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The Pearl Fishers at English National Opera

Penny Woolcock's 2010 production of Bizet's The Pearl Fishers returned to English National Opera (ENO) for its second revival on 19 October 2018. Designed by Dick Bird (sets) and Kevin Pollard (costumes) the production remains as spectacular as ever, and ENO fielded a promising young cast with Claudia Boyle as Leila, Robert McPherson as Nadir and Jacques Imbrailo as Zurga, plus James Creswell as Nourabad, conducted by Roland Böer.

Center for Contemporary Opera presents Jane Eyre (World Premiere)

Louis Karchin’s Jane Eyre, a full-length opera in three acts with a libretto by Diane Osen based on Charlotte Bronte’s novel, will receive its world premiere at The Kaye Playhouse (Hunter College) on Thursday, October 20, 7:30pm with a second performance on Saturday, October 22, 8pm. Jane Eyre is Karchin’s second opera, composed in 2014, following his critically acclaimed one-act comic opera Romulus.

A Venetian Double: English Touring Opera

Francesco Cavalli’s La Calisto was the composer’s fifteenth opera, and the ninth to a libretto by Giovanni Faustini (1615-1651). First performed at the Teatro Sant’Apollinaire in Venice on 28th November 1651, the opera by might have been sub-titled ‘Gods Behaving Badly’, so debauched are the deities’ dalliances and deviations, so egotistical their deceptions.

Boston Early Music Festival announces the appointment of Melinda Sullivan to the new position of the Lucy Graham Dance Director

Cambridge, MA–The Boston Early Music Festival (BEMF) is pleased to announce the appointment of Melinda Sullivan to the new position of the Lucy Graham Dance Director.

Academy of Ancient Music: The Fairy Queen at the Barbican Hall

At the end of Shakespeare’s A Midsummer Night’s Dream, Theseus delivers a speech which returns to the play’s central themes: illusion, art and the creative imagination. The sceptical king dismisses ‘The poet’s vision - his ‘eye, in a fine frenzy rolling’ - which ‘gives to airy nothing/ A local habitation and a name’; such art, and theatre, is a psychological deception brought about by an excessive, uncontrolled imagination.

Vaughan Williams and Friends: St John's Smith Square

Following the success of previous ‘mini-festivals’ at St John’s Smith Square devoted to Schubert and Schumann, last weekend pianist Anna Tilbrook curated a three-day exploration of the work of Ralph Vaughan Williams and his contemporaries. The music performed in these six concerts was chosen to reflect the changing contexts in which it was composed and to reveal the vast changes in society, politics and culture which occurred during Vaughan Williams’ long life-time (1872-1958) and which shaped his life and creative output.

Bloodless Manon Lescaut at DNO

Trying to work around Manon Lescaut’s episodic structure, this new production presents the plot as the dying protagonist’s feverish hallucinations. The result is a frosty retelling of what is arguably Puccini’s most hot-blooded opera. Musically, the performance also left much to be desired.

English Touring Opera: Xerxes

It is Herodotus who tells us that when Xerxes was marching through Asia to invade Greece, he passed through the town of Kallatebos and saw by the roadside a magnificent plane-tree which, struck by its great beauty, he adorned with golden ornaments, and ordered that a man should remain beside the tree as its eternal guardian.

English National Opera: Tosca

Poor Puccini. He is far too often treated as a ‘box-office hit’ by our ‘major’ opera houses, at least in Anglophone countries. For so consummate a musical dramatist, that is something beyond a pity. Here in London, one is far better advised to go to Holland Park for interesting, intelligent productions, although ENO’s offerings have often had something to be said for them.

Don Pasquale in San Francisco

With only four singers and a short-story-like plot Don Pasquale is an ideal chamber opera. That chamber just now was the 3200 seat War Memorial Opera House where this not always charming opera buffa is an infrequent visitor (post WWII twice in the 1980’s after twice in the 40’s).

