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<title>Opera Today</title>
<link>http://www.operatoday.com/</link>
<description></description>
<dc:language>en-us</dc:language>
<dc:creator>gary@operatoday.com</dc:creator>
<dc:date>2010-03-15T18:25:30-06:00</dc:date>
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<item>
<title>&#8216;Degenerate&#8217; Opera: Hear No Evil</title>
<link>http://www.operatoday.com/content/2010/03/degenerate_oper.php</link>
<description>http://www.newsweek.com/id/234434</description>
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<dc:subject>News</dc:subject>
<dc:date>2010-03-15T18:25:30-06:00</dc:date>
</item>



<item>
<title><![CDATA[Verdi&rsquo;s Attila, New York]]></title>
<link>http://www.operatoday.com/content/2010/03/verdis_attila_n.php</link>
<description><![CDATA[The curtain rises on an enormous pile of crumbling reinforced concrete,
broken wires sticking out every which way &ndash; an image that has replaced
(at least in the minds of set designers) the romantic columned or castellated
ruins that thrilled our ancestors, especially around the time, 1846, that Verdi
composed Attila.]]></description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2010-03-11T12:38:10-06:00</dc:date>
</item>



<item>
<title>Das Rheingold, Paris Opera (Bastille)</title>
<link>http://www.operatoday.com/content/2010/03/das_rheingold_p.php</link>
<description>http://www.ft.com/cms/s/2/2747beac-2b9c-11df-a5c7-00144feabdc0.html</description>
<guid isPermaLink="false">4826@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-03-09T18:41:05-06:00</dc:date>
</item>



<item>
<title>Regarding &#8216;The Nose&#8217;: What Did the Art Critic Think of the Opera?</title>
<link>http://www.operatoday.com/content/2010/03/regarding_the_n.php</link>
<description>http://artsbeat.blogs.nytimes.com/2010/03/09/regarding-the-nose-what-did-the-art-critic-think-of-the-opera/</description>
<guid isPermaLink="false">4823@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-03-09T18:28:52-06:00</dc:date>
</item>



<item>
<title>The Elixir of Love at ENO</title>
<link>http://www.operatoday.com/content/2010/03/the_elixir_of_l.php</link>
<description>As a medic with a keen knowledge of psychology, Jonathan Miller probably knows a thing or two about elixirs and placebos. </description>
<guid isPermaLink="false">4821@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-03-09T15:44:25-06:00</dc:date>
</item>



<item>
<title>The Gambler, London</title>
<link>http://www.operatoday.com/content/2010/03/the_gambler_lon.php</link>
<description><![CDATA[The global credit crunch, with its painful exposure of the moral and literal
bankruptcy of our own age, provides the perfect backdrop for this new
production of Prokofiev&rsquo;s The Gambler, the first ever staging of
this opera at The Royal Opera House, Covent Garden. ]]></description>
<guid isPermaLink="false">4820@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-03-09T14:55:03-06:00</dc:date>
</item>



<item>
<title>A dark but moving &quot;La Bohème&quot; at the Minnesota Opera</title>
<link>http://www.operatoday.com/content/2010/03/a_dark_but_movi.php</link>
<description>http://www.tcdailyplanet.net/news/2010/03/08/music-dark-moving-la-boheme-minnesota-opera</description>
<guid isPermaLink="false">4825@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-03-08T18:34:18-06:00</dc:date>
</item>



<item>
<title>Philip Langridge, British Operatic Tenor, Dies at 70</title>
<link>http://www.operatoday.com/content/2010/03/philip_langridg.php</link>
<description>http://www.nytimes.com/2010/03/08/arts/music/08langridge.html</description>
<guid isPermaLink="false">4824@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-03-08T18:31:53-06:00</dc:date>
</item>



<item>
<title><![CDATA[Love Triumphs in L&rsquo;Elisir d&rsquo;amore at Lyric Opera of Chicago]]></title>
<link>http://www.operatoday.com/content/2010/03/love_triumphs_i.php</link>
<description><![CDATA[In its current revival of Donizetti&rsquo;s L&rsquo;Elisir d&rsquo;amore Lyric Opera of Chicago&rsquo;s production showcases the strengths and foibles of humanity, while assuring the ultimate triumph of love.]]></description>
<guid isPermaLink="false">4819@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-03-08T14:24:54-06:00</dc:date>
</item>



<item>
<title>Puccini: La Rondine</title>
<link>http://www.operatoday.com/content/2010/03/puccini_la_rond.php</link>
<description>Throughout his relatively long and decidedly successful career, Giacomo Puccini returned to those operas of his that had not, immediately or eventually, secured an important place in the standard repertory. </description>
<guid isPermaLink="false">4816@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-03-08T13:00:00-06:00</dc:date>
</item>



