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Elsewhere

Kathleen Ferrier Awards, Wigmore Hall

Kathleen Ferrier may have been one of the world’s finest contraltos but this year’s Kathleen Ferrier Awards Final, held at the Wigmore Hall, was all about lyric sopranos.

Green: Mélodies françaises sur des poèmes de Verlaine

Philippe Jaroussky lends poetry and poise to the sounds of nineteenth- and twentieth-century France

J. C. Bach: Adriano in Siria

At this start of the year, Classical Opera embarked upon an ambitious project. MOZART 250 will see the company devote part of its programme each season during the next 27 years to exploring the music by Mozart and his contemporaries which was being written and performed exactly 250 years previously.

Bethan Langford, Wigmore Hall

The Concordia Foundation was founded in the early 1990s by international singer and broadcaster Gillian Humphreys, out of her ‘real concern for building bridges of friendship and excellence through music and the arts’.

Tansy Davies: Between Worlds (world premiere)

An opera dealing with — or at least claiming to deal with — the events of 11 September 2001? I suppose it had to come, but that does not necessarily make it any more necessary.

Arizona Opera Ends Season in Fine Style with Fille du Régiment

On April 10, 2015, Arizona Opera ended its season with La Fille du Régiment at Phoenix Symphony Hall. A passionate Marie, Susannah Biller was a veritable energizer bunny onstage. Her voice is bright and flexible with a good bloom on top and a tiny bit of steel in it. Having created an exciting character, she sang with agility as well as passion.

Il turco in Italia, Royal Opera

This second revival of Patrice Caurier and Moshe Leiser’s 2005 production of Rossini’s Il Turco in Italia seems to have every going for it: excellent principals comprising experienced old-hands and exciting new voices, infinite gags and japes, and the visual éclat of Agostino Cavalca’s colour-bursting costumes and Christian Fenouillat’s sunny sets which evoke the style, glamour and ease of La Dolce Vita.

The Siege of Calais
——
The Wild Man of the West Indies

English Touring Opera’s 2015 Spring Tour is audacious and thought-provoking. Alongside La Bohème the company have programmed a revival of their acclaimed 2013 production of Donizetti’s The Siege of Calais (L’assedio di Calais) and the composer’s equally rare The Wild Man of the West Indies (Il furioso all’isola di San Domingo).

The Met’s Lucia di Lammermoor

Mary Zimmerman’s still-fresh production is made fresher still by Shagimuratova’s glimmering voice, but the acting disappoints

Voices, voices in space, and spaces: Thoughts on 50 years of Meredith Monk

When WNYC’s John Schaefer introduced Meredith Monk’s beloved Panda Chant II, which concluded the four-and-a-half hour Meredith Monk & Friends celebration at Carnegie’s Zankel Hall, he described it as “an expression of joy and musicality” before lamenting the fact that playing it on his radio show could never quite compete with a live performance.

St. John Passion by Soli Deo Gloria, Chicago

This year’s concert of the Chicago Bach Project, under the aegis of the Soli Deo Gloria Music Foundation, was a presentation of the St. John Passion (BWV 245) at the Harris Theater in Millennium Park.

Fedora in Genoa

It is not an everyday opera. It is an opera that illuminates a larger verismo history.

The Marriage of Figaro, LA Opera

On March 26, 2015, Los Angeles Opera presented Mozart’s Le nozze di Figaro (The Marriage of Figaro). The Ian Judge production featured jewel-colored box sets by Tim Goodchild that threw the voices out into the hall. Only for the finale did the set open up on to a garden that filled the whole stage and at the very end featured actual fireworks.

The Tempest Songbook, Gotham Chamber Opera

Gotham Chamber Opera’s latest project, The Tempest Songbook, continues to explore the possibilities of unconventional spaces and unconventional programs that the company has made its hallmark. The results were musically and theatrically thought-provoking, and left me wanting more.

San Diego Opera presents Adams’ Riveting Nixon in China

Nixon in China is a three-act opera with a libretto by Alice Goodman and music by John Adams that was first seen at the Houston Grand Opera on October 22, 1987. It was the first of a notable line of operas by the composer.

Ars Minerva presents Castrovillari’s La Cleopatra in San Francisco

It is thanks to Céline Ricci, mezzo-soprano and director of Ars Minerva, that we have been able to again hear Daniele Castrovillari’s exquisite melodies because she is the musician who has brought his 1662 opera La Cleopatra to life.

