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Elsewhere

The Sense of an Ending: the BBC Singers and Sakari Oramo

We are accustomed to seeing Finnish conductor Sakari Oramo at the helm of a large orchestra, baton in hand, guiding the instrumentalists with unassuming but precise authority and expressive, communicative musicianship.

Fables and the Fabulous from Sir Simon Rattle and the LSO at the Proms

Sir Simon Rattle and the London Symphony Orchestra took us through fairy-tale forests, antique lands and into fantasy worlds in this fabulous Prom, which celebrated Maurice Ravel’s genius as a musical story-teller.

The Bassarids at the Salzburg Festival

Hans Werner Henze’s fifth opera, The Bassarids (those who wear fox skins) had its world premiere at Salzburg’s Grosses Festspielhaus in 1966. Now, 52 years later Henze’s massive “opera seria” returns, but to the Felsenreitschule —the old riding school made into a theater that hosts the Salzburg Festival’s difficult operas, the Grosses Festspielhaus now dedicated to the grand repertoire.

Claude Debussy and Lili Boulanger commemorated at the Proms

Two French commemorations - ‘anniversaries’ always seems the wrong word - and surely is - here: the centenary of the deaths of Claude Debussy and Lili Boulanger.

Pique Dame in Salzburg

It was emeritus night at the Salzburg Festival with 75 year old maestro Mariss Jansons conducting 77 year old stage director Hans Neuenfels production about Pushkin’s 87 year old countess known as the Pique Dame.

Lohengrin at Bayreuth

Three electrifying moments and the world is forever changed.

Salome in Salzburg

A Romeo Castellucci production is always news, it is even bigger news just now in Salzburg where Lithuanian soprano Asmik Grigorian has made her debut as the fifteen year-old Salome.

Vaughan Williams Dona nobis pacem - BBC Prom 41

Prom 41 at the Royal Albert Hall, London, with Edward Gardner conducting the BBCSO in Vaughan Williams's Dona nobis pacem, Elgar's Cello Concerto (Jean-Guihen Queyras) and Lili Boulanger . Extremely perceptive performances that revealed deep insight, far more profound than the ostensible "1918" theme

Lisbon under ashes - rediscovered Portuguese Baroque

In 1755, Lisbon was destroyed, first by a massive earthquake, then by a tsunami pouring in from the Atlantic, then by fire and civil unrest. The scale of the disaster is almost unimaginable today. The centre of the Portuguese Empire, with treasures from India, Africa, Brazil and beyond, was never to recover. The royal palaces, with their libraries and priceless collections, were annihilated.

John Wilson brings Broadway to South Kensington: West Side Story at the BBC Proms

There were two, equal ‘stars’ of this performance of the authorised concert version of Leonard Bernstein’s West Side Story at the Royal Albert Hall: ‘Lenny’ himself, whose vibrant score - by turns glossy and edgy - truly shone, and conductor John Wilson, who made it gleam, and who made us listen afresh and intently to every coloristic detail and toe-tapping, twisting rhythm.

Prom 36: Webern, Mahler, and Wagner

One of the joys of writing regularly – sometimes, just sometimes, I think too regularly – about performance has been the transformation, both conscious and unconscious, of my scholarship.

Glyndebourne announces new Artistic Director

Stephen Langridge has been appointed Artistic Director of Glyndebourne. Stephen is currently Director for Opera and Drama at Gothenburg Opera, Sweden, a role he has occupied for five years. He will take up his new role at Glyndebourne in spring 2019.

Prom 33: Thea Musgrave, Phoenix Rising, and Johannes Brahms, Ein deutsches Requiem, op.45

I am not sure I could find much of a connection between the two works on offer here. They offered ‘contrast’ of a sort, I suppose, yet not in a meaningful way such as I could discern.

Gianni Schicchi by Oberlin in Italy

It’s an all too rare pleasure to see Puccini’s only comedy as a stand alone opera. And more so when it is a careful production that uncovers the all too often overlooked musical and dramatic subtleties that abound in Puccini’s last opera.

