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Elsewhere

Le Concert Royal de la Nuit - Ensemble Correspondances

Le Concert Royal de la Nuit with Ensemble Correspondances led by Sébastien Daucé, the glorious culmination of the finest London Festival of the Baroque in years on the theme "Treasures of the Grand Siècle". Le Concert Royal de la Nuit was Louis XIV's announcement that he would be "Roi du Soleil", a ruler whose magnificence would transform France, and the world, in a new age of splendour.

Voices of Revolution – Prokofiev, Exile and Return

Seven, they are Seven , op.30; Violin Concerto no.1 in D minor, op.19; Cantata for the Twentieth Anniverary of the October Revolution, op.74. David Butt Philip (tenor), Pekka Kuusisto (violin), Aidan Oliver (voice of Lenin, chorus director), Philharmonia Voices, Crouch End Festival Chorus, Students of the Royal Welsh College of Music and Drama (military band), Philharmonia Orchestra/Vladimir Ashkenazy (conductor). Royal Festival Hall, London, Sunday 20 May 2018.

Charpentier Histoires sacrées, staged - London Baroque Festival

Marc-Antoine Charpentier Histoires sacrées with Ensemble Correspondances, conducted by Sébastien Daucé, at St John's Smith Square, part of the London Festival of the Baroque 2018. This striking staging, by Vincent Huguet, brought out its austere glory: every bit a treasure of the Grand Siècle, though this grandeur was dedicated not to Sun God but to God.

No Time in Eternity: Iestyn Davies discusses Purcell and Nyman

Revolution, repetition, rhetoric. On my way to meet countertenor Iestyn Davies, I ponder if these are the elements that might form connecting threads between the music of Henry Purcell and Michael Nyman, whose works will be brought together later this month when Davies joins the viol consort Fretwork for a thought-provoking recital at Milton Court Concert Hall.

Aïda in Seattle: don’t mention the war!

When Francesca Zambello presented Aïda at her own Glimmerglass Opera in 2012, her staging was, as they say, “ripped from today’s headlines.” Fighter planes strafed the Egyptian headquarters as the curtain rose, water-boarding was the favored form of interrogation, Radames was executed by lethal injection.

Glyndebourne Festival Opera 2018 opens with Annilese Miskimmon's Madama Butterfly

As the bells rang with romance from the tower of St George’s Chapel, Windsor, the rolling downs of Sussex - which had just acquired a new Duke - echoed with the strains of a rather more bitter-sweet cross-cultural love affair. Glyndebourne Festival Opera’s 2018 season opened with Annilese Miskimmon’s production of Madama Butterfly, first seen during the 2016 Glyndebourne tour and now making its first visit to the main house.

Remembering Debussy

This concert might have been re-titled Remembrance of Musical Times Past: the time, that is, when French song, nurtured in the Proustian Parisian salons, began to gain a foothold in public concert halls. But, the madeleine didn’t quite work its magic on this occasion.

Garsington's Douglas Boyd on Strauss and Skating Rinks

‘On August 3, 1941, the day that Capriccio was finished, 682 Jews were killed in Chernovtsy, Romania; 1,500 in Jelgava, Latvia; and several hundred in Stanisławów, Ukraine. On October 28, 1942, the day of the opera’s premiere in Munich, the first convoy of Jews from Theresienstadt arrived at Auschwitz-Birkenau, and 90 percent of them went to the gas chamber.’

A chiaroscuro Orfeo from Iestyn Davies and La Nuova Musica

‘I sought to restrict the music to its true purpose of serving to give expression to the poetry and to strengthen the dramatic situations, without interrupting the action or hampering it with unnecessary and superfluous ornamentations. […] I believed further that I should devote my greatest effort to seeking to achieve a noble simplicity; and I have avoided parading difficulties at the expense of clarity.’

Lessons in Love and Violence: powerful musical utterances but perplexing dramatic motivations

‘What a thrill -/ My thumb instead of an onion. The top quite gone/ Except for a sort of hinge/ Of skin,/ A flap like a hat,/ Dead white. Then that red plush.’ Those who imagined that Sylvia Plath (‘Cut’, 1962) had achieved unassailable aesthetic peaks in fusing pain - mental and physical - with beauty, might think again after seeing and hearing this, the third, collaboration between composer George Benjamin and dramatist/librettist Martin Crimp: Lessons in Love and Violence.

Grands motets de Lalande

Majesté, a new recording by Le Poème Harmonique, led by Vincent Dumestre, of music by Michel-Richard de Lalande (1657-1726) new from Alpha Classics. Le Poème Harmonique are regular visitors to London, appreciated for the variety of their programes. On Friday this week, (11/5) they'll be at St John's Smith Square as part of the London Festival of Baroque, with a programme titled "At the World's Courts".

