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Elsewhere

Monteverdi, Masters and Poets - Imitation and Emulation

‘[T]hey moderated or increased their voices, loud or soft, heavy or light according to the demands of the piece they were singing; now slowing, breaking of sometimes with a gentle sigh, now singing long passages legato or detached, now groups, now leaps, now with long trills, now with short, or again, with sweet running passages sung softly, to which one sometimes heard an echo answer unexpectedly. They accompanied the music and the sentiment with appropriate facial expressions, glances and gestures, with no awkward movements of the mouth or hands or body which might not express the feelings of the song. They made the words clear in such a way that one could hear even the last syllable of every word, which was never interrupted or suppressed by passages or other embellishments.’

Visionary Wagner - The Flying Dutchman, Finnish National Opera

An exceptional Wagner Der fliegende Holländer, so challenging that, at first, it seems shocking. But Kasper Holten's new production, currently at the Finnish National Opera, is also exceptionally intelligent.

Don Quichotte at Chicago Lyric

A welcome addition to Lyric Opera of Chicago’s roster was its recent production of Jules Massenet’s Don Quichotte.

Written on Skin: Royal Opera House

800 years ago, every book was a precious treasure - ‘written on skin’. In George Benjamin’s and Martin Crimp’s 2012 opera, Written on Skin, modern-day archivists search for one such artefact: a legendary 12th-century illustrated vanity project, commissioned by an unnamed Protector to record and celebrate his power.

Madama Butterfly at Staatsoper im Schiller Theater

It was like a “Date Night” at Staatsoper unter den Linden with its return of Eike Gramss’ 2012 production of Puccini’s Madama Butterfly. While I entered the Schiller Theater, the many young couples venturing to the opera together, and emerging afterwards all lovey-dovey and moved by Puccini’s melodramatic romance, encouraged me to think more positively about the future of opera.

It’s the end of the world as we know it: Hannigan & Rattle sing of Death

For the Late Night concert after the Saturday series, fifteen Berliners backed up Barbara Hannigan in yet another adventurous collaboration on a modern rarity with Simon Rattle. I was completely unfamiliar with the French composer, but the performance tonight made me fall in love with Gérard Grisey’s sensually disintegrating soundscape Quatre chants pour franchir le seuil, or “Fours Songs to cross the Threshold”.

A Vocally Extravagant Saturday Night with Berliner Philharmoniker

One of the things I love about the Philharmonie in Berlin, is the normalcy of musical excellence week after week. Very few venues can pull off with such illuminating star wattage. Michael Schade, Anne Schwanewilms, and Barbara Hannigan performed in two concerts with two larger-than-life conductors Thielemann and Rattle. We were taken on three thrilling adventures.

Les Troyens at Lyric Opera of Chicago

Lyric Opera of Chicago’s original and superbly cast production of Hector Berlioz’s Les Troyens has provided the musical public with a treasured opportunity to appreciate one of the great operatic achievements of the nineteenth century.

Merry Christmas, Stephen Leacock

The Little Opera Company opened its 21st season by championing its own, as it presented the world premiere of Winnipeg composer Neil Weisensel’s Merry Christmas, Stephen Leacock.

Bampton Classical Opera 2017

In 2015, Bampton Classical Opera’s production of Salieri’s La grotta di Trofonio - a UK premiere - received well-deserved accolades: ‘a revelation ... the music is magnificent’ (Seen and Heard International), ‘giddily exciting, propelled by wit, charm and bags of joy’ (The Spectator), ‘lively, inventive ... a joy from start to finish’ (The Oxford Times), ‘They have done Salieri proud’ (The Arts Desk) and ‘an enthusiastic performance of riotously spirited music’ (Opera Britannia) were just some of the superlative compliments festooned by the critical press.

The nature of narropera?

How many singers does it take to make an opera? There are single-role operas - Schönberg’s Erwartung (1924) and Eight Songs for a Mad King by Peter Maxwell Davies (1969) spring immediately to mind - and there are operas that just require a pair of performers, such as Rimsky-Korsakov’s Mozart i Salieri (1897) or The Telephone by Menotti (1947).

