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Elsewhere

An English Winter Journey

Roderick Williams’ and Julius Drake’s English Winter Journey seems such a perfect concept that one wonders why no one had previously thought of compiling a sequence of 24 songs by English composers to mirror, complement and discourse with Schubert’s song-cycle of love and loss.

History Repeating Itself: Prokofiev’s Semyon Kotko, Amsterdam Concertgebouw

A historical afternoon at the NTR Saturday Matinee occurred with an epic concert version of Prokofiev’s Soviet Opera Semyon Kotko.

L’amour de loin at the Metropolitan Opera

Opening night at the Metropolitan is a gleeful occasion even when the composer is long gone, but December 1st was an opening for a living composer who has been making waves around the world and is, gasp, a woman — the second woman composer ever to have an opera presented at the Met.

Battles administration neglects FLO’s assets by defunding the program

The college administration and President Denise Battles’ recent decision to defund the Finger Lakes Opera came as a shock to many and a concern to more. This decision reflects the administration’s blatant disregard for the arts and reveals a mindset that is counterproductive to the mission of the college.

Early Swedish opera - Stenhammer world premiere

The Feast at Solhaug : Henrik Ibsen's play Gildet paa Solhaug (1856) inspired Wilhelm Stenhammer's opera Gillet på Solhaug. The world premiere recording is now available via Sterling CD, in a 3 disc set which includes full libretto and background history.

La finta giardiniera at the Royal College of Music

For an opera that has never quite made it over the threshold into the ‘canonical’, the adolescent Mozart’s La finta giardiniera has not done badly of late for productions in the UK. In 2014, Glyndebourne presented Frederic Wake-Walker’s take on the eighteen-year-old’s dramma giocoso. Wake-Walker turned the romantic shenanigans and skirmishes into a debate on the nature of reality, in which the director tore off layers of theatrical artifice in order to answer Auden’s rhetorical question, ‘O tell me the truth about love’.

Lust for Revenge: Barenboim and Herlitzius fire up Strauss’s Elektra in Berlin

As the German language describes so beautifully, a “Schrei aus tiefstem Herzen” was felt as Evelyn Herlitzius channelled an Elektra from the depths of her soul.

Semyon Bychkov heading to NYC and DC with Glanert and Mahler

Heading to N.Y.C and D.C. for its annual performances, the Royal Concertgebouw Orchestra invited Semyon Bychkov to return for his Mahler debut with the Fifth Symphony. Having recently returned from Vienna with praise for their rendition, the orchestra now presented it at their homebase.

Lost Stravinsky re-united with Rimsky-Korsakov, Gergiev, Mariinsky

Igor Stravinsky's lost Funeral Song, (Chante funèbre) op 5 conducted by Valery Gergiev at the Mariinsky in St Petersburg This extraordinary performance was infinitely more than an ordinary concert, even for a world premiere of an unknown work.

Philippe Jaroussky at the Wigmore Hall: Baroque cantatas by Telemann and J.S.Bach

On Tuesday evening this week, I found myself at The Actors Centre in London’s Covent Garden watching a performance of Unknowing, a dramatization of Schumann’s Frauenliebe und Leben and Dichterliebe (in a translation by David Parry, in which Matthew Monaghan directed a baritone and a soprano as they enacted a narrative of love, life and loss. Two days later at the Wigmore Hall I enjoyed a wonderful performance, reviewed here, by countertenor Philippe Jaroussky with Julien Chauvin’s Le Concert de la Loge, of cantatas by Telemann and J.S. Bach.

The new Queen of the City of Birmingham Symphony Orchestra

Here is one of the next new great conductors. That’s a bold statement, but even the L.A. Times agrees: Mirga Gražinytė-Tyla’s appointment “is the biggest news in the conducting world.” But Ms. Mirga Gražinytė-Tyla will be getting a lot of weight on her shoulders.

Falstaff at Manitoba Opera

Manitoba Opera chose to open its 44th season by going for the belly laughs — literally — as it notably presented its inaugural production of Verdi’s Falstaff.

Gothic Schubert : Wigmore Hall, London

Macabre and moonstruck, Schubert as Goth, with Stuart Jackson, Marcus Farnsworth and James Baillieu at the Wigmore Hall. An exceptionally well-planned programme devised with erudition and wit, executed to equally high standards.

