15 Mar 2006
The high notes of living dangerously
http://entertainment.timesonline.co.uk/article/0,,14932-2073534,00.html
Recently in News
Paris Opera Awards 2013
http://www.paris-opera-awards.fr/parisoperraawards-9480.html
London: Music under the shadow of Handel
http://www.gresham.ac.uk/lectures-and-events/london-music-under-the-shadow-of-handel
Sir Colin Davis Dead at 85
http://www.telegraph.co.uk/news/obituaries/9994121/Sir-Colin-Davis.html
“Culture: the cement that binds Europe together”
http://europa.eu/rapid/press-release_SPEECH-13-280_en.htm?locale=en
Welcome to awards night at the opera
http://www.standard.co.uk/arts/welcome-to-awards-night-at-the-opera-8493092.html
Wolfgang, Is That You?
http://www.nytimes.com/2013/02/07/arts/music/are-those-pictures-really-mozart.html?smid=tw-share&_r=1&
A New Hall for Tiroler Festspiele Erl
http://www.operatoday.com/content/2013/01/a_new_festival_.php
Simon Boccanegra Opens Rome Opera 2012-13 Season
http://www.operatoday.com/content/2012/11/rome_opera_open.php
Glyndebourne 2013
http://www.operatoday.com/content/2012/10/exciting_glynde.php
The Singer’s Appetite!
http://thesingersappetite.com/
Record Attendance at Salzburg
http://www.operatoday.com/content/2012/09/new_attendance_.php
“Ich kann mir keine deutschen Sätze merken”
http://www.welt.de/kultur/musik/article108680314/Ich-kann-mir-keine-deutschen-Saetze-merken.html
Debussy at 150: The Impressions Still Deceive
http://www.nytimes.com/2012/08/19/arts/music/debussys-150th-birthday-gets-little-notice.html?_r=1&ref=music
Bayreuth Does It Again
http://www.operatoday.com/content/2012/08/another_bayreut.php
Florida Grand Opera Appoints New Artistic Administrator
http://www.operatoday.com/content/2012/07/changes_at_flor.php
Friedrich Haider Appointed Artistic Director of Slovak National Theatre
http://www.operatoday.com/content/2012/07/changes_in_brat.php
Margrave Opera House Receives UNESCO World Heritage Status
http://www.operatoday.com/content/2012/07/honors_for_bayr.php
Wiener Staatsoper’s Financial Condition Improves
http://www.operatoday.com/content/2012/07/continued_progr.php
Uwe Erich Laufenberg Fired
http://www.operatoday.com/content/2012/07/lots_of_loose_e.php
Nicolas Bachler’s Contract Extended
http://www.operatoday.com/content/2012/06/bavarian_state_.php
OPERA TODAY ARCHIVES »
News
Tenor Rolando Villazón almost became a priest, but the church’s loss is opera’s gain, says Neil Fisher
[Times Online, 11 March 2006]
I love you! I defy you! You’re a bastard!” Rolando Villazón may have spent the last hour of a long day in a Russian lesson, but there’s no denting his enthusiasm for his latest role on stage. The bushy eyebrows twitch with infectious energy, and even his richly coloured speaking voice seems to reach operatic heights when he starts to describe the emotional highs and lows of his latest role: the tragic poet Lensky in Tchaikovksy’s Eugene Onegin. “His life in the opera,” beams Villazón, “is just the way life should be.”