Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Haitink at the Lucerne Festival

Bernard Haitink’s monumental Bruckner and Mahler performances with the Royal Concertgebouw Orchestra (RCO) got me hooked on classical music. His legendary performance of Bruckner’s Symphony No. 8 in C-minor, where in the Finale loosened plaster fell from the Concertgebouw ceiling, is still recounted in Amsterdam.

BBC Prom 45 - Janáček: The Makropulos Affair

Karita Mattila was born to sing Emilia Marty, the diva around whom revolves Leoš Janáček's The Makropulos Affair (Věc Makropulos). At Prom 45, she shone all the more because she was conducted by Jirí Belohlávek and performed alongside a superb cast from the National Theatre, Prague, probably the finest and most idiomatic exponents of this repertoire.

Two Tales of Offenbach: Opera della Luna at Wilton's Music Hall

‘Two outrageous operas in one crazy evening,’ reads the bill. Hyperbole? Certainly not when the operas are two of Jacques Offenbach’s more off-the-wall bouffoneries and when the company is Opera della Luna whose artistic director, Jeff Clarke, is blessed with the comic imagination and theatrical nous to turn even the most vacuous trivia into a sharp and sassy riotous romp.

Britten Untamed! Glyndebourne: A Midsummer Night's Dream

This performance of Britten's A Midsummer Night's Dream at Glyndebourne was so good that it was the highlight of the whole season, making the term ‘revival’ utterly irrelevant. Jakub Hrůša is always stimulating, but on this occasion, his conducting was so inspired that I found myself closing my eyes in order to concentrate on what he revealed in Britten's quirky but brilliant score. Eyes closed in this famous production by Peter Hall, first seen in 1981?

Salzburg encores

A staged piano recital and an opera as a concert.  Pianist András Schiff accompanied the Salzburg Marionette Theater at the Mozarteum Grosser Saal and Anna Netrebko sang Manon Lescaut at the Grosses Festspielhaus.

Leah Crocetto at Santa Fe

On August 4, 2016, soprano Leah Crocetto and accompanist Tamara Sanikidze gave a recital at the Scottish Rite Center in Santa Fe New Mexico. A winner of the Metropolitan Opera Auditions and the BBC Cardiff Singer of the World Contest, this year Crocetto was singing Donna Anna in Santa Fe Opera’s excellent Don Giovanni.

Angela Meade at Sante Fe

On July 31, 2016, against the ethereal beauty of the main hall in the Scottish Rite Center, soprano Angela Meade and pianist Joe Illick gave a recital offering both opera and art songs ranging in origin from early nineteenth century Europe to mid twentieth century America. Many in the audience probably remembered Meade’s recent excellent portrayal of Norma at Los Angeles Opera.

Turco in Italia in Pesaro

When more is definitely more, and less would indeed be less. Two of the biggest names in Italian theater art collide in an eponymous theater.

Proms Chamber Music 5: Shakespeare at 400

It was the fifth Proms Chamber Music concert at Cadogan Hall this season, and we were celebrating Shakespeare’s 400th. And, given the extent and range of the composers and artists, and the diversity and profundity of the musical achievement inspired by the Bard, we could probably keep celebrating in this fashion ad infinitum.

La donna del lago in Pesaro

Each August the bleak and leaky, 12,000 seat Arena Adriatica (home of the famed Pesaro basketball team) magically transforms itself into an improvised opera house that boasts the ultimate in opera chic — exemplary Rossini production standards for its now twelve hundred seats.

Proms at … Sam Wanamaker Playhouse

This highly enjoyable Prom, part of 2016’s ‘Proms at …’ mini-series, took as its guiding concept the reopening of London’s theatres following the Restoration, focusing in particular upon musical and dramatic responses to Shakespeare. Purcell, rightly, loomed large, with John Blow and Matthew Locke joining him. Receiving their Proms premieres were the excerpts from Timon of Athens and those from Locke’s The Tempest.

