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Elsewhere

Claude Debussy and Lili Boulanger commemorated at the Proms

Two French commemorations - ‘anniversaries’ always seems the wrong word - and surely is - here: the centenary of the deaths of Claude Debussy and Lili Boulanger.

Pique Dame in Salzburg

It was emeritus night at the Salzburg Festival with 75 year old maestro Mariss Jansons conducting 77 year old stage director Hans Neuenfels production about Pushkin’s 87 year old countess known as the Pique Dame.

Lohengrin at Bayreuth

Three electrifying moments and the world is forever changed.

Salome in Salzburg

A Romeo Castellucci production is always news, it is even bigger news just now in Salzburg where Lithuanian soprano Asmik Grigorian has made her debut as the fifteen year-old Salome.

Vaughan Williams Dona nobis pacem - BBC Prom 41

Prom 41 at the Royal Albert Hall, London, with Edward Gardner conducting the BBCSO in Vaughan Williams's Dona nobis pacem, Elgar's Cello Concerto (Jean-Guihen Queyras) and Lili Boulanger . Extremely perceptive performances that revealed deep insight, far more profound than the ostensible "1918" theme

Lisbon under ashes - rediscovered Portuguese Baroque

In 1755, Lisbon was destroyed, first by a massive earthquake, then by a tsunami pouring in from the Atlantic, then by fire and civil unrest. The scale of the disaster is almost unimaginable today. The centre of the Portuguese Empire, with treasures from India, Africa, Brazil and beyond, was never to recover. The royal palaces, with their libraries and priceless collections, were annihilated.

John Wilson brings Broadway to South Kensington: West Side Story at the BBC Proms

There were two, equal ‘stars’ of this performance of the authorised concert version of Leonard Bernstein’s West Side Story at the Royal Albert Hall: ‘Lenny’ himself, whose vibrant score - by turns glossy and edgy - truly shone, and conductor John Wilson, who made it gleam, and who made us listen afresh and intently to every coloristic detail and toe-tapping, twisting rhythm.

Prom 36: Webern, Mahler, and Wagner

One of the joys of writing regularly – sometimes, just sometimes, I think too regularly – about performance has been the transformation, both conscious and unconscious, of my scholarship.

Glyndebourne announces new Artistic Director

Stephen Langridge has been appointed Artistic Director of Glyndebourne. Stephen is currently Director for Opera and Drama at Gothenburg Opera, Sweden, a role he has occupied for five years. He will take up his new role at Glyndebourne in spring 2019.

Prom 33: Thea Musgrave, Phoenix Rising, and Johannes Brahms, Ein deutsches Requiem, op.45

I am not sure I could find much of a connection between the two works on offer here. They offered ‘contrast’ of a sort, I suppose, yet not in a meaningful way such as I could discern.

Gianni Schicchi by Oberlin in Italy

It’s an all too rare pleasure to see Puccini’s only comedy as a stand alone opera. And more so when it is a careful production that uncovers the all too often overlooked musical and dramatic subtleties that abound in Puccini’s last opera.

Sarah Connolly and Joseph Middleton journey through the night at Cadogan Hall

The mood in the city is certainly soporific at the moment, as the blistering summer heat takes its toll and the thermometer shows no signs of falling. Fittingly, mezzo-soprano Dame Sarah Connolly and pianist Joseph Middleton presented a recital of English song settings united by the poetic themes of night, sleep, dreams and nightmares, juxtaposing masterpieces of the early-twentieth-century alongside new works by Mark-Anthony Turnage and Australian composer Lisa Illean, and two ‘long-lost’ songs by Britten.

Vanessa: Keith Warner's Glyndebourne production exposes truths and tragedies

“His child! It must not be born!” Keith Warner’s new production of Samuel Barber’s Vanessa for Glyndebourne Festival Opera makes two births, one intimated, the other aborted, the driving force of the tragedy which consumes two women, Vanessa and her niece Erika, rivals for the same young man, Anatol, son of Vanessa’s former lover.

Rollicking Rossini in Santa Fe

Santa Fe Opera welcomed home a winningly animated production of L’Italiana in Algeri this season that utterly delighted a vociferously responsive audience.

Rock solid Strauss Salomé- Salzburg

Richard Strauss Salomé from the Salzburg Festival, conducted by Franz Welser-Möst, a powerful interpretation of an opera which defies easy answers, performed and produced with such distinction thast it suceeds on every level. The words "Te saxa Loquuntur" (The stones are speaking to you) are projected onto the stage. Salzburg regulars will recognize this as a reference to the rock foundations on which part of the city is built, and the traditions of excellence the Festival represents. In this opera, the characters talk at cross-purposes, hearing without understanding. The phrase suggests that what might not be explicitly spoken might have much to reveal.

