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Elsewhere

The Moderate Soprano : Q&A with Nancy Carroll and Roger Allam

Nancy Carroll and Roger Allam play Audrey Mildmay and John Christie in David Hare’s play The Moderate Soprano which is currently at the Duke of York’s Theatre in London.

Le Concert Royal de la Nuit - Ensemble Correspondances

Le Concert Royal de la Nuit with Ensemble Correspondances led by Sébastien Daucé, the glorious culmination of the finest London Festival of the Baroque in years on the theme "Treasures of the Grand Siècle". Le Concert Royal de la Nuit was Louis XIV's announcement that he would be "Roi du Soleil", a ruler whose magnificence would transform France, and the world, in a new age of splendour.

Voices of Revolution – Prokofiev, Exile and Return

Seven, they are Seven , op.30; Violin Concerto no.1 in D minor, op.19; Cantata for the Twentieth Anniverary of the October Revolution, op.74. David Butt Philip (tenor), Pekka Kuusisto (violin), Aidan Oliver (voice of Lenin, chorus director), Philharmonia Voices, Crouch End Festival Chorus, Students of the Royal Welsh College of Music and Drama (military band), Philharmonia Orchestra/Vladimir Ashkenazy (conductor). Royal Festival Hall, London, Sunday 20 May 2018.

Charpentier Histoires sacrées, staged - London Baroque Festival

Marc-Antoine Charpentier Histoires sacrées with Ensemble Correspondances, conducted by Sébastien Daucé, at St John's Smith Square, part of the London Festival of the Baroque 2018. This striking staging, by Vincent Huguet, brought out its austere glory: every bit a treasure of the Grand Siècle, though this grandeur was dedicated not to Sun God but to God.

No Time in Eternity: Iestyn Davies discusses Purcell and Nyman

Revolution, repetition, rhetoric. On my way to meet countertenor Iestyn Davies, I ponder if these are the elements that might form connecting threads between the music of Henry Purcell and Michael Nyman, whose works will be brought together later this month when Davies joins the viol consort Fretwork for a thought-provoking recital at Milton Court Concert Hall.

Aïda in Seattle: don’t mention the war!

When Francesca Zambello presented Aïda at her own Glimmerglass Opera in 2012, her staging was, as they say, “ripped from today’s headlines.” Fighter planes strafed the Egyptian headquarters as the curtain rose, water-boarding was the favored form of interrogation, Radames was executed by lethal injection.

Glyndebourne Festival Opera 2018 opens with Annilese Miskimmon's Madama Butterfly

As the bells rang with romance from the tower of St George’s Chapel, Windsor, the rolling downs of Sussex - which had just acquired a new Duke - echoed with the strains of a rather more bitter-sweet cross-cultural love affair. Glyndebourne Festival Opera’s 2018 season opened with Annilese Miskimmon’s production of Madama Butterfly, first seen during the 2016 Glyndebourne tour and now making its first visit to the main house.

Remembering Debussy

This concert might have been re-titled Remembrance of Musical Times Past: the time, that is, when French song, nurtured in the Proustian Parisian salons, began to gain a foothold in public concert halls. But, the madeleine didn’t quite work its magic on this occasion.

Garsington's Douglas Boyd on Strauss and Skating Rinks

‘On August 3, 1941, the day that Capriccio was finished, 682 Jews were killed in Chernovtsy, Romania; 1,500 in Jelgava, Latvia; and several hundred in Stanisławów, Ukraine. On October 28, 1942, the day of the opera’s premiere in Munich, the first convoy of Jews from Theresienstadt arrived at Auschwitz-Birkenau, and 90 percent of them went to the gas chamber.’

A chiaroscuro Orfeo from Iestyn Davies and La Nuova Musica

‘I sought to restrict the music to its true purpose of serving to give expression to the poetry and to strengthen the dramatic situations, without interrupting the action or hampering it with unnecessary and superfluous ornamentations. […] I believed further that I should devote my greatest effort to seeking to achieve a noble simplicity; and I have avoided parading difficulties at the expense of clarity.’

