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The Barber of Seville, ENO London

This may be the twelfth revival of Jonathan Miller’s 1987production of Rossini’s The Barber of Seville for English National Opera, but the ready laughter from the auditorium and the fresh musical and dramatic responses from the stage suggest that it will continue to amuse audiences and serve the house well for some time to come.

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English Touring Opera’s recent programming has been ambitious and inventive, and the results have been rewarding. We had two little-known Donizetti operas, The Siege of Calais and The Wild Man of the West Indies, in spring 2015, while autumn 2014 saw the company stage comedy by Haydn (Il mondo della luna) and romantic history by Handel (Ottone).

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Wigmore Hall Complete Schubert Song Series begins with Boesch and Johnson

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Luisa Miller in San Francisco

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Demonised by Pushkin and Peter Shaffer, Antonio Salieri lives in the public imagination as the embittered rival of Wolfgang Amadeus Mozart — whose genius he lamented and revered in equal measure, and against whom he schemed and plotted at the Emperor Joseph II’s Viennese court.

Chicago Lyric’s Stars Shine at Millennium Park

The annual concert given by Lyric Opera of Chicago as an outdoor event previewing the forthcoming season took place on 11 September 2015 at Millennium Park.

Gluck: Orphée et Eurydice

Orpheus — that Greek hero whose songs could enchant both deities and beasts, whose lyre has become a metaphor for the power of music itself, and whose journey to the Underworld to rescue his wife, Eurydice, kick-started the art of opera in Mantua in 1607 — has been travelling far and wide around the UK in 2015.

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Iestyn Davies at Wigmore Hall

Is there anything that countertenor Iestyn Davies cannot do with his voice?

Prom 75: The Dream of Gerontius

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Santa Fe: Secondary Mozart in First Rate Staging

Impresario Boris Goldovsky famously referred to La finta giardiniera as The Phony Farmerette.

Regimented Daughter in Santa Fe

At Santa Fe Opera, Donizetti’s effervescent The Daughter of the Regiment can’t quite decide what it wants to be when it grows up.

Santa Fe’s Celebratory Jester

Santa Fe Opera noted a landmark two-thousandth performance in their distinguished history with a stylish new production of Rigoletto.



13 Sep 2004

NYT: Anne Midgette Reviews Katya Kabanova

CRITIC'S PICK | ANNE MIDGETTE A Star to Shed Light on Janacek's Bleak Operatic Landscape OPINIONS may differ as to what constitutes a highlight at the Metropolitan Opera these days, but few disagreed last season about Karita Mattila's performance as...

A Star to Shed Light on Janacek's Bleak Operatic Landscape

OPINIONS may differ as to what constitutes a highlight at the Metropolitan Opera these days, but few disagreed last season about Karita Mattila's performance as Strauss's Salome, a tour de force of singing and acting.

Though not offering Ms. Mattila a new production this season, the Met is giving her something just as good: the title role in a revival of "Katya Kabanova," by Leos Janacek (opening Dec. 17 and closing on New Year's Day). While Janacek's operas are becoming more widely performed and acknowledged as the masterpieces they are (not least because titles enable audiences to understand them), they are still not done as often as they deserve to be. The Met had never presented "Katya Kabanova" before it introduced the current staging, by Jonathan Miller, in 1991.

[Remainder of article here]

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