Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Performances

Eine florentinische Tragödie and I pagliacci in Monte-Carlo

An evening of strange-bedfellow one-acts in high-concept stagings, mindbogglingly delightful.

Carmen, Pacific Symphony

On February 19, 2015, Pacific Symphony presented its annual performance of a semi-staged opera. This year’s presentation at the Segerstrom Center for the Arts in Costa Mesa, California, featured Georges Bizet’s Carmen. Director Dean Anthony used the front of the stage and a few solid set pieces by Scenic Designer Matt Scarpino to depict the opera’s various scenes.

The Mastersingers of Nuremberg, ENO

Although the English National Opera has been decidedly sparing with its Wagner for quite some time now, its recent track record, leaving aside a disastrous Ring, has perhaps been better than that at Covent Garden.

San Diego Opera presents an excellent Don Giovanni

On Friday February 20, 2015, San Diego Opera presented Mozart’s Don Giovanni in a production by Nicholas Muni originally seen at Cincinnati Opera.

Tosca at Chicago Lyric

In a production first seen in Houston several years ago, and now revised by its director John Caird, Puccini’s Tosca has returned to Lyric Opera of Chicago with two casts, partially different, scheduled into March of the present season.

Henri Dutilleux: Correspondances

Henri Dutilleux’s music has its devotees. I am yet to join their ranks, but had no reason to think this was not an admirable performance of his song-cycle Correspondances.

LA Opera Revives The Ghosts of Versailles

In 1980, the Metropolitan Opera commissioned composer John Corigliano to write an opera celebrating the company’s one-hundredth anniversary. It was to be ready in 1983.

La Traviata, ENO

English National Opera’s revival of Peter Konwitschny’s production of Verdi’s La Traviata had many elements in common with the production’s original outing in 2013 (The production was a co-production with Opera Graz, where it had debuted in 2011).

Idomeneo in Lyon

You might believe you could go to an opera and take in what you see at face value. But if you did that just now in Lyon you would have had no idea what was going on.

Der fliegende Holländer, Royal Opera

I wonder whether we need a new way of thinking — and talking — about operatic ‘revivals’. Perhaps the term is more meaningful when it comes to works that have been dead and buried for years, before being rediscovered by subsequent generations.

Iphigénie en Tauride in Geneva

Hopefully this brilliant new production of Iphigénie en Tauride from the Grand Théâtre de Genève will find its way to the new world now that Gluck’s masterpiece has been introduced to American audiences.

Tristan et Isolde in Toulouse

Tristan first appeared on the stage of the Théâtre du Capitole in 1928, sung in French, the same language that served its 1942 production even with Wehrmacht tanks parked in front of the opera house.

Arizona Opera presents Tchaikovsky’s Eugene Onegin

Arizona Opera presented Eugene Onegin during and 1999-2000 season and again on February 1 of this year as part of the 2014-2015 season. In this country Onegin is not a crowd pleaser like La Bohème or Carmen, but its story is believable and its music melodic and memorable. Just hum the beginning of the “Polonaise” and your friends will know the music, if not where it comes from.

Ernst Krenek: Reisebuch aus den österreichischen Alpen, Florian Boesch, Wigmore Hall

Florian Boesch and Roger Vignoles at the Wigmore Hall in Ernst Krenek’s Reisebuch aus den österreichischen Alpen. Matthias Goerne has called Hanns Eisler’s Hollywooder Liederbuch the Winterreise of the 20th century. Boesch and Vignoles showed how Krenek’s Reisebuch is a journey of discovery into identity at an era of extreme social change. It is a parable, indeed, of modern times.

Anna Bolena at Lyric Opera of Chicago

Lyric Opera of Chicago’s new Anna Bolena, a production shared with Minnesota Opera, features a distinguished cast including several notable premieres.

San Diego Celebrates 50th Year with La Bohème

On Tuesday January 27, 2015, San Diego Opera presented Giacomo Puccini's La Boheme. It is the opera with which the company opened in 1965 and a work that the company has faithfully performed every five years since then.

English Pocket Opera Company: Verdi’s Macbeth

Last year we tracked Orfeo on his desperate search for his lost Euridice, through the labyrinths and studio spaces of Central St Martin’s; this year we were plunged into Macbeth’s tragic pursuit of power in the bare blackness of the CSM’s Platform Theatre.

Béla Bartók: Duke Bluebeard’s Castle

Béla Bartók’s only opera, Duke Bluebeard’s Castle, composed in 1911 and based upon a libretto by the Hungarian writer Béla Balázs, was not initially a success.

Katia Kabanova in Toulon

Káťa Kabanová is, they say, Janáček's first mature opera — it comes a mere 20 years after his masterpiece, Jenůfa.

Peter Grimes in Nice

Nice’s golden winter light is not that of England’s North Sea coast. Nonetheless the Opéra de Nice’s new production of Peter Grimes did much to take us there.

OPERA TODAY ARCHIVES »

Performances

Pierre Augustin Caron de Beaumarchais (1732-1799)
04 Feb 2006

Le Nozze di Figaro at ROH — Four Reviews

ROYAL OPERA HOUSE: "To mark the 250th anniversary of the birth of Wolfgang Amadeus Mozart, The Royal Opera mounts a new production of his setting of the second of Beaumarchais' domestic but politically charged 'Figaro' comedies, as adapted by librettist Lorenzo da Ponte. "

Le Nozze di Figaro

Richard Morrison at Covent Garden [Times Online, 2 February 2006]

Few of the trillion Mozart celebrations this year will match David McVicar’s new Royal Opera staging of Figaro for insight or passion. It isn’t a perfect show. Act IV sags, and seems untidily staged in comparison with the meticulously observed domestic warfare that has gone before. Dorothea Röschmann sings the Countess’s despairing arias with touching intensity, but also intermittent waywardness.

Click here for remainder of article.


Cleverness with a hole in it

By Andrew Clark [Financial Times, 2 February 2006]

No one could possibly object. The Royal Opera's new Figaro, directed by David McVicar, looks good and sounds good. The set-changes are breathtakingly clever. The costumes seem vaguely in period (1820s actually). The conducting is fluent, the casting strong. Everyone can go home satisfied, then, can't they? Not really. There is a hole at the heart of this Figaro, a gaping void of ideas, a mentality that puts surface-dressing above interpretation. We get no flavour of why the work had such incendiary implications for its day, or what it might say to us now. What Covent Garden is marketing here is reproduction opera.

Click here for remainder of article.


Le Nozze di Figaro

Tim Ashley [The Guardian, 2 February 2006]

David McVicar's new production transposes Mozart's comedy from its usual 18th century setting to a French chateau on the eve of the July 1830 revolution that saw the restored Bourbon monarchy replaced by the liberal bourgeois era of Louis Philippe. The events of that summer were famously commemorated by Delacroix in Liberty Leading the People. The production charts the transformation of Figaro, gloriously incarnated by Erwin Schrott, from naive, liveried flunky to a politically engaged figure who belongs on Delacroix's barricades.

Click here for remainder of article.


For Better or Worse, a Bourgeois 'Figaro' in London

By DANIEL J. WAKIN [NY Times, 4 February 2006]

LONDON, Feb. 3 — In this European musical capital, the highest-profile homage to Mozart during his anniversary year came about with surprising casualness.

"We have strong productions of 'Così Fan Tutte,' 'Don Giovanni,' " said Antonio Pappano, the music director of the Royal Opera House at Covent Garden, "as well as 'The Magic Flute.' " But the existing version of "Le Nozze di Figaro" had been put to rest, and it was time to bring the opera back.

Click here for remainder of article.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):