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Elsewhere

Budapest Festival Orchestra: a scintillating Bluebeard

Ravi Shankar’s posthumous opera Sukanya drew a full house to the Royal Festival Hall last Friday but the arrival of the Budapest Festival Orchestra under their founder Iván Fischer seemed to have less appeal to Londoners - which was disappointing as the absolute commitment of Fischer and his musicians to the Hungarian programme that they presented was equalled in intensity by the blazing richness of the BFO’s playing.

Elizabeth Llewellyn: Investec Opera Holland Park stages Puccini's La Rondine

It’s six or so years ago since soprano Elizabeth Llewellyn appeared as an exciting and highly acclaimed new voice on the UK operatic stage, with critics praising her ‘ravishing account’ (The Stage) of Mozart’s Countess in Investec Opera Holland Park’s 2011 Le nozze di Figaro in which ‘Porgi, amor’ was a ‘highlight of the evening’.

Sukanya: Ravi Shankar's posthumous opera

What links Franz Xaver Süssmayr, Brian Newbould and Anthony Payne? A hypothetical question for University Challenge contestants elicits the response that they all ‘completed’ composer’s last words: Mozart’s Requiem, Schubert’s Symphony No.8 in B minor (the Unfinished) and Edward Elgar’s Third Symphony, respectively.

Cavalli's Hipermestra at Glyndebourne

‘Make war not love’, might be a fitting subtitle for Francesco Cavalli’s opera Hipermestra in which the eponymous princess chooses matrimonial loyalty over filial duty and so triggers a war which brings about the destruction of Argos and the deaths of its inhabitants.

Dougie Boyd, Artistic Director of Garsington Opera: in conversation

One year ago, tens of millions of Britons voted for isolation rather than for cooperation, but Douglas (Dougie) Boyd, Artistic Director of Garsington Opera, is an energetic one-man counterforce with a dynamic conviction that art and culture are strengthened by participation and collaboration; values which, alongside excellence and a spirit of adventure, have seen Garsington Opera acquire increasing renown and esteem on the international stage during his tenure, since 2012.

I Fagiolini's Orfeo: London Festival of Baroque Music

This year’s London Festival of Baroque Music is titled Baroque at the Edge and celebrates Monteverdi’s 450th birthday and the 250th anniversary of Telemann’s death. Monteverdi and Telemann do in some ways represent the ‘edges’ of the Baroque, their music signalling a transition from Renaissance to Baroque and from Baroque to Classical respectively, though as this performance of Monteverdi’s Orfeo by I Fagiolini and The English Cornett & Sackbutt Ensemble confirmed such boundaries are blurred and frequently broken.

The English Concert: a marvellous Ariodante at the Barbican Hall

I’ve been thinking about jealousy a lot of late, as I put the finishing touches to a programme article for Bampton Classical Opera’s summer production of Salieri’s La scuola de' gelosi. In placing the green-eyed monster centre-stage, Handel’s Ariodante surely rivals Shakespeare’s Othello in dramatic clarity and concision, as this terrifically animated and musically intense performance by The English Concert at the Barbican Hall confirmed.

Kathleen Ferrier - "new" recordings

Kathleen Ferrier Remembered, from SOMM Recordings, makes available on CD archive broadcasts of British and German song. All come from BBC broadcasts made between 1947 and 1952. Of the 26 tracks in this collection, 19 are "new", not having been commercially released. The remaining seven have been remastered by sound restoration engineer Ted Kendall. Something here even for those who already own the complete recordings.

Riel Deal in Toronto

With its new production of Harry Somers’ Louis Riel, Canadian Opera Company has covered itself in resplendent glory.

Concert Introduces Fine Dramatic Tenor

On May 4, 2017, Los Angeles Opera presented a concert starring Russian soprano Anna Netrebko and her husband, Azerbaijani tenor Yusif Eyvazev. Led by Italian conductor Jader Bignamini, members of the orchestra showed their abilities, too, with a variety of instrumental selections played between the singers’ arias and duets.

COC: Tosca’s Cautious Leap

Considering the high caliber of the amassed talent, Canadian Opera Company’s Tosca is a curiously muted affair.

Matthias Goerne - late Schumann songs, revealed

Matthias Goerne Schumann Lieder, with Markus Hinterhäuser, a new recording from Harmonia Mundi. Singers, especially baritones, often come into their prime as they approach 50, and Goerne, who has been a star since his 20's is now formidably impressive. The colours in his voice have matured, with even greater richness and depth than before.

Schubert's 'swan-song': Ian Bostridge at the Wigmore Hall

No song in this wonderful performance by Ian Bostridge and Lars Vogt at the Wigmore Hall epitomised more powerfully, and astonishingly, what a remarkable lieder singer Bostridge is, than Schubert’s Rellstab setting, ‘In der Ferne’ (In the distance).