Santa Fe: Straussian Sweet Nothings

With all the bombast of the presidential campaigns rattling in our heads, with invectives being exchanged and measured discussion all but absent, how utterly lovely to retreat and relax into the harmonious soundscape and well-reasoned debate posed in Strauss’ Capriccio, on magnificent display at Santa Fe Opera.

Santa Fe’s Civil War Gounod

When we entered the Crosby Theatre for Gounod’s Roméo et Juliette the stage was surprisingly dominated by a somber, semi-circular black mausoleum, many chambers inscribed with scrambled names of US Civil War era dead.

Coolly Elegant Vanessa in the Desert

Molten passions were seething just below the icy Nordic exterior of Santa Fe Opera’s wholly masterful production of Barber’s Vanessa.

Le Comte Ory, Seattle

Farce is probably the most difficult of dramatic comedy sub-genres to put across. A farce got up in the stately robes of opera sets its presenters an even higher bar. Presenting an operatic farce on a notoriously chilly and cavernous auditorium is to risk catastrophe.

Racette’s Golden Girl in New Mexico

Fan interest began raging when Santa Fe Opera engaged venerable artist Patricia Racette to make her role debut as Minnie in Puccini’s La Fanciulla del West.

Santa Fe’s Mozart Cast Sweeps All Before It

A funny thing happened on the way to Andalusia.

Die Liebe der Danae in Salzburg

The tale of a Syrian donkey driver. And, yes, the donkey stole the show! The competition was intense — the Vienna Philharmonic and the Grosses Festspielhaus in full production regalia for starters.

Snape Proms: Bostridge sings Brahms and Schumann

Two men, one woman. Both men worshipped and enshrined her in their music. The younger man was both devotee of and rival to the elder.

Cosi fan tutte in Salzburg

This Cosi fan tutte concludes the Salzburg Festival's current Mozart / DaPonte cycle staged by Sven-Eric Bechtolf, the festival's head of artistic planning.


OPERA TODAY ARCHIVES »

News

03 Jul 2015

Latest news

  »

Recently in News

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |  15  |  16  |  17  |  18  |  19  |  20  |  21  |  22  |  23 
08 Sep 2005

Peter Schreier and András Schiff in Budapest

http://www.budapestsun.com/full_story.asp?ArticleId=%7BE7C4DDC5E540432690A5D9DE90CD1BA1%7D&From=Style »

07 Sep 2005

Simone Young's Debut

http://www.theage.com.au/news/arts/frau-young-takes-hamburg/2005/09/04/1125772405206.html »

05 Sep 2005

Die Presse Interviews Welser-Möst

http://www.diepresse.com/Artikel.aspx?channel=k&ressort=k&id=504303 »

29 Aug 2005

Vivaldi and the chorus of unwanted children

http://news.ft.com/cms/s/7b2889a6-1829-11da-a14b-00000e2511c8.html »

29 Aug 2005

Edinburgh reports: slow burn gives sumptuous results

http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/29/bmbrewer29.xml »

29 Aug 2005

Simone Young Plans Four Britten Operas in Hamburg

http://www.wams.de/data/2005/08/28/766533.html »

29 Aug 2005

Pamela Rosenberg Goes to Berlin

http://www.welt.de/data/2005/08/29/767085.html »

26 Aug 2005

Fidelio, KlangBogen Wien

http://news.ft.com/cms/s/ac687fc0-15cd-11da-8085-00000e2511c8.html »

24 Aug 2005

Mercadante's Pelagio in Gijón

http://www.lne.es/secciones/noticia.jsp?pIdNoticia=321076&pIdSeccion=35&pNumEjemplar=1010 »

24 Aug 2005

Masaaki Suzuki in Tokyo

http://www.zeit.de/2005/34/Masaaki_Suzuki »

24 Aug 2005

Celebrating Dietrich Fischer-Dieskau's 80th at Salzburger Felsenreitschule

http://www.diepresse.com/Artikel.aspx?channel=k&ressort=ke&id=501560 »

23 Aug 2005

La Traviata and Mazeppa at Salzburg

http://www.guardian.co.uk/arts/reviews/story/0,11712,1554371,00.html »