“Written in fire”: Momenta Quartet blazes through an Indonesian chamber opera

“Yang sementara tak akan menahan bintang hilang di bimasakti; Yang bergetar akan terhapus.” (“The transient cannot hold on to stars lost in the Milky Way; that which quivers will be erased.”) As soprano Tony Arnold sang these words of Tony Prabowo’s chamber opera Pastoral, with astonishingly crisp Indonesian diction, the first night of the second annual Momenta Festival approached its end.

English National Opera: Don Giovanni

Some operas seemed designed and destined to raise questions and debates - sometimes unanswerable and irresolvable, and often contentious. Termed a dramma giocoso, Mozart’s Don Giovanni has, historically, trodden a movable line between seria and buffa.

World Premiere Eötvös, Wigmore Hall, London

Péter Eötvös’ The Sirens Cycle received its world premiere at the Wigmore Hall, London, on Saturday night with Piia Komsi and the Calder Quartet. An exceptionally interesting new work, which even on first hearing intrigues: imagine studying the score! For The Sirens Cycle is elegantly structured, so intricate and so complex that it will no doubt reveal even greater riches the more familiar it becomes. It works so well because it combines the breadth of vision of an opera, yet is as concise as a chamber miniature. It's exquisite, and could take its place as one of Eötvös's finest works.

Walter Braunfels : Orchestral Songs Vol 1

New from Oehms Classics, Walter Braunfels Orchestral Songs Vol 1. Luxury singers - Valentina Farcas, Klaus Florian Vogt and Michael Volle, with the Staatskapelle Weimar, conducted by Hansjörg Albrecht.

Manitoba Underground Opera: Mozart and Offenbach

Manitoba Underground Opera took audiences on a journey — literally and figuratively — as it presented its latest installment of repertory opera between August 19–26.

Stars of Lyric Opera 2016, Millennium Park, Chicago

On a recent weekend Lyric Opera of Chicago gave its annual concert at Millennium Park during which the coming season and its performers are variously showcased. Several of the performers, who were featured at this “Stars of Lyric Opera” event, are scheduled to make their debuts in Lyric Opera’s new production of Wagner’s Das Rheingold beginning on 1 October.

Oxford Lieder Festival: in conversation with Julius Drake

In October 2014, the Oxford Lieder Festival - under its imaginative and intrepid founder, Sholto Kynoch - fulfilled an incredibly ambitious goal: to perform Schubert’s entire corpus of songs - more than 600 - and, for three marvellous weeks, to bring Vienna to Oxford. ‘The Schubert Project’ was a magnificent celebration of the life and music of Franz Schubert: at its core lay the first complete performance of Schubert’s songs - including variants and alternative versions - in the UK.

Così fan tutte at Covent Garden

Desire and deception; Amor and artifice. In Jan Philipp Gloger’s new production of Così van tutte at the Royal Opera House, the artifice is of the theatrical, rather than the human, kind. And, an opera whose charm surely lies in its characters’ amiable artfulness seems more concerned to underline the depressing reality of our own deluded faith in human fidelity and integrity.

Plácido Domingo as Macbeth, LA Opera

On September 22, 2016, Los Angeles Opera presented Darko Tresnjak’s production of Giuseppe Verdi’s opera Macbeth. Verdi and Francesco Maria Piave based their opera on Shakespeare’s play of the same name.

The Rake’s Progress: an Opera for Our Time

On September 18th, at a casual Sunday matinee, Pacific Opera Project presented a surprising choice for a small company. It was Igor Stravinsky’s 1951 three act opera, The Rake’s Progress. It’s a piece made for today's supertitles with its exquisitely worded libretto by W.H. Auden and Chester Kallman.



