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Recently in Performances

Matthias Goerne and Seong-Jin Cho at Wigmore Hall

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Philip Venables: 4.48 Psychosis

Madness - or perhaps, more widely, insanity - in opera goes back centuries. In Handel’s Orlando (1733) it’s the dimension of a character’s jealousy and betrayal that drives him to the state of delusion and madness. Mozart, in Idomeneo, treats Electra’s descent into mania in a more hostile and despairing way. Foucault would probably define these episodic operatic breakdowns as “melancholic”, ones in which the characters are powerless rather than driven by acts of personal violence or suicide.

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Thomas Adès conducts Stravinsky's Perséphone at the Royal Festival Hall

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In 1969, Mrs Aristotle Onassis commissioned a major composition to celebrate the opening of a new arts centre in Washington, DC - the Kennedy Center for the Performing Arts, named after her late husband, President John F. Kennedy, who had been assassinated six years earlier.

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Johann Sebastian Bach, St John Passion, BWV 245

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Easter Voices, including mass settings by Mozart and Stravinsky

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Academy of Ancient Music: St John Passion at the Barbican Hall

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Fiona Shaw's The Marriage of Figaro returns to the London Coliseum

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Lenten Choral Music from the Choir of King’s College, Cambridge

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A New Faust at Lyric Opera of Chicago

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Netrebko rules at the ROH in revival of Phyllida Lloyd's Macbeth

Shakespeare’s Macbeth is a play of the night: of dark interiors and shadowy forests. ‘Light thickens, and the crow/Makes wing to th’ rooky wood,’ says Macbeth, welcoming the darkness which, whether literal or figurative, is thrillingly and threateningly palpable.

San Diego’s Ravishing Florencia

Daniel Catán’s widely celebrated opera, Florencia en el Amazonas received a top tier production at the wholly rejuvenated San Diego Opera company.

OPERA TODAY ARCHIVES »

Performances

12 Mar 2005

Stravinsky's The Nightingale in Toronto

If you’re going to attend one Toronto Symphony Orchestra concert this year, make it this one. There’s nothing like leaving Roy Thomson Hall with your feet six inches off the ground — especially when it’s snowing.


Igor Stravinsky

Stravinsky genius and a great TSO

JOHN TERAUDS [Toronto Star, 10 Mar 05]

If you're going to attend one Toronto Symphony Orchestra concert this year, make it this one. There's nothing like leaving Roy Thomson Hall with your feet six inches off the ground -- especially when it's snowing.

It was an all-Stravinsky program the TSO presented last night, under the baton of Gianandrea Noseda, a young, patrician Milanese-born conductor who held the music and musicians in absolute control. The concert repeats tonight, offering Torontonians another earful of Stravinsky's genius, as expressed in his short, three-act opera The Nightingale (premiered in Paris in 1914) and the Symphony in Three Movements (debuted in New York, in 1946).

Click here for remainder of article.


From Rusia with Love and Harmony

ROBERT EVERETT-GREEN [The Globe and Mail, 12 Mar 05]

The Russian aristocracy's fondness for fairy-tale theatre must have seemed bitterly apt to the hard-headed Soviet regime that followed. But the czarist taste for the marvellous gave us the Tchaikovsky ballets, several fantastical operas by Rimsky-Korsakov and Stravinsky's Firebird.

The Toronto Symphony Orchestra revived a rare specimen from that era on Wednesday and Thursday, in two performances of Stravinsky's Le Rossignol. This pocket-sized opera, based on Hans Christian Andersen's The Emperor and the Nightingale, drew a large and curious crowd of musicians, Russian émigrés and thrill-seeking listeners under 30.

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