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Elsewhere

Lost Stravinsky re-united with Rimsky-Korsakov, Gergiev, Mariinsky

Igor Stravinsky's lost Funeral Song, (Chante funèbre) op 5 conducted by Valery Gergiev at the Mariinsky in St Petersburg This extraordinary performance was infinitely more than an ordinary concert, even for a world premiere of an unknown work.

Philippe Jaroussky at the Wigmore Hall: Baroque cantatas by Telemann and J.S.Bach

On Tuesday evening this week, I found myself at The Actors Centre in London’s Covent Garden watching a performance of Unknowing, a dramatization of Schumann’s Frauenliebe und Leben and Dichterliebe (in a translation by David Parry, in which Matthew Monaghan directed a baritone and a soprano as they enacted a narrative of love, life and loss. Two days later at the Wigmore Hall I enjoyed a wonderful performance, reviewed here, by countertenor Philippe Jaroussky with Julien Chauvin’s Le Concert de la Loge, of cantatas by Telemann and J.S. Bach.

The new Queen of the City of Birmingham Royal Symphony

Here is one of the next new great conductors. That’s a bold statement, but even the L.A. Times agrees: Mirga Gražinytė-Tyla’s appointment “is the biggest news in the conducting world.” But Ms. Mirga Gražinytė-Tyla will be getting a lot of weight on her shoulders.

Falstaff at Manitoba Opera

Manitoba Opera chose to open its 44th season by going for the belly laughs — literally — as it notably presented its inaugural production of Verdi’s Falstaff.

Gothic Schubert : Wigmore Hall, London

Macabre and moonstruck, Schubert as Goth, with Stuart Jackson, Marcus Farnsworth and James Baillieu at the Wigmore Hall. An exceptionally well-planned programme devised with erudition and wit, executed to equally high standards.

Rusalka, AZ Opera

On November 20, 2016, Arizona Opera completed its run of Antonín Dvořák’s fairy Tale opera, Rusalka. Loosely based on Hand Christian Andersen’s The Little Mermaid, Joshua Borths staged it with common objects such as dining room chairs that could be found in the home of a child watching the story unfold.

First new Ring Cycle in 40 Years, Leipzig

Consistently overshadowed by the neighboring Bayreuth, the far less stuffy Oper Leipzig (Wagner’s birthplace) programmed after forty years their first complete Ring Cycle.

San Jose’s Beta-Carotene Rich Barber

You didn’t have to know the Bugs Bunny oeuvre to appreciate Opera San Jose’s enchanting Il barbiere di Sivigila, but it sure enhanced your experience if you did.

Manon Lescaut at Covent Garden

If there was ever any doubt that Puccini’s Manon is on a road to nowhere, then the closing image of Jonathan Kent’s 2014 production of Manon Lescaut (revived here for the first time, by Paul Higgins) leaves no uncertainty.

Fierce in War, dazzling in Peace: Joyce DiDonato at the Concertgebouw

Many opera singers are careful to maintain an air of political neutrality. Not so mezzo-soprano Joyce DiDonato, who is outspoken about causes she holds dear. Her latest project, a very personal response to the 2015 terror attacks in Paris, puts her audience through the emotional wringer, but also showers them with musical rewards.

Walter Braunfels Orchestral Songs Vol 2

Honours yet again to Oehms Classics who understand the importance of excellence. A composer as good, and as individual, as Walter Braunfels deserves nothing less.

Simplicius Simplicissimus

I wonder if Karl Amadeus Hartmann saw something of himself in the young Simplicius Simplicissimus, the eponymous protagonist of his three-scene chamber opera of 1936. Simplicius is in a sort of ‘Holy Fool’ who manages to survive the violence and civil strife of the Thirty Years War (1618-48), largely through dumb chance, and whose truthful pronouncements fall upon the ears of the deluded and oppressive.

2017 Summer Festival at Lucerne

Lucerne Festival announces its 2017 Summer Festival.