Rusalka, AZ Opera

On November 20, 2016, Arizona Opera completed its run of Antonín Dvořák’s fairy Tale opera, Rusalka. Loosely based on Hand Christian Andersen’s The Little Mermaid, Joshua Borths staged it with common objects such as dining room chairs that could be found in the home of a child watching the story unfold.

First new Ring Cycle in 40 Years, Leipzig

Consistently overshadowed by the neighboring Bayreuth, the far less stuffy Oper Leipzig (Wagner’s birthplace) programmed after forty years their first complete Ring Cycle.

San Jose’s Beta-Carotene Rich Barber

You didn’t have to know the Bugs Bunny oeuvre to appreciate Opera San Jose’s enchanting Il barbiere di Sivigila, but it sure enhanced your experience if you did.

Manon Lescaut at Covent Garden

If there was ever any doubt that Puccini’s Manon is on a road to nowhere, then the closing image of Jonathan Kent’s 2014 production of Manon Lescaut (revived here for the first time, by Paul Higgins) leaves no uncertainty.

Fierce in War, dazzling in Peace: Joyce DiDonato at the Concertgebouw

Many opera singers are careful to maintain an air of political neutrality. Not so mezzo-soprano Joyce DiDonato, who is outspoken about causes she holds dear. Her latest project, a very personal response to the 2015 terror attacks in Paris, puts her audience through the emotional wringer, but also showers them with musical rewards.

Walter Braunfels Orchestral Songs Vol 2

Honours yet again to Oehms Classics who understand the importance of excellence. A composer as good, and as individual, as Walter Braunfels deserves nothing less.

Simplicius Simplicissimus

I wonder if Karl Amadeus Hartmann saw something of himself in the young Simplicius Simplicissimus, the eponymous protagonist of his three-scene chamber opera of 1936. Simplicius is in a sort of ‘Holy Fool’ who manages to survive the violence and civil strife of the Thirty Years War (1618-48), largely through dumb chance, and whose truthful pronouncements fall upon the ears of the deluded and oppressive.


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News

<em>And London Burned</em>
24 Oct 2016

And London Burned: in conversation with Raphaela Papadakis

Raphaela Papadakis seems to like ‘playing with fire’. After her acclaimed performance as the put-upon maid, Anna, in Independent Opera’s production of Šimon Voseček’s Beidermann and the Arsonists at Sadler’s Wells last year, she is currently rehearsing for the premiere this week of And London Burned, a new opera by Matt Rogers which has been commissioned by Temple Music Foundation to commemorate the 350th anniversary of The Great Fire of London. »

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23 Nov 2004

Opera Orchestra of New York Opens 2004-2005 Season

On Monday, 22 November, Opera Orchestra of New York opened its 2004-2005 season with La Fanciulla del West. According to its website: The OONY season kicks off with Puccini's "horse opera," arguably the greatest opera ever created in New York... »

23 Nov 2004

L'Opéra-Comique Named as National Theater

Le Figaro is reporting that L'Opéra-Comique has been decreed an "établissement public à caractère industriel et commercial" under French law. Its charter is to provide a broad diversity of "expressions" from Baroque to contemporary creations. This decree goes into effect... »

22 Nov 2004

La Scala Readies for Opening Night on December 7

'Beautiful lady' regains her looks and rediscovers her voice John Hooper in Milan Saturday November 20, 2004 The Guardian Mauro Meli, the artistic director of the world's most famous opera house, raised the lapel of his jacket, buried his head... »

19 Nov 2004

Thomas Quasthoff Releases Autobiography

Quasthoff, der Grosse Der Bariton hat in einer aufwühlenden Biographie aufgeschrieben, wie er trotz seiner Behinderung zum Weltstar wurde "Rechts, links, rechts, links, rechts, links metronomt mein Kopf auf dem Laken. Ich liege halb nackt da, Hüfte und Beine festgeklemmt... »

19 Nov 2004

Lady Macbeth at the Bolshoi

Dangerous Music When Stalin pulled Shostakovich's opera "Lady Macbeth" from the Soviet stage, the composer had good reason to fear for his life. By Raymond Stults Published: November 19, 2004 Widely considered the greatest Russian opera -- and perhaps even... »