Perpetual Night - Early English Baroque, Ensemble Correspondances

New from Harmonia Mundi, Perpetual Night. a superb recording of ayres and songs from the 17th century, by Ensemble Correspondances with Sébastien Daucé and Lucile Richardot. Ensemble Correspondances are among the foremost exponents of the music of Versailles and the French royalty, so it's good to hear them turn to the music of the Stuart court.

Les Salons de Pauline Viardot: Sabine Devieilhe at Wigmore Hall

Always in demand on French and international stages, the French soprano Sabine Devieihle is, fortunately, becoming an increasingly frequent visitor to these shores. Her first appearance at Wigmore Hall was last month’s performance of works by Handel with Emmanuelle Haïm’s Le Concert d’Astrée. This lunchtime recital, reflecting the meetings of music and minds which took place at Parisian salon of the nineteenth-century mezzo-soprano Pauline Viardot (1821-1910), was her solo debut at the venue.

Jesus Christ Superstar at Lyric Opera of Chicago

Lyric Opera of Chicago is now featuring as its spring musical Jesus Christ Superstar with music and lyrics by Andrew Lloyd Webber and Tim Rice. The production originated with the Regent’s Park Theatre, London with additional scenery by Bay Productions, U.K. and Commercial Silk International.

Persephone glows with life in Seattle

As a figure in the history of 20th century art, few deserve to be closer to center stage than Ida Rubenbstein. Without her talent, determination, and vast wealth, Ravel’s Boléro, Debussy’s Martyrdom of St. Sebastien, Honegger’s Joan of Arc at the Stake, and Stravinsky’s Perséphone would not exist.

La concordia de’ pianeti: Imperial flattery set to Baroque splendor in Amsterdam

One trusts the banquet following the world premiere of La concordia de’ pianeti proffered some spicy flavors, because Pietro Pariati’s text is so cloying it causes violent stomach-churning. In contrast, Antonio Caldara’s music sparkles and dances like a blaze of crystal chandeliers.

Kathleen Ferrier Awards Final 2018

The 63rd Competition for the Kathleen Ferrier Awards 2018 was an unusually ‘home-grown’ affair. Last year’s Final had brought together singers from the UK, the Commonwealth, Europe, the US and beyond, but the six young singers assembled at Wigmore Hall on Friday evening all originated from the UK.

Affecting and Effective Traviata in San Jose

Opera San Jose capped its consistently enjoyable, artistically accomplished 2017-2018 season with a dramatically thoughtful, musically sound rendition of Verdi’s immortal La traviata.

Brahms Liederabend

At his best, Matthias Goerne does serious (ernst) at least as well as anyone else. He may not be everyone’s first choice as Papageno, although what he brings to the role is compelling indeed, quite different from the blithe clowning of some, arguably much closer to its fundamental sadness. (Is that not, after all, what clowns are about?) Yet, individual taste aside, whom would one choose before him to sing Brahms, let alone the Four Serious Songs?

Angel Blue in La Traviata

One of the most beloved operas of all time, Verdi’s “ La Traviata” has never lost its enduring appeal as a tragic tale of love and loss, as potent today as it was during its Venice premiere in 1853.


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26 May 2005

Internationales Schubert Festival Steyr Begins

Die Festspielzeit beginnt. Besonders liebevoll programmiert ist das Schubert-Festival im zauberhaften Ambiente von Steyr. Intendantin Elke Albrecht setzte zur Eröffnung auf Musik, die Schubert in Steyr oder für Auftraggeber aus der Stadt geschrieben hat. Ergebnis: eine rechte Schubertiade. Wann hört man schon Klaviersonaten, Lieder und Kammermusik in sinnvoller Abfolge nebeneinander? Ellen van Lier war sogar bereit, den Lieder-Teil des Konzerts in der Schlossgalerie unterbrechen zu lassen, um vor der Aufführung des “Forellenquintetts” noch das entsprechende Lied zu singen. »

26 May 2005

Maximillian Schell Directs Der Rosenkavalier at LA

Tuesday, May 24, 2005 – Comparing Maximilian Schell to one of those purportedly extinct jungle species makes perfect sense. Those who have never observed Schell working will be forgiven doubting the continued existence of such a creature. And those who have are unlikely ever to forget it. »

26 May 2005

Valery Gergiev to Move to LSO

Could the conducting volcano that is Valery Gergiev be quieting down, at least in the near future? The London Symphony Orchestra announced yesterday that Mr. Gergiev will become its principal conductor in January 2007. Mr. Gergiev, famous for his intensely busy schedule, comes to the end of two major commitments the following season. »

22 May 2005

Caruso Love Letters To Become Public

More than a thousand previously unknown letters, said to have been written by the legendary tenor Enrico Caruso, are to be made available to the public next month, according to a report published yesterday. »