Lucia di Lammermoor at Lyric Opera of Chicago

For its second opera of the 2016-17 season Lyric Opera of Chicago has staged Gaetano Donizetti’s Lucia di Lammermoor in a production seen at the Maggio Musicale Fiorentino and the Grand Théâtre de Genève.

Akhnaten Offers L A Operagoers Both Ear and Eye Candy

Akhnaten is the third in composer Philip Glass’s trilogy of operas about people who have made important contributions to society: Albert Einstein in science, Mahatma Gandhi in politics, and Akhnaten in religion. Glass’s three operas are: Einstein on the Beach, Satyagraha, and Akhnaten.

Shakespeare in the Late Baroque - Bampton Classical Opera

Shakespeare re-imagined for the very Late Baroque, with Bampton Classical Opera at St John's Smith Square. "Shakespeare, Shakespeare, Shakespeare....the God of Our Idolatory". So wrote David Garrick in his Ode to Shakespeare (1759) through which the actor and showman marketed Shakespeare to new audiences, fanning the flames of "Bardolatory". All Europe was soon caught up in the frenzy.

Soldier Songs in San Diego

David Little composed his one-man opera, Soldier Songs, ten years ago and the International Festival of Arts & Ideas of New Haven, Connecticut, premiered it in 2011. At San Diego Opera, the fifty-five minute musical presentation and the “Talk Back” that followed it were part of the Shiley dētour Series which is held in the company’s smaller venue, the historic Balboa Theatre.

Barber of Seville [Hollywood Style] in Los Angeles

On Saturday evening November 12, 2016, Pacific Opera Project presented Gioachino Rossini’s comic opera The Barber of Seville in an updated version that placed the action in Hollywood. It was sung in the original Italian but the translation seen as supertitles was specially written to match the characters’ Hollywood identities.

Madama Butterfly in San Francisco

A Butterfly for the ages in a Butterfly marred by casting ineptness and lugubrious conducting.

Kiss Me, Kate: Welsh National Opera at the Birmingham Hippodrome

In 1964, 400 years after the birth of the Bard, the writer Anthony Burgess saw Cole Porter’s musical comedy Kiss Me, Kate, a romping variation on The Taming of the Shrew. Shakespeare’s comedy, Burgess said, had a ‘good playhouse reek about it’, adding ‘the Bard might be regarded as closer to Cole Porter and Broadway razzmatazz’ than to the scholars who were ‘picking him raw’.


OPERA TODAY ARCHIVES »

News

<em>And London Burned</em>
24 Oct 2016

And London Burned: in conversation with Raphaela Papadakis

Raphaela Papadakis seems to like ‘playing with fire’. After her acclaimed performance as the put-upon maid, Anna, in Independent Opera’s production of Šimon Voseček’s Beidermann and the Arsonists at Sadler’s Wells last year, she is currently rehearsing for the premiere this week of And London Burned, a new opera by Matt Rogers which has been commissioned by Temple Music Foundation to commemorate the 350th anniversary of The Great Fire of London. »

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03 Apr 2005

Will Chailly Replace Muti?

Die Musiker der Scala hatten ihren Chefdirigenten zuletzt mehrfach aufgefordert, das Haus zu verlassen. Muti sprach in seiner Rücktrittserklärung von einer “mir gegenüber offen zur Schau getragenen Feindseligkeit seitens Menschen, mit denen ich mehr als zwanzig Jahre zusammengearbeitet habe. Das macht eine Fortsetzung meiner Tätigkeit unmöglich.” »

03 Apr 2005

Battle of the Rings

The escalating artistic arms race between London’s two rival opera houses, Covent Garden and the Coliseum, reached a new level of threat this weekend. »