19 Nov 2004

The Cost of Doing Business

Opera House faces price scrutiny Arts organisations such as the Royal Opera House face the risk of losing their charitable status over ticket prices under a proposed bill. According to the draft charities bill, organisations granted charitable status will have... »

18 Nov 2004

Merkur Interviews Edita Gruberova and Friedrich Haider on the Dissolution of the Rundfunkorchester

Von Gefühl und Geist keine Ahnung Edita Gruberova und Friedrich Haider zur Auflösung des Rundfunkorchesters Für den Bayerischen Rundfunk mit Intendant Thomas Gruber an der Spitze mag das Münchner Rundfunkorchester bald Geschichte sein, für viele Künstler ist es das allerdings... »

17 Nov 2004

Wiener Staatsoper Announces Program Remembering 50th Anniversary of Rebuilding of Opera House

On 5 November 2005, the Wiener Staatsoper will celebrate the 50th anniversary of the rebuilding of the opera house, which had been destroyed near the end of World War II. The program will include: Leonore Overture No. 3, Seiji... »

17 Nov 2004

More on the Reopening of La Fenice and La Scala

Opera house rises from the ashes -- again After fire and years of controversial renovations, Venice's La Fenice and Milan's La Scala raise the curtains By PAUL FRENCH Special to The Globe and Mail Wednesday, Nov 17, 2004 VENICE --... »

17 Nov 2004

Pro Ópera on Daniel Catán's Salsipuedes at HGO

Salsipuedes ha llegado a buen puerto Modelo que muestra a Ulises y Chucho a bordo de "El invencible" Dentro de la presente temporada de la Gran ópera de Houston, se llevará a cabo el estreno mundial de la ópera Salsipuedes,... »

15 Nov 2004

Phoenix Rising

Venetian Phoenix Rises Operatically From the Ashes By ALAN RIDING [NY Times] VENICE, Nov. 14 - Destroyed by fire on the night of Jan. 29, 1996, and rebuilt during eight years of noisy scandals, lawsuits and delays, Venice's legendary Teatro... »

14 Nov 2004

Bodies Beautiful?

Should the Fat Lady Diet Before She Sings? By ANTHONY TOMMASINI [NY Times] THE dramatic soprano Deborah Voigt returns to the Metropolitan Opera on Thursday as Elisabeth in Wagner's "Tannhäuser," and opera buffs are abuzz with anticipation over this popular... »

12 Nov 2004

Northern Virginia to Have New Performing Arts Center

Concert Hall to Rise Near Manassas GMU, Pr. William To Share Funding By Eric M. Weiss and Michele Clock Washington Post Staff Writers Friday, November 12, 2004; Page A01 Prince William County and George Mason University have agreed to help... »

12 Nov 2004

Separating the Men from the Boys

Who wears the pants in this opera? By Mark Kanny TRIBUNE-REVIEW CLASSICAL MUSIC CRITIC Thursday, November 11, 2004 Perhaps the most novel aspect of Pittsburgh Opera's upcoming production of "The Marriage of Figaro" will be Michael Maniaci's portrayal of Cherubino... »

12 Nov 2004

La Fenice Reopens on 12 November

Traviata at Theatre La Fenice by Gillian Price [LEO — LA RIVISTA DI VENEZIA] The excitement in the damp autumn air is palpable. Venice's beloved Fenice theatre is soon to be open for business and the city's faithful opera-going public... »

11 Nov 2004

Albany Records Announces New Recording by Angela Brown

On October 29, 2004, Angela Brown made her Metropolitan Opera debut as Aida in the great Verdi opera. Hailed in Opera News as "one of America's most promising Verdi sopranos," she was a National Metropolitan Opera Council Audition winner in... »

10 Nov 2004

Die Zauberflöte at Bayerische Staatsoper

Die Zauberflöte (The Magic Flute) Wolfgang Amadeus Mozart Emanuel Schikaneder Première on 30th October 1978 at the Nationaltheater Première of the Neu Einstudierung on 31st October 2004 at the Nationaltheater The Joy of Drawing Has Remained A Conversation with Jürgen... »

09 Nov 2004

Rigoletto at DNO Amsterdam

Rigoletto Giuseppe Verdi 1813-1901 Rigoletto, together with Il trovatore and La traviata, laid the foundations for Verdi's worldwide renown; the latter two operas were composed shortly after Rigoletto. The opera is based upon Victor Hugo's play Le roi s'amuse, a... »

30 Oct 2004

MET Names New General Manager

PETER GELB CHOSEN TO SUCCEED JOSEPH VOLPE AS GENERAL MANAGER October 29, 2004 William C. Morris, president and chief executive officer of The Metropolitan Opera, announced today that Peter Gelb, president of Sony Classical, has been chosen to succeed Joseph... »

29 Oct 2004

NYCO Moving On?