22 Aug 2005

Rossini's Adelaide di Borgogna at Edinburgh

http://www.guardian.co.uk/arts/reviews/story/0,11712,1553696,00.html »

22 Aug 2005

Caballé Backs Out of Pelagio Production

http://www.elcomerciodigital.com/pg050821/prensa/noticias/Sociedad/200508/21/GIJ-SOC-120.html »

21 Aug 2005

Sir John and Me

http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/20/bmweek20.xml&sSheet=/arts/2005/08/20/ixartleft.html »

21 Aug 2005

Honoring Franz Schreker

http://www.nysun.com/article/18876 »

20 Aug 2005

The Guardian Profiles Sir Charles Mackerras

http://www.guardian.co.uk/arts/features/story/0,11710,1552655,00.html »

20 Aug 2005

Renovating The Bolshoi

http://www.thestandard.com.hk/stdn/std/Weekend/GH20Jp05.html »

20 Aug 2005

Discovering Rossini in Pesaro

http://news.ft.com/cms/s/7b50f154-104d-11da-bd5c-00000e2511c8.html »

19 Aug 2005

La Clemenza di Tito at Edinburgh

http://www.guardian.co.uk/arts/reviews/story/0,11712,1551110,00.html »

19 Aug 2005

Daily Telegraph Interviews Franz Welser-Möst

http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/18/bmfranz18.xml&sSheet=/arts/2005/08/18/ixartright.html »

19 Aug 2005

On Melodrama

http://www.guardian.co.uk/arts/fridayreview/story/0,12102,1551527,00.html »

18 Aug 2005

Cecilia Bartoli in Salzburg

http://www.nysun.com/article/18725 »

18 Aug 2005

Iolanta at Royal Albert Hall

http://www.guardian.co.uk/arts/reviews/story/0,11712,1550550,00.html »

18 Aug 2005

The Mariinsky on the Skids?

http://www.theaustralian.news.com.au/common/story_page/0,5744,16295766%255E16947,00.html »

17 Aug 2005

Motezuma Judgment Overruled on Appeal

http://www.wz-newsline.de/sro.php?redid=90772 »

16 Aug 2005

Handel's Giulio Cesare at Glyndebourne

http://www.lefigaro.fr/culture/20050816.FIG0086.html?093816 »

16 Aug 2005

Die Gezeichneten at Salzburg

http://www.newyorker.com/critics/music/?050822crmu_music »

16 Aug 2005

Mitridate, Re di Ponto at Salzburg

http://www.nysun.com/article/18640 »

16 Aug 2005

Candide in San Francisco

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/08/16/DDG2JE781S1.DTL »

12 Aug 2005

Der lustige Krieg at Bregenz

http://news.ft.com/cms/s/a23a269a-0acc-11da-aa9b-00000e2511c8.html »

11 Aug 2005

Honoring Karl Hartmann

http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/11/bmhart11.xml&sSheet=/arts/2005/08/11/ixartleft.html »

11 Aug 2005

Nielsen's Maskarade at Bregenz

http://news.ft.com/cms/s/03f689d8-093c-11da-880b-00000e2511c8.html »

10 Aug 2005

Another Vivaldi Work Discovered

http://www.theage.com.au/news/reviews/vivaldi-dixit-dominus/2005/08/09/1123353312408.html »

10 Aug 2005

Musical Lies

http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/10/bacol10.xml&sSheet=/arts/2005/08/10/ixartright.html »

10 Aug 2005

Golijov's Aindamar at Santa Fe

http://news.ft.com/cms/s/80e72116-093a-11da-880b-00000e2511c8.html »

09 Aug 2005

Le Figaro Discovers Mörbisch Festival on the Lake

http://www.lefigaro.fr/culture/20050809.FIG0140.html?091809 »

09 Aug 2005

A Double Bill at Glimmerglass

http://www.syracuse.com/entertainment/poststandard/index.ssf?/base/entertainment-0/112357669848680.xml&coll=1 »

09 Aug 2005

The Ring in Seattle

http://seattlepi.nwsource.com/classical/235708_ring09q.html »