03 Jul 2015

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17 Feb 2005

Edinburgh International Festival Confronts Cash Crunch

This year’s Edinburgh International Festival was facing a cash crisis last night after the postponement of a £600,000 emergency funding package. Last week, it emerged that Brian McMaster, director and chief executive of the EIF, had requested the money from Edinburgh City Council and EventScotland because the festival’s funding was “meeting the buffers”. »

17 Feb 2005

Classical Music — It's No Longer A Man's World

Since the time of Claudio Monteverdi, the Italian composer who lived from 1567 to 1643, classical music has been a man’s world. With some exceptions — such as 19th Century pianist-composer Clara Schumann — women achieved lim-ited prominence in the centuries-old art form. That is changing, and although they are still in the minority, women are appearing more frequently at the highest levels of classical music. »

15 Feb 2005

Importing Western Productions to the Bolshoi

Operatic and ballet productions imported from the West are becoming increasingly prominent on the repertory of the Bolshoi, Russia’s largest music theater. Local audiences met such imports with circumspection, but are now growing to like them. »

12 Feb 2005

Public Radio's Flagship Runs Aground

WETA-FM listeners who had hoped to prevent the widely anticipated decision by the public broadcasting station’s board of directors to drop classical music programs left its Shirlington offices disappointed last night. By an overwhelming majority, the board approved a resolution to focus on news and public-affairs programming. »

12 Feb 2005

Welsh National Opera Moves to Millennium Centre

This is Welsh National Opera’s big chance. Fifty-nine years after its birth, as the brilliant artistic reputation that it enjoyed in the 1980s falters along with attendances, the company has moved into a new home in the Wales Millennium Centre, a vast cultural emporium at the heart of the redeveloped Cardiff Bay. »

11 Feb 2005

Early Opera in Seattle

The Early Music Guild, an indispensable part of Seattle’s period-music scene for more than two decades, every once in a while steps back from presenting the best and the brightest musicians from around the world and produces extravaganzas of its own. To celebrate its 20th anniversary, in 1997, the guild presented a stellar reading of Handel’s “Carmelite Vespers” at St. James Cathedral, with Andrew Parrott leading the large forces. More recently was a weekend of Monteverdi chamber operas. »

11 Feb 2005

A New Opera Company Formed in Upstate New York

Three local opera groups announced Friday that they have merged to form a major new company, called Mercury Opera Rochester, which will launch its inaugural season in the fall of 2005. For its first season, the company plans to stage three original (and yet to be specified) productions — two smaller, community-style operas in the fall of 2005 and spring of 2006 at venues to be determined later, and a grand operatic performance at the Eastman Theatre in January 2006 that would feature, among other things, the Rochester Philharmonic Orchestra serving as pit orchestra. »

11 Feb 2005

Cleveland Opera's New Season

Singers both new and familiar to Cleveland will perform with Cleveland Opera during its 30th anniversary season starting in the fall. The season is the first programmed entirely by general director Robert Chumbley. »

10 Feb 2005

Ticket Prices Going Up At Wiener Staatsoper

Unter vielen Abonnenten der Wiener Staatsoper herrscht Aufregung. Der Grund: Ein Schreiben des kaufmännischen Geschäftsführers Thomas Platzer, in dem teilweise empfindliche Preiserhöhungen angekündigt werden. »

10 Feb 2005

Dresden Celebrates the 20th Anniversary of the Reopening of the Semperoper

Als am 13. Februar 1985 zur Wiedereröffnung der Semperoper die DDR-Nationalhymne erklang, mag die Zeile „Auferstanden aus Ruinen“ zumindest in den Gedanken vieler Zuschauer mitgeschwungen haben. Offiziell wurde der Text damals nicht mehr verwendet. »

10 Feb 2005

Revamping Opera Australia

A PROGRESS report on the state of the Victorian Government’s opera review made one thing clear this week: any new company will look nothing like the one that died in 1996. Victorian Arts Minister Mary Delahunty called interested parties to a meeting on Tuesday to brief them on the findings of a review of opera activities in the state, undertaken by strategic consulting firm LEK Consulting. »

10 Feb 2005

Turnover at Chicago

The Lyric Opera has effectively installed a turnstile backstage at the Civic Opera House to facilitate the comings and goings of the singers taking the principal roles of Floria Tosca and Mario Cavaradossi in its revival of the historic Franco Zeffirelli production. »

