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(Boston, MA) — Odyssey Opera, a Boston-based opera company dedicated to exploring the full spectrum of adventurous repertoire, presents the Boston premiere of one of France’s great operas, Le Cid (1885), composed by Jules Massenet (1842–1912).
I’m interviewing Stefano Mastrangelo in the immediate aftermath of his conducting La Traviata for the Chofu City Opera in Tokyo on 22 November 2014; he conveys an air at once of tiredness and exhilaration.
Apotheosis Opera is proud to announce their inaugural production
will be a fully-staged English translation of Richard Wagner’s early
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August 2, 2015, at 3pm at the theatre of El Museo del Barrio (1230 5th Avenue)
‘Competitions are for horses, not artists.’ The words of Béla Bartók seemed apposite on Sunday night at the Royal Opera House, as 11 soloists walked swiftly onto the Covent Garden stage, performed their chosen aria, briefly acknowledged the applause and then returned summarily to the wings.
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Bratislava in Slovakia might seem an unlikely place to come across the opera
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Last year’s Strauss anniversary year — 150 years since his birth —
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On 6 June, Jonathan Dove’s Flight touches down in Kensington,
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San Diego Opera, the company that General Manager Ian Campbell had scheduled for demolition, proved that it is alive and singing as beautifully as ever. Its 2015 season was cut back slightly and management has become a bit leaner, but the company celebrated its fiftieth season in fine style with a concert that included many of the greatest arias ever written.
Kathleen Ferrier may have been one of the world’s finest contraltos but this year’s Kathleen Ferrier Awards Final, held at the Wigmore Hall, was all about lyric sopranos.
East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.
Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition
Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.
A brand new opera — especially one that is groundbreaking— can really put an opera company on the map. British composer Barry Seaman’s stunning new work, Mirabai, which explores the story of the free thinking, mystic
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Bampton Classical Opera has announced that applications are now open for the
company’s Young Singers’ Competition 2015. This biennial competition was
first launched in 2013 to celebrate Bampton Classical Opera’s 20th
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Anita Rachvelishvili recently performed the title role in Carmen broadcast by The Metropolitan Opera Live in HD. Here she drops by for a little chat with our Maria Nockin.
28 Oct 2004
FT on Countertenor Lawrence Zazzo
US countertenor who is a wow in Europe By Francis Carlin Published: October 28 2004 03:00 | Last updated: October 28 2004 03:00 It is always a good sign when you find a singer attending a performance of something else...
US countertenor who is a wow in Europe
By Francis Carlin
Published: October 28 2004 03:00 | Last updated: October 28 2004 03:00
It is always a good sign when you find a singer attending a performance of something else on his night off. I met the countertenor Lawrence Zazzo and his wife Giselle Allen, a soprano with Opera North in Leeds, at Gualtiero Dazzi's opera Le Luthier de Venise at the Châtelet in Paris.
It is a surprising, poetical work that happens to have a big role for a countertenor. Aha, I thought, that's why he's here. Wrong: they were providing moral support for the soprano Christine Buffle, a friend of Giselle's.
This solidarity is typical of Zazzo. Last Sunday he finished a run of Monteverdi's L'Incoronazione di Poppea at the Théâtre des Champs Elysées in a new production by David McVicar that travels to Strasbourg next year, then to Berlin and Brussels. I did not care for McVicar's camp extravaganza but was impressed by how easily Zazzo's Ottone carried in a theatre known for its difficult acoustics.
It is a rich, beefy sound, which his wife once called "ballsy". Zazzo himself says he tries to find a middle sound between "churchy and brassy". "I have the low notes for the alto castrato roles Handel wrote for Senesino. I've got enough of the beef now to carry in modern houses. My voice is getting louder, perhaps because I've been able to rest it and keep it in shape."
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