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Elsewhere

West Wind: A new song-cycle by Sally Beamish

In a recent article in BBC Music Magazine tenor James Gilchrist reflected on the reason why early-nineteenth-century England produced no corpus of art song to match the German lieder of Schumann, Schubert and others, despite the great flowering of English Romantic poetry during this period.

Interview with Star of Florencia en el Amazonas, Elizabeth Caballero

Lyric soprano Elizabeth Caballero’s signature role is Violetta in La traviata, which she portrays with a compelling interpretation, focused sound, and elegant coloratura that floats through the opera house as naturally as waves on the ocean.

Florencia en el Amazonas, NYCO

With the New York Premiere of Florencia en el Amazonas, the New York City Opera Steps Out of the Shadows of the Past

Idomeneo, re di Creta, Garsington

Opportunities to see Idomeneo are not so frequent as they might be, certainly not so frequent as they should be.

Don Carlo in San Francisco

Not merely Don Carlo, but the five-act Don Carlo in the 1886 Modena version! The welcomed esotericism of San Francisco Opera’s extraordinary spring season.

Jenůfa in San Francisco

The early summer San Francisco Opera season has the feel of a classy festival. There is an introduction of Spanish director Calixto Bieito to American audiences, a five-act Don Carlo and two awaited, inevitable role debuts, Karita Mattila as Kostelnička and Malin Bystrom as Janacek's Jenůfa.

Musings on the “American Ring

Now that the curtain has long fallen on the third and last performance of the Ring cycle at the Washington National Opera (WNO), it is safe to say that the long-anticipated production has been an unqualified success for the company, director Francesca Zambello, and conductor Philippe Auguin.

Nabucco, Covent Garden

Most of the attention during this revival of Daniele Abbado’s 2013 production of Nabucco has been directed at Plácido Domingo’s reprise of the title role, with the critical reception somewhat mixed.

Tristan, English National Opera

My first Tristan, indeed my first Wagner, in the theatre was ENO’s previous staging of the work, twenty years ago, in 1996. The experience, as it should, as it must, although this is alas far from a given, quite overwhelmed me.

The Cunning Little Vixen, Glyndebourne

Four years ago, almost to the day (13th to 12th), I saw Melly Still’s production of The Cunning Little Vixen during its first Glyndebourne run. I found myself surprised how much more warmly I responded to it this time.

London: A 90th birthday tribute to Horovitz

This recital celebrated both the work of the Park Lane Group, which has been supporting the careers of outstanding young artists for 60 years, and the 90th birthday of Joseph Horovitz, who was born in Vienna in 1926 and emigrated to England aged 12.

Opera Las Vegas: A Blazing Carmen in the Desert

Headed by General Director Luana DeVol, a world-renowned dramatic soprano, Opera Las Vegas is a relatively new company that presents opera with first-rate casts at the University of Las Vegas’s Judy Bayley Theater. In 2014 they presented Rossini’s The Barber of Seville and in 2015, Puccini’s Madama Butterfly. This year they offered a blazing rendition of Georges Bizet’s Carmen.

La bohème, Opera Holland Park

Ever since a friend was reported as having said he would like something in return for modern-dress Shakespeare (how quaint that term seems now, as if anyone would bat an eyelid!), namely an Elizabethan-dress staging of Look Back in Anger, I have been curious about the possibilities of ‘down-dating’, as I suppose we might call it. Rarely, if ever, do we see it, though.

Holland Festival: Alban Berg’s Wozzeck, Amsterdam

Leading a very muscular Dutch Radio Philharmonic, Principal Conductor Markus Stenz brilliantly delivered Alban Berg’s Wozzeck with a superb Florian Boesch in the lead and a mesmerising Asmik Grigorian as Marie his wife.

A Chat With Baritone Brian Mulligan

Maria Nockin interviews baritone Brian Mulligan.

Lalo: Complete Songs

Edouard Lalo (1823-92) is best known today for his instrumental works: the Symphonie espagnole (which is, despite the title, a five-movement violin concerto), the Symphony in G Minor, and perhaps some movements from his ballet Namouna, a scintillating work that the young Debussy adored.

