17 Jun 2006
Time bending backwards - and a 50ft wall of fire
Raphaela Papadakis seems to like ‘playing with fire’. After her acclaimed performance as the put-upon maid, Anna, in Independent Opera’s production of Šimon Voseček’s Beidermann and the Arsonists at Sadler’s Wells last year, she is currently rehearsing for the premiere this week of And London Burned, a new opera by Matt Rogers which has been commissioned by Temple Music Foundation to commemorate the 350th anniversary of The Great Fire of London.
Video artist Bill Viola uses the elements on an epic scale to catch the essence of Wagner's Tristan und Isolde. He explains his work to Martin Gayford [Daily Telegraph, 17 June 2006]
When Bill Viola first sat down to listen to a recording of Richard Wagner's Tristan und Isolde, he had an unpleasant surprise. "I was just in shock," says the renowned video artist when we meet amid the banks of flickering equipment of a Hollywood editing suite. "There were people just shrieking at the tops of their voices and bombastic music. It felt like one huge tsunami of ego. I thought, 'My God, what did I get myself into?'"