20 Sep 2005
Don Carlos, WMC, Cardiff
http://news.ft.com/cms/s/c05148a6-2927-11da-8a5e-00000e2511c8.html
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://news.ft.com/cms/s/c05148a6-2927-11da-8a5e-00000e2511c8.html
By Andrew Clark [Financial Times, 20 September 2005]
Welsh National Opera has begun its first full season at the Wales Millennium Centre with Don Carlos, using a text as complete as anyone could wish. That means inserting the parts Verdi cut, for reasons of expediency, during rehearsals for the 1867 Paris premiere, and which lay unperformed until Andrew Porter discovered them in the Opéra’s archive a century later.