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Elsewhere

Gounod’s Roméo et Juliette at Lyric Opera, Chicago

Lyric Opera of Chicago staged Charles Gounod’s Roméo et Juliette as the last opera in its current subscription season.

L’incoronazione di Poppea, RAO

‘The plot is perhaps the least moral in all opera; wrong triumphs in the name of love and we are not expected to mind.’

Madame Butterfly , ENO

Anthony Minghella’s production of Madame Butterfly for ENO is wearing well. First seen in 2005, it is now being aired for the sixth time and is still, as I observed in 2013, ‘a breath-taking visual banquet’.

An interview with Tobias Ringborg

I arrive at the Jerwood Space, where rehearsals are underway for Garsington Opera’s forthcoming production of Idomeneo, to find that the afternoon rehearsal has finished a little early.

Valiant but tentative: La straniera at the Concertgebouw

This concert version of La straniera felt like a compulsory musicology field trip, but it had enough vocal flashes to lobby for more frequent performances of this midway Bellini.

London Festival of Baroque Music 2016: Words with Purcell

As poetry is the harmony of words, so music is that of notes; and as poetry is a rise above prose and oratory, so is music the exaltation of poetry.

The Dark Mirror: Zender’s Winterreise

From experiments with musique concrète in the 1940s, to the Minimalists’ explorations into tape-loop effects in the 1960s, via the appearance of hip-hop in the 1970s and its subsequent influence on electronic dance music in the 1980s, to digital production methods today, ‘sampling’ techniques have been employed by musicians working in genres as diverse as jazz fusion, psychedelic rock and classical music.

Great Scott Wows San Diego

On May 7, 2016, San Diego Opera presented the West Coast premiere of Great Scott, an opera by Terrence McNally and Jake Heggie. McNally’s original libretto pokes fun at everything from football to bel canto period opera. It includes snippets of nineteenth century tunes as well as Heggie's own bel canto writing.

Bellini’s Adelson e Salvini, London

A foiled abduction, a castle-threatening inferno, romantic infatuation, guilt-laden near-suicide, gun-shots and knife-blows: Andrea Leone Tottola’s libretto for Vincenzo Bellini’s first opera, Adelson e Salvini, certainly does not lack dramatic incident.

Manitoba Opera: Of Mice and Men

Opera as an art form has never shied away from the grittier shadows of life. Nor has Manitoba Opera, with its recent past productions dealing with torture, incest, murder and desperate political prisoners still so tragically relevant today.

Opera Las Vegas Announces Full Production of Carmen

Tickets on Sale NOW for June 10 & 12 Performances at UNLV’s Performing Arts Center Box Office

The Rose and the Ring

Published in 1855 as an entertainment for his two daughters, William Makepeace Thackeray’s The Rose and the Ring is a burlesque fairy-tale whose plot — to the author’s wilful delight, perhaps — defies summation and elucidation.

The Lighthouse at San Francisco’s Opera Parallèle

What more fitting memorial for composer Peter Maxwell Davies (d. 03/14/2016) than a splendid performance of The Lighthouse, the third of his eight works for the stage.

King’s Consort at Wigmore Hall

I suspect that many of those at the Wigmore Hall for The King’s Consort’s performance of the La Senna festeggiante (The Rejoicing Seine) were lured by the cachet of ‘Antonio Vivaldi’ and further enticed by the notion of a lover’s serenade at which the generic term ‘serenata’ seems to hint.

Bampton Classical Opera 2016

A Double-Bill of Divine Comedies

Kathleen Ferrier Awards 2016

Having enjoyed superb singing by a young cast of soloists in Classical Opera’s UK premiere of Jommelli’s Il Vogoleso the previous evening, I was delighted that the 2016 Kathleen Ferrier Awards Final at the Wigmore Hall confirmed the strength and depth of talent possessed by the young singers studying in and emerging from our academies and conservatoires.

A Conversation with Sir Nicholas Jackson

With its merry-go-round exchange of deluded and bewitched lovers, an orphan-turned-princess, a usurped prince, a jewel and a flower with magical properties, a march to the scaffold and a meddling ‘mistress-of-ceremonies’ who encourages the young lovers to disguise and deceive, William Makepeace Thackeray’s The Rose and the Ring has all the ingredients of an opera buffa.

Pacific Opera Project Recreates Mozart and Salieri Contest

On February 7, 1786, Emperor Joseph II of Austria had brand new one-act operas by Wolfgang Amadeus Mozart and Antonio Salieri performed in the Schönbrunn Palace’s Orangery.

