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<title>Opera Today</title>
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<item rdf:about="http://www.operatoday.com/content/2010/03/degenerate_oper.php">
<title>&#8216;Degenerate&#8217; Opera: Hear No Evil</title>
<link>http://www.operatoday.com/content/2010/03/degenerate_oper.php</link>
<description>http://www.newsweek.com/id/234434</description>
<dc:subject>News</dc:subject>
<dc:creator>Gary</dc:creator>
<dc:date>2010-03-15T18:25:30-06:00</dc:date>
</item>

<item rdf:about="http://www.operatoday.com/content/2010/03/the_nose_new_yo.php">
<title>The Nose, New York</title>
<link>http://www.operatoday.com/content/2010/03/the_nose_new_yo.php</link>
<description><![CDATA[When the orchestra re-tuned itself between the intermissionless acts of the Met premiere of <em>The Nose</em> last week, many in the audience were uncertain whether they were hearing practice or prelude. ]]></description>
<dc:subject>Reviews</dc:subject>
<dc:creator>Gary</dc:creator>
<dc:date>2010-03-12T14:22:22-06:00</dc:date>
</item>

<item rdf:about="http://www.operatoday.com/content/2010/03/verdis_attila_n.php">
<title><![CDATA[Verdi&rsquo;s Attila, New York]]></title>
<link>http://www.operatoday.com/content/2010/03/verdis_attila_n.php</link>
<description><![CDATA[The curtain rises on an enormous pile of crumbling reinforced concrete,
broken wires sticking out every which way &ndash; an image that has replaced
(at least in the minds of set designers) the romantic columned or castellated
ruins that thrilled our ancestors, especially around the time, 1846, that Verdi
composed <em>Attila</em>.]]></description>
<dc:subject>Reviews</dc:subject>
<dc:creator>Gary</dc:creator>
<dc:date>2010-03-11T12:38:10-06:00</dc:date>
</item>

<item rdf:about="http://www.operatoday.com/content/2010/03/das_rheingold_p.php">
<title>Das Rheingold, Paris Opera (Bastille)</title>
<link>http://www.operatoday.com/content/2010/03/das_rheingold_p.php</link>
<description>http://www.ft.com/cms/s/2/2747beac-2b9c-11df-a5c7-00144feabdc0.html</description>
<dc:subject>News</dc:subject>
<dc:creator>Gary</dc:creator>
<dc:date>2010-03-09T18:41:05-06:00</dc:date>
</item>

<item rdf:about="http://www.operatoday.com/content/2010/03/regarding_the_n.php">
<title>Regarding &#8216;The Nose&#8217;: What Did the Art Critic Think of the Opera?</title>
<link>http://www.operatoday.com/content/2010/03/regarding_the_n.php</link>
<description>http://artsbeat.blogs.nytimes.com/2010/03/09/regarding-the-nose-what-did-the-art-critic-think-of-the-opera/</description>
<dc:subject>News</dc:subject>
<dc:creator>Gary</dc:creator>
<dc:date>2010-03-09T18:28:52-06:00</dc:date>
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<item rdf:about="http://www.operatoday.com/content/2010/03/the_elixir_of_l.php">
<title>The Elixir of Love at ENO</title>
<link>http://www.operatoday.com/content/2010/03/the_elixir_of_l.php</link>
<description>As a medic with a keen knowledge of psychology, Jonathan Miller probably knows a thing or two about elixirs and placebos. </description>
<dc:subject>Reviews</dc:subject>
<dc:creator>Gary</dc:creator>
<dc:date>2010-03-09T15:44:25-06:00</dc:date>
</item>

<item rdf:about="http://www.operatoday.com/content/2010/03/the_gambler_lon.php">
<title>The Gambler, London</title>
<link>http://www.operatoday.com/content/2010/03/the_gambler_lon.php</link>
<description><![CDATA[The global credit crunch, with its painful exposure of the moral and literal
bankruptcy of our own age, provides the perfect backdrop for this new
production of Prokofiev&rsquo;s <em>The Gambler</em>, the first ever staging of
this opera at The Royal Opera House, Covent Garden. ]]></description>
<dc:subject>Reviews</dc:subject>
<dc:creator>Gary</dc:creator>
<dc:date>2010-03-09T14:55:03-06:00</dc:date>
</item>

<item rdf:about="http://www.operatoday.com/content/2010/03/a_dark_but_movi.php">
<title>A dark but moving &quot;La Bohème&quot; at the Minnesota Opera</title>
<link>http://www.operatoday.com/content/2010/03/a_dark_but_movi.php</link>
<description>http://www.tcdailyplanet.net/news/2010/03/08/music-dark-moving-la-boheme-minnesota-opera</description>
<dc:subject>News</dc:subject>
<dc:creator>Gary</dc:creator>
<dc:date>2010-03-08T18:34:18-06:00</dc:date>
</item>

