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Elsewhere

Il barbiere di Siviglia, Glyndebourne Festival Opera at the Proms

For its annual visit to the BBC Proms at the Royal Albert Hall, Glyndebourne brought its new production of Rossini's Il barbiere di Siviglia, an opera which premiered 200 years ago.

Béatrice and Bénédict at Glyndebourne

‘A caprice written with the point of a needle’: so Berlioz described his opera Béatrice and Bénédict, which pares down Shakespeare’s Much Ado About Nothing to its comic quintessence, shorn of the sub-plots, destroyed reputations and near-bloodshed of Shakespeare’s original.

Der fliegende Holländer, Bavarian State Opera

‘This is the way the world ends. Not with a bang but a whimper.’ It is, perhaps, a line quoted too often; yet, even though it may not have been entirely accurate on this occasion, it came to my mind. Its accuracy might be questioned in several respects.

Evergreen Baby in Colorado

Central City Opera celebrated the 60th anniversary of The Ballad of Baby Doe with a hip, canny, multi-faceted new production.

Lean and Mean Tosca in Colorado

Someone forgot to tell Central City Opera that it would be difficult to fit Puccini’s (usually) architecturally large Tosca on their small stage.

Die Walküre, Baden-Baden

A cast worthy of Bayreuth made for an unforgettable Wagnerian experience at the Sommer Festspiele in Baden-Baden.

Des Moines’ Elusive Manon

Loving attention to the highest quality was everywhere evident in Des Moines Metro Opera’s Manon.

Falstaff in Iowa: A Big Fat Hit

Des Moines Metro Opera had (almost) all the laughs in the right places, and certainly had all the right singers in these meaty roles to make for an enjoyable outing with Verdi’s masterpiece

Die Fledermaus, Opera Holland Park

With the thermometers reaching boiling point, there’s no doubt that summer has finally arrived in London. But, the sun seems to have been shining over the large marquee in Holland Park all summer.

Nice, July 14, and then . . .

J.S. Bach’s cerebral Art of the Fugue in Aix, Verdi’s massive Requiem in Orange, Ibn al-Muqaffa’ ‘s fable of the camel, jackal, wolf and crow, Sophocles’ blind Oedipus Rex and the Bible’s triumphant Psalm No. 150 in Aix.

Jette Parker Young Artists Summer Performance

The champagne corks popped at the close of this year’s Jette Parker Young Artists Summer Performance at the Royal Opera House, with Prince Orlofsky’s celebratory toast forming a fitting conclusion to some superb singing.

Prom 2: Boris Godunov, ROH

Bryn Terfel is making a habit of performing Russian patriarchs at the Proms.

Des Moines’ Gluck Sets the Standard

What happens when just everything about an operatic performance goes joyously right?

Des Moines: Jewels in Perfect Settings

Two years ago, the well-established Des Moines Metro Opera experimented with a 2nd Stages program, with performances programmed outside of their home stage at Simpson College.

First Night of the Proms 2016

What to make of the unannounced decision to open this concert with the Marseillaise? I am sure it was well intended, and perhaps should leave it at that.

La Cenerentola, Opera Holland Park

In a fairy-tale, it can sometimes feel as if one is living a dream but on the verge of being awoken to a shock. Such is life in these dark and uncertain days.

A New Opera Company with a True Story of Forbidden Love

Victory Hall Opera is a new company making its debut in Charlottesville Virginia on August 14, 2016. Its first presentation will be Richard Strauss’s and Hugo von Hofmannsthal’s Der Rosenkavalier.

Il trionfo del tempo e del disinganno in Aix

The tense, three hour knock-down-drag-out seduction of Beauty by Pleasure consumed our souls in this triumphal evening. Forget Time and Disillusion as destructors, they were the very constructors of the beauty and pleasure found in this miniature oratorio.