Sarah Connolly and Joseph Middleton journey through the night at Cadogan Hall

The mood in the city is certainly soporific at the moment, as the blistering summer heat takes its toll and the thermometer shows no signs of falling. Fittingly, mezzo-soprano Dame Sarah Connolly and pianist Joseph Middleton presented a recital of English song settings united by the poetic themes of night, sleep, dreams and nightmares, juxtaposing masterpieces of the early-twentieth-century alongside new works by Mark-Anthony Turnage and Australian composer Lisa Illean, and two ‘long-lost’ songs by Britten.

Vanessa: Keith Warner's Glyndebourne production exposes truths and tragedies

“His child! It must not be born!” Keith Warner’s new production of Samuel Barber’s Vanessa for Glyndebourne Festival Opera makes two births, one intimated, the other aborted, the driving force of the tragedy which consumes two women, Vanessa and her niece Erika, rivals for the same young man, Anatol, son of Vanessa’s former lover.

Rollicking Rossini in Santa Fe

Santa Fe Opera welcomed home a winningly animated production of L’Italiana in Algeri this season that utterly delighted a vociferously responsive audience.

Rock solid Strauss Salomé- Salzburg

Richard Strauss Salomé from the Salzburg Festival, conducted by Franz Welser-Möst, a powerful interpretation of an opera which defies easy answers, performed and produced with such distinction thast it suceeds on every level. The words "Te saxa Loquuntur" (The stones are speaking to you) are projected onto the stage. Salzburg regulars will recognize this as a reference to the rock foundations on which part of the city is built, and the traditions of excellence the Festival represents. In this opera, the characters talk at cross-purposes, hearing without understanding. The phrase suggests that what might not be explicitly spoken might have much to reveal.

Prom 26: Dido and Cleopatra – Queens of Fascination

In this, her Proms debut, Anna Prohaska offered something akin to a cantata of two queens, complementary and contrasted: Dido and Cleopatra. Returning in a sense to her ‘early music’ roots – her career has always been far richer, more varied, but that world has always played an important part – she collaborated with the Italian ‘period’ ensemble, Il Giardino Armonico and Giovanni Antonini.

Parsifal: Munich Opera Festival

And so, this year’s Munich Opera Festival and this year’s Bavarian State Opera season came to a close with everyone’s favourite Bühnenweihfestspiel, Parsifal, in the final outing this time around for Pierre Audi’s new production.


OPERA TODAY ARCHIVES »

News

11 Aug 2018

Glyndebourne announces new Artistic Director

http://www.operatoday.com/content/2018/08/glyndebourne_an.php »

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13 Sep 2005

Dom Sebastien, Roi De Portugal, Royal Opera House, London

http://enjoyment.independent.co.uk/music/reviews/article312364.ece »

08 Sep 2005

L'Opéra de Paris Announces 2005-2006 Season

Season to include world premiere of Saariaho's Adriana Mater L'Opera de Paris has announced its 2005-2006 season. It will begin on 9 September with Antonin Dvorak's Rusalka. This will be followed by Mozart's Cosi fan tutte and a new production,... »

08 Sep 2005

Peter Schreier and András Schiff in Budapest

http://www.budapestsun.com/full_story.asp?ArticleId=%7BE7C4DDC5E540432690A5D9DE90CD1BA1%7D&From=Style »

07 Sep 2005

Simone Young's Debut

http://www.theage.com.au/news/arts/frau-young-takes-hamburg/2005/09/04/1125772405206.html »

05 Sep 2005

Die Presse Interviews Welser-Möst

http://www.diepresse.com/Artikel.aspx?channel=k&ressort=k&id=504303 »

29 Aug 2005

Vivaldi and the chorus of unwanted children

http://news.ft.com/cms/s/7b2889a6-1829-11da-a14b-00000e2511c8.html »

29 Aug 2005

Edinburgh reports: slow burn gives sumptuous results

http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/29/bmbrewer29.xml »

29 Aug 2005

Simone Young Plans Four Britten Operas in Hamburg

http://www.wams.de/data/2005/08/28/766533.html »

29 Aug 2005

Pamela Rosenberg Goes to Berlin

http://www.welt.de/data/2005/08/29/767085.html »

