06 Apr 2006
The maestro and his demons
Raphaela Papadakis seems to like ‘playing with fire’. After her acclaimed performance as the put-upon maid, Anna, in Independent Opera’s production of Šimon Voseček’s Beidermann and the Arsonists at Sadler’s Wells last year, she is currently rehearsing for the premiere this week of And London Burned, a new opera by Matt Rogers which has been commissioned by Temple Music Foundation to commemorate the 350th anniversary of The Great Fire of London.
On the eve of delivering his first Reith Lecture, in an exclusive interview, Daniel Barenboim tells Jan Moir how music makes sense of the world
[Daily Telegraph, 6 April 2006]
Walking at a fast clip along the corridors of an empty opera house is a small man with tiny hands, but an unmistakeably powerful presence. I note that his entourage treads carefully around him, as watchful as cats. No wonder, for the mood swings can be volcanic. However, today has been a good day. Only one screaming fit.