03 Apr 2005

L'Opéra de Bordeaux Embroiled in Sexual Harassment Suit

Depuis plusieurs mois, le climat est tendu au ballet de l’Opéra de Bordeaux. Il pourrait l’être davantage après la comparution, jeudi 31 mars, de son directeur et chorégraphe, Charles Jude, devant le tribunal correctionnel de Bordeaux, pour harcèlement moral. Cet ancien danseur étoile de l’Opéra de Paris, âgé de 51 ans, élève de Noureev, est poursuivi par Hélène Ballon, danseuse de 33 ans, soliste du ballet de Bordeaux. “Ce ne sont pas les qualités chorégraphiques de M. Jude qui sont mises en cause, mais son comportement”, précise Me Gérard Boulanger, l’avocat de la plaignante. »

02 Apr 2005

Domingo Makes a Surprise Visit

BILOXI – World-renowned tenor Placido Domingo, who sings tonight for a near sell-out audience at the Mississippi Coast Coliseum, had high praise Friday for the Hattiesburg-based youth orchestra that will accompany him. »

02 Apr 2005

Muti Resigns

MILAN (Reuters) – Riccardo Muti has resigned as the musical director of Milan’s La Scala after his 19-year reign at the opera house dissolved into a bitter battle for power, mutiny in the musical ranks and canceled performances. »

01 Apr 2005

Angela Brown Replaces Jessye Norman in Premiere of Margaret Garner

When soprano Jessye Norman cancelled her appearance in the Michigan Opera Theatre’s world premiere of “Margaret Garner” next month, David DiChiera MOT general director admits it felt a lot like raindrops were falling on this head — and on his parade. »

29 Mar 2005

Where's Bryn?

The BBC broadcast the first act of Wagner’s The Valkyrie live last night without telling viewers that the rest would be blacked out because the star, Bryn Terfel, had a sore throat. »

26 Mar 2005

A Long Night at the Royal Danish Opera

For a New Yorker accustomed to watching the madcap dash to the exits that typically ensues as soon as a performance ends at the Metropolitan Opera, the relaxed pace and genteel protocols of opera-going in Copenhagen were a balm. »

26 Mar 2005

Is it curtains for Muti?

Leaflets distributed this week outside La Scala opera house in Milan announced the world premiere of “an opera of a few minutes (because that’s enough)”, composed by the theatre’s audience. The music consisted of loud heckling whenever members of La Scala’s orchestra appeared. The libretto was curt: “Don’t touch the maestro. Riccardo Muti belongs to art. He belongs to us!” »

25 Mar 2005

Moscow Celebrates the Golden Mask Festival

In all the years of its existence, the Golden Mask Festival has been nothing if not a study in contrasts—no other Russian festival embraces as fully the multiplicity of the performing arts. Once a year, for just over two weeks in the spring, the best Russian opera singers, ballet dancers, dramatic actors, directors, conductors, puppeteers and other sundry performing artists gather to show their stuff and compete for the coveted Golden Mask award. »

24 Mar 2005

U Carmen E Khayelitsha Premieres

As the limousines arrive at the premiere of an award winning film version of Carmen, U Carmen E Khayelitsha, they have to slow down for a group of barefooted children pushing shopping trolleys filled with scrap metal across the road. »

24 Mar 2005

Trouble at the Bolshoi

MOSCOW, Russia (CNN)—Russia’s Bolshoi Theater has sparked outrage by putting on an opera that some lawmakers and a pro-Kremlin youth group say is pornographic. The opera, “Rosenthal’s Children,” is about a scientist who clones five great classical composers—Tchaikovsky, Mozart, Wagner, Mussorgsky and Verdi. The scientist then dies, and the cloned musicians—unprepared for life on their own in the 1990s—end up on the street. »

24 Mar 2005

Sometimes It's The Little Things

A new wave of distinctive 21st-century concert halls is changing the look and feel of classical music performance in the U.S. These halls have impressive architectural pedigrees and price tags—Frank Gehry designed the $275 million Disney Hall in Los Angeles; Rafael Viñoly, the $265 million Kimmel Center in Philadelphia; Santiago Calatrava, the coming $300 million Atlanta Symphony Center. Most of them, like architect William Rawn’s $99 million Strathmore Music Center in Bethesda, Md., shun the gilded, red-velvet opulence of traditional European models in favor of Modernist simplicity. They also strive for heightened spatial intimacy between audience and performer: Disney Hall, home of the Los Angeles Philharmonic, has terraced seating areas surrounding the stage. »