26 Aug 2005

Fidelio, KlangBogen Wien

http://news.ft.com/cms/s/ac687fc0-15cd-11da-8085-00000e2511c8.html »

24 Aug 2005

Mercadante's Pelagio in Gijón

http://www.lne.es/secciones/noticia.jsp?pIdNoticia=321076&pIdSeccion=35&pNumEjemplar=1010 »

24 Aug 2005

Masaaki Suzuki in Tokyo

http://www.zeit.de/2005/34/Masaaki_Suzuki »

24 Aug 2005

Celebrating Dietrich Fischer-Dieskau's 80th at Salzburger Felsenreitschule

http://www.diepresse.com/Artikel.aspx?channel=k&ressort=ke&id=501560 »

23 Aug 2005

La Traviata and Mazeppa at Salzburg

http://www.guardian.co.uk/arts/reviews/story/0,11712,1554371,00.html »

22 Aug 2005

Rossini's Adelaide di Borgogna at Edinburgh

http://www.guardian.co.uk/arts/reviews/story/0,11712,1553696,00.html »

22 Aug 2005

Caballé Backs Out of Pelagio Production

http://www.elcomerciodigital.com/pg050821/prensa/noticias/Sociedad/200508/21/GIJ-SOC-120.html »

21 Aug 2005

Sir John and Me

http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/20/bmweek20.xml&sSheet=/arts/2005/08/20/ixartleft.html »

21 Aug 2005

Honoring Franz Schreker

http://www.nysun.com/article/18876 »

20 Aug 2005

The Guardian Profiles Sir Charles Mackerras

http://www.guardian.co.uk/arts/features/story/0,11710,1552655,00.html »

20 Aug 2005

Renovating The Bolshoi

http://www.thestandard.com.hk/stdn/std/Weekend/GH20Jp05.html »

20 Aug 2005

Discovering Rossini in Pesaro

http://news.ft.com/cms/s/7b50f154-104d-11da-bd5c-00000e2511c8.html »

19 Aug 2005

La Clemenza di Tito at Edinburgh

http://www.guardian.co.uk/arts/reviews/story/0,11712,1551110,00.html »

19 Aug 2005

Daily Telegraph Interviews Franz Welser-Möst

http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/18/bmfranz18.xml&sSheet=/arts/2005/08/18/ixartright.html »

19 Aug 2005

On Melodrama

http://www.guardian.co.uk/arts/fridayreview/story/0,12102,1551527,00.html »

18 Aug 2005

Cecilia Bartoli in Salzburg

http://www.nysun.com/article/18725 »

18 Aug 2005

Iolanta at Royal Albert Hall

http://www.guardian.co.uk/arts/reviews/story/0,11712,1550550,00.html »

18 Aug 2005

The Mariinsky on the Skids?

http://www.theaustralian.news.com.au/common/story_page/0,5744,16295766%255E16947,00.html »

17 Aug 2005

Motezuma Judgment Overruled on Appeal

http://www.wz-newsline.de/sro.php?redid=90772 »

16 Aug 2005

Handel's Giulio Cesare at Glyndebourne

http://www.lefigaro.fr/culture/20050816.FIG0086.html?093816 »

16 Aug 2005

Die Gezeichneten at Salzburg

http://www.newyorker.com/critics/music/?050822crmu_music »

16 Aug 2005

Mitridate, Re di Ponto at Salzburg

http://www.nysun.com/article/18640 »

16 Aug 2005

Candide in San Francisco

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2005/08/16/DDG2JE781S1.DTL »

12 Aug 2005

Der lustige Krieg at Bregenz

http://news.ft.com/cms/s/a23a269a-0acc-11da-aa9b-00000e2511c8.html »

11 Aug 2005

Honoring Karl Hartmann

http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/11/bmhart11.xml&sSheet=/arts/2005/08/11/ixartleft.html »

11 Aug 2005

Nielsen's Maskarade at Bregenz

http://news.ft.com/cms/s/03f689d8-093c-11da-880b-00000e2511c8.html »

