Recently in Commentary
East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.
Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition
Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.
A brand new opera — especially one that is groundbreaking— can really put an opera company on the map. British composer Barry Seaman’s stunning new work, Mirabai, which explores the story of the free thinking, mystic
16th century Hindu princess, Mira, is ambitious on many levels —
artistically, technically and creatively.
Bampton Classical Opera has announced that applications are now open for the
company’s Young Singers’ Competition 2015. This biennial competition was
first launched in 2013 to celebrate Bampton Classical Opera’s 20th
birthday, and is aimed at identifying the finest emerging young opera singers
currently working in the UK.
Anita Rachvelishvili recently performed the title role in Carmen broadcast by The Metropolitan Opera Live in HD. Here she drops by for a little chat with our Maria Nockin.
This is a revised version of my review of the Sept 5th
1991American premiere of The Death of Klinghoffer, at the
Brooklyn Academy of Music. The opera was first performed at Brussels’ La
Monnaie the previous spring.
"Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development."
Anna Prohaska sings Sister Constance in Poulenc’s Dialogues des
Carmélites at the Royal Opera House. In the same month, she’s also in
London to sing a recital with Eric Schneider at the Wigmore Hall, and to sing
Henze with Sir Simon Rattle at the Barbican Hall.
Garsington Opera celebrates its 25th anniversary this year.
Baritone Brandon Coleman’s mother, Linda, knew that 3-year old Brandon
would be a great singer when a stranger who had heard him, predicted it.
Professional opera returns to the Las Vegas Valley June 6th and 8th with performances of one of the best-known comic operas of all time, Gioachino Rossini's Il Barbiere di Siviglia.
I met with the embattled artistic director of the Opéra et Orchestre National de Montepellier not to talk about his battles. I simply wanted to know the man who had cast and staged a truly extraordinary Mozart/DaPonte trilogy.
Maria Nockin interviews tenor Saimir Pirgu.
Italian conductor Claudio Abbado, former principal conductor of the London Symphony Orchestra, has died aged 80
Matthew Polenzani reprises the role of the Chevalier des Grieux in Jules Massenet’s Manon at the Royal Opera House. “I love coming back to London”, he says, “It’s a very good house and they take care of you as a singer. And the level of music making is unbelievably high”.
On Saturday evening January 25, San Diego Opera opens its 2014 season with Ruggero Leoncavallo’s verismo blockbuster Pagliacci (Clowns).
The Flying Dutchman is a transitional piece because Wagner was only beginning to establish his style. He took some aspects from Carl Maria von Weber and others from Italian composers like Vincenzo Bellini.
The Royal Opera House has its own DVD arm, Opus Arte, and is developing quite a global
following with its cinema broadcasts.
30 Nov 2004
La Diva Renée
The 'Voice' of the Darling Diva By BARBARA JEPSON November 30, 2004 New York For sheer beauty of sound, no soprano today can match Renee Fleming. Her rich, golden-hued voice shines and seduces; she can sustain a long-lined legato passage,...
The 'Voice' of the Darling Diva
By BARBARA JEPSON
November 30, 2004
For sheer beauty of sound, no soprano today can match Renee Fleming. Her rich, golden-hued voice shines and seduces; she can sustain a long-lined legato passage, change the color of a phrase from sunlight to shadow. And her initially weak interpretive skills have deepened during the past decade.
Such considerable gifts, coupled with a pretty face, have brought Ms. Fleming a level of celebrity few American opera singers have enjoyed. She's inspired an extravagant chocolate dessert by chef Daniel Boulud (La Diva Renee) and a character in a novel ("Bel Canto") by Ann Patchett. Along with tenor Placido Domingo and mezzo-soprano Cecilia Bartoli, she's one of a select handful of singers who can guarantee box-office success.
But in recent years she's at times sounded tentative or indulgent, overusing certain expressive devices like sliding into high notes. She has also faced some challenges. Most of the latter occurred in 1998, around the time when her 10-year marriage to actor Rick Ross broke up. There were episodes of anxiety and stage fright that required the ministrations of a psychiatrist. There was controversy over her approach to the virtuosic bel canto ("beautiful singing") repertory, most notably the much-publicized booing episode at the conclusion of her "Lucrezia Borgia" at Italy's La Scala, where opera performance is viewed as more of a blood sport. And there was her withdrawal from an originally scheduled Metropolitan Opera debut as Violetta in "Traviata" that year.
[Click here for remainder of review (subscription to Wall Street Journal Online required).]