Prom 26: Dido and Cleopatra – Queens of Fascination

In this, her Proms debut, Anna Prohaska offered something akin to a cantata of two queens, complementary and contrasted: Dido and Cleopatra. Returning in a sense to her ‘early music’ roots – her career has always been far richer, more varied, but that world has always played an important part – she collaborated with the Italian ‘period’ ensemble, Il Giardino Armonico and Giovanni Antonini.

Parsifal: Munich Opera Festival

And so, this year’s Munich Opera Festival and this year’s Bavarian State Opera season came to a close with everyone’s favourite Bühnenweihfestspiel, Parsifal, in the final outing this time around for Pierre Audi’s new production.

Santa Fe: Atomic Doesn’t Quite Ignite

What more could we want than having Peter Sellars re-imagine his acclaimed staging of John Adams’ Doctor Atomic at the renowned Santa Fe Opera festival?

Santa Fe: Continuing a Proud Strauss Tradition

Santa Fe Opera has an enduring reputation for its Strauss, and this season’s enjoyable Ariadne auf Naxos surely made John Crosby smile proudly.

From the House of the Dead: Munich Opera Festival

Frank Castorf might have been born to direct From the House of the Dead. In this, his third opera project - or better, his third opera project in the opera house, for his Volksbühne Meistersinger must surely be reckoned with, even by those of us who did not see it - many of his hallmarks and those of his team are present, yet without the slightest hint of staleness, of anything other than being reborn for and in the work.


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11 Aug 2018

Glyndebourne announces new Artistic Director

http://www.operatoday.com/content/2018/08/glyndebourne_an.php »

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30 Dec 2004

Tsar's Bride at the Mariinsky

ST. PETERSBURG, December 29 (RIA Novosti) – The city’s Mariinka (Kirov) theater is to open its next season here today with Nikolai Rimsky-Korsakov’s “Tsar’s Bride” opera. Talking to RIA Novosti, people at the Mariinka theater’s press center noted that this was a joint production involving the theater and Holland’s Diaghilev Festival Foundation. The new stage version of this opera was first performed December 10 in Groningen, Holland. »

29 Dec 2004

An Overview of Opera at Spoleto Festival USA

Spoleto Festival USA has announced the production of three operas for 2005. These are: Die Vögel (The Birds) Lost when Braunfels was blacklisted by the Nazis in the late 1930s, the work has never received a fully staged performance... »

29 Dec 2004

Egypt and Opera at the Museum

De l’Isis de Lully, en 1677, à l’Akhnaten de Philip Glass, en 1984, en passant par l’inoubliable Aïda de Verdi, pas moins de deux cents créations lyriques – cantates, oratorios, opéras et ballets – ont eu pour thème l’Egypte, dont la moitié exclusivement consacrées à Cléopâtre. C’est dire l’attirance que ce pays et ses mystères, réels ou supposées, ont exercée sur les compositeurs et les librettistes, toujours à la recherche d’un nouvel exotisme ou d’un romantisme déchirant. «Avec la deuxième collection d’égyptologie après celle du Musée Guimet de Lyon, dit Brigitte Bouret, conservateur du musée et commissaire de l’exposition «L’Egypte et l’Opéra», il était légitime que nous nous intéressions à ce thème d’une grande richesse d’autant que j’ai pu travailler avec un égyptologue de renom, Michel Dewachter.» »

28 Dec 2004

Der Besuch der alten Dame at TheaterLübeck

Premièring 14 January, TheaterLübeck will present Der Besuch der alten Dame, a schauspiel written in 1956 by the Swiss playwright Friedrich Dürrenmatt (1921-1990) under the original title Komödie der Hochkonjunktur (Comedy of Business Prosperity), with music by Dietmar Staskowiak. Der Besuch der alten Dame received the New York Drama Critics’ Circle Award for best foreign play in 1958-59. »

28 Dec 2004

Changes at the Chicago Lyric

No time for Lyric to play it safe Opera company loses Epstein's voice of innovation By John von Rhein Tribune music critic December 27, 2004 Matthew A. Epstein's recent departure as artistic director of Lyric Opera raises questions about whether... »

26 Dec 2004

NY TIMES: 2004 in Retrospect

The Voices That Carried the Year By ANNE MIDGETTE OPERA lovers do a fair amount of hand-wringing over the state of singing today. My own pet peeve has been the decline in big voices, especially Verdi singers. But 2004 had... »

