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What’s an artist’s place in politics? That’s the question
many were asking after actress Meryl Streep made a pointed speech criticizing
President Trump at the Golden Globes. Trump responded directly to Streep, using
his preferred communication medium of Twitter to call Streep
In 2015, Bampton Classical Opera’s production of Salieri’s La grotta di Trofonio - a UK premiere - received well-deserved accolades: ‘a revelation ... the music is magnificent’ (Seen and Heard International), ‘giddily exciting, propelled by wit, charm and bags of joy’ (The Spectator), ‘lively, inventive ... a joy from start to finish’ (The Oxford Times), ‘They have done Salieri proud’ (The Arts Desk) and ‘an enthusiastic performance of riotously spirited music’ (Opera Britannia) were just some of the superlative compliments festooned by the critical press.
How many singers does it take to make an opera? There are single-role operas - Schönberg’s Erwartung (1924) and Eight Songs for a Mad King by Peter Maxwell Davies (1969) spring immediately to mind - and there are operas that just require a pair of performers, such as Rimsky-Korsakov’s Mozart i Salieri (1897) or The Telephone by Menotti (1947).
The college administration and President Denise Battles’ recent
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to more. This decision reflects the administration’s blatant disregard
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Lucerne Festival announces its 2017 Summer Festival.
The GRAMMY Award-winning BEMF Chamber Opera Series returns with an all-new production inspired by the splendor and music of the palace of Versailles. King Louis XIV transformed his father’s pastoral hunting lodge at Versailles into a lavish palace that served as the seat of government and culture in France.
Louis Karchin’s Jane Eyre, a full-length opera in three acts with a libretto by Diane Osen based on Charlotte Bronte’s novel, will receive its world premiere at The Kaye Playhouse (Hunter College) on Thursday, October 20, 7:30pm with a second performance on Saturday, October 22, 8pm. Jane Eyre is Karchin’s second opera, composed in 2014, following his critically acclaimed one-act comic opera Romulus.
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Kseniia Muslanova from the Russian Federation has won the 3rd annual Elizabeth Connell Prize for aspiring dramatic sopranos held at the Sydney Conservatorium of Music in Sydney Australia on 3 September 2016.
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Lyric soprano Elizabeth Caballero’s signature role is Violetta in La traviata, which she portrays with a compelling interpretation, focused sound, and elegant coloratura that floats through the opera house as naturally as waves on the ocean.
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Tickets on Sale NOW for June 10 & 12 Performances at UNLV’s Performing Arts Center Box Office
A Double-Bill of Divine Comedies
With its merry-go-round exchange of deluded and bewitched lovers, an orphan-turned-princess, a usurped prince, a jewel and a flower with magical properties, a march to the scaffold and a meddling ‘mistress-of-ceremonies’ who encourages the young lovers to disguise and deceive, William Makepeace Thackeray’s The Rose and the Ring has all the ingredients of an opera buffa.
Kathleen Kelly is an internationally renowned pianist, coach, conductor, and master teacher. She was the first woman and first American named Director of Musical Studies at the Vienna State Opera.
Atsuto Sawakami is a slightly built man in his late sixties with impeccable, gentlemanly manners. He communicates a certain restless energy and his piercingly bright eyes reveal an undimmed appetite for life.
‘Lieder v. Opera’? At first glance it might seem to be a pointless or nonsensical question.
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11 Dec 2004
Bolcom in Chicago
Marriage and manners By George Loomis [Financial Times] Published: December 10 2004 02:00 | Last updated: December 10 2004 02:00 The general director of Lyric Opera of Chicago, William Mason, likes to put his company's relationship with William Bolcom in...
Marriage and manners
By George Loomis [Financial Times]
Published: December 10 2004 02:00 | Last updated: December 10 2004 02:00
The general director of Lyric Opera of Chicago, William Mason, likes to put his company's relationship with William Bolcom in historical context. "It's our hope that 100 years from now, just as people speak of Verdi in Venice and Milan, and Rossini in Naples, they will speak of Bolcom in Chicago." Even granting the surge of new operas in the US, Mason's allusion to 19th-century Italy is audacious. Yet one cannot deny that Bolcom's ties to the Lyric, where on Saturday A Wedding becomes his third world premiere for the company and where a fourth opera is in progress, represent something special among the big American opera houses.
It is heartening to find an operatic audience approaching a new work with an earlier age's inkling of what to expect stylistically. Having experienced McTeague (1992) and A View from the Bridge (1999), the Chicago audience can be confident that the new opera will have sure theatrical values, ingratiatingly written vocal lines and music with a broad eclectic underpinning. And just as A View from the Bridge profited from Arthur Miller's personal contribution as his play was turned into an opera, so too Robert Altman has helped shape A Wedding out of his 1978 film; Altman also stages the opera, as he did McTeague.
Unlike its predecessors at the Lyric, A Wedding is a comedy -a chance, perhaps, to write something in the style of Rossini, whose celebrated affability Bolcom himself brings to mind? "Don't I wish!" he said in the apartment of his long-time collaborator Arnold Weinstein in Manhattan's Chelsea Hotel. "I adore Rossini. I wish I could write like that!" His modesty notwithstanding, Bolcom's music has a similar power to captivate, and the "multifarious styles" that his works draw on are deployed in so personal and inventive a manner that he's never accused of writing down to the public.
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