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Recently in Performances

Il turco in Italia at the Aix Festival

Twenty years ago stage director Christopher Alden introduced Rossini’s then forgotten comedy to Southern California audiences in a production that is still remembered. In Aix Alden has revisited this complex work that many critics now consider Rossini’s greatest comedy.

First Night of the BBC Proms : Elgar The Kingdom

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Music for a While: Improvisations on Henry Purcell

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Saint Louis: A Hit is a Hit is a Hit

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La Flûte Enchantée (2e Acte)
at the Aix Festival

In past years the operas of the Aix Festival that took place in the Grand Théâtre de Provence began at 8 pm. The Magic Flute began at 7 pm, or would have had not the infamous intermittents (seasonal theatrical employees) demanded to speak to the audience.

Ariodante at the Aix Festival

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The Turn of the Screw, Holland Park

‘Only make the reader’s general vision of evil intense enough … and his own experience, his own imagination, his own sympathy … will supply him quite sufficiently with all the particulars.

Plenty of Va-Va-Vroom: La Fille du Regiment, Iford

It is not often that concept, mood, music and place coincide perfectly. On the first night of Opera della Luna’s La Fille du Regiment at Iford Opera in Wiltshire, England we arrived with doubts (rather large doubts it should be admitted)as to whether Donizetti’s “naive and vulgar” romp of militarism and proto-feminism, peopled with hordes of gun-toting soldiers and praying peasants, could hardly be contained, surely, inside Iford’s tiny cloister?

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‘Lovers and madmen have such seething brains,/ Such shaping fantasies, that apprehend/ More than cool reason ever comprehends.’

Sophie Karthäuser, Wigmore Hall

Belgian soprano Sophie Karthäuser has a rich range of vocal resources upon which to draw: she has power and also precision; her top is bright and glinting and it is complemented by a surprisingly full and rich lower register; she can charm with a flowing lyrical line, but is also willing to take musical risks to convey emotion and embody character.

Ariadne auf Naxos, Royal Opera

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Leoš Janáček : The Cunning Little Vixen, Garsington Opera at Wormsley

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La Traviata in Marseille

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Madama Butterfly in San Francisco

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Luca Francesconi : Quartett, Linbury Studio Theatre, London

Luca Francesconi is well-respected in the avant garde. His music has been championed by the Arditti Quartett and features regularly in new music festivals. His opera Quartett has at last reached London after well-received performances in Milan and Amsterdam.

OPERA TODAY ARCHIVES »

Performances

Theodore Dreiser
05 Dec 2005

An American Tragedy — Three Reviews

THE METROPOLITAN OPERA: The American author Theodore Dreiser published An American Tragedy in 1925 and it quickly became a classic. Based on a true story of a man who was found guilty of murdering the woman who was carrying his baby, while he was simultaneously pursuing another woman of a higher social class, Dreiser’s novel tells the story of a mid-western preacher’s son who tasted a little sophistication on his way to death in the electric chair.

The book also inspired the film A Place in the Sun with Montgomery Clift, Shelley Winters and Elizabeth Taylor. Tobias Picker (whose previous operas include Emmeline, seen in New York in 1998, and Therese Raquin) and his librettist Gene Scheer have distilled the long novel into a fast-moving drama, with lyrical arias and sharply-etched portraits of the Griffiths family – especially of Clyde and the two women he falls for.

[Click here for additional information.]

An American Tragedy - Metropolitan Opera New York
By Martin Bernheimer [Financial Times, 5 December 2005]

The Metropolitan Opera is celebrated for many things. Producing new works is not one of them. This company, after all, coddles a notoriously conservative public, subsists essentially on private funding, and wants to sell 4,000 tickets a performance. Still, adventure does rear its head occasionally. In 1999, the Met mustered the premiere of John Harbison's The Great Gatsby. On Friday Tobias Picker's An American Tragedy joined the lonely ranks.

[Click here for remainder of article.]


Dreiser's Chilling Tale of Ambition and Its Price
By ANTHONY TOMMASINI [NY Times, 5 December 2005]

For a company of such international standing, the Metropolitan Opera has had an inexcusably timid record of commissioning operas in recent decades. Consequently, when the Met presents a new work, the stakes are almost impossibly high.

[Click here for remainder of article.]


Good Singing, and a Few Cliches

By JAY NORDLINGER [NY Sun, 5 December 2005]

The Metropolitan Opera gave a premiere on Friday night, of a work it commissioned: "An American Tragedy," by Tobias Picker. This opera is probably not destined to enter any canon, but it is competent, not uninteresting, and worthy of consideration.

[Click here for remainder of article.]

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