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Sara Gartland is an emerging singer who brings an enormous talent and a delightful personality to the opera stage. Having sung lighter soprano roles such as Juliette in Gounod’s Romeo et Juliette and Violetta in Verdi’s La traviata, Gartland is now taking on the title role in Leoš Janáček’s dramatic opera Jenůfa.
Madness descends upon Welsh National Opera for its autumn 2015 season, with three new productions that will explore human turmoil through some of the finest musical expressions of madness and the human condition.
American composer Jennifer Higdon has won many awards for her imaginative music. Her percussion concerto received the 2009 Grammy Award for Best Contemporary Classical Composition.
Bratislava in Slovakia might seem an unlikely place to come across the opera
I gioielli della Madonna (The Jewels of the Madonna) a 1911 rarity
written by the Italian/German Ermanno Wolf-Ferrari, a composer best known for
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and his comedies based on Goldoni.
Last year’s Strauss anniversary year — 150 years since his birth —
offered, at least in the United Kingdom, a typical number of opportunities and
On 6 June, Jonathan Dove’s Flight touches down in Kensington,
west London. Opera Holland Park is to stage the first London production of
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the Iranian exile who, lacking residency rights or refugee status, was forced
to live in the departure lounge of Terminal One at Charles de Gaulle Airport
for 18 years.
San Diego Opera, the company that General Manager Ian Campbell had scheduled for demolition, proved that it is alive and singing as beautifully as ever. Its 2015 season was cut back slightly and management has become a bit leaner, but the company celebrated its fiftieth season in fine style with a concert that included many of the greatest arias ever written.
Kathleen Ferrier may have been one of the world’s finest contraltos but this year’s Kathleen Ferrier Awards Final, held at the Wigmore Hall, was all about lyric sopranos.
East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.
Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition
Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.
A brand new opera — especially one that is groundbreaking— can really put an opera company on the map. British composer Barry Seaman’s stunning new work, Mirabai, which explores the story of the free thinking, mystic
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Anita Rachvelishvili recently performed the title role in Carmen broadcast by The Metropolitan Opera Live in HD. Here she drops by for a little chat with our Maria Nockin.
This is a revised version of my review of the Sept 5th
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"Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development."
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Baritone Brandon Coleman’s mother, Linda, knew that 3-year old Brandon
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08 Sep 2005
The Met Broadcasts Have a New Sponsor
Metropolitan Opera General Manager Joseph Volpe announced today that Toll Brothers, America’s luxury home builder™, will be the corporate sponsor for the Metropolitan Opera Saturday afternoon radio broadcasts which will celebrate their 75th anniversary this season. The twenty-one radio broadcasts will run from December 17 of this year to May 6, 2006, and will be heard over the Toll Brothers-Metropolitan Opera International Radio Network, which comprises over 300 stations in the United States and reaches eleven million people in forty-two countries around the globe. The Annenberg Foundation and the Vincent A. Stabile Foundation will continue to provide generous support for this season’s broadcasts as part of their long-term commitments to the future of this program.
Toll Brothers Becomes New Corporate Sponsor For The Metropolitan Opera Radio Broadcasts
September 08, 2005
Metropolitan Opera General Manager Joseph Volpe announced today that Toll Brothers, America's luxury home builder(TM), will be the corporate sponsor for the Metropolitan Opera Saturday afternoon radio broadcasts which will celebrate their 75th anniversary this season. The twenty-one radio broadcasts will run from December 17 of this year to May 6, 2006, and will be heard over the Toll Brothers-Metropolitan Opera International Radio Network, which comprises over 300 stations in the United States and reaches eleven million people in forty-two countries around the globe. The Annenberg Foundation and the Vincent A. Stabile Foundation will continue to provide generous support for this season's broadcasts as part of their long-term commitments to the future of this program.
Mr. Volpe welcomed the new corporate sponsor to the Met broadcasts saying, "I am delighted that Toll Brothers has agreed to support this landmark series, the longest running classical radio program in the history of American broadcasting. I am certain I speak for millions of opera lovers around the world in expressing thanks to Toll Brothers for their generosity."
Robert I. Toll, Chairman and Chief Executive Officer of Toll Brothers, Inc., said, "We are honored and excited to share the spirit of excellence of The Metropolitan Opera."
Regular radio broadcasts from The Metropolitan Opera began on December 25, 1931, with a broadcast performance of Humperdinck's "Haensel und Gretel." This season's 75th Anniversary celebration will include a special January 14 broadcast honoring the 250th anniversary of Mozart's birth with excerpts from historic performances chosen from The Met's vast broadcast archives. In addition, special intermission features throughout the radio season will present great moments from both performances and intermissions of past Met broadcasts.
After the announcement in May 2003 that the broadcasts would lose their corporate sponsor following the 2003-04 season, The Metropolitan Opera launched the "Save the Met Broadcasts Campaign," under the leadership of Beverly Sills, the company's chairman at the time. Since then, thousands of individuals, corporations, and foundations from around the world have contributed to the campaign.
"Thanks to the generosity of these donations, The Met has been able to continue the broadcasts without interruption," said Mr. Volpe. "Our challenge now is to continue to build our Broadcast Fund to guarantee the future of these treasured broadcasts."
[Source: The Metropolitan Opera]