Pietro Mascagni: Iris

There can’t be that many operas that start with an extended solo for double bass. At Holland Park, the eerie, angular melody for lone bass player which opens Pietro Mascagni’s Iris immediately unsettled the relaxed mood of the summer evening.

L’italiana in Algeri, Garsington Opera

George Souglides’ set for Will Tuckett’s new production of Rossini’s L’italiana in Algeri at Garsington would surely have delighted Liberace.

Carmen in San Francisco

Calixto Bieito is always news, Carmen with a good cast is always news. So here is the news.

Eugene Onegin, Garsington Opera

Distinguished theatre director Michael Boyd’s first operatic outing was his brilliant re-invention of Monteverdi’s L’Orfeo for the Royal Opera at the Roundhouse in 2015, so what he did next was always going to rouse interest.


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26 May 2005

Maximillian Schell Directs Der Rosenkavalier at LA

Tuesday, May 24, 2005 – Comparing Maximilian Schell to one of those purportedly extinct jungle species makes perfect sense. Those who have never observed Schell working will be forgiven doubting the continued existence of such a creature. And those who have are unlikely ever to forget it. »

26 May 2005

Valery Gergiev to Move to LSO

Could the conducting volcano that is Valery Gergiev be quieting down, at least in the near future? The London Symphony Orchestra announced yesterday that Mr. Gergiev will become its principal conductor in January 2007. Mr. Gergiev, famous for his intensely busy schedule, comes to the end of two major commitments the following season. »

22 May 2005

Caruso Love Letters To Become Public

More than a thousand previously unknown letters, said to have been written by the legendary tenor Enrico Caruso, are to be made available to the public next month, according to a report published yesterday. »

19 May 2005

Marilyn Horne Gives a Master Class

Soon after meeting opera diva Marilyn Horne before his big performance, Justin D. Gonzalez told her to spare him nothing. “Tear me to shreds. Do me the honor,” the 17-year-old Philadelphia high school senior invited before taking the stage Tuesday night at the Academy of Vocal Arts for his “master class” performance. »

19 May 2005

A Reunion at Cincinnati

For May Festival music director James Conlon, this season is all about old friends. The starry May Festival season, a two-week, five-concert festival opening tonight, includes a return of two of opera’s most celebrated singers, Deborah Voigt and Ben Heppner, with whom Conlon has worked since the early 1990s. »

17 May 2005

Celebrating Mirella Freni

Sunday was Mirella Freni Day at the Metropolitan Opera. Fifty years ago, the Italian soprano made her operatic debut, and 40 years ago, she made her Met debut. The company celebrated these facts with a gala on Sunday afternoon, a fairly emotional show featuring six singers, plus Miss Freni herself. »

17 May 2005

Pavarotti Bids Adieu

Une page se tourne. Demain, à Bercy, la tournée d’adieux entreprise depuis quelques mois par Luciano Pavarotti permettra au public français d’entendre une dernière fois le tenorissimo. A une encablure de son soixante-dixième anniversaire, «Big Luciano», en choisissant de se retirer, clôt l’un des plus glorieux chapitres de l’histoire de l’opéra. Celui qui a grandi à Modène en buvant le lait de la même nourrice que Mirella Freni (leurs mères, collègues à la manufacture de tabac, ne pouvaient allaiter), avait pourtant de quoi être paralysé par l’enjeu : au moment où il fit ses débuts de ténor, la place était occupée par Corelli, del Monaco, di Stefano et Bergonzi ! Après ses débuts dans La Bohème à Reggio Emilia en 1961 (Rodolphe restera toujours l’un de ses rôles fétiches), les choses semblent s’emballer : il remplace di Stefano à Covent Garden en 1962, chante le Requiem de Verdi avec Karajan en 1964, débute à la Scala en 1965 et au Met en 1968. »

13 May 2005

The Future of Glyndebourne and Bayreuth

Glyndebourne and Bayreuth are the world’s two highest-profile private opera companies. Both are run by third-generation descendants of the founder. Each showcases the talents of well-known singers, conductors and directors. From the visionary template laid down by their founders, they have developed into complex modern organisms employing hundreds of people. Yet their character is defined by family: for these are still family businesses – the Christies at Glyndebourne, the Wagners at Bayreuth. »