09 Aug 2005

Tristan und Isolde at Bayreuth

http://www.guardian.co.uk/arts/reviews/story/0,11712,1541990,00.html »

07 Aug 2005

Barber's Vanessa in Central City

http://news.ft.com/cms/s/38aaa7c4-054d-11da-97da-00000e2511c8.html »

05 Aug 2005

Conductor Riccardo Muti Discusses Mozart, La Scala Squabble

http://www.bloomberg.com/apps/news?pid=10000088&sid=aTMZwiVgOs8c&refer=culture »

05 Aug 2005

Jennifer Larmore in Chicago

http://www.suntimes.com/output/entertainment/cst-ftr-grant05.html »

05 Aug 2005

Boris Godunov at Covent Garden

http://www.guardian.co.uk/arts/reviews/story/0,11712,1541186,00.html »

03 Aug 2005

Renovations underway at the Wiener Staatsoper

Main stage of Wiener Staatsoper undergoing decennial renovations. (Photo: Gary Hoffman)... »

03 Aug 2005

Britten's Paul Bunyan at Central City

http://news.ft.com/cms/s/f251707a-040a-11da-a775-00000e2511c8.html »

03 Aug 2005

La Voix Humaine at Glimmerglass

http://online.wsj.com/article/0,,SB112302089510903059,00.html?mod=opinion&ojcontent=otep »

02 Aug 2005

Die Meistersinger von Nürnberg at Munich

http://www.merkur-online.de/nachrichten/kultur/kunstakt/art282,419883.html »

02 Aug 2005

Mitridate, Re di Ponto and The Magic Flute at Salzburg

http://www.nytimes.com/2005/08/02/arts/music/02moza.html »

15 Jul 2005

HGO Introduces Anthony Freud

http://www.houstongrandopera.org/press/press_releases.aspx?PressReleaseID=115 »

14 Jul 2005

Turandot at Liceu

http://actualidad.terra.es/cultura/articulo/liceu_turandot_puccini_402344.htm »

14 Jul 2005

Festspiel Baden-Baden Begins Tchaikovsky Series with The Sorceress

http://www.stuttgarter-nachrichten.de/stn/page/detail.php/954710 »

13 Jul 2005

The Highpoint of Festivals Styriarte

http://www.diepresse.com/Artikel.aspx?channel=k&ressort=ke&id=494355 »

13 Jul 2005

Aix-en-Provence

http://news.ft.com/cms/s/8fe829ec-f271-11d9-8e69-00000e2511c8.html »

12 Jul 2005

Text of decision in Motezuma dispute

http://www.operatoday.com/documents/Motezuma.pdf »

12 Jul 2005

Sing-Akademie Issues Press Release

http://www.sing-akademie.de/20050711.htm »

11 Jul 2005

Sing-Akademie Prevails

http://www.rp-online.de/public/article/dtoday/news/aktuell/97673 »

04 Jul 2005

Conti's Don Quichotte at Festival de Musique Baroque de Beaune

Ouvert vendredi soir par l’Alcina de Haendel, le festival de Beaune, qui accueille la crème des ensembles baroques jusqu’à la fin du mois, fait événement samedi avec la création française du Don Chisciotte signé, en 1719 à Vienne, par le Florentin Francesco Bartolomeo Conti, virtuose du théorbe et compositeur attitré de la cour de Charles-VI de Habsbourg. Le chef et musicologue René Jacobs a découvert cette partition il y a quinze ans, et l’a déjà donnée à Innsbruck il y a douze ans, dans des décors de Roland Topor. Il fait le point sur la version du concert qu’il dirige dans la cour des Hospices de Beaune, prélude à une nouvelle production au festival d’Innsbruck en août. »

04 Jul 2005

CNN Interviews Tony Hall

http://edition.cnn.com/2005/BUSINESS/07/01/boardroom.hall »

26 Jun 2005

A New Mariinsky

http://www.sptimesrussia.com/archive/times/1081/features/a_16107.htm »

