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Elsewhere

The Moderate Soprano : Q&A with Nancy Carroll and Roger Allam

Nancy Carroll and Roger Allam play Audrey Mildmay and John Christie in David Hare’s play The Moderate Soprano which is currently at the Duke of York’s Theatre in London.

Le Concert Royal de la Nuit - Ensemble Correspondances

Le Concert Royal de la Nuit with Ensemble Correspondances led by Sébastien Daucé, the glorious culmination of the finest London Festival of the Baroque in years on the theme "Treasures of the Grand Siècle". Le Concert Royal de la Nuit was Louis XIV's announcement that he would be "Roi du Soleil", a ruler whose magnificence would transform France, and the world, in a new age of splendour.

Voices of Revolution – Prokofiev, Exile and Return

Seven, they are Seven , op.30; Violin Concerto no.1 in D minor, op.19; Cantata for the Twentieth Anniverary of the October Revolution, op.74. David Butt Philip (tenor), Pekka Kuusisto (violin), Aidan Oliver (voice of Lenin, chorus director), Philharmonia Voices, Crouch End Festival Chorus, Students of the Royal Welsh College of Music and Drama (military band), Philharmonia Orchestra/Vladimir Ashkenazy (conductor). Royal Festival Hall, London, Sunday 20 May 2018.

Charpentier Histoires sacrées, staged - London Baroque Festival

Marc-Antoine Charpentier Histoires sacrées with Ensemble Correspondances, conducted by Sébastien Daucé, at St John's Smith Square, part of the London Festival of the Baroque 2018. This striking staging, by Vincent Huguet, brought out its austere glory: every bit a treasure of the Grand Siècle, though this grandeur was dedicated not to Sun God but to God.

No Time in Eternity: Iestyn Davies discusses Purcell and Nyman

Revolution, repetition, rhetoric. On my way to meet countertenor Iestyn Davies, I ponder if these are the elements that might form connecting threads between the music of Henry Purcell and Michael Nyman, whose works will be brought together later this month when Davies joins the viol consort Fretwork for a thought-provoking recital at Milton Court Concert Hall.

Aïda in Seattle: don’t mention the war!

When Francesca Zambello presented Aïda at her own Glimmerglass Opera in 2012, her staging was, as they say, “ripped from today’s headlines.” Fighter planes strafed the Egyptian headquarters as the curtain rose, water-boarding was the favored form of interrogation, Radames was executed by lethal injection.

Glyndebourne Festival Opera 2018 opens with Annilese Miskimmon's Madama Butterfly

As the bells rang with romance from the tower of St George’s Chapel, Windsor, the rolling downs of Sussex - which had just acquired a new Duke - echoed with the strains of a rather more bitter-sweet cross-cultural love affair. Glyndebourne Festival Opera’s 2018 season opened with Annilese Miskimmon’s production of Madama Butterfly, first seen during the 2016 Glyndebourne tour and now making its first visit to the main house.

Remembering Debussy

This concert might have been re-titled Remembrance of Musical Times Past: the time, that is, when French song, nurtured in the Proustian Parisian salons, began to gain a foothold in public concert halls. But, the madeleine didn’t quite work its magic on this occasion.

Garsington's Douglas Boyd on Strauss and Skating Rinks

‘On August 3, 1941, the day that Capriccio was finished, 682 Jews were killed in Chernovtsy, Romania; 1,500 in Jelgava, Latvia; and several hundred in Stanisławów, Ukraine. On October 28, 1942, the day of the opera’s premiere in Munich, the first convoy of Jews from Theresienstadt arrived at Auschwitz-Birkenau, and 90 percent of them went to the gas chamber.’

A chiaroscuro Orfeo from Iestyn Davies and La Nuova Musica

‘I sought to restrict the music to its true purpose of serving to give expression to the poetry and to strengthen the dramatic situations, without interrupting the action or hampering it with unnecessary and superfluous ornamentations. […] I believed further that I should devote my greatest effort to seeking to achieve a noble simplicity; and I have avoided parading difficulties at the expense of clarity.’

Lessons in Love and Violence: powerful musical utterances but perplexing dramatic motivations

‘What a thrill -/ My thumb instead of an onion. The top quite gone/ Except for a sort of hinge/ Of skin,/ A flap like a hat,/ Dead white. Then that red plush.’ Those who imagined that Sylvia Plath (‘Cut’, 1962) had achieved unassailable aesthetic peaks in fusing pain - mental and physical - with beauty, might think again after seeing and hearing this, the third, collaboration between composer George Benjamin and dramatist/librettist Martin Crimp: Lessons in Love and Violence.