Lessons in Love and Violence: powerful musical utterances but perplexing dramatic motivations

‘What a thrill -/ My thumb instead of an onion. The top quite gone/ Except for a sort of hinge/ Of skin,/ A flap like a hat,/ Dead white. Then that red plush.’ Those who imagined that Sylvia Plath (‘Cut’, 1962) had achieved unassailable aesthetic peaks in fusing pain - mental and physical - with beauty, might think again after seeing and hearing this, the third, collaboration between composer George Benjamin and dramatist/librettist Martin Crimp: Lessons in Love and Violence.

Grands motets de Lalande

Majesté, a new recording by Le Poème Harmonique, led by Vincent Dumestre, of music by Michel-Richard de Lalande (1657-1726) new from Alpha Classics. Le Poème Harmonique are regular visitors to London, appreciated for the variety of their programes. On Friday this week, (11/5) they'll be at St John's Smith Square as part of the London Festival of Baroque, with a programme titled "At the World's Courts".

Perpetual Night - Early English Baroque, Ensemble Correspondances

New from Harmonia Mundi, Perpetual Night. a superb recording of ayres and songs from the 17th century, by Ensemble Correspondances with Sébastien Daucé and Lucile Richardot. Ensemble Correspondances are among the foremost exponents of the music of Versailles and the French royalty, so it's good to hear them turn to the music of the Stuart court.

Les Salons de Pauline Viardot: Sabine Devieilhe at Wigmore Hall

Always in demand on French and international stages, the French soprano Sabine Devieihle is, fortunately, becoming an increasingly frequent visitor to these shores. Her first appearance at Wigmore Hall was last month’s performance of works by Handel with Emmanuelle Haïm’s Le Concert d’Astrée. This lunchtime recital, reflecting the meetings of music and minds which took place at Parisian salon of the nineteenth-century mezzo-soprano Pauline Viardot (1821-1910), was her solo debut at the venue.

Jesus Christ Superstar at Lyric Opera of Chicago

Lyric Opera of Chicago is now featuring as its spring musical Jesus Christ Superstar with music and lyrics by Andrew Lloyd Webber and Tim Rice. The production originated with the Regent’s Park Theatre, London with additional scenery by Bay Productions, U.K. and Commercial Silk International.

Persephone glows with life in Seattle

As a figure in the history of 20th century art, few deserve to be closer to center stage than Ida Rubenbstein. Without her talent, determination, and vast wealth, Ravel’s Boléro, Debussy’s Martyrdom of St. Sebastien, Honegger’s Joan of Arc at the Stake, and Stravinsky’s Perséphone would not exist.

La concordia de’ pianeti: Imperial flattery set to Baroque splendor in Amsterdam

One trusts the banquet following the world premiere of La concordia de’ pianeti proffered some spicy flavors, because Pietro Pariati’s text is so cloying it causes violent stomach-churning. In contrast, Antonio Caldara’s music sparkles and dances like a blaze of crystal chandeliers.

Kathleen Ferrier Awards Final 2018

The 63rd Competition for the Kathleen Ferrier Awards 2018 was an unusually ‘home-grown’ affair. Last year’s Final had brought together singers from the UK, the Commonwealth, Europe, the US and beyond, but the six young singers assembled at Wigmore Hall on Friday evening all originated from the UK.

Affecting and Effective Traviata in San Jose

Opera San Jose capped its consistently enjoyable, artistically accomplished 2017-2018 season with a dramatically thoughtful, musically sound rendition of Verdi’s immortal La traviata.

Brahms Liederabend

At his best, Matthias Goerne does serious (ernst) at least as well as anyone else. He may not be everyone’s first choice as Papageno, although what he brings to the role is compelling indeed, quite different from the blithe clowning of some, arguably much closer to its fundamental sadness. (Is that not, after all, what clowns are about?) Yet, individual taste aside, whom would one choose before him to sing Brahms, let alone the Four Serious Songs?