26 Jun 2005

Merkur Interviews Diana Damrau

Wo sie auftritt, bezaubert sie das Publikum. So auch das Münchner Opernpublikum und unsere Leser, die Diana Damrau in diesem Jahr den Merkur-Theaterpreis zugesprochen haben. Eine Sängerin der Extraklasse. Auch ohne gigantische Vermarktungsmaschinerie hat sich die Günzburgerin an die internationale Spitze gesungen. »

26 Jun 2005

Tan Dun Arrives at the Met

http://www.nytimes.com/2005/06/26/arts/music/26lips.html »

24 Jun 2005

40th Season at Saratoga Performing Arts Center

http://www.nytimes.com/2005/06/24/arts/dance/24sara.html »

24 Jun 2005

A Profile of James Conlon

http://www.csmonitor.com/2005/0624/p12s02-almp.html »

19 Jun 2005

Cabell Wins Cardiff Singer of the World 2005

http://www.bbc.co.uk/mediaselector/check/broadband/mediawrapper/consoles/wales_singer05?redirect=console.shtml&nbram=1&bbram=1 »

19 Jun 2005

Renata Scotto — Teacher

http://www.nytimes.com/2005/06/19/arts/music/19gure.html »

16 Jun 2005

David Gockley on Selling Tickets

When David Gockley became business manager at the Houston Grand Opera in 1970, the company, like most regional troupes in the U.S. at the time, was doing “instant opera.” “There was a guy in north Jersey who had acquired all these old painted drops from Europe,” Mr. Gockley recalls. “He would rent out a generic ‘Tosca’ or ‘Trovatore.’ They came in bags — you stretched the drops on frames.” There was no rehearsal period — singers arrived, performed and left. Mr. Gockley became HGO’s general director in 1972 and immediately changed all that. One of his first productions was “The Marriage of Figaro,” with specially designed sets, a director, and a three-week rehearsal period. “We had a nice cast, including the young Frederica von Stade as Cherubino,” says Mr. Gockley. It cost more than instant opera, but it paid off. »

14 Jun 2005

Vivaldi's Motezuma Restored

ROTTERDAM, the Netherlands, June 12 – Antonio Vivaldi returned to his hometown, Venice, early in 1733, eager to reclaim his place as the Venetian republic’s most popular composer. During his five-year absence, younger Naples-trained musicians had come to the fore with their own “dramas with music,” but now, at 55, Vivaldi was ready to take them on with a daringly modern opera inspired by Hernán Cortés’s conquest of the Aztecs. »

13 Jun 2005

The Fanny-Hensel-Festival 2005

Sie war begabt und privilegiert wie ihr Bruder Felix Mendelssohn-Bartholdy. Sie schuf in ihrem kurzen Leben weit über 400 Werke. Die Universität der Künste feiert nun den 200. Geburtstag von Fanny Hensel-Mendelssohn. »

12 Jun 2005

Don Carlos and Don Carlo at the Wiener Staatsoper

Selbst Giuseppe Verdi hat nie eine Realisierung seiner Vertonung von Schillers “Don Carlos” in ihrer Gesamtheit erleben dürfen. Bereits vor der Generalprobe zur Uraufführung in Paris musste er aus banalem Grund – die Gäste sollten die nächtlichen Züge noch erreichen – Teile seines Werkes streichen, vor der Premiere setzte er noch einmal der Rotstift an. »

12 Jun 2005

Mattheson's Boris Goudenow in Boston

AN early-music festival might not seem the likeliest place to witness a world premiere. But that is what the audience at the Cutler Majestic Theater on the campus of Emerson College will do this week when, after a 295-year delay, the Boston Early Music Festival presents the first fully staged production of the opera “Boris Goudenow, or The Throne Attained Through Cunning, or Honor Joined Happily With Affection,” by the German Baroque composer Johann Mattheson. »

