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Victory Hall Opera is a new company making its debut in Charlottesville Virginia on August 14, 2016. Its first presentation will be Richard Strauss’s and Hugo von Hofmannsthal’s Der Rosenkavalier.
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I arrive at the Jerwood Space, where rehearsals are underway for Garsington
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afternoon rehearsal has finished a little early.
Tickets on Sale NOW for June 10 & 12 Performances at UNLV’s Performing Arts Center Box Office
A Double-Bill of Divine Comedies
With its merry-go-round exchange of deluded and bewitched lovers, an orphan-turned-princess, a usurped prince, a jewel and a flower with magical properties, a march to the scaffold and a meddling ‘mistress-of-ceremonies’ who encourages the young lovers to disguise and deceive, William Makepeace Thackeray’s The Rose and the Ring has all the ingredients of an opera buffa.
Kathleen Kelly is an internationally renowned pianist, coach, conductor, and master teacher. She was the first woman and first American named Director of Musical Studies at the Vienna State Opera.
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‘Lieder v. Opera’? At first glance it might seem to be a pointless or nonsensical question.
Extreme Dolly Parton fans may sound like unlikely subjects for an opera, but they are the major characters in Heartbreak Express, a collaboration of composer George Lam and librettist John Clum.
Last year's Oxford Lieder Festival made something of a splash when it encompassed all of Schubert's songs, performed in the space of three weeks. This year's festival, the 14th, which runs from 16 to 31 October 2015 has a rather different, yet still eye-catching theme; Singing Words: Poets and their Songs.
The First of Three Donizetti Queens She Will Sing at the Met This Season
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The name of Hibla Gerzmava has been famous in the opera world since 1994,
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(Boston, MA) — Odyssey Opera, a Boston-based opera company dedicated to exploring the full spectrum of adventurous repertoire, presents the Boston premiere of one of France’s great operas, Le Cid (1885), composed by Jules Massenet (1842–1912).
I’m interviewing Stefano Mastrangelo in the immediate aftermath of his conducting La Traviata for the Chofu City Opera in Tokyo on 22 November 2014; he conveys an air at once of tiredness and exhilaration.
Apotheosis Opera is proud to announce their inaugural production
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‘Competitions are for horses, not artists.’ The words of Béla Bartók seemed apposite on Sunday night at the Royal Opera House, as 11 soloists walked swiftly onto the Covent Garden stage, performed their chosen aria, briefly acknowledged the applause and then returned summarily to the wings.
27 Oct 2004
FT on the Future of Wexford Opera Festival
Wexford's dilemma for future operas By Andrew Clark Published: October 27 2004 03:00 | Last updated: October 27 2004 03:00 When Wexford's opera festival was young and innocent, audiences used to talk of "one for the head, one for the...
Wexford's dilemma for future operas
By Andrew Clark
Published: October 27 2004 03:00 | Last updated: October 27 2004 03:00
When Wexford's opera festival was young and innocent, audiences used to talk of "one for the head, one for the heart and one for fun". It was a neat way of summarising Wexford's diet of obscure operas, which for the past 50 years have provided aficionados with the perfect excuse for an autumn break in southern Ireland.
Even though the festival has matured, it remains sui generis, drawing its atmosphere from Wexford's narrow streets, the smell of sea air and the welcome of its couthy populace, many of whom serve as festival volunteers.
But the opera world has undergone huge changes in the past quarter-century. Unlike the situation in Wexford's early days, talented young singers now have plenty of other opportunities to get noticed. Mainstream opera companies are bolder in programming, and recordings have opened our ears to a wealth of neglected music.
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*For information on Wexford Opera Festival, click here.*