<item>
<title>Brilliant Schubert programme: Matthias Goerne, Wigmore Hall</title>
<link>http://www.operatoday.com/content/2010/03/brilliant_schub.php</link>
<description><![CDATA[This second of two recitals of Schubert songs by Matthias Goerne and Helmut Deutsch at the Wigmore Hall, London was superb, the programme created with exceptional intelligence and insight into the inner dynamics of Schubert&rsquo;s music. ]]></description>
<guid isPermaLink="false">4817@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-03-08T08:53:37-06:00</dc:date>
</item>



<item>
<title>Tamerlano: Handel at the Royal Opera House, London</title>
<link>http://www.operatoday.com/content/2010/03/tamerlano_hande.php</link>
<description><![CDATA[Handel&rsquo;s Tamerlano, in the production by Graham Vick, is well
known, but its run at the Royal Opera House is unusual because many of the cast
are creating the roles for the first time. It isn't a live reprise of the DVD,
but more challenging.]]></description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2010-03-08T05:45:45-06:00</dc:date>
</item>



<item>
<title>Tamerlano, Royal Opera House, London</title>
<link>http://www.operatoday.com/content/2010/03/tamerlano_royal.php</link>
<description>http://www.ft.com/cms/s/2/b8c74a02-2a0a-11df-b940-00144feabdc0.html</description>
<guid isPermaLink="false">4827@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-03-07T18:47:01-06:00</dc:date>
</item>



<item>
<title>Karlsruhe:  Rare Verdi, Well Done</title>
<link>http://www.operatoday.com/content/2010/03/karlsruhe_rare_.php</link>
<description><![CDATA[The Baden State Theatre's new mounting of I Masnadieri may not completely be the production of one&rsquo;s dreams.]]></description>
<guid isPermaLink="false">4814@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-03-05T12:50:44-06:00</dc:date>
</item>



<item>
<title>Matthias Goerne at Wigmore Hall, London</title>
<link>http://www.operatoday.com/content/2010/03/matthias_goerne.php</link>
<description>In this, the first of two recitals with pianist Helmut Deutsch, baritone Matthias Goerne continued his very personal journey through the landscape of Schubert&#8217;s lieder, a passage which is currently being preserved on an outstanding series of discs by Harmonia Mundi.  </description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2010-03-05T12:00:00-06:00</dc:date>
</item>



<item>
<title>Ariadne auf Naxos, New York</title>
<link>http://www.operatoday.com/content/2010/03/ariadne_auf_nax.php</link>
<description><![CDATA[As the first familiar themes of Ariadne came from the pit, I felt
myself sinking &mdash; sinking from a tense, dreary, daily world into a sort of
ecstatic fantasy &mdash; a place where all was happy, funny, romantic, inane,
fateful and surprising all at once &mdash; Sarah Connolly superb, Kathleen Kim
charming, Nina Stemme full-throated, ]]></description>
<guid isPermaLink="false">4815@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-03-05T10:26:27-06:00</dc:date>
</item>



<item>
<title>Zürich mal Zwei</title>
<link>http://www.operatoday.com/content/2010/03/zurich_mal_zwei.php</link>
<description><![CDATA[Zürich Opera&rsquo;s poster for their new production of Idomeneo is a knockout.]]></description>
<guid isPermaLink="false">4809@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-03-04T04:41:46-06:00</dc:date>
</item>



<item>
<title>Emilie, Opéra de Lyon</title>
<link>http://www.operatoday.com/content/2010/03/emilie_opera_de.php</link>
<description>http://www.ft.com/cms/s/2/b083157c-261f-11df-aff3-00144feabdc0.html</description>
<guid isPermaLink="false">4812@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-03-03T12:22:56-06:00</dc:date>
</item>



<item>
<title><![CDATA[Sophia Serghi &mdash; An Interview]]></title>
<link>http://www.operatoday.com/content/2010/03/sophia_serghi_a.php</link>
<description>Composer Sophia Serghi is presently professor of music at the College of William and Mary in Williamsburg, Virginia, where she has taught since 1998, with two years away in 2000-2002.</description>
<guid isPermaLink="false">4802@http://www.operatoday.com/</guid>
<dc:subject>Commentary</dc:subject>
<dc:date>2010-03-03T10:00:00-06:00</dc:date>
</item>



