé Prévost stands as one of the great works of French literature. It first appeared in 1731 as an appendix to the series, Memoirs and Adventures of a Man of Quality. It was later revised in 1753 for independent publication under the title Les Aventures du chevalier Des Grieux et Manon Lescaut with illustrations by Pasquier and Gravelot. »
29 Sep 2005
By Russell Platt [The Nation, 3 October 2005] Classical music in America, we are frequently told, is in its death throes: its orchestras bled dry by expensive guest soloists and greedy musicians unions, its media presence shrinking, its prestige diminished,... »
24 Sep 2005
The EMI label’s new version of “Tristan und Isolde,” starring Plácido Domingo, has received weirdly apocalyptic advance publicity: it has been described as the final large-scale opera recording in history. »
22 Sep 2005
Sheridan Morley, impressed with Michael Grandage's staging of Schiller's Don Carlos last February, turned to a fellow critic at the Gielgud Theatre and asked if they had known that it was such a terrific piece, adding jocularly that somebody ought to make an opera of it. »