12 May 2005

Koch Entertainment Acquired

ROW Entertainment Income Fund, the Canadian firm that owns the 100-unit CD Plus retail chain, has signed a definitive agreement to acquire Koch Entertainment for about $80 million. ROW also owns wholesalers Record On wheels, Zing Distribution and Video One. »

12 May 2005

Opera North Triumphs Over ROH in Opera/Music Theater Category

Opera North triumphed over the Royal Opera House in the opera and music theatre category with Eight Little Greats, its series of short, rarely-staged operas. »

07 May 2005

Getting Steamy in LA

The ad campaign for the L.A. Opera’s upcoming Der Rosenkavalier has generated a lot of talk. Downtown artist Gottfried Helnwein, who is designing the production’s costumes and sets, also came up with the poster — using two models, a little makeup, and the power of suggestion. »

05 May 2005

In the News: Future of La Scala; Die Fledermaus in Philly; La Clemenza di Tito in London; Reinaldo Arenas as Opera; The Undiscovered

PARIS For all the poison and politics that accompanied the recent management meltdown at La Scala, Stéphane Lissner never hesitated last month when he was invited to become the first non-Italian in 227 years to run the legendary Milan opera house. Before accepting the job, though, he did call one old friend, the French composer and conductor Pierre Boulez. »

03 May 2005

An Interview with Angela Brown

Plunged in the deep waters of a serious opera career, Angela Brown is ready for the challenge. “It happened when it needed to…it’s God’s time; any earlier I wouldn’t be prepared.” After her pivotal substitution as Aida for the Metropolitan this fall, more companies and directors are taking notice. She now takes on the role of Cilla in Richard Danielpour’s Margaret Garner, premiering at the Michigan Opera Theater this May. Brown admits the increase in attention has been an adjustment, but her full schedule is old hat. “I have always been a very busy singer,” says Brown, “I’ve been concentrating on covering [roles] a lot, but now I get to really do it!” »

01 May 2005

Pope Benedict XVI on Music and Liturgy

Pope Benedict XVI is a pianist with a penchant for Mozart, which he is said to find more manageable than Brahms, given the limited amount of time he has to practice. (Until his election, he was one of the busiest cardinals in his role as chief interpreter and enforcer of doctrine.) His brother, a priest, was a church Kapellmeister. The Ratzinger boys were born in the part of Bavaria long under the influence of Salzburg, Mozart’s birthplace. »

28 Apr 2005

A Profile of Corrado Rovaris

Peering out onto Broad Street from a poster in front of the Academy of Music, conductor Corrado Rovaris seems too young to be so intense. At almost 40, his face is boyish, his hairline unreceded. But the eyes behind the glasses are penetrating. »

26 Apr 2005

Summer Courses and institutes for singers at New England Conservatory

Here is a list of courses and workshops at NEC this summer that relate to singing and voice training. »

26 Apr 2005

Daily Telegraph Interviews Richard Farnes of Opera North

Opera North is on sparkling form right now – but how will it cope with its forthcoming period of homelessness? Rupert Christiansen meets its inspirational music director Richard Farnes »

25 Apr 2005

In the News: Henze and Boulez Wow Paris; Faust at the Met; Chanticleer at the Temple of Dendur

How do composers famous in their younger days for radicalism look to the future of their art and reputation as they reach their 80th birthday? Paris in the past few days has been witness to hints of how a baton change might occur for two eminent seniors of music, Frenchman Pierre Boulez and German Hans Werner Henze. »

24 Apr 2005

In the News: DVD and Opera; Verdi in Florida; Trouble in Scotland

WITH the cost of recording operas in a studio now almost prohibitive, we are witnessing a boom time for opera on DVD. Opera buffs can hardly keep pace with the number of releases in the last year. And in June alone, Universal Classics plans to put out 18 complete operas on DVD, most of them reissues of productions originally taped and released on video. »

24 Apr 2005

L'Express Interviews Peter Sellars and Bill Viola

Le metteur en scène et le vidéaste américains présentent Tristan et Isolde, à l’Opéra Bastille. Ils révèlent les étapes de cette collaboration inédite »