Baritone Josep-Ramon Olivé wins the 2017 Guildhall School Gold Medal

The Guildhall School of Music and Drama has announced baritone Josep-Ramon Olivé as the winner of this year’s Gold Medal, the School’s most prestigious prize for outstanding soloists. The prize is awarded to singers and instrumentalists in alternate years and this year was the turn of the singers.

Stunning power and presence from Lise Davidsen

For Norwegian soprano Lise Davidsen this has been an exciting season, one which has seen her make several role and house debuts in Europe and beyond, including Agathe (Der Freischutz) at Opernhaus Zürich, Santuzza (Cavalleria Rusticana) Norwegian National Opera and, just last month, Isabella (Liebesverbot) at Teatro Colón. This Rosenblatt Recital brought her to the Wigmore Hall for her UK recital debut and if the stunning power, shining colour and absolute ease that she demonstrated in a well-chosen programme of song and opera are anything to judge by, Glyndebourne audiences are in for a tremendous treat this summer, when Davidsen appears in the title role of Richard Strauss’s Ariadne auf Naxos.

LALO and COQUARD: La Jacquerie

La Jacquerie—here recorded for the first time—proves to be a wonderful opera, bringing delight upon delight.

Three Rossini Operas Serias

Rossini’s serious operas once dominated opera houses across the Western world. In their librettos, the great French author Stendahl—then a diplomat in Italy and the composer’s first biographer—saw a post-Napoleonic “martial vigor” that could spark a liberal revolution. In their vocal and instrumental innovations, he discerned a similar revolution in music.

Urania Remasters Marriage of Figaro

Good news for lovers of Mozart’s Marriage of Figaro: the famous Living Stereo recording, a co-production of RCA Victor and English Decca, is now available again, well remastered, on Urania.

Tosca: Stark Drama at the Chandler Pavilion

On Thursday evening April 27, 2017, Los Angeles Opera presented a revival of Giacomo Puccini’s Tosca at the Dorothy Chandler Pavilion. In 2013, director John Caird had given Angelinos a production that made Tosca a full-blooded, intense drama as well as a most popular aria-studded opera. His Floria was a dove among hawks.

Glyndebourne Festival 2018 programme announced

The UK’s first professional production of Samuel Barber’s Pulitzer prize-winning opera Vanessa takes place at Glyndebourne Festival 2018. One of the great American operas, Vanessa was hailed as a triumph at its premiere in 1958 but quickly fell out of the repertoire and has only been staged intermittently since.


OPERA TODAY ARCHIVES »

News

14 Apr 2017

Extravagant Line-up 2017-18 at Festspielhaus in Baden-Baden, Germany

The town’s name itself “Baden-Baden” (named after Count Baden) sounds already enticing. Built against the old railway station, its Festspielhaus programs the biggest stars in opera for Germany’s largest auditorium. A Mecca for music lovers, this festival house doesn’t have its own ensemble, but through its generous sponsoring brings the great productions to the dreamy idylle.  »

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25 Jan 2005

Merkur Interviews Katharina Wagner

Papa konnte doch nichts Besseres passieren: Katharina Wagner, Tochter des Bayreuther Festspielchefs Wolfgang Wagner und damit heftig für seine Nachfolge gehandelt, hat mit bislang zwei Opernprojekten ihre Klasse gezeigt. 2002 debütierte die heute 27-Jährige als Regisseurin mit Richard Wagners “Fliegendem Holländer” in Würzburg, 2004 folgte in Budapest der “Lohengrin”. Nach zwei Werken ihres Urgroßvaters inszeniert sie, die Theaterwissenschaft studierte und unter anderem bei ihrem Vater und bei Harry Kupfer assistierte, fürs Gärtnerplatztheater Lortzings “Waffenschmied”, Premiere ist am 20. Februar. »

24 Jan 2005

Is Opera Relevant in Scotland?

WHILE Scotland’s national opera company is in meltdown, how ironic is it that the opera school of our national music conservatoire is flying high? The two institutions may only be sited yards across the road from one another in Glasgow’s Cowcaddens district, but the fortunes of Scottish Opera and the Alexander Gibson Opera School at the Royal Scottish Academy of Music and Drama (RSAMD) could hardly be more diametrically opposed. »

22 Jan 2005

Salzburg To Celebrate Wolfie's 250th

SALZBURG, AUSTRIA – Austria’s venerable Salzburg Festival will stage all 22 of Wolfgang Amadeus Mozart’s operas and musical theatre works next year, the 250th anniversary of the composer’s birth. Simply staging the composer’s seven most-performed operas – including Le Nozze de Figaro and Idomeneo — “would have been too little for Salzburg,” festival director Peter Ruzicka told reporters Thursday. »