A Christmas Festival: La Nuova Musica at St John's Smith Square

Now in its 31st year, the 2016 Christmas Festival at St John’s Smith Square has offered sixteen concerts performed by diverse ensembles, among them: the choirs of King’s College, London and Merton College, Oxford; Christchurch Cathedral Choir, Oxford; The Gesualdo Six; The Cardinall’s Musick; The Tallis Scholars; the choirs of Trinity College and Clare College, Cambridge; Tenebrae; Polyphony and the Orchestra of the Age of the Enlightment.

Fleming's Farewell to London: Der Rosenkavalier at the ROH

As 2016 draws to a close, we stand on the cusp of a post-Europe, pre-Trump world. Perhaps we will look back on current times with the nostalgic romanticism of Richard Strauss’s 1911 paean to past glories, comforts and certainties: Der Rosenkavalier.

Loft Opera’s Macbeth: Go for the Singing, Not the Experience

Ah, Loft Opera. It’s part of the experience to wander down many dark streets, confused and lost, in a part of Brooklyn you’ve never been. It is that exclusive—you can’t even find the performance!

A clipped Walküre in Amsterdam

Let’s start by getting a couple of gripes out of the way. First, the final act of Die Walküre does not constitute a full-length concert, even with a distinguished cast and orchestra, and with animated drawings fluttering on a giant screen.

A Leonard Bernstein Delight

When you combine two charismatic New York stage divas with the artistry of Los Angeles Opera, you have a mix that explodes into singing, dancing and an evening of superb entertainment.

An English Winter Journey

Roderick Williams’ and Julius Drake’s English Winter Journey seems such a perfect concept that one wonders why no one had previously thought of compiling a sequence of 24 songs by English composers to mirror, complement and discourse with Schubert’s song-cycle of love and loss.

History Repeating Itself: Prokofiev’s Semyon Kotko, Amsterdam Concertgebouw

A historical afternoon at the NTR Saturday Matinee occurred with an epic concert version of Prokofiev’s Soviet Opera Semyon Kotko.

L’amour de loin at the Metropolitan Opera

Opening night at the Metropolitan is a gleeful occasion even when the composer is long gone, but December 1st was an opening for a living composer who has been making waves around the world and is, gasp, a woman — the second woman composer ever to have an opera presented at the Met.

Battles administration neglects FLO’s assets by defunding the program

The college administration and President Denise Battles’ recent decision to defund the Finger Lakes Opera came as a shock to many and a concern to more. This decision reflects the administration’s blatant disregard for the arts and reveals a mindset that is counterproductive to the mission of the college.


OPERA TODAY ARCHIVES »

News

Narropera
23 Dec 2016

The nature of narropera?

How many singers does it take to make an opera? There are single-role operas - Schönberg’s Erwartung (1924) and Eight Songs for a Mad King by Peter Maxwell Davies (1969) spring immediately to mind - and there are operas that just require a pair of performers, such as Rimsky-Korsakov’s Mozart i Salieri (1897) or How many singers does it take to make an opera? There are single-role operas - Schönberg’s Erwartung (1924) and Eight Songs for a Mad King by Peter Maxwell Davies (1969) spring immediately to mind - and there are operas that just require a pair of performers, such as Rimsky-Korsakov’s Mozart i Salieri (1897) or The Telephone by Menotti (1947). The Telephone by Menotti (1947).  »

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29 Dec 2004

Egypt and Opera at the Museum

De l’Isis de Lully, en 1677, à l’Akhnaten de Philip Glass, en 1984, en passant par l’inoubliable Aïda de Verdi, pas moins de deux cents créations lyriques – cantates, oratorios, opéras et ballets – ont eu pour thème l’Egypte, dont la moitié exclusivement consacrées à Cléopâtre. C’est dire l’attirance que ce pays et ses mystères, réels ou supposées, ont exercée sur les compositeurs et les librettistes, toujours à la recherche d’un nouvel exotisme ou d’un romantisme déchirant. «Avec la deuxième collection d’égyptologie après celle du Musée Guimet de Lyon, dit Brigitte Bouret, conservateur du musée et commissaire de l’exposition «L’Egypte et l’Opéra», il était légitime que nous nous intéressions à ce thème d’une grande richesse d’autant que j’ai pu travailler avec un égyptologue de renom, Michel Dewachter.» »