10 Aug 2005

Another Vivaldi Work Discovered

http://www.theage.com.au/news/reviews/vivaldi-dixit-dominus/2005/08/09/1123353312408.html »

10 Aug 2005

Musical Lies

http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/08/10/bacol10.xml&sSheet=/arts/2005/08/10/ixartright.html »

10 Aug 2005

Golijov's Aindamar at Santa Fe

http://news.ft.com/cms/s/80e72116-093a-11da-880b-00000e2511c8.html »

09 Aug 2005

Le Figaro Discovers Mörbisch Festival on the Lake

http://www.lefigaro.fr/culture/20050809.FIG0140.html?091809 »

09 Aug 2005

A Double Bill at Glimmerglass

http://www.syracuse.com/entertainment/poststandard/index.ssf?/base/entertainment-0/112357669848680.xml&coll=1 »

09 Aug 2005

The Ring in Seattle

http://seattlepi.nwsource.com/classical/235708_ring09q.html »

09 Aug 2005

Tristan und Isolde at Bayreuth

http://www.guardian.co.uk/arts/reviews/story/0,11712,1541990,00.html »

07 Aug 2005

Barber's Vanessa in Central City

http://news.ft.com/cms/s/38aaa7c4-054d-11da-97da-00000e2511c8.html »

05 Aug 2005

Conductor Riccardo Muti Discusses Mozart, La Scala Squabble

http://www.bloomberg.com/apps/news?pid=10000088&sid=aTMZwiVgOs8c&refer=culture »

05 Aug 2005

Jennifer Larmore in Chicago

http://www.suntimes.com/output/entertainment/cst-ftr-grant05.html »

05 Aug 2005

Boris Godunov at Covent Garden

http://www.guardian.co.uk/arts/reviews/story/0,11712,1541186,00.html »

03 Aug 2005

Renovations underway at the Wiener Staatsoper

Main stage of Wiener Staatsoper undergoing decennial renovations. (Photo: Gary Hoffman)... »

03 Aug 2005

Britten's Paul Bunyan at Central City

http://news.ft.com/cms/s/f251707a-040a-11da-a775-00000e2511c8.html »

03 Aug 2005

La Voix Humaine at Glimmerglass

http://online.wsj.com/article/0,,SB112302089510903059,00.html?mod=opinion&ojcontent=otep »

02 Aug 2005

Die Meistersinger von Nürnberg at Munich

http://www.merkur-online.de/nachrichten/kultur/kunstakt/art282,419883.html »

02 Aug 2005

Mitridate, Re di Ponto and The Magic Flute at Salzburg

http://www.nytimes.com/2005/08/02/arts/music/02moza.html »

15 Jul 2005

HGO Introduces Anthony Freud

http://www.houstongrandopera.org/press/press_releases.aspx?PressReleaseID=115 »

14 Jul 2005

Turandot at Liceu

http://actualidad.terra.es/cultura/articulo/liceu_turandot_puccini_402344.htm »

14 Jul 2005

Festspiel Baden-Baden Begins Tchaikovsky Series with The Sorceress

http://www.stuttgarter-nachrichten.de/stn/page/detail.php/954710 »

13 Jul 2005

The Highpoint of Festivals Styriarte

http://www.diepresse.com/Artikel.aspx?channel=k&ressort=ke&id=494355 »

13 Jul 2005

Aix-en-Provence

http://news.ft.com/cms/s/8fe829ec-f271-11d9-8e69-00000e2511c8.html »

12 Jul 2005

Text of decision in Motezuma dispute

http://www.operatoday.com/documents/Motezuma.pdf »

12 Jul 2005

Sing-Akademie Issues Press Release

http://www.sing-akademie.de/20050711.htm »

11 Jul 2005

Sing-Akademie Prevails

http://www.rp-online.de/public/article/dtoday/news/aktuell/97673 »

