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Recently in Performances

Collision: Spectra Ensemble at the Arcola Theatre

‘Asteroid flyby in October: A drill for the end of the world?’ So shouted a headline in USA Today earlier this month, as journalist Doyle Rice asked, ‘Are we ready for an asteroid impact?’ in his report that in October NASA will conduct a drill to see how well its planetary defence system would work if an actual asteroid were heading straight for Earth.

Joshua Bell offers Hispanic headiness at the Proms

At the start of the 20th century, French composers seemed to be conducting a cultural love affair with Spain, an affair initiated by the Universal Exposition of 1889 where the twenty-five-year old Debussy and the fourteen-year-old Ravel had the opportunity to hear new sounds from East Asia, such as the Javanese gamelan, alongside gypsy flamenco from Granada.

Hibiki: a European premiere by Mark-Anthony Turnage at the Proms

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Handel's Israel in Egypt at the Proms: William Christie and the OAE

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Leoncavallo's Zazà at Investec Opera Holland Park

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McVicar’s Enchanting but Caliginous Rigoletto in Castle Olavinlinna at Savonlinna Opera Festival

David McVicar’s thrilling take on Verdi’s Rigoletto premiered as the first international production of this Summer’s Savonlinna Opera Festival. The scouts for the festival made the smart decision to let McVicar adapt his 2001 Covent Garden staging to the unique locale of Castle Olavinlinna.

Jette Parker Young Artists Summer Performance at Covent Garden

The end of the ROH’s summer season was marked as usual by the Jette Parker Young Artists Summer Performance but this year’s showcase was a little lacklustre at times.

OPERA TODAY ARCHIVES »

Performances

Anna Maria Martinez
19 Jan 2006

La Traviata, Royal Opera House, London — Three Reviews

This season the Royal Opera House has recreated "Richard Eyre's popular production of Verdi's La Traviata, which draws on striking period designs by Bob Crowley to amplify the tensions and confrontations that make Violetta's predicament so tragic and her portrayal so real." Here are three reviews:

A 'Traviata' on shaky ground

By Edward Seckerson [Independent, 18 January 2006]

If Alfredo's love for Violetta is indeed "the heartbeat of the universe", as he so ardently proclaims in the very first scene of La traviata, then this revival is urgently in need of open-heart surgery. It has been a year since the last exhumation of Richard Eyre's tepid staging, since when the temperature has dropped significantly. No fear of the elaborate ice sculpture at Violetta's party melting prematurely now; but some concern that our heroine will actually make it to Act III. There are many ways of dying on the operatic stage and, for Ana Maria Martinez, it began to look as if consumption might not be one of them.

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La Traviata — Royal Opera House, London

Erica Jeal [The Guardian, 19 January 2006]

Nothing fits the post-Christmas mood quite as well as a consumptive heroine coughing herself nobly into the grave - or at least that seems to be the Royal Opera's line, as it once again offers a January dusting-off of Richard Eyre's 1994 production of La Traviata. Several of the cast are retained from last year's performances; the conductor, Philippe Auguin, took over from Solti during the staging's first run. But experience doesn't always pay, and often Bob Crowley's monumental sets threaten to upstage what is taking place within them.

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La traviata, Royal Opera House London

By Richard Fairman [Financial Times, 19 January 2006]

One owner, quite high mileage, still in good condition. The Royal Opera's production of La traviata has barely been out of the repertoire since 1994 when Angela Gheorghiu scored such a hit in the opening performances, but none of the other sopranos who has taken it for a spin has quite made it her own.

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