21 Jan 2005

Muti in Milano

Here, indicates the maestro, is the “punto Callas”. Riccardo Muti and I are standing onstage at La Scala, Milan, where so many great operas have been premiered and countless distinguished singers have sung. Facing the deserted auditorium, he points to an unmarked spot on the floor, right of centre, which Maria Callas established as her sovereign territory. It is the punto, or position, which best showed off a singer’s voice in a theatre renowned for its acoustical quirks. “There was great competition for this point,” smiles Muti. “In a quartet you would have a tower of singers.” Breaking the eerie stillness, the maestro claps his hands to show how much more flattering the acoustic has become since the great Milanese theatre reopened last month after a three-year renovation. Has La Scala ever resonated so crisply to the sound of one person’s applause? Muti’s point is that there is no longer any need for a “punto Callas”. »

20 Jan 2005

Peace is at hand in San Diego

A San Diego Opera-San Diego Symphony agreement reached this week to share musicians signifies a new level of achievement for two arts organizations that have fought second-tier status for years. It also ushers in unprecedented cooperation for these major arts organizations, which didn’t always work cooperatively or compatibly. »

20 Jan 2005

Seeking Greatness at Lincoln Center

NEW YORK—The British are coming. So are the Russians, along with an Argentinean and the usual Austrians and Germans. Lincoln Center’s 2005-06 “Great Performers” lineup was announced Tuesday, and the 40th season of the multimedia series once again draws a multicultural mix of classical performers. The opening events of “Great Performers,” Sept. 28-Oct. 2, bring the return of the virtuoso London Symphony Orchestra under Sir Colin Davis in programs ranging from the Verdi Requiem to Sibelius and Vaughan Williams. That kicks off a season featuring visits from 10 international orchestras, plus 31 recitals and chamber concerts. »

20 Jan 2005

Ghosts of Performances Past

Washington DC (PRWEB) January 20, 2005—The National Theatre is a plethora of stars of the past, the present, and the future of the great American theatre. Almost every great stage performer over the past century has graced the stage of this historic theatre. The oldest cultural institution in the Nation’s capital, the National Theatre is one of the oldest continuously operating theatres in America. The National Theatre, managed by the Shubert Organization, has presented numerous North American and World premieres of professional Broadway Class-A Legitimate Productions throughout its history. The National Theatre over looks the International Trade Center and Freedom Plaza on “The Avenue of the Presidents”. Since its inception, the National Theatre has been crowned “The Theatre of the Presidents” having performed for every American President and First Lady. »

20 Jan 2005

Cincinnatus Idyll

There was no scowling Simon Cowell, no one singing while holding a scooter and no William Hung. But Cincinnati’s own classical version of “American Idol” auditions took place Friday and Saturday at Music Hall. Budding singers and classically trained performers sang with all the fervor of “Idol” winner Fantasia in an attempt to land a spot in one or more of Cincinnati Opera’s four summer productions. »

20 Jan 2005

Carmen at Toronto

Richard Bradshaw is finally ready to lift the curse and bring Carmen back to Toronto next fall as part of the Canadian Opera Company’s final season at the Hummingbird Centre. Georges Bizet’s hot-blooded saga about the Spanish gypsy and jealous soldier is one of the greatest crowd-pleasers in the opera repertory, but at the COC a black cloud has been hanging over it for the past 12 years. »

20 Jan 2005

Philadelphia Opera Company's 2005-2006 Season

The premiere of “Margaret Garner,” plus a late Verdi masterpiece, and Figaro’s twin adventures as told by Rossini and Mozart make up the Opera Company of Philadelphia’s 2005-2006 season. For the second year, the company will present four operas with six Academy of Music performances each. “We hope that we will be able to return to five productions in the 2006-2007 season,” said the company’s general and artistic director Robert Driver as the ‘05-’06 season was announced yesterday. »

14 Jan 2005

Opera in the UK

I HOPE you made the most of last year’s opera highlights because 2005 looks pretty dull by comparison. The resignation of Scottish Opera’s music director, Sir Richard Armstrong, has added to the company’s woes. With only three productions in the foreseeable future, the main risk is that the audience forgets the company exists. The vanishing audience is a spectre that haunts other companies: ENO must be wondering what became of an audience that was more like a loyal football crowd. »

14 Jan 2005

Opera in Paris

Le premier temps fort de cette deuxième partie de saison lyrique sera La Flûte enchantée bientôt proposée par l’Opéra Bastille : on a déjà vu dans une halle d’usine de Bochum ce spectacle étonnant conçu par les Catalans de la Fura del Baus, à l’époque où Gérard Mortier dirigeait le Festival de la Ruhr. Comment les matelas gonflables et la science-fiction philosophique imaginés par ces plasticiens virtuoses passeront-ils à Paris, et comment Marc Minkowski, qui avait très bien dirigé l’oeuvre en Allemagne, sera-t-il reçu par l’Orchestre de l’Opéra ? On le saura à partir du 24 janvier. Deux jours après, on suivra aussi, à Garnier, le second Couronnement de Poppée de la saison, après celui de McVicar aux Champs-Elysées : le metteur en scène, David Alden, est aussi anglais, et la divine Antonacci ne sera plus Néron mais Poppée. »