28 Dec 2004

Der Besuch der alten Dame at TheaterLübeck

Premièring 14 January, TheaterLübeck will present Der Besuch der alten Dame, a schauspiel written in 1956 by the Swiss playwright Friedrich Dürrenmatt (1921-1990) under the original title Komödie der Hochkonjunktur (Comedy of Business Prosperity), with music by Dietmar Staskowiak. Der Besuch der alten Dame received the New York Drama Critics’ Circle Award for best foreign play in 1958-59. »

28 Dec 2004

Changes at the Chicago Lyric

No time for Lyric to play it safe Opera company loses Epstein's voice of innovation By John von Rhein Tribune music critic December 27, 2004 Matthew A. Epstein's recent departure as artistic director of Lyric Opera raises questions about whether... »

26 Dec 2004

NY TIMES: 2004 in Retrospect

The Voices That Carried the Year By ANNE MIDGETTE OPERA lovers do a fair amount of hand-wringing over the state of singing today. My own pet peeve has been the decline in big voices, especially Verdi singers. But 2004 had... »

20 Dec 2004

Miah Persson Replaces Natalie Dessay in Mahler's Fourth

Fi de Natalie Dessay et des Brentano-Lieder de Strauss (dont le dernier, Amor, donne le titre de son dernier album, chroniqué sur ResMusica). Qu’importe, le public s’est pressé ce soir là, comme à chacun des concerts de cette intégrale Mahler (lire le compte rendu de la symphonie n°3 et de ce même concert, deux jours plus tôt, à Dijon). Composée lors de son dernier séjour en Italie la symphonie n°29 d’un Mozart d’à peine 18 ans est créée en 1774 à Salzbourg, qui connaît depuis deux ans le règne du Prince-Archevêque Colloredo. Myung Whun Chung a choisi de réduire son orchestre en « formation Mannheim » (moins de trente cordes) pour servir cette œuvre avec la légèreté et la fluidité nécessaire. L’ensemble est très énergique et homogène, et accentue le coté brillant de cette symphonie par le parti pris de tempi plutôt allant, malgré quelques fluctuations dans les départs de mouvements. »

20 Dec 2004

Once More, With Feeling

Recorded music has benefited from the digital revolution, with lifelike reproduction possible in a variety of formats. That’s not always a good thing, because professional musicians find themselves competing for work with a device known as Sinfonia. The introduction of this “virtual orchestra” into opera and Broadway pits has stirred resentment, lawsuits and countersuits. Even the definition of what it is has generated heated debate. »

20 Dec 2004

A Day in the Life of an Opera Student

At Juilliard, Students Learn That Opera Is Both Craft and Commodity By BLAIR TINDALL The Juilliard School in New York City has trained some of the world's most prominent singers since opening its opera department in 1930, including Leontyne Price,... »

19 Dec 2004

The Oxford History of Western Music

A History of Western Music? Well, It's a Long Story By JAMES R. OESTREICH OXFORD HISTORY OF WESTERN MUSIC By Richard Taruskin Illustrated. 4,272 pages. Oxford University Press. $500 until Dec. 31; then $699. The Oxford History of Western Music... »

17 Dec 2004

Philip Gossett Receives Mellon Distinguished Achievement Award

Philip Gossett, one of the world's foremost experts on Italian opera, will receive one of four Mellon Distinguished Achievement Awards, an honor that carries with it a $1.5 million prize. Gossett, the Robert W. Reneker Distinguished Service Professor in... »

16 Dec 2004

Major Losses at the Berlin Opera Houses

Berliner Opernhäuser haben Millionenverluste gemacht 19:45 Uhr Die Staatsoper Unter den Linden Berlin - Die drei Berliner Opernhäuser haben im ersten Jahr der gemeinsamen Opernstiftung weniger Besucher als erwartet gehabt und damit Millionenverluste gemacht. Insgesamt kamen in diesem Jahr in... »