Powerful chemistry in La Cenerentola in Cologne

Those poor opera lovers in Cologne have a never ending problem with the city’s opera house. Together with the rest of city, the construction of the new opera house is mired in political incompetence.

Tannhäuser: Royal Opera House, London

London remains starved of Wagner. This season, its major companies offer but two works, Tannhäuser from the Royal Opera and Tristan from ENO.


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03 Apr 2005

Will Chailly Replace Muti?

Die Musiker der Scala hatten ihren Chefdirigenten zuletzt mehrfach aufgefordert, das Haus zu verlassen. Muti sprach in seiner Rücktrittserklärung von einer “mir gegenüber offen zur Schau getragenen Feindseligkeit seitens Menschen, mit denen ich mehr als zwanzig Jahre zusammengearbeitet habe. Das macht eine Fortsetzung meiner Tätigkeit unmöglich.” »

03 Apr 2005

Battle of the Rings

The escalating artistic arms race between London’s two rival opera houses, Covent Garden and the Coliseum, reached a new level of threat this weekend. »

03 Apr 2005

L'Opéra de Bordeaux Embroiled in Sexual Harassment Suit

Depuis plusieurs mois, le climat est tendu au ballet de l’Opéra de Bordeaux. Il pourrait l’être davantage après la comparution, jeudi 31 mars, de son directeur et chorégraphe, Charles Jude, devant le tribunal correctionnel de Bordeaux, pour harcèlement moral. Cet ancien danseur étoile de l’Opéra de Paris, âgé de 51 ans, élève de Noureev, est poursuivi par Hélène Ballon, danseuse de 33 ans, soliste du ballet de Bordeaux. “Ce ne sont pas les qualités chorégraphiques de M. Jude qui sont mises en cause, mais son comportement”, précise Me Gérard Boulanger, l’avocat de la plaignante. »

02 Apr 2005

Domingo Makes a Surprise Visit

BILOXI – World-renowned tenor Placido Domingo, who sings tonight for a near sell-out audience at the Mississippi Coast Coliseum, had high praise Friday for the Hattiesburg-based youth orchestra that will accompany him. »

02 Apr 2005

Muti Resigns

MILAN (Reuters) – Riccardo Muti has resigned as the musical director of Milan’s La Scala after his 19-year reign at the opera house dissolved into a bitter battle for power, mutiny in the musical ranks and canceled performances. »

01 Apr 2005

Angela Brown Replaces Jessye Norman in Premiere of Margaret Garner

When soprano Jessye Norman cancelled her appearance in the Michigan Opera Theatre’s world premiere of “Margaret Garner” next month, David DiChiera MOT general director admits it felt a lot like raindrops were falling on this head — and on his parade. »

29 Mar 2005

Where's Bryn?

The BBC broadcast the first act of Wagner’s The Valkyrie live last night without telling viewers that the rest would be blacked out because the star, Bryn Terfel, had a sore throat. »

26 Mar 2005

A Long Night at the Royal Danish Opera

For a New Yorker accustomed to watching the madcap dash to the exits that typically ensues as soon as a performance ends at the Metropolitan Opera, the relaxed pace and genteel protocols of opera-going in Copenhagen were a balm. »

26 Mar 2005

Is it curtains for Muti?

Leaflets distributed this week outside La Scala opera house in Milan announced the world premiere of “an opera of a few minutes (because that’s enough)”, composed by the theatre’s audience. The music consisted of loud heckling whenever members of La Scala’s orchestra appeared. The libretto was curt: “Don’t touch the maestro. Riccardo Muti belongs to art. He belongs to us!” »

25 Mar 2005

Moscow Celebrates the Golden Mask Festival

In all the years of its existence, the Golden Mask Festival has been nothing if not a study in contrasts—no other Russian festival embraces as fully the multiplicity of the performing arts. Once a year, for just over two weeks in the spring, the best Russian opera singers, ballet dancers, dramatic actors, directors, conductors, puppeteers and other sundry performing artists gather to show their stuff and compete for the coveted Golden Mask award. »

24 Mar 2005

U Carmen E Khayelitsha Premieres

As the limousines arrive at the premiere of an award winning film version of Carmen, U Carmen E Khayelitsha, they have to slow down for a group of barefooted children pushing shopping trolleys filled with scrap metal across the road. »

