Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


twitter_logo[1].gif



9780521746472.png

Recently in News

Even Pan Chimes In at Early Music Festival

http://www.nytimes.com/2013/06/19/arts/music/a-boston-biennial-celebrates-the-baroque-tradition.html?ref=music&_r=0

Paris Opera Awards 2013

http://www.paris-opera-awards.fr/parisoperraawards-9480.html

London: Music under the shadow of Handel

http://www.gresham.ac.uk/lectures-and-events/london-music-under-the-shadow-of-handel

Sir Colin Davis Dead at 85

http://www.telegraph.co.uk/news/obituaries/9994121/Sir-Colin-Davis.html

“Culture: the cement that binds Europe together”

http://europa.eu/rapid/press-release_SPEECH-13-280_en.htm?locale=en

Welcome to awards night at the opera

http://www.standard.co.uk/arts/welcome-to-awards-night-at-the-opera-8493092.html

Wolfgang, Is That You?

http://www.nytimes.com/2013/02/07/arts/music/are-those-pictures-really-mozart.html?smid=tw-share&_r=1&

A New Hall for Tiroler Festspiele Erl

http://www.operatoday.com/content/2013/01/a_new_festival_.php

Simon Boccanegra Opens Rome Opera 2012-13 Season

http://www.operatoday.com/content/2012/11/rome_opera_open.php

Glyndebourne 2013

http://www.operatoday.com/content/2012/10/exciting_glynde.php

The Singer’s Appetite!

http://thesingersappetite.com/

Record Attendance at Salzburg

http://www.operatoday.com/content/2012/09/new_attendance_.php

“Ich kann mir keine deutschen Sätze merken”

http://www.welt.de/kultur/musik/article108680314/Ich-kann-mir-keine-deutschen-Saetze-merken.html

Debussy at 150: The Impressions Still Deceive

http://www.nytimes.com/2012/08/19/arts/music/debussys-150th-birthday-gets-little-notice.html?_r=1&ref=music

Bayreuth Does It Again

http://www.operatoday.com/content/2012/08/another_bayreut.php

Florida Grand Opera Appoints New Artistic Administrator

http://www.operatoday.com/content/2012/07/changes_at_flor.php

Friedrich Haider Appointed Artistic Director of Slovak National Theatre

http://www.operatoday.com/content/2012/07/changes_in_brat.php

Margrave Opera House Receives UNESCO World Heritage Status

http://www.operatoday.com/content/2012/07/honors_for_bayr.php

Wiener Staatsoper’s Financial Condition Improves

http://www.operatoday.com/content/2012/07/continued_progr.php

Uwe Erich Laufenberg Fired

http://www.operatoday.com/content/2012/07/lots_of_loose_e.php

OPERA TODAY ARCHIVES »

News

09 Jan 2005

Kurtag's Kafka Fragments at Carnegie Hall

KAFKA and Kurtag. This natural coupling of writer and composer telegraphs with alliterative grace a century of modernism, a deeply felt spiritual condition and a grasping for genuine personal expression through violently impersonal times. The Hungarian composer Gyorgy Kurtag was born in 1926, two years after Kafka’s death, but their sensibilities are interwoven in one of Mr. Kurtag’s most effective works, “Kafka Fragments,” for soprano and violin. These settings of short excerpts from Kafka’s diaries, letters and notebooks will be performed this week by the soprano Dawn Upshaw and the violinist Geoff Nuttall, in a new staging directed by Peter Sellars, as part of Ms. Upshaw’s Perspectives series at Carnegie Hall.

How to Make Franz Kafka Sing

By JEREMY EICHLER

Published: January 9, 2005

KAFKA and Kurtag. This natural coupling of writer and composer telegraphs with alliterative grace a century of modernism, a deeply felt spiritual condition and a grasping for genuine personal expression through violently impersonal times.

The Hungarian composer Gyorgy Kurtag was born in 1926, two years after Kafka's death, but their sensibilities are interwoven in one of Mr. Kurtag's most effective works, "Kafka Fragments," for soprano and violin. These settings of short excerpts from Kafka's diaries, letters and notebooks will be performed this week by the soprano Dawn Upshaw and the violinist Geoff Nuttall, in a new staging directed by Peter Sellars, as part of Ms. Upshaw's Perspectives series at Carnegie Hall.

Franz Kafka, the German-speaking Czech-Jewish writer, requires little introduction. But Mr. Kurtag, 78, a reclusive giant of contemporary European music, is not as well known in the United States.

His relatively small body of work contains music of flinty surfaces and fierce emotional compression. He is a master of the aphorism, the terse bundle of notes whose intense Webernian concision can mask vast landscapes of raw and disarmingly personal expression. Listening to his music is like peering at the ocean through a keyhole.

[Click here for remainder of article.]

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):