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Elsewhere

Christine Goerke - Strauss Elektra BBC Proms London

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role. Felicity Palmer was Clytemnestra, Gun-Brit Barkmin was Chrysothemis, Robert Kunzli was Aegisthus and Johan Reuter was Orestes. The concert staging was by Justin Way.

Christine Goerke - Strauss Elektra BBC Proms London

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role. Felicity Palmer was Clytemnestra, Gun-Brit Barkmin was Chrysothemis, Robert Kunzli was Aegisthus and Johan Reuter was Orestes. The concert staging was by Justin Way.

Powerful Mahler Symphony no 2 Harding, BBC Proms London

Triumphant! An exceptionally stimulating Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the benchmark by which all other performances are assessed. Harding's Mahler Second is informed by such an intuitive insight into the whole traverse of the composer's work that, should he get around to doing all ten together, he'll fulfil the long-held dream of "One Grand Symphony", all ten symphonies understood as a coherent progression of developing ideas.

Nina Stemme's stunning Strauss Salome, BBC Proms London

The BBC Proms continued its Richard Strauss celebrations with a performance of his first major operatic success Salome. Nina Stemme led forces from the Deutsche Oper, Berlin,at the Royal Albert Hall on Saturday 30 August 2014,the first of a remarkable pair of Proms which sees Salome and Elektra performed on successive evenings

Santa Fe Opera Presents Updated, at One Point Up-ended, Don Pasquale

On August 9, 2014, Santa Fe Opera presented a new updated production of Don Pasquale that set the action in the 1950s. Chantal Thomas’s Act I scenery showed the Don’s furnishing as somewhat worn and decidedly dowdy. Later, she literally turned the Don’s home upside down!

Dolora Zajick about her Institute for Young Dramatic Voices

"Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development."

Dolora Zajick Premieres Composition

At a concert in the Cathedral of Saint Joseph in San Jose, California, on August 22, 2014, a few selections preceded the piece the audience had been waiting for: the world premiere of Dolora Zajick’s brand new composition, an opera scene entitled Roads to Zion.

Gluck: Orfeo ed Euridice

This elegant, smartly-paced film turns Gluck’s Orfeo into a Dostoevskian study of a guilt-wracked misanthrope, portrayed by American countertenor Bejun Mehta.

Aureliano in Palmira in Pesaro

Ossia Il barbiere di Siviglia. Why waste a good tune.

Santa Fe Opera Presents Huang Ruo's Sun Yat-sen

By emphasizing the love between Sun Yat-sen and Soong Ching-ling, Ruo showed us the human side of this universally revered modern Chinese leader. Writer Lindsley Miyoshi has quoted the composer as saying that the opera is “about four kinds of love.” It speaks of affection between friends, between parents and children, between lovers, and between patriots and their country.

Britten War Requiem - Andris Nelsons, CBSO, BBC Prom 47

In light of the 2012 half-centenary of the premiere in the newly re-built Coventry Cathedral of Benjamin Britten’s War Requiem, the 2013 centennial celebrations of the composer’s own birth, and this year’s commemorations of the commencement of WW1, it is perhaps not surprising that the War Requiem - a work which was long in gestation and which might be seen as a summation of the composer’s musical, political and personal concerns - has been fairly frequently programmed of late. And, given the large, multifarious forces required, the potent juxtaposition of searing English poetry and liturgical Latin, and the profound resonances of the circumstances of the work’s commission and premiere, it would be hard to find a performance, as William Mann declared following the premiere, which was not a ‘momentous occasion’.

Il barbiere di Siviglia in Pesaro

Both by default and by merit Il barbiere di Siviglia is the hit of the thirty-fifth Rossini Opera Festival. But did anyone really want, and did the world really need yet another production of this old warhorse?

Armida in Pesaro

Armida (1817) is the third of Rossini’s nine operas for the Teatro San Carlo in Naples, all serious. The first was Elisabetta, regina di Inghilterra (1815), the second was Otello (1816), the last was Zelmira (1822).

Santa Fe Opera Presents an Imaginative Carmen

Santa Fe opera has presented Carmen in various productions since 1961. This year’s version by Stephen Lawless takes place during the recent past in Northern Mexico near the United States border. The performance on August 6, 2014, featured Ana Maria Martinez as a monumentally sexy Gypsy who was part of a drug smuggling group.

Elgar Sea Pictures : Alice Coote, Mark Elder Prom 31

Sir Mark Elder and the HallĂ© Orchestra persuasively balanced passion and poetry in this absorbing Promenade concert. Elder’s tempi were fairly relaxed but the result was spaciousness rather than ponderousness, with phrases given breadth and substance, and rich orchestral colours permitted to make startling dramatic impact.