24 Mar 2005

Trouble at the Bolshoi

MOSCOW, Russia (CNN)—Russia’s Bolshoi Theater has sparked outrage by putting on an opera that some lawmakers and a pro-Kremlin youth group say is pornographic. The opera, “Rosenthal’s Children,” is about a scientist who clones five great classical composers—Tchaikovsky, Mozart, Wagner, Mussorgsky and Verdi. The scientist then dies, and the cloned musicians—unprepared for life on their own in the 1990s—end up on the street. »

24 Mar 2005

Sometimes It's The Little Things

A new wave of distinctive 21st-century concert halls is changing the look and feel of classical music performance in the U.S. These halls have impressive architectural pedigrees and price tags—Frank Gehry designed the $275 million Disney Hall in Los Angeles; Rafael Viñoly, the $265 million Kimmel Center in Philadelphia; Santiago Calatrava, the coming $300 million Atlanta Symphony Center. Most of them, like architect William Rawn’s $99 million Strathmore Music Center in Bethesda, Md., shun the gilded, red-velvet opulence of traditional European models in favor of Modernist simplicity. They also strive for heightened spatial intimacy between audience and performer: Disney Hall, home of the Los Angeles Philharmonic, has terraced seating areas surrounding the stage. »

24 Mar 2005

Four Operas at the Budapest Spring Festival

FOUR operas, more than four reasons to go. The operas: Shostakovich’s Lady Macbeth of the Mtsensk District, Péter Eötvös’s The Balcony, Wagner’s Parsifal, and Handel’s Semele.The reasons to go: great music, top performers, the best conductors, inventive directors, and two truly excellent performance spaces. »

23 Mar 2005

New Digs for the San Francisco Conservatory of Music

A month shy of the halfway point in the 26-month construction of its new Civic Center home, the San Francisco Conservatory of Music started the party early last week with a ceremony to “top out” the new building on Oak Street. »

22 Mar 2005

An Eye On The Prize

Soprano Susanna Phillips, a former Huntsville resident, is among the four top winners picked Sunday in the Metropolitan Opera National Council Auditions in New York. Phillips won $15,000 toward her studies and eligibility to be considered for the Met’s Lindemann Young Artist Development Program. »

22 Mar 2005

Simon Rattle Stirs Things Up At Salzburg

Da ist einmal das quirlige künstleri sche Ego des neuen Mannes: Si mon Rattle, als Nachfolger Clau dio Abbados bei den Berliner Philharmoniker sozusagen naturgemäß auch Chef der Salzburger Osterfestspiele, ist schon von seinem Selbstverständnis her das Gegenteil des Festivalgründers Karajan. Der hatte 1967 die Idee, Richard Wagners Gesamtkunstwerk mit seinen Berliner Philharmonikern im Orchestergraben auf mustergültige Weise zu präsentieren, in eigenen Inszenierungen; eine Tragödie, ganz aus dem Geiste der Musik geboren, sozusagen. »

20 Mar 2005

Muti: Going, Going, Gone? — Bring on Pappano

THE opera world is eyeing two British-based conductors as potential saviours of La Scala opera house, which has cancelled this month’s programme amid a bitter power struggle and staff revolt. »

20 Mar 2005

Edinburgh International Festival — 2005
Gets Off to a Rough Start

THE ALARM BELLS SOUNDED A FEW weeks ago when Edinburgh International Festival director Brian McMaster put out the plea for a rescue package. Not only were there to be no late-night £5 concerts at this year’s festival – a series he has always said is politically desirable but financially extravagant – but he needed an additional six-figure sum simply to make the bare bones break even. That, essentially, is what he has given us in this year’s music programme – one main evening concert a night, three staged operas, and the usual daily diet of Queen’s Hall midday recitals. »

17 Mar 2005

The Itinerant Mozart

March 16, 2005, New York, NY-The 39th season of Lincoln Center for the Performing Arts’ Mostly Mozart Festival, which runs from July 28 to August 27, was announced today by Jane S. Moss, Vice President for Programming, and Music Director Louis Langrée. Now in his third season as Music Director, Maestro Langrée conducts the Mostly Mozart Festival Orchestra (MMFO) in 11 concerts of seven different programs during the Festival. This summer’s Festival will have a special focus on Mozart’s travels and influence in Paris, Prague, London, Italy, and Russia, which will be explored through MMFO concerts, programs with visiting ensembles, late-night concerts, and pre-concert events. Mostly Mozart will begin on Thursday, July 28 with Louis Langrée leading the MMFO in a performance featuring soprano Renée Fleming and pianist Stephen Hough at Avery Fisher Hall. This performance will be broadcast on Lincoln Center’s Emmy Award-winning series, Live From Lincoln Center. »