World Premiere of Jennifer Higdon’s opera Cold Mountain at Santa Fe Opera this August

East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.

An Ideal Cast in Chicago’s Tannhäuser

Lyric Opera of Chicago, in association with the Royal Opera House, Covent Garden, has staged a production of Richard Wagner’s Tannhäuser with an estimable cast.

Winners of the Metropolitan Opera National Council Auditions Announced

Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition

A Chat with Julia Noulin-Mérat

Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.


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19 May 2005

Marilyn Horne Gives a Master Class

Soon after meeting opera diva Marilyn Horne before his big performance, Justin D. Gonzalez told her to spare him nothing. “Tear me to shreds. Do me the honor,” the 17-year-old Philadelphia high school senior invited before taking the stage Tuesday night at the Academy of Vocal Arts for his “master class” performance. »

19 May 2005

A Reunion at Cincinnati

For May Festival music director James Conlon, this season is all about old friends. The starry May Festival season, a two-week, five-concert festival opening tonight, includes a return of two of opera’s most celebrated singers, Deborah Voigt and Ben Heppner, with whom Conlon has worked since the early 1990s. »

17 May 2005

Celebrating Mirella Freni

Sunday was Mirella Freni Day at the Metropolitan Opera. Fifty years ago, the Italian soprano made her operatic debut, and 40 years ago, she made her Met debut. The company celebrated these facts with a gala on Sunday afternoon, a fairly emotional show featuring six singers, plus Miss Freni herself. »

17 May 2005

Pavarotti Bids Adieu

Une page se tourne. Demain, à Bercy, la tournée d’adieux entreprise depuis quelques mois par Luciano Pavarotti permettra au public français d’entendre une dernière fois le tenorissimo. A une encablure de son soixante-dixième anniversaire, «Big Luciano», en choisissant de se retirer, clôt l’un des plus glorieux chapitres de l’histoire de l’opéra. Celui qui a grandi à Modène en buvant le lait de la même nourrice que Mirella Freni (leurs mères, collègues à la manufacture de tabac, ne pouvaient allaiter), avait pourtant de quoi être paralysé par l’enjeu : au moment où il fit ses débuts de ténor, la place était occupée par Corelli, del Monaco, di Stefano et Bergonzi ! Après ses débuts dans La Bohème à Reggio Emilia en 1961 (Rodolphe restera toujours l’un de ses rôles fétiches), les choses semblent s’emballer : il remplace di Stefano à Covent Garden en 1962, chante le Requiem de Verdi avec Karajan en 1964, débute à la Scala en 1965 et au Met en 1968. »

13 May 2005

The Future of Glyndebourne and Bayreuth

Glyndebourne and Bayreuth are the world’s two highest-profile private opera companies. Both are run by third-generation descendants of the founder. Each showcases the talents of well-known singers, conductors and directors. From the visionary template laid down by their founders, they have developed into complex modern organisms employing hundreds of people. Yet their character is defined by family: for these are still family businesses – the Christies at Glyndebourne, the Wagners at Bayreuth. »

12 May 2005

Koch Entertainment Acquired

ROW Entertainment Income Fund, the Canadian firm that owns the 100-unit CD Plus retail chain, has signed a definitive agreement to acquire Koch Entertainment for about $80 million. ROW also owns wholesalers Record On wheels, Zing Distribution and Video One. »

12 May 2005

Opera North Triumphs Over ROH in Opera/Music Theater Category

Opera North triumphed over the Royal Opera House in the opera and music theatre category with Eight Little Greats, its series of short, rarely-staged operas. »

07 May 2005

Getting Steamy in LA

The ad campaign for the L.A. Opera’s upcoming Der Rosenkavalier has generated a lot of talk. Downtown artist Gottfried Helnwein, who is designing the production’s costumes and sets, also came up with the poster — using two models, a little makeup, and the power of suggestion. »

05 May 2005

In the News: Future of La Scala; Die Fledermaus in Philly; La Clemenza di Tito in London; Reinaldo Arenas as Opera; The Undiscovered

PARIS For all the poison and politics that accompanied the recent management meltdown at La Scala, Stéphane Lissner never hesitated last month when he was invited to become the first non-Italian in 227 years to run the legendary Milan opera house. Before accepting the job, though, he did call one old friend, the French composer and conductor Pierre Boulez. »