Grands motets de Lalande

Majesté, a new recording by Le Poème Harmonique, led by Vincent Dumestre, of music by Michel-Richard de Lalande (1657-1726) new from Alpha Classics. Le Poème Harmonique are regular visitors to London, appreciated for the variety of their programes. On Friday this week, (11/5) they'll be at St John's Smith Square as part of the London Festival of Baroque, with a programme titled "At the World's Courts".

Perpetual Night - Early English Baroque, Ensemble Correspondances

New from Harmonia Mundi, Perpetual Night. a superb recording of ayres and songs from the 17th century, by Ensemble Correspondances with Sébastien Daucé and Lucile Richardot. Ensemble Correspondances are among the foremost exponents of the music of Versailles and the French royalty, so it's good to hear them turn to the music of the Stuart court.

Les Salons de Pauline Viardot: Sabine Devieilhe at Wigmore Hall

Always in demand on French and international stages, the French soprano Sabine Devieihle is, fortunately, becoming an increasingly frequent visitor to these shores. Her first appearance at Wigmore Hall was last month’s performance of works by Handel with Emmanuelle Haïm’s Le Concert d’Astrée. This lunchtime recital, reflecting the meetings of music and minds which took place at Parisian salon of the nineteenth-century mezzo-soprano Pauline Viardot (1821-1910), was her solo debut at the venue.

Jesus Christ Superstar at Lyric Opera of Chicago

Lyric Opera of Chicago is now featuring as its spring musical Jesus Christ Superstar with music and lyrics by Andrew Lloyd Webber and Tim Rice. The production originated with the Regent’s Park Theatre, London with additional scenery by Bay Productions, U.K. and Commercial Silk International.

Persephone glows with life in Seattle

As a figure in the history of 20th century art, few deserve to be closer to center stage than Ida Rubenbstein. Without her talent, determination, and vast wealth, Ravel’s Boléro, Debussy’s Martyrdom of St. Sebastien, Honegger’s Joan of Arc at the Stake, and Stravinsky’s Perséphone would not exist.

La concordia de’ pianeti: Imperial flattery set to Baroque splendor in Amsterdam

One trusts the banquet following the world premiere of La concordia de’ pianeti proffered some spicy flavors, because Pietro Pariati’s text is so cloying it causes violent stomach-churning. In contrast, Antonio Caldara’s music sparkles and dances like a blaze of crystal chandeliers.

Kathleen Ferrier Awards Final 2018

The 63rd Competition for the Kathleen Ferrier Awards 2018 was an unusually ‘home-grown’ affair. Last year’s Final had brought together singers from the UK, the Commonwealth, Europe, the US and beyond, but the six young singers assembled at Wigmore Hall on Friday evening all originated from the UK.

Affecting and Effective Traviata in San Jose

Opera San Jose capped its consistently enjoyable, artistically accomplished 2017-2018 season with a dramatically thoughtful, musically sound rendition of Verdi’s immortal La traviata.

Brahms Liederabend

At his best, Matthias Goerne does serious (ernst) at least as well as anyone else. He may not be everyone’s first choice as Papageno, although what he brings to the role is compelling indeed, quite different from the blithe clowning of some, arguably much closer to its fundamental sadness. (Is that not, after all, what clowns are about?) Yet, individual taste aside, whom would one choose before him to sing Brahms, let alone the Four Serious Songs?


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25 Nov 2004

Changes at NYCO

New Director for City Opera The New York City Opera has appointed a new executive director, Jane M. Gullong, right, promoting her from the job of director of development. Ms. Gullong replaces Sherwin M. Goldman, who the opera said has... »

25 Nov 2004

Universal, Sony BMG and Warner Reach Pact

3 Music Companies Will Use Online File-Sharing Service By THE ASSOCIATED PRESS LOS ANGELES, Nov. 24 (AP) - Three major recording companies have agreed to make their music available to be shared and sold over a new online file-swapping service... »

23 Nov 2004

Opera Orchestra of New York Opens 2004-2005 Season

On Monday, 22 November, Opera Orchestra of New York opened its 2004-2005 season with La Fanciulla del West. According to its website: The OONY season kicks off with Puccini's "horse opera," arguably the greatest opera ever created in New York... »

23 Nov 2004

L'Opéra-Comique Named as National Theater

Le Figaro is reporting that L'Opéra-Comique has been decreed an "établissement public à caractère industriel et commercial" under French law. Its charter is to provide a broad diversity of "expressions" from Baroque to contemporary creations. This decree goes into effect... »

22 Nov 2004

La Scala Readies for Opening Night on December 7

'Beautiful lady' regains her looks and rediscovers her voice John Hooper in Milan Saturday November 20, 2004 The Guardian Mauro Meli, the artistic director of the world's most famous opera house, raised the lapel of his jacket, buried his head... »

