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Elsewhere

O/MODƏRNT: Monteverdi in Historical Counterpoint

O/MODƏRNT is Swedish for ‘un/modern’. It is also the name of the festival — curated by artistic director Hugo Ticciati and held annually since 2011 at the Ulriksdal’s Palace Theatre, Confidencen — which aims to look back and celebrate the past ‘by exploring the relationships between the work of old composers and the artistic and intellectual creations of modern culture’.

Late Schumann in context - Matthias Goerne and Menahem Pressler, London

Matthias Goerne and Menahem Pressler at the Wigmore Hall, London, an intriguing recital on many levels. Goerne programmes are always imaginative, bringing out new perspectives, enhancing our appreciation of the depth and intelligence that makes Lieder such a rewarding experience. Menahem Pressler is extremely experienced as a soloist and chamber musician, but hasn't really ventured into song to the extent that other pianists, like Brendel, Eschenbach or Richter, for starters. He's not the first name that springs to mind as Lieder accompanist. Therein lay the pleasure !

Guillaume Tell, Covent Garden

It is twenty-three years since Rossini’s opera of cultural oppression, inspiring heroism and tender pathos was last seen on the Covent Garden stage, but this eagerly awaited new production of Guillaume Tell by Italian director Damiano Micheletto will be remembered more for the audience outrage and vociferous mid-performance booing that it provoked — the most persistent and strident that I have heard in this house — than for its dramatic, visual or musical impact.

Sara Gartland Takes on Jenůfa

Sara Gartland is an emerging singer who brings an enormous talent and a delightful personality to the opera stage. Having sung lighter soprano roles such as Juliette in Gounod’s Romeo et Juliette and Violetta in Verdi’s La traviata, Gartland is now taking on the title role in Leoš Janáček’s dramatic opera Jenůfa.

Aida, Opera Holland Park

With its outrageous staging demands, you sometimes wonder why opera companies want to produce Verdi’s Aida. But the piece is about far more than pharaohs, pyramids and camels.

Press Release: Welsh National Opera explores Madness for autumn season

Madness descends upon Welsh National Opera for its autumn 2015 season, with three new productions that will explore human turmoil through some of the finest musical expressions of madness and the human condition.

A Chat with Pulitzer Prize Winning Composer Jennifer Higdon

American composer Jennifer Higdon has won many awards for her imaginative music. Her percussion concerto received the 2009 Grammy Award for Best Contemporary Classical Composition.

Death in Venice, Garsington Opera

Given the enduring resonance and impact of the magnificent visual aesthetic of Visconti’s 1971 film of Thomas Mann’s novella, opera directors might be forgiven for concluding that Britten’s Death in Venice does not warrant experimentation with period and design, and for playing safe with Edwardian elegance, sweeping Venetian vistas and stylised seascapes.

La Rondine Swoops Into St. Louis

If La Rondine (The Swallow) is a less-admired work than rest of the mature Puccini canon, you wouldn’t have known it by the lavish production now lovingly staged by Opera Theatre of Saint Louis.

Emmeline a Stunner in Saint Louis

Few companies have championed new or neglected works quite as fervently and consistently as the industrious Opera Theatre of Saint Louis.

Luminous Handel in Saint Louis

For Opera Theatre of Saint Louis, “everything old is new again.”

Two Women in San Francisco

Why would an American opera company devote its resources to the premiere of an opera by an Italian composer? Furthermore a parochially Italian story?

Les Troyens in San Francisco

Berlioz’ Les Troyens is in two massive parts — La prise de Troy and Troyens à Carthage.

Dog Days at REDCAT

On Saturday evening June 13, 2015, Los Angeles Opera presented Dog Days, a new opera with music by David T. Little and a text by Royce Vavrek. In the opera adopted from a story of the same name by Judy Budnitz, thirteen-year-old Lisa tells of her family’s mental and physical disintegration resulting from the ravages of a horrendous war.