03 May 2005

An Interview with Angela Brown

Plunged in the deep waters of a serious opera career, Angela Brown is ready for the challenge. “It happened when it needed to…it’s God’s time; any earlier I wouldn’t be prepared.” After her pivotal substitution as Aida for the Metropolitan this fall, more companies and directors are taking notice. She now takes on the role of Cilla in Richard Danielpour’s Margaret Garner, premiering at the Michigan Opera Theater this May. Brown admits the increase in attention has been an adjustment, but her full schedule is old hat. “I have always been a very busy singer,” says Brown, “I’ve been concentrating on covering [roles] a lot, but now I get to really do it!” »

01 May 2005

Pope Benedict XVI on Music and Liturgy

Pope Benedict XVI is a pianist with a penchant for Mozart, which he is said to find more manageable than Brahms, given the limited amount of time he has to practice. (Until his election, he was one of the busiest cardinals in his role as chief interpreter and enforcer of doctrine.) His brother, a priest, was a church Kapellmeister. The Ratzinger boys were born in the part of Bavaria long under the influence of Salzburg, Mozart’s birthplace. »

28 Apr 2005

A Profile of Corrado Rovaris

Peering out onto Broad Street from a poster in front of the Academy of Music, conductor Corrado Rovaris seems too young to be so intense. At almost 40, his face is boyish, his hairline unreceded. But the eyes behind the glasses are penetrating. »

26 Apr 2005

Summer Courses and institutes for singers at New England Conservatory

Here is a list of courses and workshops at NEC this summer that relate to singing and voice training. »

26 Apr 2005

Daily Telegraph Interviews Richard Farnes of Opera North

Opera North is on sparkling form right now – but how will it cope with its forthcoming period of homelessness? Rupert Christiansen meets its inspirational music director Richard Farnes »

25 Apr 2005

In the News: Henze and Boulez Wow Paris; Faust at the Met; Chanticleer at the Temple of Dendur

How do composers famous in their younger days for radicalism look to the future of their art and reputation as they reach their 80th birthday? Paris in the past few days has been witness to hints of how a baton change might occur for two eminent seniors of music, Frenchman Pierre Boulez and German Hans Werner Henze. »

24 Apr 2005

In the News: DVD and Opera; Verdi in Florida; Trouble in Scotland

WITH the cost of recording operas in a studio now almost prohibitive, we are witnessing a boom time for opera on DVD. Opera buffs can hardly keep pace with the number of releases in the last year. And in June alone, Universal Classics plans to put out 18 complete operas on DVD, most of them reissues of productions originally taped and released on video. »

24 Apr 2005

L'Express Interviews Peter Sellars and Bill Viola

Le metteur en scène et le vidéaste américains présentent Tristan et Isolde, à l’Opéra Bastille. Ils révèlent les étapes de cette collaboration inédite »

22 Apr 2005

Stephan Lissner Named as New Superintendent and Artistic Director of La Scala

MILANO – Il neo sovrintendente Mauro Meli lascia la carica al Teatro alla Scala e abbandona anche l’opportunità di guidare il teatro degli Arcimboldi. La scelta comunicata nel corso del consiglio d’amministrazione della Fondazione a cui ha partecipato anche il prefetto di Milano Bruno Ferrante. Vengono quindi confermate le dimissioni che già erano nell’aria da giorni. La decisione segue di venti giorni le dimissioni del maestro Riccardo Muti, direttore musicale del teatro. »

18 Apr 2005

Gérard Mortier — The Misunderstood Megalomaniac

Monsieur Mortier ist nervös. Gleich will Isabelle Huppert anrufen. Frankreichs Vorzeige-Actrice möchte eine Karte für seine Oper. Und Ehrengäste sind für den Intendanten Chefsache. So wie alles andere eigentlich auch. Die Fotos fürs Programmheft, der Zug im Schnürboden und die Versammlung der Gewerkschaft. Jetzt, wenn die Huppert anruft, macht er einen Bückling, sagt “oui” und “bien sur”. Gérard Mortier ist ein Mann mit hervorragenden Manieren. Und ein Netzwerker. Er weiß: Wenn die Huppert morgen kommt, ist übermorgen ganz Frankreich bei ihm zu Gast. Sein Auftrag ist es, den protzigen Glaspalast an der Pariser Bastille jeden Abend mit 3000 Menschen zu füllen. »

18 Apr 2005

Celebrating Santa Fe Opera's Golden Anniversary in 2006

The Santa Fe debut of famed Swedish mezzo-soprano Anne Sofie von Otter, the U.S. premiere of an acclaimed British opera and a gala operatic concert are highlights of the Santa Fe Opera’s 50th anniversary season next year, general director Richard Gaddes announced Thursday. »

17 Apr 2005

What happened to that old black magic?