19 Nov 2004

Thomas Quasthoff Releases Autobiography

Quasthoff, der Grosse Der Bariton hat in einer aufwühlenden Biographie aufgeschrieben, wie er trotz seiner Behinderung zum Weltstar wurde "Rechts, links, rechts, links, rechts, links metronomt mein Kopf auf dem Laken. Ich liege halb nackt da, Hüfte und Beine festgeklemmt... »

19 Nov 2004

Lady Macbeth at the Bolshoi

Dangerous Music When Stalin pulled Shostakovich's opera "Lady Macbeth" from the Soviet stage, the composer had good reason to fear for his life. By Raymond Stults Published: November 19, 2004 Widely considered the greatest Russian opera -- and perhaps even... »

19 Nov 2004

The Cost of Doing Business

Opera House faces price scrutiny Arts organisations such as the Royal Opera House face the risk of losing their charitable status over ticket prices under a proposed bill. According to the draft charities bill, organisations granted charitable status will have... »

18 Nov 2004

Merkur Interviews Edita Gruberova and Friedrich Haider on the Dissolution of the Rundfunkorchester

Von Gefühl und Geist keine Ahnung Edita Gruberova und Friedrich Haider zur Auflösung des Rundfunkorchesters Für den Bayerischen Rundfunk mit Intendant Thomas Gruber an der Spitze mag das Münchner Rundfunkorchester bald Geschichte sein, für viele Künstler ist es das allerdings... »

17 Nov 2004

Wiener Staatsoper Announces Program Remembering 50th Anniversary of Rebuilding of Opera House

On 5 November 2005, the Wiener Staatsoper will celebrate the 50th anniversary of the rebuilding of the opera house, which had been destroyed near the end of World War II. The program will include: Leonore Overture No. 3, Seiji... »

17 Nov 2004

More on the Reopening of La Fenice and La Scala

Opera house rises from the ashes -- again After fire and years of controversial renovations, Venice's La Fenice and Milan's La Scala raise the curtains By PAUL FRENCH Special to The Globe and Mail Wednesday, Nov 17, 2004 VENICE --... »

17 Nov 2004

Pro Ópera on Daniel Catán's Salsipuedes at HGO

Salsipuedes ha llegado a buen puerto Modelo que muestra a Ulises y Chucho a bordo de "El invencible" Dentro de la presente temporada de la Gran ópera de Houston, se llevará a cabo el estreno mundial de la ópera Salsipuedes,... »

15 Nov 2004

Phoenix Rising

Venetian Phoenix Rises Operatically From the Ashes By ALAN RIDING [NY Times] VENICE, Nov. 14 - Destroyed by fire on the night of Jan. 29, 1996, and rebuilt during eight years of noisy scandals, lawsuits and delays, Venice's legendary Teatro... »

14 Nov 2004

Bodies Beautiful?

Should the Fat Lady Diet Before She Sings? By ANTHONY TOMMASINI [NY Times] THE dramatic soprano Deborah Voigt returns to the Metropolitan Opera on Thursday as Elisabeth in Wagner's "Tannhäuser," and opera buffs are abuzz with anticipation over this popular... »

12 Nov 2004

Northern Virginia to Have New Performing Arts Center

Concert Hall to Rise Near Manassas GMU, Pr. William To Share Funding By Eric M. Weiss and Michele Clock Washington Post Staff Writers Friday, November 12, 2004; Page A01 Prince William County and George Mason University have agreed to help... »

12 Nov 2004

Separating the Men from the Boys

Who wears the pants in this opera? By Mark Kanny TRIBUNE-REVIEW CLASSICAL MUSIC CRITIC Thursday, November 11, 2004 Perhaps the most novel aspect of Pittsburgh Opera's upcoming production of "The Marriage of Figaro" will be Michael Maniaci's portrayal of Cherubino... »

12 Nov 2004

La Fenice Reopens on 12 November

Traviata at Theatre La Fenice by Gillian Price [LEO — LA RIVISTA DI VENEZIA] The excitement in the damp autumn air is palpable. Venice's beloved Fenice theatre is soon to be open for business and the city's faithful opera-going public... »

11 Nov 2004

Albany Records Announces New Recording by Angela Brown

On October 29, 2004, Angela Brown made her Metropolitan Opera debut as Aida in the great Verdi opera. Hailed in Opera News as "one of America's most promising Verdi sopranos," she was a National Metropolitan Opera Council Audition winner in... »

10 Nov 2004

Die Zauberflöte at Bayerische Staatsoper

Die Zauberflöte (The Magic Flute) Wolfgang Amadeus Mozart Emanuel Schikaneder Première on 30th October 1978 at the Nationaltheater Première of the Neu Einstudierung on 31st October 2004 at the Nationaltheater The Joy of Drawing Has Remained A Conversation with Jürgen... »