<item rdf:about="http://www.operatoday.com/content/2010/03/philip_langridg.php">
<title>Philip Langridge, British Operatic Tenor, Dies at 70</title>
<link>http://www.operatoday.com/content/2010/03/philip_langridg.php</link>
<description>http://www.nytimes.com/2010/03/08/arts/music/08langridge.html</description>
<dc:subject>News</dc:subject>
<dc:creator>Gary</dc:creator>
<dc:date>2010-03-08T18:31:53-06:00</dc:date>
</item>

<item rdf:about="http://www.operatoday.com/content/2010/03/love_triumphs_i.php">
<title><![CDATA[Love Triumphs in L&rsquo;Elisir d&rsquo;amore at Lyric Opera of Chicago]]></title>
<link>http://www.operatoday.com/content/2010/03/love_triumphs_i.php</link>
<description><![CDATA[In its current revival of Donizetti&rsquo;s <em>L&rsquo;Elisir d&rsquo;amore</em> Lyric Opera of Chicago&rsquo;s production showcases the strengths and foibles of humanity, while assuring the ultimate triumph of love.]]></description>
<dc:subject>Reviews</dc:subject>
<dc:creator>Gary</dc:creator>
<dc:date>2010-03-08T14:24:54-06:00</dc:date>
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<item rdf:about="http://www.operatoday.com/content/2010/03/puccini_la_rond.php">
<title>Puccini: La Rondine</title>
<link>http://www.operatoday.com/content/2010/03/puccini_la_rond.php</link>
<description>Throughout his relatively long and decidedly successful career, Giacomo Puccini returned to those operas of his that had not, immediately or eventually, secured an important place in the standard repertory. </description>
<dc:subject>Reviews</dc:subject>
<dc:creator>chris_m</dc:creator>
<dc:date>2010-03-08T13:00:00-06:00</dc:date>
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<item rdf:about="http://www.operatoday.com/content/2010/03/brilliant_schub.php">
<title>Brilliant Schubert programme: Matthias Goerne, Wigmore Hall</title>
<link>http://www.operatoday.com/content/2010/03/brilliant_schub.php</link>
<description><![CDATA[This second of two recitals of Schubert songs by Matthias Goerne and Helmut Deutsch at the Wigmore Hall, London was superb, the programme created with exceptional intelligence and insight into the inner dynamics of Schubert&rsquo;s music. ]]></description>
<dc:subject>Reviews</dc:subject>
<dc:creator>anne_o</dc:creator>
<dc:date>2010-03-08T08:53:37-06:00</dc:date>
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<item rdf:about="http://www.operatoday.com/content/2010/03/tamerlano_hande.php">
<title>Tamerlano: Handel at the Royal Opera House, London</title>
<link>http://www.operatoday.com/content/2010/03/tamerlano_hande.php</link>
<description><![CDATA[Handel&rsquo;s <em>Tamerlano</em>, in the production by Graham Vick, is well
known, but its run at the Royal Opera House is unusual because many of the cast
are creating the roles for the first time. It isn't a live reprise of the DVD,
but more challenging.]]></description>
<dc:subject>Reviews</dc:subject>
<dc:creator>anne_o</dc:creator>
<dc:date>2010-03-08T05:45:45-06:00</dc:date>
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<item rdf:about="http://www.operatoday.com/content/2010/03/tamerlano_royal.php">
<title>Tamerlano, Royal Opera House, London</title>
<link>http://www.operatoday.com/content/2010/03/tamerlano_royal.php</link>
<description>http://www.ft.com/cms/s/2/b8c74a02-2a0a-11df-b940-00144feabdc0.html</description>
<dc:subject>News</dc:subject>
<dc:creator>Gary</dc:creator>
<dc:date>2010-03-07T18:47:01-06:00</dc:date>
</item>

<item rdf:about="http://www.operatoday.com/content/2010/03/karlsruhe_rare_.php">
<title>Karlsruhe:  Rare Verdi, Well Done</title>
<link>http://www.operatoday.com/content/2010/03/karlsruhe_rare_.php</link>
<description><![CDATA[The Baden State Theatre's new mounting of <em>I Masnadieri</em> may not completely be the production of one&rsquo;s dreams.]]></description>
<dc:subject>Reviews</dc:subject>
<dc:creator>james_s</dc:creator>
<dc:date>2010-03-05T12:50:44-06:00</dc:date>
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