04 Jul 2005

Conti's Don Quichotte at Festival de Musique Baroque de Beaune

Ouvert vendredi soir par l’Alcina de Haendel, le festival de Beaune, qui accueille la crème des ensembles baroques jusqu’à la fin du mois, fait événement samedi avec la création française du Don Chisciotte signé, en 1719 à Vienne, par le Florentin Francesco Bartolomeo Conti, virtuose du théorbe et compositeur attitré de la cour de Charles-VI de Habsbourg. Le chef et musicologue René Jacobs a découvert cette partition il y a quinze ans, et l’a déjà donnée à Innsbruck il y a douze ans, dans des décors de Roland Topor. Il fait le point sur la version du concert qu’il dirige dans la cour des Hospices de Beaune, prélude à une nouvelle production au festival d’Innsbruck en août. »

04 Jul 2005

CNN Interviews Tony Hall

http://edition.cnn.com/2005/BUSINESS/07/01/boardroom.hall »

26 Jun 2005

A New Mariinsky

http://www.sptimesrussia.com/archive/times/1081/features/a_16107.htm »

26 Jun 2005

Merkur Interviews Diana Damrau

Wo sie auftritt, bezaubert sie das Publikum. So auch das Münchner Opernpublikum und unsere Leser, die Diana Damrau in diesem Jahr den Merkur-Theaterpreis zugesprochen haben. Eine Sängerin der Extraklasse. Auch ohne gigantische Vermarktungsmaschinerie hat sich die Günzburgerin an die internationale Spitze gesungen. »

26 Jun 2005

Tan Dun Arrives at the Met

http://www.nytimes.com/2005/06/26/arts/music/26lips.html »

24 Jun 2005

40th Season at Saratoga Performing Arts Center

http://www.nytimes.com/2005/06/24/arts/dance/24sara.html »

24 Jun 2005

A Profile of James Conlon

http://www.csmonitor.com/2005/0624/p12s02-almp.html »

19 Jun 2005

Cabell Wins Cardiff Singer of the World 2005

http://www.bbc.co.uk/mediaselector/check/broadband/mediawrapper/consoles/wales_singer05?redirect=console.shtml&nbram=1&bbram=1 »

19 Jun 2005

Renata Scotto — Teacher

http://www.nytimes.com/2005/06/19/arts/music/19gure.html »

16 Jun 2005

David Gockley on Selling Tickets

When David Gockley became business manager at the Houston Grand Opera in 1970, the company, like most regional troupes in the U.S. at the time, was doing “instant opera.” “There was a guy in north Jersey who had acquired all these old painted drops from Europe,” Mr. Gockley recalls. “He would rent out a generic ‘Tosca’ or ‘Trovatore.’ They came in bags — you stretched the drops on frames.” There was no rehearsal period — singers arrived, performed and left. Mr. Gockley became HGO’s general director in 1972 and immediately changed all that. One of his first productions was “The Marriage of Figaro,” with specially designed sets, a director, and a three-week rehearsal period. “We had a nice cast, including the young Frederica von Stade as Cherubino,” says Mr. Gockley. It cost more than instant opera, but it paid off. »

14 Jun 2005

Vivaldi's Motezuma Restored

ROTTERDAM, the Netherlands, June 12 – Antonio Vivaldi returned to his hometown, Venice, early in 1733, eager to reclaim his place as the Venetian republic’s most popular composer. During his five-year absence, younger Naples-trained musicians had come to the fore with their own “dramas with music,” but now, at 55, Vivaldi was ready to take them on with a daringly modern opera inspired by Hernán Cortés’s conquest of the Aztecs. »

13 Jun 2005

The Fanny-Hensel-Festival 2005

Sie war begabt und privilegiert wie ihr Bruder Felix Mendelssohn-Bartholdy. Sie schuf in ihrem kurzen Leben weit über 400 Werke. Die Universität der Künste feiert nun den 200. Geburtstag von Fanny Hensel-Mendelssohn. »

12 Jun 2005

Don Carlos and Don Carlo at the Wiener Staatsoper

Selbst Giuseppe Verdi hat nie eine Realisierung seiner Vertonung von Schillers “Don Carlos” in ihrer Gesamtheit erleben dürfen. Bereits vor der Generalprobe zur Uraufführung in Paris musste er aus banalem Grund – die Gäste sollten die nächtlichen Züge noch erreichen – Teile seines Werkes streichen, vor der Premiere setzte er noch einmal der Rotstift an. »