09 Nov 2004

Rigoletto at DNO Amsterdam

Rigoletto Giuseppe Verdi 1813-1901 Rigoletto, together with Il trovatore and La traviata, laid the foundations for Verdi's worldwide renown; the latter two operas were composed shortly after Rigoletto. The opera is based upon Victor Hugo's play Le roi s'amuse, a... »

30 Oct 2004

MET Names New General Manager

PETER GELB CHOSEN TO SUCCEED JOSEPH VOLPE AS GENERAL MANAGER October 29, 2004 William C. Morris, president and chief executive officer of The Metropolitan Opera, announced today that Peter Gelb, president of Sony Classical, has been chosen to succeed Joseph... »

29 Oct 2004

NYCO Moving On?

New York City Opera in Talks to Build Its Own Home By ROBIN POGREBIN [NY Times] The New York City Opera is in negotiations to build a new opera house on the site of the former American Red Cross New... »

28 Oct 2004

NBR New Zealand Opera to Produce The Death of Klinghoffer

*New Zealand Opera's 2005 Season Will Include Adams' The Death of Klinghoffer* By Emily Quinn October 28, 2004 The NBR New Zealand Opera's 2005 season will include a production of John Adams' The Death of Klinghoffer, the opera announced today.The... »

27 Oct 2004

Walt Mossberg on Challengers to the iPod

Three Challengers Take on the Mini Latest 'iPod Killers' Score On Style and Storage Space, But They Aren't Easy to Use October 27, 2004; Page D1 One of the key reasons for the continuing popularity of Apple Computer's line of... »

26 Oct 2004

Théâtre Impérial de Compiègne to Produce Auber's Haÿdée ou Le secret

*Théâtre Impérial de Compiègne will produce on 28 November Hayedée ou Le secret, a comic opera in three acts by Daniel François Auber.* Production Details Libretto by Eugène SCRIBE Music by Daniel François Esprit AUBER Musical direction by Michel SWIERCZEWSKI... »

22 Oct 2004

Opera Omaha to Present Copland's The Tender Land

Aaron Copland's The Tender Land: Opera About Midwestern Farm Family Opens Opera Omaha's Orpheum Season November 17, 19, 21 Omaha, NE--Opera Omaha will open its Orpheum season of performances with a new production of Aaron Copland's The Tender Land. Performances... »

14 Oct 2004

WP TechNews.com on the iPod

iMac, iPod, iConquered By Cynthia L. Webb washingtonpost.com Staff Writer Thursday, October 14, 2004; 9:50 AM For Apple Computer, will 2004 be remembered as a transformative year? Yes, according to The Wall Street Journal, which said the Cupertino, Calif.-based company's... »

11 Oct 2004

Archiv Releases Andromeda Liberata

ANDROMEDA LIBERATA A VENETIAN MYSTERY By Ulrike Brenning With the recording of Andromeda liberata - their debut on Archiv Produktion - Andrea Marcon and the Venice Baroque Orchestra have scored a real coup. This is a newly rediscovered, full-concert-length work... »

11 Oct 2004

WP on the File-Sharing Wars

Downloading Justice By Cynthia L. Webb washingtonpost.com Staff Writer Monday, October 11, 2004; 9:36 AM The file-sharing wars could get even hotter if the U.S. Supreme Court decides to weighs in on whether "peer-to-peer" networks should be held responsible for... »

01 Oct 2004

The Mariinsky's New Season

Voice activated By Galina Stolyarova STAFF WRITER Photo by Meri Cyr / FOR SPT The Mariinsky theater, which opens its 2004-2005 season on Thursday, Oct. 7th with Glinka's "A Life For The Tsar," has tailored the forthcoming musical year for... »

28 Sep 2004

CDs Still Preferable to Downloads

Silicon Still Rocks the House By Cynthia L. Webb washingtonpost.com Staff Writer Tuesday, September 28, 2004; 9:38 AM The Internet may have forever changed the music business, but online downloads will keep playing second fiddle to compact discs for at... »

17 Sep 2004

Lyric Opera of Chicago's Jubilee

Jubilee of a profitable opera house By Jeremy Grant Published: September 17 2004 03:00 | Last updated: September 17 2004 03:00 The Lyric Opera of Chicago is marking its 50th anniversary and new season with Christoph Eschenbach conducting Peter Stein's... »

07 Sep 2004

SFCV.org Previews SF Opera Fall Season

By Robert Commanday The opening of the season in San Francisco has always turned first thoughts to opera. The success of the San Francisco Symphony, its greater subscribership through Fall, Winter and Spring notwithstanding, opera has ruled here as an... »