Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


twitter_logo[1].gif



9780521746472.png

0810888688.gif

0810882728.gif

Recently in Performances

La Traviata in Ljubljana Slovenia

Small country, small opera house — big ensemble spirit. Internationally acclaimed soprano Natalia Ushakova steps in for indisposed local Violetta with mixed results.

Otello in Bucharest — Moor’s the pity

Bulgarian director Vera Nemirova’s production of Otello for the Romanian National Opera in Bucharest was certainly full of new ideas — unfortunately all bad.

Il trovatore at Lyric Opera of Chicago

For its current revival of the 2006-2007 production of Giuseppe Verdi’s Il trovatore by Sir David McVicar Lyric Opera has assembled a talented quintet of principal singers whose strengths match this conception of the opera.

Mary, Queen of Heaven, Wigmore Hall

O Maria Deo grata — ‘O Mary, pleasing to God’: so begins Robert Fayrfax’s antiphon, one of several supplications to the Virgin Mary presented in this thought-provoking concert by The Cardinall’s Musick at the Wigmore Hall.

Analyzed not demonized — Tristan und Isolde, Royal Opera House

Wagner’s Tristan und Isolde at the Royal Opera House, first revival of the 2009 production, one of the first to attract widespread hostility even before the curtain rose on the first night.

Florencia in el Amazonas Makes Triumphant Return to LA

On November 22, 2014, Los Angeles Opera staged Francesca Zambello’s updated version of Florencia in el Amazonas.

John Adams: The Gospel According to the Other Mary

John Adams and his long-standing collaborator Peter Sellars have described The Gospel According to the Other Mary as a ‘Passion oratorio’.

A new Yevgeny Onegin in Zagreb — Prince Gremin’s Fabulous Pool Party

Superb conducting from veteran Croatian maestro Nikša Bareza makes up for an absurd waterlogged new production of Tchaikovsky’s masterpiece.

Nabucco in Novi Sad

After the horrors of Jagoš Marković’s production of Le Nozze di Figaro in Belgrade, I was apprehensive lest Nabucco in Serbia’s second city of Novi Sad on 27th October would be transplanted from 6th century BC Babylon to post-Saddam Hussein Tikrit or some bombed-out kibbutz in Beersheba.

La Bohème in San Francisco

First Toronto, then Houston and now San Francisco, the third stop of a new production of Puccini's La bohème by Canadian born, British nurtured theater director John Caird.

Radvanovsky Sings Recital in Los Angeles

Every once in a while Los Angeles Opera presents an important recital in the three thousand seat Dorothy Chandler Pavilion.

L’elisir d’amore, Royal Opera

This third revival of Laurent Pelly’s production of Donizetti’s L’elisir d’amore needed a bit of a pep up to get moving but once it had been given a shot of ‘medicinal’ tincture things spiced up nicely.

Samling Showcase, Wigmore Hall

Founded in 1996, Samling describes itself as a charity which ‘inspires musical excellence in young people’.

La cenerentola in San Francisco

The good news is that you don’t have to go all the way to Pesaro for great Rossini.

Rameau: Maître à danser — William Christie, Barbican London

Maître à danser: William Christie and Les Arts Florissants at the Barbican, London, presented a defining moment in Rameau performance practice, choreographed with a team of dancers.

Le Nozze di Figaro — or Sex on the Beach?

The most memorable thing (and definitely not in a good way) about this performance of Le Nozze di Figaro at the Serbian National Theatre in Belgrade was the self-serving, infantile, offensive and just plain wrong production by celebrated Serbian theatre director Jagoš Marković.

The Met mounts a well sung but dramatically unconvincing ‘Carmen’

Should looks matter when casting the role of the iconic temptress for HD simulcast?

Maurice Greene’s Jephtha

Maurice Greene (1696-1755) had a highly successful musical career. Organist of St. Paul’s Cathedral, a position to which he was elected when he was just 22 years-old, he later became organist of the Chapel Royal, Professor of Music at the University of Cambridge and, from 1735, Master of the King’s Music.

Tosca in San Francisco

Yet another Tosca is hardly exciting news, if news at all. The current five performances have come just two years after SFO alternated divas Angela Gheorghiu and Patricia Racette in the title role.

Antonin Dvořák: The Cunning Peasant (Šelma Sedlák)

What an enjoyable opportunity to encounter Dvořák’s sixth opera, Šelma Sedlák¸or The Cunning Peasant!

OPERA TODAY ARCHIVES »

Performances

10 Oct 2004

Le Monde Reviews Messiaen's "Saint François d'Assise"

La mise en apesanteur divine de "Saint François d'Assise", SDF de la foi LE MONDE | 08.10.04 | 15h02 A l'Opéra Bastille, les tableaux franciscains d'Olivier Messiaen par Stanislas Nordey. Avec cette nouvelle production du Saint-François d'Assise de Messiaen -...

La mise en apesanteur divine de "Saint François d'Assise", SDF de la foi

LE MONDE | 08.10.04 | 15h02
A l'Opéra Bastille, les tableaux franciscains d'Olivier Messiaen par Stanislas Nordey.

Avec cette nouvelle production du Saint-François d'Assise de Messiaen - la troisième depuis la création de l'œuvre en 1983 à Garnier puis celle de Peter Sellars à Bastille en 1993 -, l'Opéra de Paris recevait les premiers stigmates de l'ère Mortier (nouveau directeur, Le Monde du 17 juillet).

Rien à voir avec l'imagerie tatillonne et pseudo-réaliste de Messiaen imposant sa vision scénique lors de la création, puis avec le festival ludique et colorée de la volière vidéo de Sellars : le dépouillé de la mise en scène de Stanislas Nordey confine au dénuement. Dans un monde sans repères de temps ni d'espace, une plate-forme surélevée dans un haut hémicycle d'acier (une décharge ?) au milieu de nulle part, François va vivre le lent exil de son accession à la divinité, peu à peu roidi dans une froide incandescence. SDF de la foi, en T-shirt, pull zippé, veste trois-quarts marron et bonnet façon Emmaüs, il va franchir un à un les paliers de la mise en apesanteur divine.

D'une rigueur extreme au premier acte, au point que l'orchestre en paraît presque indécent de couleur et de sensualité, cette austérité devient enchantement dès le tableau de "l'Ange voyageur". Petit prince funambule en imperméable blanc, les ailes soigneusement rangées dans une valise en Plexiglas, l'Ange pose par deux fois avec une grâce dansante et frondeuse la question de la prédestination, avant que d'apparaître à François.

[Remainder of review here (no subscription required)]

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):