Opera Las Vegas Presents Exquisite Madama Butterfly

Audiences at the Teatro alla Scala in Milan first saw Madama Butterfly on February 17, 1904. It was not the success it is these days, and Puccini revised it before its scheduled performances in Brescia.

Yardbird, Philadelphia

Opera Philadelphia is a very well-managed opera company with a great vision. Every year it presents a number of well-known “warhorse” operas, usually in the venerable Academy of Music, and a few more adventurous productions, usually in a chamber opera format suited to the smaller Pearlman Theater.

Giovanni Paisiello: Il Barbiere di Siviglia

Written in 1783, Giovanni Paisiello’s Il Barbiere di Siviglia reigned for three decades as one of Europe’s most popular operas, before being overshadowed forever by Rossini’s classic work.

Princeton Festival: Le Nozze di Figaro

The Princeton Festival has established a reputation for high-quality summer opera. In recent years works by Handel, Britten, Rachmaninoff, Stravinsky, Wagner and Gershwin have been performed at Matthews Theater on Princeton University campus: a 1100-seat auditorium with good sight-lines though a somewhat dry and uneven acoustic.

Die Entführung aus dem Serail,
Glyndebourne

Die Entführung aus dem Serail was Mozart’s first great public success in Vienna, and it became the composer’s most oft performed opera during his lifetime.

German Lieder Is Given a Dramatic Twist by The Ensemble for the Romantic Century

The Ensemble for the Romantic Century offered a thoughtful and well-curated evening in their production of The Sorrows of Young Werther, which is part theatrical performance and part art song concert.


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03 Jul 2015

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23 Nov 2004

Opera Orchestra of New York Opens 2004-2005 Season

On Monday, 22 November, Opera Orchestra of New York opened its 2004-2005 season with La Fanciulla del West. According to its website: The OONY season kicks off with Puccini's "horse opera," arguably the greatest opera ever created in New York... »

23 Nov 2004

L'Opéra-Comique Named as National Theater

Le Figaro is reporting that L'Opéra-Comique has been decreed an "établissement public à caractère industriel et commercial" under French law. Its charter is to provide a broad diversity of "expressions" from Baroque to contemporary creations. This decree goes into effect... »

22 Nov 2004

La Scala Readies for Opening Night on December 7

'Beautiful lady' regains her looks and rediscovers her voice John Hooper in Milan Saturday November 20, 2004 The Guardian Mauro Meli, the artistic director of the world's most famous opera house, raised the lapel of his jacket, buried his head... »

19 Nov 2004

Thomas Quasthoff Releases Autobiography

Quasthoff, der Grosse Der Bariton hat in einer aufwühlenden Biographie aufgeschrieben, wie er trotz seiner Behinderung zum Weltstar wurde "Rechts, links, rechts, links, rechts, links metronomt mein Kopf auf dem Laken. Ich liege halb nackt da, Hüfte und Beine festgeklemmt... »

19 Nov 2004

Lady Macbeth at the Bolshoi

Dangerous Music When Stalin pulled Shostakovich's opera "Lady Macbeth" from the Soviet stage, the composer had good reason to fear for his life. By Raymond Stults Published: November 19, 2004 Widely considered the greatest Russian opera -- and perhaps even... »

19 Nov 2004

The Cost of Doing Business

Opera House faces price scrutiny Arts organisations such as the Royal Opera House face the risk of losing their charitable status over ticket prices under a proposed bill. According to the draft charities bill, organisations granted charitable status will have... »

18 Nov 2004

Merkur Interviews Edita Gruberova and Friedrich Haider on the Dissolution of the Rundfunkorchester

Von Gefühl und Geist keine Ahnung Edita Gruberova und Friedrich Haider zur Auflösung des Rundfunkorchesters Für den Bayerischen Rundfunk mit Intendant Thomas Gruber an der Spitze mag das Münchner Rundfunkorchester bald Geschichte sein, für viele Künstler ist es das allerdings... »

17 Nov 2004

Wiener Staatsoper Announces Program Remembering 50th Anniversary of Rebuilding of Opera House