19 May 2005

Marilyn Horne Gives a Master Class

Soon after meeting opera diva Marilyn Horne before his big performance, Justin D. Gonzalez told her to spare him nothing. “Tear me to shreds. Do me the honor,” the 17-year-old Philadelphia high school senior invited before taking the stage Tuesday night at the Academy of Vocal Arts for his “master class” performance. »

19 May 2005

A Reunion at Cincinnati

For May Festival music director James Conlon, this season is all about old friends. The starry May Festival season, a two-week, five-concert festival opening tonight, includes a return of two of opera’s most celebrated singers, Deborah Voigt and Ben Heppner, with whom Conlon has worked since the early 1990s. »

17 May 2005

Celebrating Mirella Freni

Sunday was Mirella Freni Day at the Metropolitan Opera. Fifty years ago, the Italian soprano made her operatic debut, and 40 years ago, she made her Met debut. The company celebrated these facts with a gala on Sunday afternoon, a fairly emotional show featuring six singers, plus Miss Freni herself. »

17 May 2005

Pavarotti Bids Adieu

Une page se tourne. Demain, à Bercy, la tournée d’adieux entreprise depuis quelques mois par Luciano Pavarotti permettra au public français d’entendre une dernière fois le tenorissimo. A une encablure de son soixante-dixième anniversaire, «Big Luciano», en choisissant de se retirer, clôt l’un des plus glorieux chapitres de l’histoire de l’opéra. Celui qui a grandi à Modène en buvant le lait de la même nourrice que Mirella Freni (leurs mères, collègues à la manufacture de tabac, ne pouvaient allaiter), avait pourtant de quoi être paralysé par l’enjeu : au moment où il fit ses débuts de ténor, la place était occupée par Corelli, del Monaco, di Stefano et Bergonzi ! Après ses débuts dans La Bohème à Reggio Emilia en 1961 (Rodolphe restera toujours l’un de ses rôles fétiches), les choses semblent s’emballer : il remplace di Stefano à Covent Garden en 1962, chante le Requiem de Verdi avec Karajan en 1964, débute à la Scala en 1965 et au Met en 1968. »

13 May 2005

The Future of Glyndebourne and Bayreuth

Glyndebourne and Bayreuth are the world’s two highest-profile private opera companies. Both are run by third-generation descendants of the founder. Each showcases the talents of well-known singers, conductors and directors. From the visionary template laid down by their founders, they have developed into complex modern organisms employing hundreds of people. Yet their character is defined by family: for these are still family businesses – the Christies at Glyndebourne, the Wagners at Bayreuth. »

12 May 2005

Koch Entertainment Acquired

ROW Entertainment Income Fund, the Canadian firm that owns the 100-unit CD Plus retail chain, has signed a definitive agreement to acquire Koch Entertainment for about $80 million. ROW also owns wholesalers Record On wheels, Zing Distribution and Video One. »

12 May 2005

Opera North Triumphs Over ROH in Opera/Music Theater Category

Opera North triumphed over the Royal Opera House in the opera and music theatre category with Eight Little Greats, its series of short, rarely-staged operas. »

07 May 2005

Getting Steamy in LA

The ad campaign for the L.A. Opera’s upcoming Der Rosenkavalier has generated a lot of talk. Downtown artist Gottfried Helnwein, who is designing the production’s costumes and sets, also came up with the poster — using two models, a little makeup, and the power of suggestion. »

05 May 2005

In the News: Future of La Scala; Die Fledermaus in Philly; La Clemenza di Tito in London; Reinaldo Arenas as Opera; The Undiscovered

PARIS For all the poison and politics that accompanied the recent management meltdown at La Scala, Stéphane Lissner never hesitated last month when he was invited to become the first non-Italian in 227 years to run the legendary Milan opera house. Before accepting the job, though, he did call one old friend, the French composer and conductor Pierre Boulez. »

03 May 2005

An Interview with Angela Brown

Plunged in the deep waters of a serious opera career, Angela Brown is ready for the challenge. “It happened when it needed to…it’s God’s time; any earlier I wouldn’t be prepared.” After her pivotal substitution as Aida for the Metropolitan this fall, more companies and directors are taking notice. She now takes on the role of Cilla in Richard Danielpour’s Margaret Garner, premiering at the Michigan Opera Theater this May. Brown admits the increase in attention has been an adjustment, but her full schedule is old hat. “I have always been a very busy singer,” says Brown, “I’ve been concentrating on covering [roles] a lot, but now I get to really do it!” »

01 May 2005

Pope Benedict XVI on Music and Liturgy

Pope Benedict XVI is a pianist with a penchant for Mozart, which he is said to find more manageable than Brahms, given the limited amount of time he has to practice. (Until his election, he was one of the busiest cardinals in his role as chief interpreter and enforcer of doctrine.) His brother, a priest, was a church Kapellmeister. The Ratzinger boys were born in the part of Bavaria long under the influence of Salzburg, Mozart’s birthplace. »

