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19 Apr 2006

In Opera, a Different Kind of Less Is More: 'Handel and the Castrati'

By ALAN RIDING [NY Times, 19 April 2006]

LONDON, April 13 — More than most art forms, opera demands a suspension of disbelief. For a long time this included accepting that a man could sing with the voice of a woman. It was not a natural gift, but the results often drove audiences wild: castrati, as they were known, were among the rulers of the 18th-century opera stage.

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