09 Feb 2005

Das Opernglas Interviews Anja Harteros

Als deutsche Sängerin im italienischen Fach Fuß fassen – Anja Harteros gelingt, was heute eher eine Seltenheit ist. Söhnke Martens sprach mit ihr in Hamburg. Ausschnitte aus dem Interview: Sind Sie musikalisch durch Ihre Familie geprägt? Nein, überhaupt nicht. In meiner Familie gibt es niemanden, der professionell Musik gemacht hat. Jedes Kind sollte das Hobby ausüben, das ihm Freude bereitete. Zuweilen tagte dann der Familienrat, und wir diskutierten eifrig über unsere Wünsche. Meine Mutter schlug mir das Geigenspiel vor, als ich 8 Jahre alt war. Ich war davon nicht besonders überzeugt. Erst ihre Bemerkung, dass dieses Instrument nicht jeder spielen könne, machte mich neugierig. Es hat mir auch wirklich Spaß gemacht. »

09 Feb 2005

This Summer at the Aspen Music Festival

The Aspen Music Festival and School will delve into the music of autobiography in its 2005 summer season. The season, under the theme of “Self-Portraits,” will highlight composers who have told the stories of their lives in their music. Among the notable works falling under the theme are Haydn’s “Farewell” Symphony, Tchaikovsky’s Symphony No. 6 and a semistaged performance of Strauss’ comic opera “Intermezzo.” Also to be presented are intensely personal works by Elgar, Mahler, Berg and Shostakovich. »

09 Feb 2005

As If You Were There

When the newly refurbished Royal Opera House reopened in December 1999, the great and the good found themselves trapped in their seats for a great slab of unstaged Wagner in German, with no introduction and no escape. Tony Blair, who was seated just in front of me, was clearly finding it hard-going; but to get out, he would have had to clamber over most of the royal family who, given the chance, might have beaten him to the exit. The Wagner, all agreed, was an unfortunate choice. »

07 Feb 2005

SF Chronicle Interviews David Gockley

The San Francisco Opera has appointed David Gockley, longtime artistic director of the Houston Grand Opera, to succeed Pamela Rosenberg. After 32 years in Houston, Gockley will succeed Rosenberg in January. On Sunday, he sat down for an exclusive interview with San Francisco Chronicle Music Critic Joshua Kosman. »

05 Feb 2005

Phoenix Rising — The Reconstruction of the Wiener Staatsoper

Hier spielt das Burgtheater”, tönte Raoul Aslan angesichts des unzer störten Etablissements Ronacher im April 1945. Die Delegation, angeführt vom damaligen Direktionsassistenten (und heutigen Josefstadt-Gesellschafter) Heinrich Kraus und Aslan als sprachgewaltigem Theaterdirektor, war nach dem verheerenden Bombenangriff vom 12. März 1945, bei dem nicht nur das Burgtheater, sondern auch die Staatsoper zerstört wurden, auf der Suche nach möglichen Spielstätten. Tatsächlich hob sich Ende April ‘45, als der Krieg noch gar nicht zu Ende war, mit Grillparzers “Sappho” erstmals im Ronacher der Vorhang. Für das Staatsopernensemble begann die Nachkriegszeit im Theater an der Wien. Die Stammhäuser konnten erst 1955 renoviert wieder ihrer Bestimmung übergeben werden. Kurz nach Abschluss des Staatsvertrags zelebrierte man sinnigerweise die Wieder-Eröffnung der Burg wieder mit Grillparzer: Die Wahl musste auf “König Ottokars Glück und Ende” fallen – mit dem legendären, umjubelten “Loblied auf Österreich”. »