Berio Sinfonia, Shostakovich, BBC Proms

Although far from perfect, the performance of Berio’s Sinfonia in the first half of this concert was certainly its high-point; indeed, I rather wish that I had left at the interval, given the tedium induced by Shostakovich’s interminable Fourth Symphony. Still, such was the programme Semyon Bychkov had been intended to conduct. Alas, illness had forced him to withdraw, to be replaced at short notice by Vasily Petrenko.

Four countertenors : Handel Rinaldo Glyndebourne

Handel's Rinaldo was first performed in 1711 at London's King's Theatre. Handel's first opera for London was designed to delight and entertain, combining good tunes, great singing with a rollicking good story. Robert Carsen's 2011 production of the opera for Glyndebourne reflected this with its tongue-in-cheek Harry Potter meets St Trinian's staging.

Santa Fe Opera Presents The Impresario and Le Rossignol

On August 7, 2014, the Santa Fe Opera presented a double bill of Wolfgang Amadeus Mozart’s The Impresario and Igor Stravinsky’s Le Rossignol (The Nightingale). The Impresario deals with the casting of an opera and Le Rossignol tells the well-known fairy tale about the plain gray bird with an exquisite song.

Barber in the Beehive State

Utah Festival Opera and Musical Theatre has gifted opera enthusiasts with a thrilling Barber, and I don’t mean . . . of Seville.

Stravinsky : Oedipus Rex, BBC Proms

In typical Proms fashion, BBC Prom 28 saw Stravinsky's Oedipus Rex performed in an eclectic programme which started with Beethoven's Egmont Overture and also featured Electric Preludes by the contemporary Australian composer Brett Dean. Sakari Oramo,was making the first of his Proms appearances this year, conducting the BBC Symphony Orchestra, BBC Singers and BBC Symphony Chorus.


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26 Feb 2005

More Fallout from Dismissal of Fontana

ROME – Milan’s La Scala opera house has fired its top administrator, sparking angry protests from employees who have threatened to bring the curtain down on more performances, news reports said. La Scala’s board of directors on Thursday dismissed Superintendent Carlo Fontana, who had a rift with conductor Riccardo Muti, Italy’s ANSA news agency reported. Fontana’s post will be taken over by Mauro Meli, director of La Scala’s theatrical division. »

26 Feb 2005

Lyric Workshop Opens at the Paris Opéra

Il y a eu l’Opéra studio de Louis Erlo, l’Ecole d’art lyrique immortalisée par Michel Sénéchal, puis le Centre de formation lyrique : à chaque nouveau directeur, la structure pédagogique de l’Opéra de Paris où sont encadrés les jeunes chanteurs change d’appellation. Gérard Mortier a annoncé récemment à la presse la création de l’Atelier lyrique, dont il a confié la direction à Christian Schirm, ancien adjoint d’Hugues Gall à Genève et à Paris. Comme l’a souligné Mortier avec un mélange de malice et d’affection, Schirm aspirait à prendre la direction d’un théâtre d’opéra : la mission qu’il lui a confiée pourrait être une préparation idéale à cette future tâche… »

25 Feb 2005

La Scala Dismisses Fontana

MILANO – Il sovrintendente del Teatro alla Scala, Carlo Fontana, è stato rimosso. Lo ha stabilito il Cda della teatro che in una nota rilasciata al termine della riunione fa sapere di aver revocato «con effetto immediato, il Sovrintendente dottor Carlo Fontana, affidando l’incarico al direttore della Divisione Teatro alla Scala, maestro Mauro Meli». »

24 Feb 2005

Richard Strauss Festival Begins 27 February at the Semperoper

The Saxonian capital of Dresden has long been associated with the operas of Richard Strauss, many of which were originally premiered at the city’s exquisite Semper Opera during Strauss’s lifetime. . . . [N]o less than six all-Strauss performances in late February and early March, encompassing four towering operas, an orchestral concert, and a Recital by Dame Felicity Lott. The operas will be Salome, Elektra, Ariadne auf Naxos and Die Frau Ohne Schatten, with stellar casts including such important international artists as Luana DeVol, Susan Anthony, Sumi Jo, Evelyn Herlitzius, Gabriele Schnaut, Petra Lang, Reinhild Runkel, Sophi Koch, Stephen Gould, Günter Neumann, Hans-Joachim Ketelsen, and Alan Titus. The experienced conductors will be Kent Nagano, Wolfgang Rennert, and Michael Boder. In addition to this operatic feast, an orchestra concert under the baton of Ion Marin will offer several works representative of ‘The Young Richard Strauss’ (Macbeth, the Burlesque for Piano and Orchestra, and Aus Italien). Finally, the radiant British soprano Dame Felicity Lott will be the soloist in a Recital showcasing her peerless interpretation of Strauss’ soaring melodic style. »

