15 Jan 2006
The Yeomen of New York
http://nymag.com/nymetro/arts/music/classical/reviews/15537/index.html
Recently in News
Paris Opera Awards 2013
http://www.paris-opera-awards.fr/parisoperraawards-9480.html
London: Music under the shadow of Handel
http://www.gresham.ac.uk/lectures-and-events/london-music-under-the-shadow-of-handel
Sir Colin Davis Dead at 85
http://www.telegraph.co.uk/news/obituaries/9994121/Sir-Colin-Davis.html
“Culture: the cement that binds Europe together”
http://europa.eu/rapid/press-release_SPEECH-13-280_en.htm?locale=en
Welcome to awards night at the opera
http://www.standard.co.uk/arts/welcome-to-awards-night-at-the-opera-8493092.html
Wolfgang, Is That You?
http://www.nytimes.com/2013/02/07/arts/music/are-those-pictures-really-mozart.html?smid=tw-share&_r=1&
A New Hall for Tiroler Festspiele Erl
http://www.operatoday.com/content/2013/01/a_new_festival_.php
Simon Boccanegra Opens Rome Opera 2012-13 Season
http://www.operatoday.com/content/2012/11/rome_opera_open.php
Glyndebourne 2013
http://www.operatoday.com/content/2012/10/exciting_glynde.php
The Singer’s Appetite!
http://thesingersappetite.com/
Record Attendance at Salzburg
http://www.operatoday.com/content/2012/09/new_attendance_.php
“Ich kann mir keine deutschen Sätze merken”
http://www.welt.de/kultur/musik/article108680314/Ich-kann-mir-keine-deutschen-Saetze-merken.html
Debussy at 150: The Impressions Still Deceive
http://www.nytimes.com/2012/08/19/arts/music/debussys-150th-birthday-gets-little-notice.html?_r=1&ref=music
Bayreuth Does It Again
http://www.operatoday.com/content/2012/08/another_bayreut.php
Florida Grand Opera Appoints New Artistic Administrator
http://www.operatoday.com/content/2012/07/changes_at_flor.php
Friedrich Haider Appointed Artistic Director of Slovak National Theatre
http://www.operatoday.com/content/2012/07/changes_in_brat.php
Margrave Opera House Receives UNESCO World Heritage Status
http://www.operatoday.com/content/2012/07/honors_for_bayr.php
Wiener Staatsoper’s Financial Condition Improves
http://www.operatoday.com/content/2012/07/continued_progr.php
Uwe Erich Laufenberg Fired
http://www.operatoday.com/content/2012/07/lots_of_loose_e.php
Nicolas Bachler’s Contract Extended
http://www.operatoday.com/content/2012/06/bavarian_state_.php
OPERA TODAY ARCHIVES »
News
Does anyone do this specialized repertory better than the New York Gilbert & Sullivan Players?
By Peter G. Davis [New York Magazine, 23 January 2006]
Lots of good folk out there are still passionate about Gilbert & Sullivan, emerging every January when the New York Gilbert & Sullivan Players take over City Center. This year’s season was limited to a week’s run of H.M.S. Pinafore and The Mikado, and the two matinees I attended were packed. True fans can’t get enough of these operettas, even though many of them know each one by heart—newcomers excepted, of course, like the bug-eyed kid next to me on his dad’s lap, hugely enjoying his first Pinafore. Neither Gilbert nor Sullivan was able to conjure up this kind of special magic on his own or with other collaborators. Perhaps the fact that they could barely tolerate each other—an antipathy tempered by a healthy mutual respect—kept their creativity so potent.