02 Feb 2005

Seattle Opera Announces 2005/06 Season

[February 1, 2005] Seattle—Seattle Opera’s general director, Speight Jenkins, officially announced the company’s 2005/06 season today. The season opens October 15, 2005, with American composer Jake Heggie’s most recent — and newly revised — opera, The End of the Affair. In January, Seattle Opera presents Johann Strauss, Jr.’s ever-popular operetta, Die Fledermaus, featuring a trio of Wagnerians — soprano Jane Eaglen, tenor Alan Woodrow, and Richard Berkeley-Steele — in a comic turn. Jonathan Miller’s production of Mozart’s Così fan tutte follows in February and March 2006. In May, the season concludes with a new production of Verdi’s Macbeth, bringing together for the first time director Bernard Uzan and designer Robert Israel. »

01 Feb 2005

Markus Hinterhäuser — Salzburg Festival's Newly Designated Musik-Chef

Da würde ich lügen”, sagt er, “wenn ich jetzt die Grundlinien eines großen Konzepts zu skizzieren versuchte, das ich für die Salzburger Festspiele habe” – Markus Hinterhäuser gibt sich im “Presse”-Gespräch pragmatisch: Was er über Musik und über die Möglichkeit denkt, ein spannendes Programm zu entwickeln, hat er schließlich früher bereits gezeigt. Die Meldung kam ja nicht überraschend: Hinterhäuser, Mitinitiator des “Zeitfluss”-Festivals, das am Rande der Salzburger Festspiele seit den frühen neunziger Jahren für Beschäftigung mit der Avantgarde gesorgt hat, wird an der Seite des designierten Festspielintendanten Jürgen Flimm das Musikprogramm in Salzburg betreuen. »

01 Feb 2005

Aida at Copenhagen's New Opera House

Seen at night, the warmly lit interior of Copenhagen’s new opera house glows invitingly across the water. The building is situated in a uniquely privileged position, opposite the Amalienborg Palace, lining up on an axis with the proudly domed Frederikskirken — so close to the city’s heart that arias could easily waft over the water on an evening breeze. »

31 Jan 2005

Teatr Wielki Announces Festiwal Hoffmannowski Schedule

Festiwal Hoffmannowski -- Polsko-Niemiecki Festiwal Operowy Teatr Wielki in Poznan, Poland, has announced the schedule for the Festiwal Hoffmannowski: Saturday, 2 April, 19.00 Wolfgang Amadeus Mozart Cosi fan tutte, Premiere!!! Teatr Wielki, Poznan Sunday, 3 April, 19.00 Wolfgang Amadeus Mozart,... »

28 Jan 2005

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28 Jan 2005

Passing the Baton to Levine

Boston Symphony Orchestra music director James Levine will be in residence at Tanglewood this summer for almost a month of rehearsals and performances. He will lead five concerts and conduct one work at Tanglewood on Parade. This will mark Levine’s first performance at Tanglewood since 1972, when he conducted a single concert. The other big news is that for the first time, all nighttime concerts in the Koussevitzky Music Shed will be projected on large video screens to the audience on the lawn. For several years the screens have been popular additions to a handful of concerts. »

28 Jan 2005

I'll Take Houston

Patrick Summers, music director at the Houston Grand Opera, has settled into Houston on his own, slightly unconventional terms. He’s building a house a few minutes west of downtown and has acquired a Cavalier King Charles spaniel, Julius. He’s smitten with the city’s contemporary art scene: “There’s a lot of really interesting painting going on in this city.” »

27 Jan 2005

MIDEM Classical Awards Announced

German music major Deutsche Grammophon (DG) picked up three prizes at the inaugural MIDEM Classical Awards in Cannes, January 24. Top prizes also went to Belgian counter-tenor and conductor René Jacobs and Welsh pianist Llyr Williams. The awards were presented for the first time at MIDEM, the World’s Music Market (Cannes, France, January 23-27, 2005). »

26 Jan 2005

Beverly Sills Resigns From Met Post

William C. Morris, president and chief executive officer of The Metropolitan Opera, announced today that Beverly Sills has resigned from her volunteer post as chairman of The Metropolitan Opera for family and personal reasons effective immediately. »