17 Mar 2005

Festival Aix-en-Provence — 2005

Le directeur du Festival international d’art lyrique d’Aix-en-Provence, Stéphane Lissner, a dévoilé, mardi 15 mars, à Paris, le programme de la manifestation, qui aura lieu du 9 au 30 juillet. »

17 Mar 2005

Cincinnati Opera Full Speed Ahead

Cincinnati Opera, on the move for the past half-dozen years, is not slowing down. Quite the opposite. The nation’s second oldest opera company appears to be speeding up. »

16 Mar 2005

A Changing of the Guard at the Bayerische Staatsoper

Zum Start eine Strauss-Oper unter Kent Nagano, ein Rossini-Zyklus mit Ivor Bolton am Pult, eine deutliche Erweiterung des Sänger-Ensembles: Das alles wird erst ab 2006/ 07 passieren, ab der Ära Christoph Albrecht also. Doch zuvor erleben Münchens Opernfans die letzte Spielzeit unter der Ägide von Sir Peter Jonas, die insgesamt 13., eine “lucky number”, wie der Intendant findet. »

15 Mar 2005

Taking Risks in Montreal

Toronto—L’Opéra de Montréal plans to break with routine next year by presenting three operas the company has never done before. »

15 Mar 2005

Wiener Staatsoper — The Cost of Doing Business

Die Wiener Staatsoper hat ihre Abonnement-Preise erhöht. Zum Teil so kräftig, dass Musikfreunde nun für ihre Karten beinahe doppelt so viel bezahlen müssen wie bisher. Ein Proteststurm war die Folge, der auch viel Kritik an der künstlerischen Gebarung des Hauses einschloss. Direktor Ioan Holender wollte diese im Zuge der Debatte über die Preiserhöhungen nicht kommentieren, sondern verwies an seinen Geschäftsführer, Thomas Platzer. »

12 Mar 2005

As Muti Suffers the Slings and Arrows

Die empörten Stimmen in Mailand scheinen voll und ganz in die hef tige Polemik einzustimmen, die der Dirigent und musikalische Leiter der Mailänder Scala, Riccardo Muti, via Offenen Brief gegen die Belegschaft seines Hauses gerichtet hat. Orchester und Chor streiken seit Tagen aus Protest gegen die von Muti betriebene Ablöse des Scala-Intendanten Carlo Fontana. Deshalb musste am vergangenen Donnerstag die Premiere der neuen Oper “Il dissoluto assolto” aus der Feder des italienischen Komponisten Azio Corghi abgesagt werden. Die Aufführung dieses auf einem Text von Literatur-Nobelpreisträger Jose Saramago basierenden Stückes wäre die erste Uraufführung gewesen, die Riccardo Muti seit seinem Amtsantritt 1986 dirigiert hätte. »

10 Mar 2005

This Year's Events at Ravinia

Marching into its second century, the Ravinia Festival will surround James Conlon’s first season as music director with more than 130 events, from the season opener on June 7 to the finale on Sept. 11. »

08 Mar 2005

Muti Responds

In a letter to the Corriere della Sera, Riccardo Muti comments publicly on the trouble-racked opera house after the controversial replacement of the superintendent, which provoked a strike and the cancellation of the current season’s premieres. The conductor explains that for 20 years, he has been committed to promoting La Scala’s artistic growth and defending its music. »

07 Mar 2005

HGO Premieres Adamo's Lysistrata

The memory was delicious: Women withholding sex to end a war. Surely, thought composer Mark Adamo, an opera lurked in that idea. Fresh from the success of Little Women, which Houston Grand Opera premiered in 1998, he was looking for new material. But when he returned to Lysistrata, the Aristophanes play that premiered in 414 B.C., he found his memory richer than reality. »

07 Mar 2005

The New Tenors

It was not so very long ago that the opera world seemed to be facing a cavernous void of world-class tenors. True, there were a handful of gifted artists such as Roberto Alagna and Ben Heppner. Yet the public image of the operatic tenor was largely dominated by the studio-simonized “popera” of Andrea Bocelli, and the increasingly uninspired Three Tenors spectacles. »