Pelleas et Mélisande in Aix

Three parallel universes (before losing count) — the ephemeral Debussy/Maeterlinck masterpiece, the Debussy symphonic tone poem, and the twisted intricacies of a moldy, parochially English country estate.

Siegfried, Opera North

This, alas, was where I had to sign off. A weekend conference on Parsifal (including, on the Saturday, a showing of Hans-Jürgen Syberberg’s Parsifal film) mean that I missed Götterdämmerung, skipping straight to the sequel.


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25 Jan 2005

Merkur Interviews Katharina Wagner

Papa konnte doch nichts Besseres passieren: Katharina Wagner, Tochter des Bayreuther Festspielchefs Wolfgang Wagner und damit heftig für seine Nachfolge gehandelt, hat mit bislang zwei Opernprojekten ihre Klasse gezeigt. 2002 debütierte die heute 27-Jährige als Regisseurin mit Richard Wagners “Fliegendem Holländer” in Würzburg, 2004 folgte in Budapest der “Lohengrin”. Nach zwei Werken ihres Urgroßvaters inszeniert sie, die Theaterwissenschaft studierte und unter anderem bei ihrem Vater und bei Harry Kupfer assistierte, fürs Gärtnerplatztheater Lortzings “Waffenschmied”, Premiere ist am 20. Februar. »

24 Jan 2005

Is Opera Relevant in Scotland?

WHILE Scotland’s national opera company is in meltdown, how ironic is it that the opera school of our national music conservatoire is flying high? The two institutions may only be sited yards across the road from one another in Glasgow’s Cowcaddens district, but the fortunes of Scottish Opera and the Alexander Gibson Opera School at the Royal Scottish Academy of Music and Drama (RSAMD) could hardly be more diametrically opposed. »

22 Jan 2005

Salzburg To Celebrate Wolfie's 250th

SALZBURG, AUSTRIA – Austria’s venerable Salzburg Festival will stage all 22 of Wolfgang Amadeus Mozart’s operas and musical theatre works next year, the 250th anniversary of the composer’s birth. Simply staging the composer’s seven most-performed operas – including Le Nozze de Figaro and Idomeneo — “would have been too little for Salzburg,” festival director Peter Ruzicka told reporters Thursday. »

21 Jan 2005

Muti in Milano

Here, indicates the maestro, is the “punto Callas”. Riccardo Muti and I are standing onstage at La Scala, Milan, where so many great operas have been premiered and countless distinguished singers have sung. Facing the deserted auditorium, he points to an unmarked spot on the floor, right of centre, which Maria Callas established as her sovereign territory. It is the punto, or position, which best showed off a singer’s voice in a theatre renowned for its acoustical quirks. “There was great competition for this point,” smiles Muti. “In a quartet you would have a tower of singers.” Breaking the eerie stillness, the maestro claps his hands to show how much more flattering the acoustic has become since the great Milanese theatre reopened last month after a three-year renovation. Has La Scala ever resonated so crisply to the sound of one person’s applause? Muti’s point is that there is no longer any need for a “punto Callas”. »

20 Jan 2005

Peace is at hand in San Diego

A San Diego Opera-San Diego Symphony agreement reached this week to share musicians signifies a new level of achievement for two arts organizations that have fought second-tier status for years. It also ushers in unprecedented cooperation for these major arts organizations, which didn’t always work cooperatively or compatibly. »

20 Jan 2005

Seeking Greatness at Lincoln Center

NEW YORK—The British are coming. So are the Russians, along with an Argentinean and the usual Austrians and Germans. Lincoln Center’s 2005-06 “Great Performers” lineup was announced Tuesday, and the 40th season of the multimedia series once again draws a multicultural mix of classical performers. The opening events of “Great Performers,” Sept. 28-Oct. 2, bring the return of the virtuoso London Symphony Orchestra under Sir Colin Davis in programs ranging from the Verdi Requiem to Sibelius and Vaughan Williams. That kicks off a season featuring visits from 10 international orchestras, plus 31 recitals and chamber concerts. »