12 Jun 2005

Mattheson's Boris Goudenow in Boston

AN early-music festival might not seem the likeliest place to witness a world premiere. But that is what the audience at the Cutler Majestic Theater on the campus of Emerson College will do this week when, after a 295-year delay, the Boston Early Music Festival presents the first fully staged production of the opera “Boris Goudenow, or The Throne Attained Through Cunning, or Honor Joined Happily With Affection,” by the German Baroque composer Johann Mattheson. »

11 Jun 2005

The Midnight Court Premieres in Toronto

Banned in Ireland. The phrase still has some weight, at a time when talking about banning anything is to align yourself with dogmatic mullahs and evangelists. It’s hard to imagine how Brian Merriman, living in an Irish hamlet in the late 18th century, managed to write a literary work shocking enough to be untouchable for nearly two centuries. But the satiric bite of his 1,000-line Gaelic poem The Midnight Court is still something to wonder at, and thanks to Toronto’s Queen of Puddings Music Theatre, something to sing about as well. »

07 Jun 2005

Works of Bach and Handel Discovered

BERLIN (AFP) – Des partitions jusqu’ici inédites des compositeurs allemands Jean-Sébastien Bach (1685-1750) et Georg Friedrich Händel (1685-1750) ont été découvertes dans des archives à Weimar et Munich, selon les archives de Bavière et de la Fondation Bach. »

05 Jun 2005

The State of Online Audio Services

Every few decades, audio formats change, and libraries rebuild their music collections. We’ve gone from 78s to LPs, then from LPs to CDs. While CDs stand to be produced for quite some time, it’s not clear how long large library CD collections—with many recordings going back to the mid-1980s—will last. Today, the format shift is on again as librarians attempt to offer patrons what they really want: online audio. »

04 Jun 2005

Rupert Christiansen Interviews Gerald Finley

Before he jets off to take the lead in John Adams’s new opera, Gerald Finley faces a challenge nearer home. He talks to Rupert Christiansen »

29 May 2005

Replacing David Gockley

Edward G. Wallace Jr., an oilman, has observed and supported the arts in Houston for several decades. His great passion is opera, especially bel canto opera. »

28 May 2005

Alberto Vilar Arrested

Alberto Vilar, a hotshot millionaire money manager and the Metropolitan Opera’s largest benefactor, was hauled before a federal judge yesterday on charges he stole $5 million from a client — and then used part of the money to make a donation to his alma mater. »

28 May 2005

Teatro Colon — Where The House Is The Show

Most people go to the opera to see the show. In Buenos Aires, many go just to see the opera house. Recently refurbished, the Teatro Colon offers guided tours through what is one of the world’s truly great houses of music. These tours are a hot attraction, especially for the tourists flooding the Argentine capital these days, where the dollar still has muscle. The tours are in Spanish, English, Portuguese and other languages. »

28 May 2005

A Profile of Valery Gergiev

What makes Valery Gergiev run? When the announcement came last week that he was to take over from Sir Colin Davis as principal conductor of the London Symphony Orchestra, it was obvious what the LSO got from the deal. It confirmed them as one of the world’s leading orchestras, able to attract (Sir Simon Rattle possibly excepted) the most talented and charismatic conductor of his generation. For Gergiev, however, it was just another high-profile post to add to his already prodigious workload. »

28 May 2005

García Opera Buffa Found

Una ópera bufa sobre Don Quijote, escrita hace 180 años, ha sido redescubierta en España el año del IV Centenario de la obra que la inspiró y posiblemente sea reestrenada, afirmó a EFE el director musical Juan de Udaeta. »

26 May 2005

Paul Kildea Resigns from Wigmore Hall

Having successfully completed the transition since William Lyne’s retirement, Paul Kildea has decided to concentrate on his freelance career as a conductor. Over the past two years Paul has combined his musical career with his artistic role at Wigmore Hall, devoting nine months of the year to planning and attending the Hall’s concerts and the remainder to his own performing »