12 Jan 2005

SFO Announces 2005-2006 Season

The main entrance of the War Memorial Opera House.Photo by Terrence McCarthy SAN FRANCISCO — General Director Pamela Rosenberg announced details of San Francisco Opera's 83rd Season during a press meeting at the Opera House on Wednesday, January 12.... »

12 Jan 2005

David Gockley Now in the Running at SFO

SAN FRANCISCO Opera director search adds Houston veteran Once not in running, David Gockley now a leading candidate Joshua Kosman, Chronicle Music Critic Tuesday, January 11, 2005 David Gockley, the visionary longtime general director of the Houston Grand Opera, has... »

09 Jan 2005

Kurtag's Kafka Fragments at Carnegie Hall

KAFKA and Kurtag. This natural coupling of writer and composer telegraphs with alliterative grace a century of modernism, a deeply felt spiritual condition and a grasping for genuine personal expression through violently impersonal times. The Hungarian composer Gyorgy Kurtag was born in 1926, two years after Kafka’s death, but their sensibilities are interwoven in one of Mr. Kurtag’s most effective works, “Kafka Fragments,” for soprano and violin. These settings of short excerpts from Kafka’s diaries, letters and notebooks will be performed this week by the soprano Dawn Upshaw and the violinist Geoff Nuttall, in a new staging directed by Peter Sellars, as part of Ms. Upshaw’s Perspectives series at Carnegie Hall. »

08 Jan 2005

Tippett's The Knot Garden at Scottish Opera

The Knot Garden Sir Michael Tippett sung in English The Knot Garden, with a libretto by the composer, has a typically enigmatic title. The elaborate Elizabethan Knot Garden often resembled a maze - and the reference to Shakespeare's time is... »

07 Jan 2005

Lyric of Chicago's New Season

Lyric plays it safe with season schedule By John von Rhein Tribune music critic January 6, 2005 Now at the midpoint of its golden jubilee season, Lyric Opera of Chicago is faced with carrying its winning streak into the company's... »

06 Jan 2005

Zeffirelli Has A Conniption

Franco Zeffirelli, one of the world’s best-known opera directors, yesterday branded the inaugural season of the newly refurbished La Scala opera house a disgrace. Zeffirelli accused the opera house of inviting second-rate conductors to perform. Writing to a journalist on the Italian daily Corriere della Sera, who had written approvingly of the programme, he said the situation “risks becoming utterly absurd and developing into a scandal of truly international proportions because La Scala belongs to the whole world”. »

05 Jan 2005

A Dead-end at Abbey Road?

Twilight of the CD Gods? A Studio 'Tristan' May Be the Last Ever By MICHAEL WHITE LONDON, Jan. 4 - The EMI recording studios at Abbey Road in north London are always a surprise when you walk through the modest... »

01 Jan 2005

Classical Music Sales Looking Up

A Year When Classical Labels Came Through By ANTHONY TOMMASINI In 2003, the problems affecting the classical recording business seemed daunting: markets flooded with multiple versions of the standard repertory; declining sales; widespread layoffs in the offices of the major... »

01 Jan 2005

La Serva Padrona in Boston

Soprano Amanda Forsythe has sung so often with baritone David Kravitz that she was only mildly surprised recently when she Googled her name, and up popped a reference to “Amanda Kravitz.” Tonight and tomorrow afternoon, Forsythe is paired with Kravitz again for Pergolesi’s delicious little opera “La Serva Padrona” (“The Maid as Mistress”), presented by Boston Baroque as part of its annual New Year’s Eve/New Year’s Day gala at Sanders Theatre. »

30 Dec 2004

Tsar's Bride at the Mariinsky

ST. PETERSBURG, December 29 (RIA Novosti) – The city’s Mariinka (Kirov) theater is to open its next season here today with Nikolai Rimsky-Korsakov’s “Tsar’s Bride” opera. Talking to RIA Novosti, people at the Mariinka theater’s press center noted that this was a joint production involving the theater and Holland’s Diaghilev Festival Foundation. The new stage version of this opera was first performed December 10 in Groningen, Holland. »

29 Dec 2004

An Overview of Opera at Spoleto Festival USA

Spoleto Festival USA has announced the production of three operas for 2005. These are: Die Vögel (The Birds) Lost when Braunfels was blacklisted by the Nazis in the late 1930s, the work has never received a fully staged performance... »