24 Mar 2005

Four Operas at the Budapest Spring Festival

FOUR operas, more than four reasons to go. The operas: Shostakovich’s Lady Macbeth of the Mtsensk District, Péter Eötvös’s The Balcony, Wagner’s Parsifal, and Handel’s Semele.The reasons to go: great music, top performers, the best conductors, inventive directors, and two truly excellent performance spaces. »

23 Mar 2005

New Digs for the San Francisco Conservatory of Music

A month shy of the halfway point in the 26-month construction of its new Civic Center home, the San Francisco Conservatory of Music started the party early last week with a ceremony to “top out” the new building on Oak Street. »

22 Mar 2005

An Eye On The Prize

Soprano Susanna Phillips, a former Huntsville resident, is among the four top winners picked Sunday in the Metropolitan Opera National Council Auditions in New York. Phillips won $15,000 toward her studies and eligibility to be considered for the Met’s Lindemann Young Artist Development Program. »

22 Mar 2005

Simon Rattle Stirs Things Up At Salzburg

Da ist einmal das quirlige künstleri sche Ego des neuen Mannes: Si mon Rattle, als Nachfolger Clau dio Abbados bei den Berliner Philharmoniker sozusagen naturgemäß auch Chef der Salzburger Osterfestspiele, ist schon von seinem Selbstverständnis her das Gegenteil des Festivalgründers Karajan. Der hatte 1967 die Idee, Richard Wagners Gesamtkunstwerk mit seinen Berliner Philharmonikern im Orchestergraben auf mustergültige Weise zu präsentieren, in eigenen Inszenierungen; eine Tragödie, ganz aus dem Geiste der Musik geboren, sozusagen. »

20 Mar 2005

Muti: Going, Going, Gone? — Bring on Pappano

THE opera world is eyeing two British-based conductors as potential saviours of La Scala opera house, which has cancelled this month’s programme amid a bitter power struggle and staff revolt. »

20 Mar 2005

Edinburgh International Festival — 2005
Gets Off to a Rough Start

THE ALARM BELLS SOUNDED A FEW weeks ago when Edinburgh International Festival director Brian McMaster put out the plea for a rescue package. Not only were there to be no late-night £5 concerts at this year’s festival – a series he has always said is politically desirable but financially extravagant – but he needed an additional six-figure sum simply to make the bare bones break even. That, essentially, is what he has given us in this year’s music programme – one main evening concert a night, three staged operas, and the usual daily diet of Queen’s Hall midday recitals. »

17 Mar 2005

The Itinerant Mozart

March 16, 2005, New York, NY-The 39th season of Lincoln Center for the Performing Arts’ Mostly Mozart Festival, which runs from July 28 to August 27, was announced today by Jane S. Moss, Vice President for Programming, and Music Director Louis Langrée. Now in his third season as Music Director, Maestro Langrée conducts the Mostly Mozart Festival Orchestra (MMFO) in 11 concerts of seven different programs during the Festival. This summer’s Festival will have a special focus on Mozart’s travels and influence in Paris, Prague, London, Italy, and Russia, which will be explored through MMFO concerts, programs with visiting ensembles, late-night concerts, and pre-concert events. Mostly Mozart will begin on Thursday, July 28 with Louis Langrée leading the MMFO in a performance featuring soprano Renée Fleming and pianist Stephen Hough at Avery Fisher Hall. This performance will be broadcast on Lincoln Center’s Emmy Award-winning series, Live From Lincoln Center. »

17 Mar 2005

Festival Aix-en-Provence — 2005

Le directeur du Festival international d’art lyrique d’Aix-en-Provence, Stéphane Lissner, a dévoilé, mardi 15 mars, à Paris, le programme de la manifestation, qui aura lieu du 9 au 30 juillet. »