<item>
<title>Kurt Streit takes on Tamerlano, Royal Opera House, London</title>
<link>http://www.operatoday.com/content/2010/02/kurt_streit_tak.php</link>
<description>Kurt Streit is singing Bazajet in all performances of Handel&#8217;s Tamerlano at the Royal Opera House, London.  Placido Domingo, who was to have sung five of the seven performances, pulled out suddenly due to illness.  </description>
<guid isPermaLink="false">4806@http://www.operatoday.com/</guid>
<dc:subject>Commentary</dc:subject>
<dc:date>2010-02-28T13:27:32-06:00</dc:date>
</item>



<item>
<title>Otello in Montpellier (version concert)</title>
<link>http://www.operatoday.com/content/2010/02/otello_in_montp.php</link>
<description>Concert opera has a long and glorious tradition in Montpellier. Each year the Orchestra National de Montpellier regales us with one or two during the Festival de Radio France et Montpellier (July).</description>
<guid isPermaLink="false">4805@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-02-13T01:25:46-06:00</dc:date>
</item>



<item>
<title>Ex-EMI Executive Leads Salzburg Easter Festival, Magazine Says</title>
<link>http://www.operatoday.com/content/2010/02/ex-emi_executiv.php</link>
<description>http://www.bloomberg.com/apps/news?pid=20601088&amp;sid=a1HtQJHhL4lk#</description>
<guid isPermaLink="false">4804@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-02-11T15:05:36-06:00</dc:date>
</item>



<item>
<title>Armide by Opera Lafayette</title>
<link>http://www.operatoday.com/content/2010/02/armide_by_opera.php</link>
<description><![CDATA[Gluck&rsquo;s Armide, as semi-staged (costumed dancers but no
scenery) at the Rose Theater by the Washington-based Opera Lafayette, was
exactly what Gluck designed the piece to be: a supremely elegant entertainment.]]></description>
<guid isPermaLink="false">4803@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-02-11T14:28:53-06:00</dc:date>
</item>



<item>
<title>Opera San Jose revisits the &quot;Marriage of Figaro&quot;</title>
<link>http://www.operatoday.com/content/2010/02/opera_san_jose_.php</link>
<description>http://www.mercurynews.com/milpitas/ci_14375830</description>
<guid isPermaLink="false">4799@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-02-11T06:53:52-06:00</dc:date>
</item>



<item>
<title>Gabriela Ortiz &#8212; An Interview</title>
<link>http://www.operatoday.com/content/2010/02/gabriela_ortiz_.php</link>
<description>Composer Gabriela Ortiz studied composition in Mexico City with Mario
Lavista at the National Conservatory of Music, at the Guildhall School with
Robert Saxton, and at the University of London with Simon Emmerson. </description>
<guid isPermaLink="false">4798@http://www.operatoday.com/</guid>
<dc:subject>Commentary</dc:subject>
<dc:date>2010-02-10T20:51:32-06:00</dc:date>
</item>



<item>
<title>Rossini: La Cenerentola</title>
<link>http://www.operatoday.com/content/2010/02/rossini_la_cene.php</link>
<description>Michael Hampe seems to have been the director of choice in the 1980s for tastefully traditional Rossini productions. </description>
<guid isPermaLink="false">4797@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-02-10T10:49:36-06:00</dc:date>
</item>



<item>
<title>Lulu, Grand Théâtre, Geneva</title>
<link>http://www.operatoday.com/content/2010/02/lulu_grand_thea.php</link>
<description>http://www.ft.com/cms/s/2/6b816ea6-15a3-11df-ad7e-00144feab49a.html</description>
<guid isPermaLink="false">4800@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-02-09T07:01:03-06:00</dc:date>
</item>



<item>
<title>Ariadne auf Naxos, Metropolitan Opera, New York</title>
<link>http://www.operatoday.com/content/2010/02/ariadne_auf_nax.php</link>
<description>http://www.ft.com/cms/s/2/0c6eb714-14d3-11df-8f1d-00144feab49a.html</description>
<guid isPermaLink="false">4801@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-02-08T07:03:41-06:00</dc:date>
</item>



<item>
<title>Lucia di Lammermoor at the Coliseum</title>
<link>http://www.operatoday.com/content/2010/02/lucia_di_lammer.php</link>
<description>http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/stage/opera/article7016711.ece</description>
<guid isPermaLink="false">4795@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-02-07T23:59:59-06:00</dc:date>
</item>