28 Apr 2005

A Profile of Corrado Rovaris

Peering out onto Broad Street from a poster in front of the Academy of Music, conductor Corrado Rovaris seems too young to be so intense. At almost 40, his face is boyish, his hairline unreceded. But the eyes behind the glasses are penetrating. »

26 Apr 2005

Summer Courses and institutes for singers at New England Conservatory

Here is a list of courses and workshops at NEC this summer that relate to singing and voice training. »

26 Apr 2005

Daily Telegraph Interviews Richard Farnes of Opera North

Opera North is on sparkling form right now – but how will it cope with its forthcoming period of homelessness? Rupert Christiansen meets its inspirational music director Richard Farnes »

25 Apr 2005

In the News: Henze and Boulez Wow Paris; Faust at the Met; Chanticleer at the Temple of Dendur

How do composers famous in their younger days for radicalism look to the future of their art and reputation as they reach their 80th birthday? Paris in the past few days has been witness to hints of how a baton change might occur for two eminent seniors of music, Frenchman Pierre Boulez and German Hans Werner Henze. »

24 Apr 2005

In the News: DVD and Opera; Verdi in Florida; Trouble in Scotland

WITH the cost of recording operas in a studio now almost prohibitive, we are witnessing a boom time for opera on DVD. Opera buffs can hardly keep pace with the number of releases in the last year. And in June alone, Universal Classics plans to put out 18 complete operas on DVD, most of them reissues of productions originally taped and released on video. »

24 Apr 2005

L'Express Interviews Peter Sellars and Bill Viola

Le metteur en scène et le vidéaste américains présentent Tristan et Isolde, à l’Opéra Bastille. Ils révèlent les étapes de cette collaboration inédite »

22 Apr 2005

Stephan Lissner Named as New Superintendent and Artistic Director of La Scala

MILANO – Il neo sovrintendente Mauro Meli lascia la carica al Teatro alla Scala e abbandona anche l’opportunità di guidare il teatro degli Arcimboldi. La scelta comunicata nel corso del consiglio d’amministrazione della Fondazione a cui ha partecipato anche il prefetto di Milano Bruno Ferrante. Vengono quindi confermate le dimissioni che già erano nell’aria da giorni. La decisione segue di venti giorni le dimissioni del maestro Riccardo Muti, direttore musicale del teatro. »

18 Apr 2005

Gérard Mortier — The Misunderstood Megalomaniac

Monsieur Mortier ist nervös. Gleich will Isabelle Huppert anrufen. Frankreichs Vorzeige-Actrice möchte eine Karte für seine Oper. Und Ehrengäste sind für den Intendanten Chefsache. So wie alles andere eigentlich auch. Die Fotos fürs Programmheft, der Zug im Schnürboden und die Versammlung der Gewerkschaft. Jetzt, wenn die Huppert anruft, macht er einen Bückling, sagt “oui” und “bien sur”. Gérard Mortier ist ein Mann mit hervorragenden Manieren. Und ein Netzwerker. Er weiß: Wenn die Huppert morgen kommt, ist übermorgen ganz Frankreich bei ihm zu Gast. Sein Auftrag ist es, den protzigen Glaspalast an der Pariser Bastille jeden Abend mit 3000 Menschen zu füllen. »

18 Apr 2005

Celebrating Santa Fe Opera's Golden Anniversary in 2006

The Santa Fe debut of famed Swedish mezzo-soprano Anne Sofie von Otter, the U.S. premiere of an acclaimed British opera and a gala operatic concert are highlights of the Santa Fe Opera’s 50th anniversary season next year, general director Richard Gaddes announced Thursday. »

17 Apr 2005

What happened to that old black magic?

REALITY changes; myths endure. For more than a century, the Metropolitan Opera has been synonymous with superstardom, so much so that no opera singer’s claim on immortality has been secure without seasons of glory at the Met. »

09 Apr 2005

Nabucco at Opera Australia

Saddam Hussein has a lot to answer for but his unlikeliest legacy will be unveiled at the Arts Centre next week – a new production of Verdi’s first successful opera, Nabucco. The key to this interpretation is a poster that the Iraqi tyrant unveiled in his final year in power portraying himself as the ancient Babylonian ruler Nebuchadnezzar (Nabucco in the opera, sung by baritone Michael Lewis). »

08 Apr 2005

What Led to Muti's Ouster?

Few tears will be shed for Riccardo Muti, who resigned last Saturday from La Scala, Milan, the opera house he has conducted with a baton of iron for the last 19 years. That’s quite long enough for anyone to be in the same job, and Muti’s prestige means that he can take his pick of offers from the international circuit — except perhaps Covent Garden, which is still smarting at his peremptory withdrawal from last October’s production of La Forza del Destino, apparently in protest over the insignificant alteration of a piece of scenery. »