20 Jan 2005

Ghosts of Performances Past

Washington DC (PRWEB) January 20, 2005—The National Theatre is a plethora of stars of the past, the present, and the future of the great American theatre. Almost every great stage performer over the past century has graced the stage of this historic theatre. The oldest cultural institution in the Nation’s capital, the National Theatre is one of the oldest continuously operating theatres in America. The National Theatre, managed by the Shubert Organization, has presented numerous North American and World premieres of professional Broadway Class-A Legitimate Productions throughout its history. The National Theatre over looks the International Trade Center and Freedom Plaza on “The Avenue of the Presidents”. Since its inception, the National Theatre has been crowned “The Theatre of the Presidents” having performed for every American President and First Lady. »

20 Jan 2005

Cincinnatus Idyll

There was no scowling Simon Cowell, no one singing while holding a scooter and no William Hung. But Cincinnati’s own classical version of “American Idol” auditions took place Friday and Saturday at Music Hall. Budding singers and classically trained performers sang with all the fervor of “Idol” winner Fantasia in an attempt to land a spot in one or more of Cincinnati Opera’s four summer productions. »

20 Jan 2005

Carmen at Toronto

Richard Bradshaw is finally ready to lift the curse and bring Carmen back to Toronto next fall as part of the Canadian Opera Company’s final season at the Hummingbird Centre. Georges Bizet’s hot-blooded saga about the Spanish gypsy and jealous soldier is one of the greatest crowd-pleasers in the opera repertory, but at the COC a black cloud has been hanging over it for the past 12 years. »

20 Jan 2005

Philadelphia Opera Company's 2005-2006 Season

The premiere of “Margaret Garner,” plus a late Verdi masterpiece, and Figaro’s twin adventures as told by Rossini and Mozart make up the Opera Company of Philadelphia’s 2005-2006 season. For the second year, the company will present four operas with six Academy of Music performances each. “We hope that we will be able to return to five productions in the 2006-2007 season,” said the company’s general and artistic director Robert Driver as the ‘05-’06 season was announced yesterday. »

14 Jan 2005

Opera in the UK

I HOPE you made the most of last year’s opera highlights because 2005 looks pretty dull by comparison. The resignation of Scottish Opera’s music director, Sir Richard Armstrong, has added to the company’s woes. With only three productions in the foreseeable future, the main risk is that the audience forgets the company exists. The vanishing audience is a spectre that haunts other companies: ENO must be wondering what became of an audience that was more like a loyal football crowd. »

14 Jan 2005

Opera in Paris

Le premier temps fort de cette deuxième partie de saison lyrique sera La Flûte enchantée bientôt proposée par l’Opéra Bastille : on a déjà vu dans une halle d’usine de Bochum ce spectacle étonnant conçu par les Catalans de la Fura del Baus, à l’époque où Gérard Mortier dirigeait le Festival de la Ruhr. Comment les matelas gonflables et la science-fiction philosophique imaginés par ces plasticiens virtuoses passeront-ils à Paris, et comment Marc Minkowski, qui avait très bien dirigé l’oeuvre en Allemagne, sera-t-il reçu par l’Orchestre de l’Opéra ? On le saura à partir du 24 janvier. Deux jours après, on suivra aussi, à Garnier, le second Couronnement de Poppée de la saison, après celui de McVicar aux Champs-Elysées : le metteur en scène, David Alden, est aussi anglais, et la divine Antonacci ne sera plus Néron mais Poppée. »

12 Jan 2005

SFO Announces 2005-2006 Season

The main entrance of the War Memorial Opera House.Photo by Terrence McCarthy SAN FRANCISCO — General Director Pamela Rosenberg announced details of San Francisco Opera's 83rd Season during a press meeting at the Opera House on Wednesday, January 12.... »