On 5 November 2005, the Wiener Staatsoper will celebrate the 50th anniversary of the rebuilding of the opera house, which had been destroyed near the end of World War II. The program will include: Leonore Overture No. 3, Seiji... »

17 Nov 2004

More on the Reopening of La Fenice and La Scala

Opera house rises from the ashes -- again After fire and years of controversial renovations, Venice's La Fenice and Milan's La Scala raise the curtains By PAUL FRENCH Special to The Globe and Mail Wednesday, Nov 17, 2004 VENICE --... »

17 Nov 2004

Pro Ópera on Daniel Catán's Salsipuedes at HGO

Salsipuedes ha llegado a buen puerto Modelo que muestra a Ulises y Chucho a bordo de "El invencible" Dentro de la presente temporada de la Gran ópera de Houston, se llevará a cabo el estreno mundial de la ópera Salsipuedes,... »

15 Nov 2004

Phoenix Rising

Venetian Phoenix Rises Operatically From the Ashes By ALAN RIDING [NY Times] VENICE, Nov. 14 - Destroyed by fire on the night of Jan. 29, 1996, and rebuilt during eight years of noisy scandals, lawsuits and delays, Venice's legendary Teatro... »

14 Nov 2004

Bodies Beautiful?

Should the Fat Lady Diet Before She Sings? By ANTHONY TOMMASINI [NY Times] THE dramatic soprano Deborah Voigt returns to the Metropolitan Opera on Thursday as Elisabeth in Wagner's "Tannhäuser," and opera buffs are abuzz with anticipation over this popular... »

12 Nov 2004

Northern Virginia to Have New Performing Arts Center

Concert Hall to Rise Near Manassas GMU, Pr. William To Share Funding By Eric M. Weiss and Michele Clock Washington Post Staff Writers Friday, November 12, 2004; Page A01 Prince William County and George Mason University have agreed to help... »

12 Nov 2004

Separating the Men from the Boys

Who wears the pants in this opera? By Mark Kanny TRIBUNE-REVIEW CLASSICAL MUSIC CRITIC Thursday, November 11, 2004 Perhaps the most novel aspect of Pittsburgh Opera's upcoming production of "The Marriage of Figaro" will be Michael Maniaci's portrayal of Cherubino... »

12 Nov 2004

La Fenice Reopens on 12 November

Traviata at Theatre La Fenice by Gillian Price [LEO — LA RIVISTA DI VENEZIA] The excitement in the damp autumn air is palpable. Venice's beloved Fenice theatre is soon to be open for business and the city's faithful opera-going public... »

11 Nov 2004

Albany Records Announces New Recording by Angela Brown

On October 29, 2004, Angela Brown made her Metropolitan Opera debut as Aida in the great Verdi opera. Hailed in Opera News as "one of America's most promising Verdi sopranos," she was a National Metropolitan Opera Council Audition winner in... »

10 Nov 2004

Die Zauberflöte at Bayerische Staatsoper

Die Zauberflöte (The Magic Flute) Wolfgang Amadeus Mozart Emanuel Schikaneder Première on 30th October 1978 at the Nationaltheater Première of the Neu Einstudierung on 31st October 2004 at the Nationaltheater The Joy of Drawing Has Remained A Conversation with Jürgen... »

09 Nov 2004

Rigoletto at DNO Amsterdam

Rigoletto Giuseppe Verdi 1813-1901 Rigoletto, together with Il trovatore and La traviata, laid the foundations for Verdi's worldwide renown; the latter two operas were composed shortly after Rigoletto. The opera is based upon Victor Hugo's play Le roi s'amuse, a... »

30 Oct 2004

MET Names New General Manager

PETER GELB CHOSEN TO SUCCEED JOSEPH VOLPE AS GENERAL MANAGER October 29, 2004 William C. Morris, president and chief executive officer of The Metropolitan Opera, announced today that Peter Gelb, president of Sony Classical, has been chosen to succeed Joseph... »

29 Oct 2004

NYCO Moving On?