<item>
<title>MARTIN: Der Sturm</title>
<link>http://www.operatoday.com/content/2010/02/martin_der_stur.php</link>
<description>Der Sturm: Opera in three acts </description>
<guid isPermaLink="false">4793@http://www.operatoday.com/</guid>
<dc:subject>Repertoire</dc:subject>
<dc:date>2010-02-07T11:09:09-06:00</dc:date>
</item>



<item>
<title>Donizetti revealed: Lucia di Lammermoor, ENO, London</title>
<link>http://www.operatoday.com/content/2010/02/groundbreaking_.php</link>
<description>Donizetti&#8217;s original concept of Lucia di Lammermoor is revealed in its true glory in this ground breaking production by the English National Opera, first heard in 2008.  The opera is loved in its familiar form, but the new critical edition reveals the depth of Donizetti&#8217;s musical creation.</description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2010-02-07T06:29:53-06:00</dc:date>
</item>



<item>
<title>Manon Lescaut in Lyon</title>
<link>http://www.operatoday.com/content/2010/02/manon_lescaut_i.php</link>
<description>If you want Italian opera go to Italy and hope for the best &#8212; like conductor Daniel Oren&#8217;s Manon Lescaut two years ago in Genoa. </description>
<guid isPermaLink="false">4792@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-02-07T02:30:16-06:00</dc:date>
</item>



<item>
<title><![CDATA[Heidelberg&rsquo;s Stumbling Spartaco at Schwetzingen Castle]]></title>
<link>http://www.operatoday.com/content/2010/02/heidelbergs_stu.php</link>
<description><![CDATA[For those who might be seeking a representational tale of the legendary Roman slave Spartacus, well, Gladiator this ain&rsquo;t.]]></description>
<guid isPermaLink="false">4786@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-02-04T12:30:08-06:00</dc:date>
</item>



<item>
<title>Opera music part of junk hauler&apos;s treasure trove</title>
<link>http://www.operatoday.com/content/2010/02/opera_music_par.php</link>
<description>http://www.washingtonpost.com/wp-dyn/content/article/2010/02/02/AR2010020203662.html</description>
<guid isPermaLink="false">4794@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-02-03T15:52:32-06:00</dc:date>
</item>



<item>
<title>Wozzeck, Yerba Buena Center for the Arts Theatre, San Francisco</title>
<link>http://www.operatoday.com/content/2010/02/wozzeck_yerba_b.php</link>
<description>http://www.ft.com/cms/s/2/a8f3bf10-101b-11df-841f-00144feab49a.html</description>
<guid isPermaLink="false">4796@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-02-02T15:57:13-06:00</dc:date>
</item>



<item>
<title>Così fan tutte, Covent Garden</title>
<link>http://www.operatoday.com/content/2010/02/cosi_fan_tutte_.php</link>
<description><![CDATA[First seen in 1995, and here receiving its seventh revival, Jonathan Miller&rsquo;s Così fan tutte has lost none of its power to unsettle and discomfort. ]]></description>
<guid isPermaLink="false">4790@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-02-02T14:53:33-06:00</dc:date>
</item>



<item>
<title><![CDATA[Parsifal on the Cote d&rsquo;Azur]]></title>
<link>http://www.operatoday.com/content/2010/02/parsifal_on_the.php</link>
<description>Parsifal had its first performances in Bayreuth in 1882 where it was soon seen by Wagner&#8217;s soul mate Friedrich Nietzsche. And there the friendship ended. </description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2010-02-02T11:13:44-06:00</dc:date>
</item>



<item>
<title><![CDATA[Shohat&rsquo;s The Child Dreams &mdash; A mature work]]></title>
<link>http://www.operatoday.com/content/2010/02/shotats_childs_.php</link>
<description><![CDATA[Gil Shohat, now 35 and Israeli&rsquo;s top classical composer, was 15 when
in the &lsquo;80s he saw Hanoch Levin&rsquo;s The Child Dream on stage in his native Tel Aviv. Shohat, of course, knew Levin&rsquo;s work well, for throughout early decades in the history of Israel he &mdash; its outstanding dramatist &mdash; had served somewhat as the conscience of a nation tormented defining itself within its pain-wrought beginnings. ]]></description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2010-02-02T10:04:33-06:00</dc:date>
</item>



<item>
<title>Joyce DiDonato, Wigmore Hall</title>
<link>http://www.operatoday.com/content/2010/02/joyce_didonato_.php</link>
<description>The Wigmore Hall was bursting its seams in excited anticipation of this recital by the American mezzo-soprano, Joyce DiDonato. </description>
<guid isPermaLink="false">4787@http://www.operatoday.com/</guid>
<dc:subject>Reviews</dc:subject>
<dc:date>2010-02-01T15:21:35-06:00</dc:date>
</item>



