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What do you get if you cross Benjamin Britten, ‘one-page scores’, an innovative performing ensemble and ‘Wigmore Learning’ — the Wigmore Hall’s imaginative outreach programme which aims to provide access to chamber music and song through innovative creative programmes, online resources and events?
Marseille woke up this past January 11 stunned to find itself number two on the New York Times list of 46 places you should visit in 2013 (Rio was number one, Paris just made the list at number 46).
Garsington Opera at Wormsley is producing the British premiere of Giacomo Rossini´s Maometto Secondo. Garsington Opera is well-known for its role in reviving Rossini rarities in Britain. Since 1994, there have been 14 productions of 12 Rossini operas, and David Parry has
conducted eleven since 2002. He´s very enthusiastic about Maometto Secondo.
Rossini’s La donna del Lago at the Royal Opera House boasts a superstar cast. Joyce DiDonato and Juan Diego Flórez are perhaps the best in these roles in the business at this time. Yet the conductor Michele Mariotti is also hot news.
It would seem a logical step for the mezzo-soprano Kate Lindsey to take on
the role of the Composer in Richard Strauss’s Ariadne auf Naxos.
“Aim for excellence”, says Douglas Boyd, new Artistic Director of Garsington Opera at Wormsley, “and the audience will follow you”.
When I spoke with Zandra Rhodes, she was in her large San Diego workspace, which she described as having walls decorated with her own huge black and white drawings.
Palm Beach audiences are famous for their glamour, but in recent years a special star has sparkled amid the jewels, sequins, feathers and furs (whatever the weather).
When the soprano Jessica Pratt first arrived in Italy, she had yet to learn the language or sing in a staged opera.
On Wednesday evening, February 20, Los Angeles Opera gave a press conference at the Dorothy Chandler Pavilion featuring Music Director James Conlon.
It is another “What Could Have Been” moment. The debut of Brokeback
Mountain by Charles Wuorinen is part of Madridʼs Teatro Real coming
Plans for July’s Aix-en-Provence Festival were announced and opera is, of course, at the center of the program with a particularly noteworthy Richard Strauss production.
Amsterdam enjoys a rare visit from Moscow’s Stanislavski Opera at the landmark Koninklijk Carre Theater, for three performances of Tchaikovski’s Eugene Onegin and a Sunday morning opera concert, on February 1st-3rd.
A new festival hall has been inaugurated in the small town of Erl in the Tyrolean mountains.
Yesterday, Conductor Riccardo Muti opened the Rome Opera, where he is “honorary conductor for life,” with a gala presentation of Verdi’s Simon Boccanegra.
When tenor Michael Spyres takes the stage at Carnegie Hall on December 5th, he will be in heady company.
One of the most noteworthy and controversial productions in recent memory
arrived in Belgium with hurricane force as Director Terry Gilliam’s inaugural
opera, an inspired interpretation of Hector Berlioz’s Le Damnation de
Faust, blasted into Ghent, followed by a run in Antwerp.
Florian Boesch is singing Schubert’s Die Schöne Müllerin at the Oxford Lieder Festival on Sunday 14th October. This won’t be routine. Radically challenging conventional interpretation, Boesch says “I don’t believe it ends in suicide”
Exciting developments at Glyndebourne ! Many new initiatives which could transform Glyndebourne from a summer festival to a truly international, year-round opera experience.
The recently released numbers for the past season at Barcelona’s opera Liceu gives some hope for the future.
03 Nov 2004
An Interview with Ewa Podles
Contralto taking on fresh challenge in 'Il Trovatore' By TOM STRINI Journal Sentinel music critic Posted: Nov. 1, 2004 Ewa Podles, a leading international concert and opera contralto, will make her Milwaukee debut Saturday, courtesy of the Florentine Opera. She...
Contralto taking on fresh challenge in 'Il Trovatore'
By TOM STRINI
Journal Sentinel music critic
Posted: Nov. 1, 2004
Ewa Podles, a leading international concert and opera contralto, will make her Milwaukee debut Saturday, courtesy of the Florentine Opera. She will sing the weighty role of Azucena, the old gypsy whose desire for revenge piles tragedy upon tragedy in Verdi's "Il Trovatore."
Ewa Podles will perform the role of the gypsy Azucena in the Florentine Opera's production of Verdi's "Il Trovatore." The production opens Saturday at Marcus Center Uihlein Hall.
Podles and her husband, pianist / music professor Jerzy Marchwinski, are ensconced in a sunny east side apartment for their four-week stay in Milwaukee. It is their first visit.
"I like it here, it almost doesn't feel like I'm in the U.S.," she said, through her Polish accent. "Milwaukee's more like a European-sized city."
They live in Poland, when they can; mostly, Podles is on the road. She could probably make a living contracting only with the major houses of Europe, but she likes the faster, more concentrated American rehearsal schedules. And those avant-garde European stage directors often strain her patience, and more.
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