New York City Opera in Talks to Build Its Own Home By ROBIN POGREBIN [NY Times] The New York City Opera is in negotiations to build a new opera house on the site of the former American Red Cross New... »

28 Oct 2004

NBR New Zealand Opera to Produce The Death of Klinghoffer

*New Zealand Opera's 2005 Season Will Include Adams' The Death of Klinghoffer* By Emily Quinn October 28, 2004 The NBR New Zealand Opera's 2005 season will include a production of John Adams' The Death of Klinghoffer, the opera announced today.The... »

27 Oct 2004

Walt Mossberg on Challengers to the iPod

Three Challengers Take on the Mini Latest 'iPod Killers' Score On Style and Storage Space, But They Aren't Easy to Use October 27, 2004; Page D1 One of the key reasons for the continuing popularity of Apple Computer's line of... »

26 Oct 2004

Théâtre Impérial de Compiègne to Produce Auber's Haÿdée ou Le secret

*Théâtre Impérial de Compiègne will produce on 28 November Hayedée ou Le secret, a comic opera in three acts by Daniel François Auber.* Production Details Libretto by Eugène SCRIBE Music by Daniel François Esprit AUBER Musical direction by Michel SWIERCZEWSKI... »

22 Oct 2004

Opera Omaha to Present Copland's The Tender Land

Aaron Copland's The Tender Land: Opera About Midwestern Farm Family Opens Opera Omaha's Orpheum Season November 17, 19, 21 Omaha, NE--Opera Omaha will open its Orpheum season of performances with a new production of Aaron Copland's The Tender Land. Performances... »

14 Oct 2004

WP TechNews.com on the iPod

iMac, iPod, iConquered By Cynthia L. Webb washingtonpost.com Staff Writer Thursday, October 14, 2004; 9:50 AM For Apple Computer, will 2004 be remembered as a transformative year? Yes, according to The Wall Street Journal, which said the Cupertino, Calif.-based company's... »

11 Oct 2004

Archiv Releases Andromeda Liberata

ANDROMEDA LIBERATA A VENETIAN MYSTERY By Ulrike Brenning With the recording of Andromeda liberata - their debut on Archiv Produktion - Andrea Marcon and the Venice Baroque Orchestra have scored a real coup. This is a newly rediscovered, full-concert-length work... »

11 Oct 2004

WP on the File-Sharing Wars

Downloading Justice By Cynthia L. Webb washingtonpost.com Staff Writer Monday, October 11, 2004; 9:36 AM The file-sharing wars could get even hotter if the U.S. Supreme Court decides to weighs in on whether "peer-to-peer" networks should be held responsible for... »

01 Oct 2004

The Mariinsky's New Season

Voice activated By Galina Stolyarova STAFF WRITER Photo by Meri Cyr / FOR SPT The Mariinsky theater, which opens its 2004-2005 season on Thursday, Oct. 7th with Glinka's "A Life For The Tsar," has tailored the forthcoming musical year for... »

28 Sep 2004

CDs Still Preferable to Downloads

Silicon Still Rocks the House By Cynthia L. Webb washingtonpost.com Staff Writer Tuesday, September 28, 2004; 9:38 AM The Internet may have forever changed the music business, but online downloads will keep playing second fiddle to compact discs for at... »

17 Sep 2004

Lyric Opera of Chicago's Jubilee

Jubilee of a profitable opera house By Jeremy Grant Published: September 17 2004 03:00 | Last updated: September 17 2004 03:00 The Lyric Opera of Chicago is marking its 50th anniversary and new season with Christoph Eschenbach conducting Peter Stein's... »

07 Sep 2004

SFCV.org Previews SF Opera Fall Season

By Robert Commanday The opening of the season in San Francisco has always turned first thoughts to opera. The success of the San Francisco Symphony, its greater subscribership through Fall, Winter and Spring notwithstanding, opera has ruled here as an... »