08 Mar 2006
A Memento and a Harbinger: The Met Ponders a Crossroads
http://www.observer.com/20060313/20060313_Charles_Michener_culture_music.asp
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Paris Opera Awards 2013
http://www.paris-opera-awards.fr/parisoperraawards-9480.html
London: Music under the shadow of Handel
http://www.gresham.ac.uk/lectures-and-events/london-music-under-the-shadow-of-handel
Sir Colin Davis Dead at 85
http://www.telegraph.co.uk/news/obituaries/9994121/Sir-Colin-Davis.html
“Culture: the cement that binds Europe together”
http://europa.eu/rapid/press-release_SPEECH-13-280_en.htm?locale=en
Welcome to awards night at the opera
http://www.standard.co.uk/arts/welcome-to-awards-night-at-the-opera-8493092.html
Wolfgang, Is That You?
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A New Hall for Tiroler Festspiele Erl
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Simon Boccanegra Opens Rome Opera 2012-13 Season
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Glyndebourne 2013
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The Singer’s Appetite!
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Record Attendance at Salzburg
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“Ich kann mir keine deutschen Sätze merken”
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Debussy at 150: The Impressions Still Deceive
http://www.nytimes.com/2012/08/19/arts/music/debussys-150th-birthday-gets-little-notice.html?_r=1&ref=music
Bayreuth Does It Again
http://www.operatoday.com/content/2012/08/another_bayreut.php
Florida Grand Opera Appoints New Artistic Administrator
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Friedrich Haider Appointed Artistic Director of Slovak National Theatre
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Margrave Opera House Receives UNESCO World Heritage Status
http://www.operatoday.com/content/2012/07/honors_for_bayr.php
Wiener Staatsoper’s Financial Condition Improves
http://www.operatoday.com/content/2012/07/continued_progr.php
Uwe Erich Laufenberg Fired
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Nicolas Bachler’s Contract Extended
http://www.operatoday.com/content/2012/06/bavarian_state_.php
OPERA TODAY ARCHIVES »
News
By Charles Michener [NY Observer, 13 March 2006]
Peter Gelb, who’s slated to take the helm at the Metropolitan Opera this summer, recently told a reporter that he wants to “reconnect it to the world.” A former top executive at Sony Music with a fondness for merging the divergent voices of classical, jazz and pop artists, Mr. Gelb plans to increase the number of new productions per season from four to seven; hire notable directors from film and theater to stage the novelties; commission new works from non-operatic composers; embrace new technology to transmit Met performances; and in general make the Met more sympathetic to the unwashed who are presumed to regard going to grand opera as the equivalent of a duty call on their grandmother.