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30 Dec 2004

Tsar's Bride at the Mariinsky

ST. PETERSBURG, December 29 (RIA Novosti) – The city’s Mariinka (Kirov) theater is to open its next season here today with Nikolai Rimsky-Korsakov’s “Tsar’s Bride” opera. Talking to RIA Novosti, people at the Mariinka theater’s press center noted that this was a joint production involving the theater and Holland’s Diaghilev Festival Foundation. The new stage version of this opera was first performed December 10 in Groningen, Holland. »

29 Dec 2004

An Overview of Opera at Spoleto Festival USA

Spoleto Festival USA has announced the production of three operas for 2005. These are: Die Vögel (The Birds) Lost when Braunfels was blacklisted by the Nazis in the late 1930s, the work has never received a fully staged performance... »

29 Dec 2004

Egypt and Opera at the Museum

De l’Isis de Lully, en 1677, à l’Akhnaten de Philip Glass, en 1984, en passant par l’inoubliable Aïda de Verdi, pas moins de deux cents créations lyriques – cantates, oratorios, opéras et ballets – ont eu pour thème l’Egypte, dont la moitié exclusivement consacrées à Cléopâtre. C’est dire l’attirance que ce pays et ses mystères, réels ou supposées, ont exercée sur les compositeurs et les librettistes, toujours à la recherche d’un nouvel exotisme ou d’un romantisme déchirant. «Avec la deuxième collection d’égyptologie après celle du Musée Guimet de Lyon, dit Brigitte Bouret, conservateur du musée et commissaire de l’exposition «L’Egypte et l’Opéra», il était légitime que nous nous intéressions à ce thème d’une grande richesse d’autant que j’ai pu travailler avec un égyptologue de renom, Michel Dewachter.» »

28 Dec 2004

Der Besuch der alten Dame at TheaterLübeck

Premièring 14 January, TheaterLübeck will present Der Besuch der alten Dame, a schauspiel written in 1956 by the Swiss playwright Friedrich Dürrenmatt (1921-1990) under the original title Komödie der Hochkonjunktur (Comedy of Business Prosperity), with music by Dietmar Staskowiak. Der Besuch der alten Dame received the New York Drama Critics’ Circle Award for best foreign play in 1958-59. »

28 Dec 2004

Changes at the Chicago Lyric

No time for Lyric to play it safe Opera company loses Epstein's voice of innovation By John von Rhein Tribune music critic December 27, 2004 Matthew A. Epstein's recent departure as artistic director of Lyric Opera raises questions about whether... »

26 Dec 2004

NY TIMES: 2004 in Retrospect

The Voices That Carried the Year By ANNE MIDGETTE OPERA lovers do a fair amount of hand-wringing over the state of singing today. My own pet peeve has been the decline in big voices, especially Verdi singers. But 2004 had... »

20 Dec 2004

Miah Persson Replaces Natalie Dessay in Mahler's Fourth

Fi de Natalie Dessay et des Brentano-Lieder de Strauss (dont le dernier, Amor, donne le titre de son dernier album, chroniqué sur ResMusica). Qu’importe, le public s’est pressé ce soir là, comme à chacun des concerts de cette intégrale Mahler (lire le compte rendu de la symphonie n°3 et de ce même concert, deux jours plus tôt, à Dijon). Composée lors de son dernier séjour en Italie la symphonie n°29 d’un Mozart d’à peine 18 ans est créée en 1774 à Salzbourg, qui connaît depuis deux ans le règne du Prince-Archevêque Colloredo. Myung Whun Chung a choisi de réduire son orchestre en « formation Mannheim » (moins de trente cordes) pour servir cette œuvre avec la légèreté et la fluidité nécessaire. L’ensemble est très énergique et homogène, et accentue le coté brillant de cette symphonie par le parti pris de tempi plutôt allant, malgré quelques fluctuations dans les départs de mouvements. »

20 Dec 2004

Once More, With Feeling

Recorded music has benefited from the digital revolution, with lifelike reproduction possible in a variety of formats. That’s not always a good thing, because professional musicians find themselves competing for work with a device known as Sinfonia. The introduction of this “virtual orchestra” into opera and Broadway pits has stirred resentment, lawsuits and countersuits. Even the definition of what it is has generated heated debate. »

20 Dec 2004

A Day in the Life of an Opera Student

At Juilliard, Students Learn That Opera Is Both Craft and Commodity By BLAIR TINDALL The Juilliard School in New York City has trained some of the world's most prominent singers since opening its opera department in 1930, including Leontyne Price,... »