12 Jan 2005

David Gockley Now in the Running at SFO

SAN FRANCISCO Opera director search adds Houston veteran Once not in running, David Gockley now a leading candidate Joshua Kosman, Chronicle Music Critic Tuesday, January 11, 2005 David Gockley, the visionary longtime general director of the Houston Grand Opera, has... »

09 Jan 2005

Kurtag's Kafka Fragments at Carnegie Hall

KAFKA and Kurtag. This natural coupling of writer and composer telegraphs with alliterative grace a century of modernism, a deeply felt spiritual condition and a grasping for genuine personal expression through violently impersonal times. The Hungarian composer Gyorgy Kurtag was born in 1926, two years after Kafka’s death, but their sensibilities are interwoven in one of Mr. Kurtag’s most effective works, “Kafka Fragments,” for soprano and violin. These settings of short excerpts from Kafka’s diaries, letters and notebooks will be performed this week by the soprano Dawn Upshaw and the violinist Geoff Nuttall, in a new staging directed by Peter Sellars, as part of Ms. Upshaw’s Perspectives series at Carnegie Hall. »

08 Jan 2005

Tippett's The Knot Garden at Scottish Opera

The Knot Garden Sir Michael Tippett sung in English The Knot Garden, with a libretto by the composer, has a typically enigmatic title. The elaborate Elizabethan Knot Garden often resembled a maze - and the reference to Shakespeare's time is... »

07 Jan 2005

Lyric of Chicago's New Season

Lyric plays it safe with season schedule By John von Rhein Tribune music critic January 6, 2005 Now at the midpoint of its golden jubilee season, Lyric Opera of Chicago is faced with carrying its winning streak into the company's... »

06 Jan 2005

Zeffirelli Has A Conniption

Franco Zeffirelli, one of the world’s best-known opera directors, yesterday branded the inaugural season of the newly refurbished La Scala opera house a disgrace. Zeffirelli accused the opera house of inviting second-rate conductors to perform. Writing to a journalist on the Italian daily Corriere della Sera, who had written approvingly of the programme, he said the situation “risks becoming utterly absurd and developing into a scandal of truly international proportions because La Scala belongs to the whole world”. »

05 Jan 2005

A Dead-end at Abbey Road?

Twilight of the CD Gods? A Studio 'Tristan' May Be the Last Ever By MICHAEL WHITE LONDON, Jan. 4 - The EMI recording studios at Abbey Road in north London are always a surprise when you walk through the modest... »

01 Jan 2005

Classical Music Sales Looking Up

A Year When Classical Labels Came Through By ANTHONY TOMMASINI In 2003, the problems affecting the classical recording business seemed daunting: markets flooded with multiple versions of the standard repertory; declining sales; widespread layoffs in the offices of the major... »

01 Jan 2005

La Serva Padrona in Boston

Soprano Amanda Forsythe has sung so often with baritone David Kravitz that she was only mildly surprised recently when she Googled her name, and up popped a reference to “Amanda Kravitz.” Tonight and tomorrow afternoon, Forsythe is paired with Kravitz again for Pergolesi’s delicious little opera “La Serva Padrona” (“The Maid as Mistress”), presented by Boston Baroque as part of its annual New Year’s Eve/New Year’s Day gala at Sanders Theatre. »

30 Dec 2004

Tsar's Bride at the Mariinsky

ST. PETERSBURG, December 29 (RIA Novosti) – The city’s Mariinka (Kirov) theater is to open its next season here today with Nikolai Rimsky-Korsakov’s “Tsar’s Bride” opera. Talking to RIA Novosti, people at the Mariinka theater’s press center noted that this was a joint production involving the theater and Holland’s Diaghilev Festival Foundation. The new stage version of this opera was first performed December 10 in Groningen, Holland. »

29 Dec 2004

An Overview of Opera at Spoleto Festival USA

Spoleto Festival USA has announced the production of three operas for 2005. These are: Die Vögel (The Birds) Lost when Braunfels was blacklisted by the Nazis in the late 1930s, the work has never received a fully staged performance... »