17 Mar 2005

Cincinnati Opera Full Speed Ahead

Cincinnati Opera, on the move for the past half-dozen years, is not slowing down. Quite the opposite. The nation’s second oldest opera company appears to be speeding up. »

16 Mar 2005

A Changing of the Guard at the Bayerische Staatsoper

Zum Start eine Strauss-Oper unter Kent Nagano, ein Rossini-Zyklus mit Ivor Bolton am Pult, eine deutliche Erweiterung des Sänger-Ensembles: Das alles wird erst ab 2006/ 07 passieren, ab der Ära Christoph Albrecht also. Doch zuvor erleben Münchens Opernfans die letzte Spielzeit unter der Ägide von Sir Peter Jonas, die insgesamt 13., eine “lucky number”, wie der Intendant findet. »

15 Mar 2005

Taking Risks in Montreal

Toronto—L’Opéra de Montréal plans to break with routine next year by presenting three operas the company has never done before. »

15 Mar 2005

Wiener Staatsoper — The Cost of Doing Business

Die Wiener Staatsoper hat ihre Abonnement-Preise erhöht. Zum Teil so kräftig, dass Musikfreunde nun für ihre Karten beinahe doppelt so viel bezahlen müssen wie bisher. Ein Proteststurm war die Folge, der auch viel Kritik an der künstlerischen Gebarung des Hauses einschloss. Direktor Ioan Holender wollte diese im Zuge der Debatte über die Preiserhöhungen nicht kommentieren, sondern verwies an seinen Geschäftsführer, Thomas Platzer. »

12 Mar 2005

As Muti Suffers the Slings and Arrows

Die empörten Stimmen in Mailand scheinen voll und ganz in die hef tige Polemik einzustimmen, die der Dirigent und musikalische Leiter der Mailänder Scala, Riccardo Muti, via Offenen Brief gegen die Belegschaft seines Hauses gerichtet hat. Orchester und Chor streiken seit Tagen aus Protest gegen die von Muti betriebene Ablöse des Scala-Intendanten Carlo Fontana. Deshalb musste am vergangenen Donnerstag die Premiere der neuen Oper “Il dissoluto assolto” aus der Feder des italienischen Komponisten Azio Corghi abgesagt werden. Die Aufführung dieses auf einem Text von Literatur-Nobelpreisträger Jose Saramago basierenden Stückes wäre die erste Uraufführung gewesen, die Riccardo Muti seit seinem Amtsantritt 1986 dirigiert hätte. »

10 Mar 2005

This Year's Events at Ravinia

Marching into its second century, the Ravinia Festival will surround James Conlon’s first season as music director with more than 130 events, from the season opener on June 7 to the finale on Sept. 11. »

08 Mar 2005

Muti Responds

In a letter to the Corriere della Sera, Riccardo Muti comments publicly on the trouble-racked opera house after the controversial replacement of the superintendent, which provoked a strike and the cancellation of the current season’s premieres. The conductor explains that for 20 years, he has been committed to promoting La Scala’s artistic growth and defending its music. »

07 Mar 2005

HGO Premieres Adamo's Lysistrata

The memory was delicious: Women withholding sex to end a war. Surely, thought composer Mark Adamo, an opera lurked in that idea. Fresh from the success of Little Women, which Houston Grand Opera premiered in 1998, he was looking for new material. But when he returned to Lysistrata, the Aristophanes play that premiered in 414 B.C., he found his memory richer than reality. »

07 Mar 2005

The New Tenors

It was not so very long ago that the opera world seemed to be facing a cavernous void of world-class tenors. True, there were a handful of gifted artists such as Roberto Alagna and Ben Heppner. Yet the public image of the operatic tenor was largely dominated by the studio-simonized “popera” of Andrea Bocelli, and the increasingly uninspired Three Tenors spectacles. »