<item>
<title>Bass-baritone eager to sing at home, in English</title>
<link>http://www.operatoday.com/content/2010/01/bass-baritone_e.php</link>
<description>http://www.washingtonpost.com/wp-dyn/content/article/2010/01/29/AR2010012900194.html</description>
<guid isPermaLink="false">4783@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-01-30T23:59:59-06:00</dc:date>
</item>



<item>
<title>PURCELL: The Fairy-Queen</title>
<link>http://www.operatoday.com/content/2010/01/purcell_the_fai.php</link>
<description>The Fairy-Queen: Semi-opera in five acts.</description>
<guid isPermaLink="false">4785@http://www.operatoday.com/</guid>
<dc:subject>Repertoire</dc:subject>
<dc:date>2010-01-30T12:41:59-06:00</dc:date>
</item>



<item>
<title>In perfect harmony</title>
<link>http://www.operatoday.com/content/2010/01/in_perfect_harm.php</link>
<description>http://beta.thehindu.com/arts/music/article95472.ece</description>
<guid isPermaLink="false">4784@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-01-30T09:16:35-06:00</dc:date>
</item>



<item>
<title><![CDATA[Lyric Opera of Chicago&rsquo;s The Merry Widow]]></title>
<link>http://www.operatoday.com/content/2010/01/lyric_opera_of_.php</link>
<description><![CDATA[Melodic and scenic gaiety predominates in Lyric Opera of Chicago&rsquo;s new
production of Franz Lehár&rsquo;s The Merry Widow. ]]></description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2010-01-29T13:00:00-06:00</dc:date>
</item>



<item>
<title>Simon Boccanegra, New York</title>
<link>http://www.operatoday.com/content/2010/01/simon_boccanegr.php</link>
<description><![CDATA[The Times used to have a music critic who seemed to feel that singing,
especially in costume, didn&rsquo;t count as serious music, though he reviewed
opera anyway. ]]></description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2010-01-28T09:39:07-06:00</dc:date>
</item>



<item>
<title>New Music Director for Opera Orchestra</title>
<link>http://www.operatoday.com/content/2010/01/new_music_direc.php</link>
<description>http://www.nytimes.com/2010/01/28/arts/music/28arts-NEWMUSICDIRE_BRF.html?ref=music&amp;pagewanted=print</description>
<guid isPermaLink="false">4780@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-01-28T09:17:14-06:00</dc:date>
</item>



<item>
<title>Le Poème Harmonique</title>
<link>http://www.operatoday.com/content/2010/01/le_poeme_harmon.php</link>
<description>http://www.nytimes.com/2010/01/26/arts/music/26roundup.html</description>
<guid isPermaLink="false">4773@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-01-25T23:59:00-06:00</dc:date>
</item>



<item>
<title>War and Peace, Theatre Royal, Glasgow</title>
<link>http://www.operatoday.com/content/2010/01/war_and_peace_t.php</link>
<description>http://www.ft.com/cms/s/2/452b84e0-09d6-11df-8b23-00144feabdc0.html</description>
<guid isPermaLink="false">4776@http://www.operatoday.com/</guid>
<dc:subject>News</dc:subject>
<dc:date>2010-01-25T17:52:15-06:00</dc:date>
</item>



<item>
<title>Florida Grand Opera&apos;s Eglise Gutiérrez lifts `Lucia di Lammermoor &apos; to modern heights</title>
<link>http://www.operatoday.com/content/2010/01/florida_grand_o.php</link>
<description>http://www.miamiherald.com/living/story/1444224.html</description>
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<dc:subject>News</dc:subject>
<dc:date>2010-01-25T17:46:10-06:00</dc:date>
</item>



<item>
<title><![CDATA[London&rsquo;s Rambunctious Rake]]></title>
<link>http://www.operatoday.com/content/2010/01/londons_rambunc.php</link>
<description>Covent Garden has revived director Robert Lepage&#8217;s popular and well-traveled version of The Rake&#8217;s Progress with often thrilling results.</description>
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<dc:subject>Reviews</dc:subject>
<dc:date>2010-01-25T14:33:47-06:00</dc:date>
</item>



<item>
<title>Stirring Storytelling and Amorous Rapture</title>
<link>http://www.operatoday.com/content/2010/01/stirring_storyt.php</link>
<description>http://www.nytimes.com/2010/01/26/arts/music/26fink.html?ref=music</description>
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<dc:subject>News</dc:subject>
<dc:date>2010-01-25T13:01:02-06:00</dc:date>
</item>



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