16 Dec 2004

Trouble Down Under

Discord rings out as new opera director takes up the baton By Sharon Verghis December 16, 2004 Richard Hickox barely had time to adjust to the time difference before he walked into his first industry controversy. "I'm sorry that I... »

15 Dec 2004

Journal of Musicological Research

The Journal of Musicological Research has announced the release of Volume 23, Issue 3-4. The following is the table of contents from this issue: Paul Christiansen: "The Meaning of Speech Melody for Leos Janácek" Nathan Hesselink and Jonathan Christian... »

13 Dec 2004

Troubles at the Münchener Bach-Chor

Riss im Ensemble Bach-Chor ins Schlingern geraten Es schien perfekt eingefädelt: ein Konzert zum 50-jährigen Jubiläum, dann sogar mit dem künftigen Chef am Pult. Doch Ralf Otto, der charismatische Wunschkandidat aus Mainz, gab dem Münchener Bach-Chor kurz vor dem Weihnachtsoratorium... »

10 Dec 2004

An Invitation to the Opera

A Night At The Opera Dec. 10, 2004 - That's the title of a very famous Marx Brothers movie--a movie that makes fun of all sorts of opera stereotypes. But you might be surprised to hear that the number of... »

09 Dec 2004

Musicians Unite!

New, Musician-Run FM Station Plans Music Radio Revival A group led by two nationally known musicians has been awarded a contract to operate the Milwaukee Public Schools' FM station, WYMS-FM (88.9), and is developing a format to support musicians and... »

08 Dec 2004

The Guardian Reports on the Reopening of La Scala

Photo: AP/ Silvia Lelli/ Teatro Alla Scala. Glitz and clamour mark La Scala's reopening night John Hooper in Rome Wednesday December 8, 2004 The Guardian Decked out in red roses and surrounded by riot police, Milan's expanded and refurbished La... »

08 Dec 2004

Di Stefano Recovering

Opera singer recovering after stabbing Doctors 'hopeful' about Giuseppe Di Stefano ROME, Italy (AP) -- Italian tenor Giuseppe Di Stefano was being taken off sedatives and doctors were hopeful about his recovery from injuries sustained in an attack at his... »

07 Dec 2004

Grammy Awards Nominations

The nominations for the 47th annual Grammy Awards were announced Tuesday in Los Angeles. The following were the nominees for opera and classical vocal performance recordings: Opera Recording: Monteverdi: L'Orfeo Emmanuelle Haim,conductor/harpsichord/organ; Ian Bostridge, Patrizia Ciofi and Natalie Dessay; Daniel... »

07 Dec 2004

Elena Souliotis

MUSICA: E' MORTA SOPRANO ELENA SOULIOTIS 04/12/2004 - (ANSA) FIRENZE, 4 DIC E' morta improvvisamente oggi pomeriggio a Firenze la soprano drammatico Elena Souliotis, nota cantante lirica, amica di Fedora Barbieri e di Maria Callas. Aveva 61 anni e si... »

07 Dec 2004

Music in the Making of Europe 1000-1300

Royal Holloway-British Library Lectures in Musicology Christopher Page, the founder and director of the ensemble Gothic Voices, will give a series of one-hour lectures at the British Library Conference Centre on Music in the Making of Europe 1000-1300. The first... »

04 Dec 2004

Teatro Colón Sings

Britten's Venice Is Eclipsed by the Wonders of Colón By BERNARD HOLLAND BUENOS AIRES, Nov. 29 - The Teatro Colón is grand opera all by itself. Enter its front door to an ensemble of Italian marbles singing to the eye... »

04 Dec 2004

Mozart's Lucio Silla

The teenage Mozart and the trinity By Shirley Apthorp Published: December 3 2004 02:00 | Last updated: December 3 2004 02:00 The walls of the set model can be lifted out and swapped around, like a dolls' house for the... »