23 Feb 2005

Katharina Wagner and Doris Dörrie Receive Harsh Treatment in Munich

Zwei Frauen dominierten das Münchner Kulturgeplauder der beiden vergangenen Tage: Wagner-Urenkelin und Bayreuther Wunschmaid Katherina [sic] Wagner inszenierte am Gärtnerplatztheater Lortzings “Waffenschmied”, und “Männer”-Filmemacherin Doris Dörrie brachte einen Abend darauf an der Staatsoper Verdis “Rigoletto” heraus. »

21 Feb 2005

Scottish Opera on the Cutting Edge?

With the major success of his latest opera for Chicago, William Bolcom is America’s musical man of the moment. Yet in Britain he is scarcely a name. A Wedding, his new hit, is based on Robert Altman’s famous film of the same title, then at least we should be aware that he is aslo the composer of A View from the Bridge, an opera inspired in 1999 by the original blank verse version of the play by Arthur Miller who died last week. »

21 Feb 2005

WNO Moves In

When conductor Carlo Rizzi stepped forward at the end of La Traviata to address a delighted audience in his Italian-accented Welsh, he was marking a piece of history. Welsh National Opera had, after 60 years of peripatetic homelessness, for the first time performed on a stage it could call its own. »

21 Feb 2005

Changes in the Recording Industry

Over the past five years, just about everybody in my line of work (including me) has weighed in on the decline of classical-music recording. Norman Lebrecht, the English critic and high-culture gadfly, went so far as to write the industry’s obituary last fall and begin compiling a retrospective list of its 100 greatest achievements. As of last week, his list was up to 23 discs. (It can viewed online at www.scena.org.) »

21 Feb 2005

Classical Music in the Blogosphere

In a post last month on his popular blog about classical music, Alex Ross wrote that the music he loves ``exists off the radar screen of the major media’’ these days. But ``it’s actually kind of exciting,’’ he added. ``If I were in the business of marketing classical music to younger audiences, I’d make a virtue of this. Classical music is the new underground.’‘ »

21 Feb 2005

Survey Reveals Arts More Popular Than Sports

Music, drama and the visual arts really are second nature to the English, a national survey has conclusively shown. While news from Italy this weekend that the United Kingdom is regarded as the most cultured nation in Europe has been met with scepticism, it seems we should have a higher opinion of our chief pastimes on this island. DIY shops, fast food outlets and soccer violence are not even half the picture, it is now clear. »

19 Feb 2005

Troubles at La Scala

MILANO – I lavoratori della Scala scendono in campo dopo che il Cda ha dato mandato al sindaco di «risolvere consensualmente» entro la prossima settimana il rapporto con il sovrintendente Carlo Fontana e proclamano uno sciopero per martedì prossimo, il giorno in cui agli Arcimboldi avrebbe dovuto debuttare La Dama di Picche di Ciaikovski (i possessori del biglietto potranno chiederne il rimborso alla Biglietteria del teatro alla Scala, ndr). »

19 Feb 2005

Merkur Interviews Film Director Doris Dörrie — Rigoletto at Bayerischen Staatsoper

Das kann ja schon mal passieren: Die eigene Tochter verliebt sich ausgerechnet in den blödesten Affen der Welt. Eine Vorstellung zum Verzweifeln. Filmregisseurin Doris Dörrie will ganz bewusst solche Assoziationen wecken – und zwar mit ihrer ersten Münchner Operninszenierung. “Rigoletto”, sagt sie, “ist ein so egoistischer Vater. Aber ich kann ihn verstehen. Auch heute würde jeder von uns, der eine 15-jährige Tochter hat, sie am liebsten wegsperren.” Am kommenden Montag hat im Münchner Nationaltheater Giuseppe Verdis “Rigoletto” Premiere. Es singen u. a. Diana Damrau (Gilda), Mark Delavan (Rigoletto), Ramon Vargas (Herzog). Zubin Mehta dirigiert. »

18 Feb 2005

Oleg Caetani New Music Director at ENO

English National Opera has appointed Oleg Caetani as its next music director. He will begin the position in September 2006, succeeding Paul Daniel who leaves in July this year after eight years in the role. Caetani will divide his time between London and Melbourne, where he is chief conductor and artistic director of the Melbourne Symphony Orchestra – a role he began last month on a four-year contract. He plans to take up residence in London. »