22 Apr 2005

Stephan Lissner Named as New Superintendent and Artistic Director of La Scala

MILANO – Il neo sovrintendente Mauro Meli lascia la carica al Teatro alla Scala e abbandona anche l’opportunità di guidare il teatro degli Arcimboldi. La scelta comunicata nel corso del consiglio d’amministrazione della Fondazione a cui ha partecipato anche il prefetto di Milano Bruno Ferrante. Vengono quindi confermate le dimissioni che già erano nell’aria da giorni. La decisione segue di venti giorni le dimissioni del maestro Riccardo Muti, direttore musicale del teatro. »

18 Apr 2005

Gérard Mortier — The Misunderstood Megalomaniac

Monsieur Mortier ist nervös. Gleich will Isabelle Huppert anrufen. Frankreichs Vorzeige-Actrice möchte eine Karte für seine Oper. Und Ehrengäste sind für den Intendanten Chefsache. So wie alles andere eigentlich auch. Die Fotos fürs Programmheft, der Zug im Schnürboden und die Versammlung der Gewerkschaft. Jetzt, wenn die Huppert anruft, macht er einen Bückling, sagt “oui” und “bien sur”. Gérard Mortier ist ein Mann mit hervorragenden Manieren. Und ein Netzwerker. Er weiß: Wenn die Huppert morgen kommt, ist übermorgen ganz Frankreich bei ihm zu Gast. Sein Auftrag ist es, den protzigen Glaspalast an der Pariser Bastille jeden Abend mit 3000 Menschen zu füllen. »

18 Apr 2005

Celebrating Santa Fe Opera's Golden Anniversary in 2006

The Santa Fe debut of famed Swedish mezzo-soprano Anne Sofie von Otter, the U.S. premiere of an acclaimed British opera and a gala operatic concert are highlights of the Santa Fe Opera’s 50th anniversary season next year, general director Richard Gaddes announced Thursday. »

17 Apr 2005

What happened to that old black magic?

REALITY changes; myths endure. For more than a century, the Metropolitan Opera has been synonymous with superstardom, so much so that no opera singer’s claim on immortality has been secure without seasons of glory at the Met. »

09 Apr 2005

Nabucco at Opera Australia

Saddam Hussein has a lot to answer for but his unlikeliest legacy will be unveiled at the Arts Centre next week – a new production of Verdi’s first successful opera, Nabucco. The key to this interpretation is a poster that the Iraqi tyrant unveiled in his final year in power portraying himself as the ancient Babylonian ruler Nebuchadnezzar (Nabucco in the opera, sung by baritone Michael Lewis). »

08 Apr 2005

What Led to Muti's Ouster?

Few tears will be shed for Riccardo Muti, who resigned last Saturday from La Scala, Milan, the opera house he has conducted with a baton of iron for the last 19 years. That’s quite long enough for anyone to be in the same job, and Muti’s prestige means that he can take his pick of offers from the international circuit — except perhaps Covent Garden, which is still smarting at his peremptory withdrawal from last October’s production of La Forza del Destino, apparently in protest over the insignificant alteration of a piece of scenery. »

07 Apr 2005

Wiener Staatsoper Upset with ORF Broadcast Plans

“Ein Affront, eine Beleidigung dieses Hauses und des Publikums, aber auch der Künstler” – so kommentierte Staatsoperndirektor Ioan Holender die Absage der Übertragung von Donizettis “Liebestrank” mit den Stars Anna Netrebko und Rolando Villazón durch den ORF. Holender hatte gegen die späte Sendezeit im Pfingstsamstags-Programm des ORF (Beginn 22.35h) protestiert und gefragt, ob die mit Netrebko geplante Übertragung der kommenden Salzburger Festspiel-”Traviata” auch zu so später Stunde gezeigt werden würde. ORF-Programmdirektor Scolik nahm daraufhin die “Liebestrank”-Sendung überhaupt aus dem Sende-Programm. »

05 Apr 2005

Garcia's L'isola disabitata Recovered

Not all operas are grand, full-blown theatrical events. There are many smaller, more intimate works, some called salon operas, meant to be performed, as the name implies, in intimate surroundings. Most of these smaller operas are far less well known than their super-size relations. »