Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Performances

Katia Kabanova in Toulon

Káťa Kabanová is, they say, Janáček's first mature opera — it comes a mere 20 years after his masterpiece, Jenůfa.

Peter Grimes in Nice

Nice’s golden winter light is not that of England’s North Sea coast. Nonetheless the Opéra de Nice’s new production of Peter Grimes did much to take us there.

Guillaume Tell in Monaco

Peasants revolt in a sea of Maserati and Ferrari’s.

LA Opera Presents Figaro 90210

Figaro 90210 is Vid Guerrerio’s modern version of Wolfgang Amadeus Mozart and Lorenzo DaPonte’s 1786 opera, The Marriage of Figaro.

Tristan und Isolde at the Wiener Staatsoper

David McVicar’s production of Wagner’s seminal music drama runs aground on the Cornish coast.

Songs of Night and Travel, Wigmore Hall

The coming of ‘Night’ brings darkness, shadows and mystery; sleep, dreams and nightmares; fancies, fantasies and passions.

Andrea Chénier, Royal Opera

Umberto’s Giordano’s Andrea Chénier, now at the Royal Opera House, is no more about history than Jesus Christ Superstar is about theology.

Yevgeny Onegin in Warsaw

Mariusz Treliński’s staging of Tchaikovsky’s operatic masterpiece is visually fascinating but psychologically confusing

Orfeo at the Roundhouse, Royal Opera

The regal trumpets and sackbuts sound their bold herald and, followed by admiring eyes, the powers of state and church begin their dignified procession along a sloping walkway to assume their lofty positions upon the central dais.

Idomeneo in Montpellier

Vestiges of a momentous era . . .

L’elisir d’amore in Marseille

There were hints that L’elisir is one of the great bel canto masterpieces.

Das Liebesverbot opens the new season at Teatro Verdi in Trieste

Aron Stiehl’s production of this rare early Wagner opera cheerfully brings commedia dell’arte to La Cage aux Folles.

Amsterdam: Lohengrin Lite

Stage director Pierre Audi is not one to be strictly representational in his story telling.

Fidelio, Manitoba Opera

For the first time in its 42-year history, Manitoba Opera presented Beethoven’s mighty ode to freedom, Fidelio, with an extraordinary production that resonated as loudly as tolling bells of freedom.

The Hilliard Ensemble: Farewell Concert at Wigmore Hall

Forty-one years is a long time for any partnership to be sustained and to flourish — be it musical, commercial or marital! And, given The Hilliard Ensemble’s ongoing reputation as one of the world’s finest a cappella groups, noted for their performances of works dating from the 11 th century to the present day, it must have been a tough decision to call an end to more than four decades of superlative music-making.

Fidelio opens new season at La Scala

Daniel Barenboim makes a triumphant departure as direttore musicale del Teatro alla Scala with Beethoven’s operatic masterpiece.

Mahler Songs: Christian Gerhaher, Wigmore Hall

Star singer and star composer, a combination guaranteed to bring in the fans. Christian Gerhaher sang Mahler at the Wigmore Hall with Gerold Huber. Gerhaher shot to fame when he sang Wolfram at the Royal Opera House Tannhäuser in 2010.

Modernity vanquished? Verdi Un ballo in maschera, Royal Opera House, London

Verdi’s Un ballo in maschera at the Royal Opera House — a masked ball in every sense, where nothing is quite what it seems.

La Traviata in Ljubljana Slovenia

Small country, small opera house — big ensemble spirit. Internationally acclaimed soprano Natalia Ushakova steps in for indisposed local Violetta with mixed results.

Otello in Bucharest — Moor’s the pity

Bulgarian director Vera Nemirova’s production of Otello for the Romanian National Opera in Bucharest was certainly full of new ideas — unfortunately all bad.

OPERA TODAY ARCHIVES »

Performances

27 Nov 2004

LA Opera Presents Vanessa

A fully American grand opera Los Angeles Opera stages the seldom-produced "Vanessa" By John Farrell Special to U-Entertainment Thursday, November 25, 2004 - Los Angeles Opera has been steering its productions the last few months right down the middle of...

A fully American grand opera
Los Angeles Opera stages the seldom-produced "Vanessa"

By John Farrell
Special to U-Entertainment

Thursday, November 25, 2004 - Los Angeles Opera has been steering its productions the last few months right down the middle of the operatic road.

With productions of Bizet's "Carmen' last month and Puccini's "La Boheme," which opened last weekend, the company has been reaching for an audience which knows what it wants, and what it wants isn't anything new and different.

On Saturday, however, when the company opens its first-ever production of Samuel Barber's 1958 Pulitzer Prize-winning opera "Vanessa," with superstar Dame Kiri Te Kanawa in the title role, it veers far from the norm.

"Vanessa' was a big hit when it premiered at the Metropolitan Opera, earned the Pulitzer and was revived for several seasons at the Met. It was also the first American opera to be performed at the Salzburg Festival. Gian Carlo Menotti, one of the 20th century's most successful opera composers (his opera "The Saint of Bleecker Street' won the Pulitzer in 1954), wrote the libretto for "Vanessa."

But after that original notice, it hasn't been heard from often. One reason lies in what Dimitri Mitropoulos, who conducted the premiere of the opera, said: "At last, a fully American grand opera!'

And that it is. The scale of "Vanessa," with an on-stage orchestra as well as that in the pit, and an unseen chorus, makes the work difficult and expensive to perform.

[Click here for remainder of article.]

Cast information:

Kiri Te Kanawa — VANESSA
Lucy Schaufer — ERIKA
Rosalind Elias — BARONESS
John Matz — ANATOL
David Evitts — DOCTOR
David Babinet — NICHOLAS, THE MAJOR-DOMO
Peter Nathan Foltz — A FOOTMAN

Synopsis of Vanessa

Recommended recording:

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):