Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in News

And London Burned: in conversation with Raphaela Papadakis

Raphaela Papadakis seems to like ‘playing with fire’. After her acclaimed performance as the put-upon maid, Anna, in Independent Opera’s production of Šimon Voseček’s Beidermann and the Arsonists at Sadler’s Wells last year, she is currently rehearsing for the premiere this week of And London Burned, a new opera by Matt Rogers which has been commissioned by Temple Music Foundation to commemorate the 350th anniversary of The Great Fire of London.

Latest news

 

Welsh National Opera explores Madness for autumn season

 

New Releases from Opera Rara

 

A Time-Out With Isabel Leonard: In 'L'Heure Espagnole' at San Francisco Symphony

 

On Site Opera Presents 'Barber of Seville' at Fabbri Mansion on New York’s Upper East Side

 

Il Trittico: Puccini's most underrated opera

 

Bizet's Carmen | English National Opera

 

Metropolitan Opera Stars Join Opera Las Vegas in Puccini’s Madama Butterfly

 

Lowering the tone

 

Celebrating Bidú Sayão's Birthday (11 May 1902)

 

The Rake’s Progress, Metropolitan Opera, New York

 

Three Tales, Imax Cinema, Science Museum, London

 

Die beste hochdramatische Sopranistin der Gegenwart

 

“Tarquin” an der Berliner Staatsoper: Vom Werden eines Diktators

 

Moses und Aron, Komische Oper Berlin

 

Death Clown for Cutie (Cav and Pag at the Met)

 

A broken heart in a bloodstained nightgown

 

Voices in space: Meredith Monk & friends construct musical cathedrals at 50-year anniversary concert

 

Beyond Falstaff in ‘Die lustigen Weiber von Windsor’: Otto Nicolai’s Revolutionary ‘Wives’

 

OPERA TODAY ARCHIVES »

News

21 Feb 2005

WNO Moves In

When conductor Carlo Rizzi stepped forward at the end of La Traviata to address a delighted audience in his Italian-accented Welsh, he was marking a piece of history. Welsh National Opera had, after 60 years of peripatetic homelessness, for the first time performed on a stage it could call its own.

Welsh opera has a home at last

Charlotte Higgins [The Guardian, 21 Feb 05]

When conductor Carlo Rizzi stepped forward at the end of La Traviata to address a delighted audience in his Italian-accented Welsh, he was marking a piece of history. Welsh National Opera had, after 60 years of peripatetic homelessness, for the first time performed on a stage it could call its own.

It was not, admittedly, the Zaha Hadid-designed Cardiff Bay Opera House that had been on the table in 1992 when Rizzi had arrived as WNO's music director: but the #106m Wales Millennium Centre, a great, gleaming hulk of building in self-consciously Welsh stone, slate and wood, which opened its doors in November.

Click here for remainder of article.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):