20 Dec 2004

Miah Persson Replaces Natalie Dessay in Mahler's Fourth

Fi de Natalie Dessay et des Brentano-Lieder de Strauss (dont le dernier, Amor, donne le titre de son dernier album, chroniqué sur ResMusica). Qu’importe, le public s’est pressé ce soir là, comme à chacun des concerts de cette intégrale Mahler (lire le compte rendu de la symphonie n°3 et de ce même concert, deux jours plus tôt, à Dijon). Composée lors de son dernier séjour en Italie la symphonie n°29 d’un Mozart d’à peine 18 ans est créée en 1774 à Salzbourg, qui connaît depuis deux ans le règne du Prince-Archevêque Colloredo. Myung Whun Chung a choisi de réduire son orchestre en « formation Mannheim » (moins de trente cordes) pour servir cette œuvre avec la légèreté et la fluidité nécessaire. L’ensemble est très énergique et homogène, et accentue le coté brillant de cette symphonie par le parti pris de tempi plutôt allant, malgré quelques fluctuations dans les départs de mouvements. »

20 Dec 2004

Once More, With Feeling

Recorded music has benefited from the digital revolution, with lifelike reproduction possible in a variety of formats. That’s not always a good thing, because professional musicians find themselves competing for work with a device known as Sinfonia. The introduction of this “virtual orchestra” into opera and Broadway pits has stirred resentment, lawsuits and countersuits. Even the definition of what it is has generated heated debate. »

20 Dec 2004

A Day in the Life of an Opera Student

At Juilliard, Students Learn That Opera Is Both Craft and Commodity By BLAIR TINDALL The Juilliard School in New York City has trained some of the world's most prominent singers since opening its opera department in 1930, including Leontyne Price,... »

19 Dec 2004

The Oxford History of Western Music

A History of Western Music? Well, It's a Long Story By JAMES R. OESTREICH OXFORD HISTORY OF WESTERN MUSIC By Richard Taruskin Illustrated. 4,272 pages. Oxford University Press. $500 until Dec. 31; then $699. The Oxford History of Western Music... »

17 Dec 2004

Philip Gossett Receives Mellon Distinguished Achievement Award

Philip Gossett, one of the world's foremost experts on Italian opera, will receive one of four Mellon Distinguished Achievement Awards, an honor that carries with it a $1.5 million prize. Gossett, the Robert W. Reneker Distinguished Service Professor in... »

16 Dec 2004

Major Losses at the Berlin Opera Houses

Berliner Opernhäuser haben Millionenverluste gemacht 19:45 Uhr Die Staatsoper Unter den Linden Berlin - Die drei Berliner Opernhäuser haben im ersten Jahr der gemeinsamen Opernstiftung weniger Besucher als erwartet gehabt und damit Millionenverluste gemacht. Insgesamt kamen in diesem Jahr in... »

16 Dec 2004

Trouble Down Under

Discord rings out as new opera director takes up the baton By Sharon Verghis December 16, 2004 Richard Hickox barely had time to adjust to the time difference before he walked into his first industry controversy. "I'm sorry that I... »

15 Dec 2004

Journal of Musicological Research

The Journal of Musicological Research has announced the release of Volume 23, Issue 3-4. The following is the table of contents from this issue: Paul Christiansen: "The Meaning of Speech Melody for Leos Janácek" Nathan Hesselink and Jonathan Christian... »

13 Dec 2004

Troubles at the Münchener Bach-Chor

Riss im Ensemble Bach-Chor ins Schlingern geraten Es schien perfekt eingefädelt: ein Konzert zum 50-jährigen Jubiläum, dann sogar mit dem künftigen Chef am Pult. Doch Ralf Otto, der charismatische Wunschkandidat aus Mainz, gab dem Münchener Bach-Chor kurz vor dem Weihnachtsoratorium... »

10 Dec 2004

An Invitation to the Opera

A Night At The Opera Dec. 10, 2004 - That's the title of a very famous Marx Brothers movie--a movie that makes fun of all sorts of opera stereotypes. But you might be surprised to hear that the number of... »

09 Dec 2004

Musicians Unite!

New, Musician-Run FM Station Plans Music Radio Revival A group led by two nationally known musicians has been awarded a contract to operate the Milwaukee Public Schools' FM station, WYMS-FM (88.9), and is developing a format to support musicians and... »

08 Dec 2004

The Guardian Reports on the Reopening of La Scala

Photo: AP/ Silvia Lelli/ Teatro Alla Scala. Glitz and clamour mark La Scala's reopening night John Hooper in Rome Wednesday December 8, 2004 The Guardian Decked out in red roses and surrounded by riot police, Milan's expanded and refurbished La... »

08 Dec 2004

Di Stefano Recovering

Opera singer recovering after stabbing Doctors 'hopeful' about Giuseppe Di Stefano ROME, Italy (AP) -- Italian tenor Giuseppe Di Stefano was being taken off sedatives and doctors were hopeful about his recovery from injuries sustained in an attack at his... »

07 Dec 2004

Grammy Awards Nominations

The nominations for the 47th annual Grammy Awards were announced Tuesday in Los Angeles. The following were the nominees for opera and classical vocal performance recordings: Opera Recording: Monteverdi: L'Orfeo Emmanuelle Haim,conductor/harpsichord/organ; Ian Bostridge, Patrizia Ciofi and Natalie Dessay; Daniel... »