REALITY changes; myths endure. For more than a century, the Metropolitan Opera has been synonymous with superstardom, so much so that no opera singer’s claim on immortality has been secure without seasons of glory at the Met. »

09 Apr 2005

Nabucco at Opera Australia

Saddam Hussein has a lot to answer for but his unlikeliest legacy will be unveiled at the Arts Centre next week – a new production of Verdi’s first successful opera, Nabucco. The key to this interpretation is a poster that the Iraqi tyrant unveiled in his final year in power portraying himself as the ancient Babylonian ruler Nebuchadnezzar (Nabucco in the opera, sung by baritone Michael Lewis). »

08 Apr 2005

What Led to Muti's Ouster?

Few tears will be shed for Riccardo Muti, who resigned last Saturday from La Scala, Milan, the opera house he has conducted with a baton of iron for the last 19 years. That’s quite long enough for anyone to be in the same job, and Muti’s prestige means that he can take his pick of offers from the international circuit — except perhaps Covent Garden, which is still smarting at his peremptory withdrawal from last October’s production of La Forza del Destino, apparently in protest over the insignificant alteration of a piece of scenery. »

07 Apr 2005

Wiener Staatsoper Upset with ORF Broadcast Plans

“Ein Affront, eine Beleidigung dieses Hauses und des Publikums, aber auch der Künstler” – so kommentierte Staatsoperndirektor Ioan Holender die Absage der Übertragung von Donizettis “Liebestrank” mit den Stars Anna Netrebko und Rolando Villazón durch den ORF. Holender hatte gegen die späte Sendezeit im Pfingstsamstags-Programm des ORF (Beginn 22.35h) protestiert und gefragt, ob die mit Netrebko geplante Übertragung der kommenden Salzburger Festspiel-”Traviata” auch zu so später Stunde gezeigt werden würde. ORF-Programmdirektor Scolik nahm daraufhin die “Liebestrank”-Sendung überhaupt aus dem Sende-Programm. »

05 Apr 2005

Garcia's L'isola disabitata Recovered

Not all operas are grand, full-blown theatrical events. There are many smaller, more intimate works, some called salon operas, meant to be performed, as the name implies, in intimate surroundings. Most of these smaller operas are far less well known than their super-size relations. »

03 Apr 2005

Will Chailly Replace Muti?

Die Musiker der Scala hatten ihren Chefdirigenten zuletzt mehrfach aufgefordert, das Haus zu verlassen. Muti sprach in seiner Rücktrittserklärung von einer “mir gegenüber offen zur Schau getragenen Feindseligkeit seitens Menschen, mit denen ich mehr als zwanzig Jahre zusammengearbeitet habe. Das macht eine Fortsetzung meiner Tätigkeit unmöglich.” »

03 Apr 2005

Battle of the Rings

The escalating artistic arms race between London’s two rival opera houses, Covent Garden and the Coliseum, reached a new level of threat this weekend. »

03 Apr 2005

L'Opéra de Bordeaux Embroiled in Sexual Harassment Suit

Depuis plusieurs mois, le climat est tendu au ballet de l’Opéra de Bordeaux. Il pourrait l’être davantage après la comparution, jeudi 31 mars, de son directeur et chorégraphe, Charles Jude, devant le tribunal correctionnel de Bordeaux, pour harcèlement moral. Cet ancien danseur étoile de l’Opéra de Paris, âgé de 51 ans, élève de Noureev, est poursuivi par Hélène Ballon, danseuse de 33 ans, soliste du ballet de Bordeaux. “Ce ne sont pas les qualités chorégraphiques de M. Jude qui sont mises en cause, mais son comportement”, précise Me Gérard Boulanger, l’avocat de la plaignante. »