19 Dec 2004

The Oxford History of Western Music

A History of Western Music? Well, It's a Long Story By JAMES R. OESTREICH OXFORD HISTORY OF WESTERN MUSIC By Richard Taruskin Illustrated. 4,272 pages. Oxford University Press. $500 until Dec. 31; then $699. The Oxford History of Western Music... »

17 Dec 2004

Philip Gossett Receives Mellon Distinguished Achievement Award

Philip Gossett, one of the world's foremost experts on Italian opera, will receive one of four Mellon Distinguished Achievement Awards, an honor that carries with it a $1.5 million prize. Gossett, the Robert W. Reneker Distinguished Service Professor in... »

16 Dec 2004

Major Losses at the Berlin Opera Houses

Berliner Opernhäuser haben Millionenverluste gemacht 19:45 Uhr Die Staatsoper Unter den Linden Berlin - Die drei Berliner Opernhäuser haben im ersten Jahr der gemeinsamen Opernstiftung weniger Besucher als erwartet gehabt und damit Millionenverluste gemacht. Insgesamt kamen in diesem Jahr in... »

16 Dec 2004

Trouble Down Under

Discord rings out as new opera director takes up the baton By Sharon Verghis December 16, 2004 Richard Hickox barely had time to adjust to the time difference before he walked into his first industry controversy. "I'm sorry that I... »

15 Dec 2004

Journal of Musicological Research

The Journal of Musicological Research has announced the release of Volume 23, Issue 3-4. The following is the table of contents from this issue: Paul Christiansen: "The Meaning of Speech Melody for Leos Janácek" Nathan Hesselink and Jonathan Christian... »

13 Dec 2004

Troubles at the Münchener Bach-Chor

Riss im Ensemble Bach-Chor ins Schlingern geraten Es schien perfekt eingefädelt: ein Konzert zum 50-jährigen Jubiläum, dann sogar mit dem künftigen Chef am Pult. Doch Ralf Otto, der charismatische Wunschkandidat aus Mainz, gab dem Münchener Bach-Chor kurz vor dem Weihnachtsoratorium... »

10 Dec 2004

An Invitation to the Opera

A Night At The Opera Dec. 10, 2004 - That's the title of a very famous Marx Brothers movie--a movie that makes fun of all sorts of opera stereotypes. But you might be surprised to hear that the number of... »

09 Dec 2004

Musicians Unite!

New, Musician-Run FM Station Plans Music Radio Revival A group led by two nationally known musicians has been awarded a contract to operate the Milwaukee Public Schools' FM station, WYMS-FM (88.9), and is developing a format to support musicians and... »

08 Dec 2004

The Guardian Reports on the Reopening of La Scala

Photo: AP/ Silvia Lelli/ Teatro Alla Scala. Glitz and clamour mark La Scala's reopening night John Hooper in Rome Wednesday December 8, 2004 The Guardian Decked out in red roses and surrounded by riot police, Milan's expanded and refurbished La... »

08 Dec 2004

Di Stefano Recovering

Opera singer recovering after stabbing Doctors 'hopeful' about Giuseppe Di Stefano ROME, Italy (AP) -- Italian tenor Giuseppe Di Stefano was being taken off sedatives and doctors were hopeful about his recovery from injuries sustained in an attack at his... »

07 Dec 2004

Grammy Awards Nominations

The nominations for the 47th annual Grammy Awards were announced Tuesday in Los Angeles. The following were the nominees for opera and classical vocal performance recordings: Opera Recording: Monteverdi: L'Orfeo Emmanuelle Haim,conductor/harpsichord/organ; Ian Bostridge, Patrizia Ciofi and Natalie Dessay; Daniel... »

07 Dec 2004

Elena Souliotis

MUSICA: E' MORTA SOPRANO ELENA SOULIOTIS 04/12/2004 - (ANSA) FIRENZE, 4 DIC E' morta improvvisamente oggi pomeriggio a Firenze la soprano drammatico Elena Souliotis, nota cantante lirica, amica di Fedora Barbieri e di Maria Callas. Aveva 61 anni e si... »

07 Dec 2004

Music in the Making of Europe 1000-1300

Royal Holloway-British Library Lectures in Musicology Christopher Page, the founder and director of the ensemble Gothic Voices, will give a series of one-hour lectures at the British Library Conference Centre on Music in the Making of Europe 1000-1300. The first... »