18 Feb 2005

The 12th BBC Cardiff Singer of the World Competition

Contestants from 25 countries have been selected to battle it out in what many consider to be one of the world’s premier singing competitions. »

17 Feb 2005

British Opera's Immigration Problem

The almost constant touring by east European opera and ballet companies continues to be a significant feature of the British cultural scene, and one that requires a little attention. We ought to be aware that the artists involved are working an exhausting schedule in difficult circumstances that British unions rightly would not tolerate. And there is no doubt that their one-night-stand activities steal audiences away from our own subsidised organisations. »

17 Feb 2005

Daily Telegraph Interviews Lisa Gasteen

Australian soprano Lisa Gasteen, who plays Brünnhilde in the second part of the Royal Opera’s ‘Ring’ cycle next month, talks to Rupert Christiansen about her tempestuous route to the top When she was a teenager, Lisa Gasteen was thrown out of a school folk group for singing too loud. Now, established as one of the world’s premier Wagnerian sopranos, her ability to turn up the volume comes in handy. In 2001, she made a triumphant debut at Covent Garden as Isolde; next month, she returns to halloo “Hojotoho” as Brünnhilde in Die Walküre, the second instalment of the Royal Opera’s new production of the Ring, conducted by Antonio Pappano. »

17 Feb 2005

Edinburgh International Festival Confronts Cash Crunch

This year’s Edinburgh International Festival was facing a cash crisis last night after the postponement of a £600,000 emergency funding package. Last week, it emerged that Brian McMaster, director and chief executive of the EIF, had requested the money from Edinburgh City Council and EventScotland because the festival’s funding was “meeting the buffers”. »

17 Feb 2005

Classical Music — It's No Longer A Man's World

Since the time of Claudio Monteverdi, the Italian composer who lived from 1567 to 1643, classical music has been a man’s world. With some exceptions — such as 19th Century pianist-composer Clara Schumann — women achieved lim-ited prominence in the centuries-old art form. That is changing, and although they are still in the minority, women are appearing more frequently at the highest levels of classical music. »

15 Feb 2005

Importing Western Productions to the Bolshoi

Operatic and ballet productions imported from the West are becoming increasingly prominent on the repertory of the Bolshoi, Russia’s largest music theater. Local audiences met such imports with circumspection, but are now growing to like them. »

12 Feb 2005

Public Radio's Flagship Runs Aground

WETA-FM listeners who had hoped to prevent the widely anticipated decision by the public broadcasting station’s board of directors to drop classical music programs left its Shirlington offices disappointed last night. By an overwhelming majority, the board approved a resolution to focus on news and public-affairs programming. »

12 Feb 2005

Welsh National Opera Moves to Millennium Centre

This is Welsh National Opera’s big chance. Fifty-nine years after its birth, as the brilliant artistic reputation that it enjoyed in the 1980s falters along with attendances, the company has moved into a new home in the Wales Millennium Centre, a vast cultural emporium at the heart of the redeveloped Cardiff Bay. »

11 Feb 2005

Early Opera in Seattle

The Early Music Guild, an indispensable part of Seattle’s period-music scene for more than two decades, every once in a while steps back from presenting the best and the brightest musicians from around the world and produces extravaganzas of its own. To celebrate its 20th anniversary, in 1997, the guild presented a stellar reading of Handel’s “Carmelite Vespers” at St. James Cathedral, with Andrew Parrott leading the large forces. More recently was a weekend of Monteverdi chamber operas. »

11 Feb 2005

A New Opera Company Formed in Upstate New York

Three local opera groups announced Friday that they have merged to form a major new company, called Mercury Opera Rochester, which will launch its inaugural season in the fall of 2005. For its first season, the company plans to stage three original (and yet to be specified) productions — two smaller, community-style operas in the fall of 2005 and spring of 2006 at venues to be determined later, and a grand operatic performance at the Eastman Theatre in January 2006 that would feature, among other things, the Rochester Philharmonic Orchestra serving as pit orchestra. »

11 Feb 2005

Cleveland Opera's New Season

Singers both new and familiar to Cleveland will perform with Cleveland Opera during its 30th anniversary season starting in the fall. The season is the first programmed entirely by general director Robert Chumbley. »

10 Feb 2005

Ticket Prices Going Up At Wiener Staatsoper

Unter vielen Abonnenten der Wiener Staatsoper herrscht Aufregung. Der Grund: Ein Schreiben des kaufmännischen Geschäftsführers Thomas Platzer, in dem teilweise empfindliche Preiserhöhungen angekündigt werden. »