14 Mar 2006
Café Momus Gang Returns, Bidding Farewell to an Age of Innocence
http://www.nytimes.com/2006/03/14/arts/music/14bohe.html
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http://www.paris-opera-awards.fr/parisoperraawards-9480.html
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http://www.gresham.ac.uk/lectures-and-events/london-music-under-the-shadow-of-handel
Sir Colin Davis Dead at 85
http://www.telegraph.co.uk/news/obituaries/9994121/Sir-Colin-Davis.html
“Culture: the cement that binds Europe together”
http://europa.eu/rapid/press-release_SPEECH-13-280_en.htm?locale=en
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Record Attendance at Salzburg
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Debussy at 150: The Impressions Still Deceive
http://www.nytimes.com/2012/08/19/arts/music/debussys-150th-birthday-gets-little-notice.html?_r=1&ref=music
Bayreuth Does It Again
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Florida Grand Opera Appoints New Artistic Administrator
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Friedrich Haider Appointed Artistic Director of Slovak National Theatre
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Margrave Opera House Receives UNESCO World Heritage Status
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Wiener Staatsoper’s Financial Condition Improves
http://www.operatoday.com/content/2012/07/continued_progr.php
Uwe Erich Laufenberg Fired
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Nicolas Bachler’s Contract Extended
http://www.operatoday.com/content/2012/06/bavarian_state_.php
OPERA TODAY ARCHIVES »
News
By JEREMY EICHLER [NY Times, 14 March 2006]
Puccini's beloved bohemians returned to New York City Opera on Sunday afternoon, but this time with more on their minds than romance, poetry and the question of how to split a herring four ways on a cold Parisian night. For his production, introduced in 2001, James Robinson has punted "La Bohème" forward some 80 years, placing the action in the opening months of World War I. Soldiers parade past Café Momus, armed guards check papers in Act III, and the garret denizens drape their uniforms over Mimi to keep her warm on her deathbed.