Recently in Commentary
I arrive at the Jerwood Space, where rehearsals are underway for Garsington
Opera’s forthcoming production of Idomeneo, to find that the
afternoon rehearsal has finished a little early.
Tickets on Sale NOW for June 10 & 12 Performances at UNLV’s Performing Arts Center Box Office
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Kathleen Kelly is an internationally renowned pianist, coach, conductor, and master teacher. She was the first woman and first American named Director of Musical Studies at the Vienna State Opera.
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‘Lieder v. Opera’? At first glance it might seem to be a pointless or nonsensical question.
Extreme Dolly Parton fans may sound like unlikely subjects for an opera, but they are the major characters in Heartbreak Express, a collaboration of composer George Lam and librettist John Clum.
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The First of Three Donizetti Queens She Will Sing at the Met This Season
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The name of Hibla Gerzmava has been famous in the opera world since 1994,
when at age 24 the Abkhazian-Russian soprano won the Grand Prix at Tchaikovsky
International Competition, entering its history as the first and only vocalist
to have been awarded the highest prize.
American tenor René Barbera is fast making a name for himself as one of the
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(Boston, MA) — Odyssey Opera, a Boston-based opera company dedicated to exploring the full spectrum of adventurous repertoire, presents the Boston premiere of one of France’s great operas, Le Cid (1885), composed by Jules Massenet (1842–1912).
I’m interviewing Stefano Mastrangelo in the immediate aftermath of his conducting La Traviata for the Chofu City Opera in Tokyo on 22 November 2014; he conveys an air at once of tiredness and exhilaration.
Apotheosis Opera is proud to announce their inaugural production
will be a fully-staged English translation of Richard Wagner’s early
masterpiece TANNHÄUSER on Friday, July 31, 2015, at 7pm and Sunday,
August 2, 2015, at 3pm at the theatre of El Museo del Barrio (1230 5th Avenue)
‘Competitions are for horses, not artists.’ The words of Béla Bartók seemed apposite on Sunday night at the Royal Opera House, as 11 soloists walked swiftly onto the Covent Garden stage, performed their chosen aria, briefly acknowledged the applause and then returned summarily to the wings.
Twin sisters – one pensive, the other gregarious – are soon to wed their beau, whose contrasting characters – one earnestly introverted,
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Derrick Wang is a composer who graduated from law school and has an interest in this country’s highest court.
Sara Gartland is an emerging singer who brings an enormous talent and a delightful personality to the opera stage. Having sung lighter soprano roles such as Juliette in Gounod’s Romeo et Juliette and Violetta in Verdi’s La traviata, Gartland is now taking on the title role in Leoš Janáček’s dramatic opera Jenůfa.
08 Sep 2005
The Met Broadcasts Have a New Sponsor
Metropolitan Opera General Manager Joseph Volpe announced today that Toll Brothers, America’s luxury home builder™, will be the corporate sponsor for the Metropolitan Opera Saturday afternoon radio broadcasts which will celebrate their 75th anniversary this season. The twenty-one radio broadcasts will run from December 17 of this year to May 6, 2006, and will be heard over the Toll Brothers-Metropolitan Opera International Radio Network, which comprises over 300 stations in the United States and reaches eleven million people in forty-two countries around the globe. The Annenberg Foundation and the Vincent A. Stabile Foundation will continue to provide generous support for this season’s broadcasts as part of their long-term commitments to the future of this program.
Toll Brothers Becomes New Corporate Sponsor For The Metropolitan Opera Radio Broadcasts
September 08, 2005
Metropolitan Opera General Manager Joseph Volpe announced today that Toll Brothers, America's luxury home builder(TM), will be the corporate sponsor for the Metropolitan Opera Saturday afternoon radio broadcasts which will celebrate their 75th anniversary this season. The twenty-one radio broadcasts will run from December 17 of this year to May 6, 2006, and will be heard over the Toll Brothers-Metropolitan Opera International Radio Network, which comprises over 300 stations in the United States and reaches eleven million people in forty-two countries around the globe. The Annenberg Foundation and the Vincent A. Stabile Foundation will continue to provide generous support for this season's broadcasts as part of their long-term commitments to the future of this program.
Mr. Volpe welcomed the new corporate sponsor to the Met broadcasts saying, "I am delighted that Toll Brothers has agreed to support this landmark series, the longest running classical radio program in the history of American broadcasting. I am certain I speak for millions of opera lovers around the world in expressing thanks to Toll Brothers for their generosity."
Robert I. Toll, Chairman and Chief Executive Officer of Toll Brothers, Inc., said, "We are honored and excited to share the spirit of excellence of The Metropolitan Opera."
Regular radio broadcasts from The Metropolitan Opera began on December 25, 1931, with a broadcast performance of Humperdinck's "Haensel und Gretel." This season's 75th Anniversary celebration will include a special January 14 broadcast honoring the 250th anniversary of Mozart's birth with excerpts from historic performances chosen from The Met's vast broadcast archives. In addition, special intermission features throughout the radio season will present great moments from both performances and intermissions of past Met broadcasts.
After the announcement in May 2003 that the broadcasts would lose their corporate sponsor following the 2003-04 season, The Metropolitan Opera launched the "Save the Met Broadcasts Campaign," under the leadership of Beverly Sills, the company's chairman at the time. Since then, thousands of individuals, corporations, and foundations from around the world have contributed to the campaign.
"Thanks to the generosity of these donations, The Met has been able to continue the broadcasts without interruption," said Mr. Volpe. "Our challenge now is to continue to build our Broadcast Fund to guarantee the future of these treasured broadcasts."
[Source: The Metropolitan Opera]