New York City Opera in Talks to Build Its Own Home By ROBIN POGREBIN [NY Times] The New York City Opera is in negotiations to build a new opera house on the site of the former American Red Cross New... »

28 Oct 2004

NBR New Zealand Opera to Produce The Death of Klinghoffer

*New Zealand Opera's 2005 Season Will Include Adams' The Death of Klinghoffer* By Emily Quinn October 28, 2004 The NBR New Zealand Opera's 2005 season will include a production of John Adams' The Death of Klinghoffer, the opera announced today.The... »

27 Oct 2004

Walt Mossberg on Challengers to the iPod

Three Challengers Take on the Mini Latest 'iPod Killers' Score On Style and Storage Space, But They Aren't Easy to Use October 27, 2004; Page D1 One of the key reasons for the continuing popularity of Apple Computer's line of... »

26 Oct 2004

Théâtre Impérial de Compiègne to Produce Auber's Haÿdée ou Le secret

*Théâtre Impérial de Compiègne will produce on 28 November Hayedée ou Le secret, a comic opera in three acts by Daniel François Auber.* Production Details Libretto by Eugène SCRIBE Music by Daniel François Esprit AUBER Musical direction by Michel SWIERCZEWSKI... »

22 Oct 2004

Opera Omaha to Present Copland's The Tender Land

Aaron Copland's The Tender Land: Opera About Midwestern Farm Family Opens Opera Omaha's Orpheum Season November 17, 19, 21 Omaha, NE--Opera Omaha will open its Orpheum season of performances with a new production of Aaron Copland's The Tender Land. Performances... »

14 Oct 2004

WP TechNews.com on the iPod

iMac, iPod, iConquered By Cynthia L. Webb washingtonpost.com Staff Writer Thursday, October 14, 2004; 9:50 AM For Apple Computer, will 2004 be remembered as a transformative year? Yes, according to The Wall Street Journal, which said the Cupertino, Calif.-based company's... »

11 Oct 2004

Archiv Releases Andromeda Liberata

ANDROMEDA LIBERATA A VENETIAN MYSTERY By Ulrike Brenning With the recording of Andromeda liberata - their debut on Archiv Produktion - Andrea Marcon and the Venice Baroque Orchestra have scored a real coup. This is a newly rediscovered, full-concert-length work... »

11 Oct 2004

WP on the File-Sharing Wars

Downloading Justice By Cynthia L. Webb washingtonpost.com Staff Writer Monday, October 11, 2004; 9:36 AM The file-sharing wars could get even hotter if the U.S. Supreme Court decides to weighs in on whether "peer-to-peer" networks should be held responsible for... »

01 Oct 2004

The Mariinsky's New Season

Voice activated By Galina Stolyarova STAFF WRITER Photo by Meri Cyr / FOR SPT The Mariinsky theater, which opens its 2004-2005 season on Thursday, Oct. 7th with Glinka's "A Life For The Tsar," has tailored the forthcoming musical year for... »

28 Sep 2004

CDs Still Preferable to Downloads

Silicon Still Rocks the House By Cynthia L. Webb washingtonpost.com Staff Writer Tuesday, September 28, 2004; 9:38 AM The Internet may have forever changed the music business, but online downloads will keep playing second fiddle to compact discs for at... »

17 Sep 2004

Lyric Opera of Chicago's Jubilee

Jubilee of a profitable opera house By Jeremy Grant Published: September 17 2004 03:00 | Last updated: September 17 2004 03:00 The Lyric Opera of Chicago is marking its 50th anniversary and new season with Christoph Eschenbach conducting Peter Stein's... »

07 Sep 2004

SFCV.org Previews SF Opera Fall Season

By Robert Commanday The opening of the season in San Francisco has always turned first thoughts to opera. The success of the San Francisco Symphony, its greater subscribership through Fall, Winter and Spring notwithstanding, opera has ruled here as an... »