Recently in Commentary
A brand new opera — especially one that is groundbreaking— can really put an opera company on the map. British composer Barry Seaman’s stunning new work, Mirabai, which explores the story of the free thinking, mystic
16th century Hindu princess, Mira, is ambitious on many levels —
artistically, technically and creatively.
Bampton Classical Opera has announced that applications are now open for the
company’s Young Singers’ Competition 2015. This biennial competition was
first launched in 2013 to celebrate Bampton Classical Opera’s 20th
birthday, and is aimed at identifying the finest emerging young opera singers
currently working in the UK.
Anita Rachvelishvili recently performed the title role in Carmen broadcast by The Metropolitan Opera Live in HD. Here she drops by for a little chat with our Maria Nockin.
This is a revised version of my review of the Sept 5th
1991American premiere of The Death of Klinghoffer, at the
Brooklyn Academy of Music. The opera was first performed at Brussels’ La
Monnaie the previous spring.
"Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development."
Anna Prohaska sings Sister Constance in Poulenc’s Dialogues des
Carmélites at the Royal Opera House. In the same month, she’s also in
London to sing a recital with Eric Schneider at the Wigmore Hall, and to sing
Henze with Sir Simon Rattle at the Barbican Hall.
Garsington Opera celebrates its 25th anniversary this year.
Baritone Brandon Coleman’s mother, Linda, knew that 3-year old Brandon
would be a great singer when a stranger who had heard him, predicted it.
Professional opera returns to the Las Vegas Valley June 6th and 8th with performances of one of the best-known comic operas of all time, Gioachino Rossini's Il Barbiere di Siviglia.
I met with the embattled artistic director of the Opéra et Orchestre National de Montepellier not to talk about his battles. I simply wanted to know the man who had cast and staged a truly extraordinary Mozart/DaPonte trilogy.
Maria Nockin interviews tenor Saimir Pirgu.
Italian conductor Claudio Abbado, former principal conductor of the London Symphony Orchestra, has died aged 80
Matthew Polenzani reprises the role of the Chevalier des Grieux in Jules Massenet’s Manon at the Royal Opera House. “I love coming back to London”, he says, “It’s a very good house and they take care of you as a singer. And the level of music making is unbelievably high”.
On Saturday evening January 25, San Diego Opera opens its 2014 season with Ruggero Leoncavallo’s verismo blockbuster Pagliacci (Clowns).
The Flying Dutchman is a transitional piece because Wagner was only beginning to establish his style. He took some aspects from Carl Maria von Weber and others from Italian composers like Vincenzo Bellini.
The Royal Opera House has its own DVD arm, Opus Arte, and is developing quite a global
following with its cinema broadcasts.
On a personal level, I feel that Dolores is almost like Emmeline grown up. Their circumstances are not exactly parallel, but they are both women at very different points in their lives whose stories involve dilemmas with life-changing outcomes.
With the help of Andrew Welch, a London theatrical producer who had adapted several of King’s works for the stage, including this one, I got the rights to both Dolores Claiborne and Misery.
03 Nov 2004
Dario Volonté: A Biographical Note
by Miguel A. DeVirgilio Dario Volonté was born on September 1, 1963, in Buenos Aires, although his family came from a humble household some 250 miles north of the capital, Entre Rios. His musical vocation began late after having discovered...
by Miguel A. DeVirgilio
Dario Volonté was born on September 1, 1963, in Buenos Aires, although his family came from a humble household some 250 miles north of the capital, Entre Rios. His musical vocation began late after having discovered his facility for imitating the tenor voice at the age of 17, when he watched Plácido Domingo in Otello on television from Teatro Colón.
At the age of 18 he was sent to the Malvinas War to serve duty on the ill-fated warship General Belgrano, which was sunk by the British and of which Volonté was among the few survivors. Upon his return he joined a local church choir and met the baritone José Crea who tutored him for free. During the following twelve years he earnt his living as a moving van driver while studying music at nights.
A big break came in 1994 when he auditioned for the Teatro Avenida of Buenos Aires and was cast as a tenor in a zarzuela. Subsequent performances helped to launch a break in Europe; in Italy he joined a touring opera group from Bulgaria and sang in Ballo in Maschera and Il Trovatore in Belgium and Holland. Meanwhile, he was audtioned by several European theatres, and the Wexford Festival of Ireland contracted him for Riccardo Zandonai's "I Cavalieri di Ekebu" in 1998, which he performed to considerable public and critical acclaim. In May of 1999 he was Mariano in Hector Panizza's and Luigi Illica's "Aurora." November 1999 he stepped in as Edgardo in Lucia de Lammermoor opposite June Anderson, after the passing away of Alfredo Kraus.
San Diego: Calaf
Buenos Aires Colon, Alla Scala Milano: Cavaradossi, Edgardo, Don Carlo
Regio di Parma: Manrico, Geneva Opera
Teatro Communale di Firenze: Des Grieux (Manon Lescaut)
Teatro Real Madrid: Don Carlo
San Carlo di Napoli: La Battaglia di Legnano