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Recently in Performances

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Norma in San Francisco

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Joyce DiDonato starts Wigmore Hall new season

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Aida at Aspendos Opera and Ballet Festival

In strict architectural terms, the stupendous 2nd century Roman theatre of Aspendos near Antalya in southern Turkey is not an arena or amphitheatre at all, so there are not nearly as many ghosts of gored gladiators or dismembered Christians to disturb the contemporary feng shui as in other ancient loci of Imperial amusement.

St Matthew Passion, Prom 66

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Powerful Mahler Symphony no 2 Harding, BBC Proms London

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The BBC Proms continued its Richard Strauss celebrations with a performance of his first major operatic success Salome. Nina Stemme led forces from the Deutsche Oper, Berlin,at the Royal Albert Hall on Saturday 30 August 2014,the first of a remarkable pair of Proms which sees Salome and Elektra performed on successive evenings

OPERA TODAY ARCHIVES »

Performances

Magdalena Kožená
28 Feb 2006

Les Violons du Roy and Magdalena Kožená at Carnegie Hall

On Sunday, 28 February 2006, Carnegie Hall presented Les Violons du Roy, Bernard Labadie, Music Director and Conductor, with Magdalena Kožená, Mezzo-Soprano, featuring works by Rameau and Gluck. Here are two reviews.

One of the Starrier Singers Among Us

BY JAY NORDLINGER [NY Sun, 28 February 2006]

Magdalena Kozena has been a busy Czech mezzo in New York lately. She has appeared at the Met, singing Dorabella in Mozart's "Cosi fan tutte." In Carnegie Hall, she has sung Mahler with the Berlin Philharmonic, and Mussorgsky and Lutoslawski with the Philadelphia Orchestra. And, on Sunday night, she sang Rameau and Gluck in Zankel Hall, the downstairs (and sometimes down-market) venue at Carnegie.

Click here for remainder of article.


Unfussy French Baroque, With Arias of Gentle Drama

By ANNE MIDGETTE [NY Times, 28 February 2006]

Now that the early-music movement is so ubiquitous as to have penetrated even Carnegie Hall, where Zankel Hall is offering a "Baroque Unlimited" series this season, there are a host of ways to approach the repertory. Les Violons du Roy, a Canadian ensemble, has opted to use the muscle of modern instruments with the style, and bowings, of Baroque ones. The result, as demonstrated at Zankel on Sunday night, is powerful, invigorating, not always completely clean, not at all fussy and very enjoyable.

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