04 Dec 2004

Teatro Colón Sings

Britten's Venice Is Eclipsed by the Wonders of Colón By BERNARD HOLLAND BUENOS AIRES, Nov. 29 - The Teatro Colón is grand opera all by itself. Enter its front door to an ensemble of Italian marbles singing to the eye... »

04 Dec 2004

Mozart's Lucio Silla

The teenage Mozart and the trinity By Shirley Apthorp Published: December 3 2004 02:00 | Last updated: December 3 2004 02:00 The walls of the set model can be lifted out and swapped around, like a dolls' house for the... »

02 Dec 2004

Glimmerglass Opera 2005

GLIMMERGLASS OPERA ANNOUNCES 2005 FESTIVAL SEASON Four New Productions to Run in Repertory June 30 through August 23, 2005 COOPERSTOWN, NY. Glimmerglass Opera has announced the repertory for its 2005 Festival Season. Four new productions, of works by Mozart, Donizetti,... »

30 Nov 2004

Tristan und Isolde at LA Philharmonic

L.A. Phil: A 'fresh context' for 'Tristan und Isolde' By Valerie Scher UNION-TRIBUNE CLASSICAL MUSIC CRITIC November 28, 2004 Wagner's "Tristan und Isolde" is an epic melodrama, a mythic love story about the doomed romance between a knight and a... »

30 Nov 2004

La Scala Resurrected

Milan's La Scala stands ready to reopen on Dec. 7 after a two-year makeover, which includes the latest in acoustics and stage mechanics, a revamped floor, and new rehearsal rooms and offices. (Luca Bruno -- AP) The Very Model... »

29 Nov 2004

Satellite Radio: The Future is Now

At XM, Boldly Going Under Hugh Panero, Satellite Radio Is a Hit. Just Ask Howard Stern And Mel Karmazin. By Annys Shin Washington Post Staff Writer Monday, November 29, 2004; Page E01 Hugh Panero has never had much patience for... »

29 Nov 2004

Visual Aids in Live Performances

Classical buffs wary of letting eyes have it By David Patrick Stearns Inquirer Music Critic In the anti-MTV world of classical music, there's rarely been a video screen that didn't make great music seem worse. Years ago, the Philadelphia Orchestra... »

29 Nov 2004

Sleepless in Seattle

Money woes prompt panic at Seattle opera, ballet By PEGGY ANDERSEN ASSOCIATED PRESS WRITER SEATTLE -- With the local economy flying high with dot-com dollars and public and private money gushing, Seattle built a grand, airy new space in its... »

28 Nov 2004

Grand Théâtre de Genève to Present Isabelle Aboulker's Les Enfants du Levant

During its 2004-2005 season, the Grand Théâtre de Genève will present Les Enfants du Levant by Isabelle Aboulker. Performances will be at 1930 on 11, 14, 15 and 16 December 2004 and at 1430 on 12 December 2004. Synopsis... »

28 Nov 2004

An Overview of Salzburg Festival – Summer 2005

Artistic Director Peter Ruzicka and Director of Drama Martin Kusej presented the program for the 2005 Salzburg Festival at the annual press conference, which consists of 183 events. The following is an overview of opera productions and vocal recitals:... »

25 Nov 2004

On Opera in Berlin

The Real Drama of Berlin Opera Berlin's three opera houses are no strangers to eluding closure and nursing the wounds of financial incision. Although they are currently on safe ground, they're having to learn to sing for their supper in... »

25 Nov 2004

Viktoriya Dodoka Wins Lockwood Aria

Opera: A Russian opera star is born John Daly-Peoples [National Business Review] Lockwood Aria Rotorua Convention Centre The Lockwood Aria has become the major proving ground for emerging opera talent in New Zealand. Some of the previous winners have gone... »

25 Nov 2004

Baroque Opera in Sydney

Baroque opera gets a new lease of life Matthew Westwood [The Australian] 26nov04 LAST month, at the final performance of Madeline Lee - John Haddock and Michael Campbell's emotionally involving new opera - market researchers for Opera Australia were handing... »