07 Dec 2004

Elena Souliotis

MUSICA: E' MORTA SOPRANO ELENA SOULIOTIS 04/12/2004 - (ANSA) FIRENZE, 4 DIC E' morta improvvisamente oggi pomeriggio a Firenze la soprano drammatico Elena Souliotis, nota cantante lirica, amica di Fedora Barbieri e di Maria Callas. Aveva 61 anni e si... »

07 Dec 2004

Music in the Making of Europe 1000-1300

Royal Holloway-British Library Lectures in Musicology Christopher Page, the founder and director of the ensemble Gothic Voices, will give a series of one-hour lectures at the British Library Conference Centre on Music in the Making of Europe 1000-1300. The first... »

04 Dec 2004

Teatro Colón Sings

Britten's Venice Is Eclipsed by the Wonders of Colón By BERNARD HOLLAND BUENOS AIRES, Nov. 29 - The Teatro Colón is grand opera all by itself. Enter its front door to an ensemble of Italian marbles singing to the eye... »

04 Dec 2004

Mozart's Lucio Silla

The teenage Mozart and the trinity By Shirley Apthorp Published: December 3 2004 02:00 | Last updated: December 3 2004 02:00 The walls of the set model can be lifted out and swapped around, like a dolls' house for the... »

02 Dec 2004

Glimmerglass Opera 2005

GLIMMERGLASS OPERA ANNOUNCES 2005 FESTIVAL SEASON Four New Productions to Run in Repertory June 30 through August 23, 2005 COOPERSTOWN, NY. Glimmerglass Opera has announced the repertory for its 2005 Festival Season. Four new productions, of works by Mozart, Donizetti,... »

30 Nov 2004

Tristan und Isolde at LA Philharmonic

L.A. Phil: A 'fresh context' for 'Tristan und Isolde' By Valerie Scher UNION-TRIBUNE CLASSICAL MUSIC CRITIC November 28, 2004 Wagner's "Tristan und Isolde" is an epic melodrama, a mythic love story about the doomed romance between a knight and a... »

30 Nov 2004

La Scala Resurrected

Milan's La Scala stands ready to reopen on Dec. 7 after a two-year makeover, which includes the latest in acoustics and stage mechanics, a revamped floor, and new rehearsal rooms and offices. (Luca Bruno -- AP) The Very Model... »

29 Nov 2004

Satellite Radio: The Future is Now

At XM, Boldly Going Under Hugh Panero, Satellite Radio Is a Hit. Just Ask Howard Stern And Mel Karmazin. By Annys Shin Washington Post Staff Writer Monday, November 29, 2004; Page E01 Hugh Panero has never had much patience for... »

29 Nov 2004

Visual Aids in Live Performances

Classical buffs wary of letting eyes have it By David Patrick Stearns Inquirer Music Critic In the anti-MTV world of classical music, there's rarely been a video screen that didn't make great music seem worse. Years ago, the Philadelphia Orchestra... »

29 Nov 2004

Sleepless in Seattle

Money woes prompt panic at Seattle opera, ballet By PEGGY ANDERSEN ASSOCIATED PRESS WRITER SEATTLE -- With the local economy flying high with dot-com dollars and public and private money gushing, Seattle built a grand, airy new space in its... »

28 Nov 2004

Grand Théâtre de Genève to Present Isabelle Aboulker's Les Enfants du Levant

During its 2004-2005 season, the Grand Théâtre de Genève will present Les Enfants du Levant by Isabelle Aboulker. Performances will be at 1930 on 11, 14, 15 and 16 December 2004 and at 1430 on 12 December 2004. Synopsis... »

28 Nov 2004

An Overview of Salzburg Festival – Summer 2005

Artistic Director Peter Ruzicka and Director of Drama Martin Kusej presented the program for the 2005 Salzburg Festival at the annual press conference, which consists of 183 events. The following is an overview of opera productions and vocal recitals:... »

25 Nov 2004

On Opera in Berlin

The Real Drama of Berlin Opera Berlin's three opera houses are no strangers to eluding closure and nursing the wounds of financial incision. Although they are currently on safe ground, they're having to learn to sing for their supper in... »

25 Nov 2004

Viktoriya Dodoka Wins Lockwood Aria

Opera: A Russian opera star is born John Daly-Peoples [National Business Review] Lockwood Aria Rotorua Convention Centre The Lockwood Aria has become the major proving ground for emerging opera talent in New Zealand. Some of the previous winners have gone... »

25 Nov 2004

Baroque Opera in Sydney

Baroque opera gets a new lease of life Matthew Westwood [The Australian] 26nov04 LAST month, at the final performance of Madeline Lee - John Haddock and Michael Campbell's emotionally involving new opera - market researchers for Opera Australia were handing... »