11 Jun 2005

The Midnight Court Premieres in Toronto

Banned in Ireland. The phrase still has some weight, at a time when talking about banning anything is to align yourself with dogmatic mullahs and evangelists. It’s hard to imagine how Brian Merriman, living in an Irish hamlet in the late 18th century, managed to write a literary work shocking enough to be untouchable for nearly two centuries. But the satiric bite of his 1,000-line Gaelic poem The Midnight Court is still something to wonder at, and thanks to Toronto’s Queen of Puddings Music Theatre, something to sing about as well. »

07 Jun 2005

Works of Bach and Handel Discovered

BERLIN (AFP) – Des partitions jusqu’ici inédites des compositeurs allemands Jean-Sébastien Bach (1685-1750) et Georg Friedrich Händel (1685-1750) ont été découvertes dans des archives à Weimar et Munich, selon les archives de Bavière et de la Fondation Bach. »

05 Jun 2005

The State of Online Audio Services

Every few decades, audio formats change, and libraries rebuild their music collections. We’ve gone from 78s to LPs, then from LPs to CDs. While CDs stand to be produced for quite some time, it’s not clear how long large library CD collections—with many recordings going back to the mid-1980s—will last. Today, the format shift is on again as librarians attempt to offer patrons what they really want: online audio. »

04 Jun 2005

Rupert Christiansen Interviews Gerald Finley

Before he jets off to take the lead in John Adams’s new opera, Gerald Finley faces a challenge nearer home. He talks to Rupert Christiansen »

29 May 2005

Replacing David Gockley

Edward G. Wallace Jr., an oilman, has observed and supported the arts in Houston for several decades. His great passion is opera, especially bel canto opera. »

28 May 2005

Alberto Vilar Arrested

Alberto Vilar, a hotshot millionaire money manager and the Metropolitan Opera’s largest benefactor, was hauled before a federal judge yesterday on charges he stole $5 million from a client — and then used part of the money to make a donation to his alma mater. »

28 May 2005

Teatro Colon — Where The House Is The Show

Most people go to the opera to see the show. In Buenos Aires, many go just to see the opera house. Recently refurbished, the Teatro Colon offers guided tours through what is one of the world’s truly great houses of music. These tours are a hot attraction, especially for the tourists flooding the Argentine capital these days, where the dollar still has muscle. The tours are in Spanish, English, Portuguese and other languages. »

28 May 2005

A Profile of Valery Gergiev

What makes Valery Gergiev run? When the announcement came last week that he was to take over from Sir Colin Davis as principal conductor of the London Symphony Orchestra, it was obvious what the LSO got from the deal. It confirmed them as one of the world’s leading orchestras, able to attract (Sir Simon Rattle possibly excepted) the most talented and charismatic conductor of his generation. For Gergiev, however, it was just another high-profile post to add to his already prodigious workload. »

28 May 2005

García Opera Buffa Found

Una ópera bufa sobre Don Quijote, escrita hace 180 años, ha sido redescubierta en España el año del IV Centenario de la obra que la inspiró y posiblemente sea reestrenada, afirmó a EFE el director musical Juan de Udaeta. »

26 May 2005

Paul Kildea Resigns from Wigmore Hall

Having successfully completed the transition since William Lyne’s retirement, Paul Kildea has decided to concentrate on his freelance career as a conductor. Over the past two years Paul has combined his musical career with his artistic role at Wigmore Hall, devoting nine months of the year to planning and attending the Hall’s concerts and the remainder to his own performing »

26 May 2005

Internationales Schubert Festival Steyr Begins

Die Festspielzeit beginnt. Besonders liebevoll programmiert ist das Schubert-Festival im zauberhaften Ambiente von Steyr. Intendantin Elke Albrecht setzte zur Eröffnung auf Musik, die Schubert in Steyr oder für Auftraggeber aus der Stadt geschrieben hat. Ergebnis: eine rechte Schubertiade. Wann hört man schon Klaviersonaten, Lieder und Kammermusik in sinnvoller Abfolge nebeneinander? Ellen van Lier war sogar bereit, den Lieder-Teil des Konzerts in der Schlossgalerie unterbrechen zu lassen, um vor der Aufführung des “Forellenquintetts” noch das entsprechende Lied zu singen. »