02 Dec 2004

Glimmerglass Opera 2005

GLIMMERGLASS OPERA ANNOUNCES 2005 FESTIVAL SEASON Four New Productions to Run in Repertory June 30 through August 23, 2005 COOPERSTOWN, NY. Glimmerglass Opera has announced the repertory for its 2005 Festival Season. Four new productions, of works by Mozart, Donizetti,... »

30 Nov 2004

Tristan und Isolde at LA Philharmonic

L.A. Phil: A 'fresh context' for 'Tristan und Isolde' By Valerie Scher UNION-TRIBUNE CLASSICAL MUSIC CRITIC November 28, 2004 Wagner's "Tristan und Isolde" is an epic melodrama, a mythic love story about the doomed romance between a knight and a... »

30 Nov 2004

La Scala Resurrected

Milan's La Scala stands ready to reopen on Dec. 7 after a two-year makeover, which includes the latest in acoustics and stage mechanics, a revamped floor, and new rehearsal rooms and offices. (Luca Bruno -- AP) The Very Model... »

29 Nov 2004

Satellite Radio: The Future is Now

At XM, Boldly Going Under Hugh Panero, Satellite Radio Is a Hit. Just Ask Howard Stern And Mel Karmazin. By Annys Shin Washington Post Staff Writer Monday, November 29, 2004; Page E01 Hugh Panero has never had much patience for... »

29 Nov 2004

Visual Aids in Live Performances

Classical buffs wary of letting eyes have it By David Patrick Stearns Inquirer Music Critic In the anti-MTV world of classical music, there's rarely been a video screen that didn't make great music seem worse. Years ago, the Philadelphia Orchestra... »

29 Nov 2004

Sleepless in Seattle

Money woes prompt panic at Seattle opera, ballet By PEGGY ANDERSEN ASSOCIATED PRESS WRITER SEATTLE -- With the local economy flying high with dot-com dollars and public and private money gushing, Seattle built a grand, airy new space in its... »

28 Nov 2004

Grand Théâtre de Genève to Present Isabelle Aboulker's Les Enfants du Levant

During its 2004-2005 season, the Grand Théâtre de Genève will present Les Enfants du Levant by Isabelle Aboulker. Performances will be at 1930 on 11, 14, 15 and 16 December 2004 and at 1430 on 12 December 2004. Synopsis... »

28 Nov 2004

An Overview of Salzburg Festival – Summer 2005

Artistic Director Peter Ruzicka and Director of Drama Martin Kusej presented the program for the 2005 Salzburg Festival at the annual press conference, which consists of 183 events. The following is an overview of opera productions and vocal recitals:... »

25 Nov 2004

On Opera in Berlin

The Real Drama of Berlin Opera Berlin's three opera houses are no strangers to eluding closure and nursing the wounds of financial incision. Although they are currently on safe ground, they're having to learn to sing for their supper in... »

25 Nov 2004

Viktoriya Dodoka Wins Lockwood Aria

Opera: A Russian opera star is born John Daly-Peoples [National Business Review] Lockwood Aria Rotorua Convention Centre The Lockwood Aria has become the major proving ground for emerging opera talent in New Zealand. Some of the previous winners have gone... »

25 Nov 2004

Baroque Opera in Sydney

Baroque opera gets a new lease of life Matthew Westwood [The Australian] 26nov04 LAST month, at the final performance of Madeline Lee - John Haddock and Michael Campbell's emotionally involving new opera - market researchers for Opera Australia were handing... »

25 Nov 2004

Changes at NYCO

New Director for City Opera The New York City Opera has appointed a new executive director, Jane M. Gullong, right, promoting her from the job of director of development. Ms. Gullong replaces Sherwin M. Goldman, who the opera said has... »

25 Nov 2004

Universal, Sony BMG and Warner Reach Pact

3 Music Companies Will Use Online File-Sharing Service By THE ASSOCIATED PRESS LOS ANGELES, Nov. 24 (AP) - Three major recording companies have agreed to make their music available to be shared and sold over a new online file-swapping service... »