Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



9780393088953.png

9780521746472.png

0810888688.gif

0810882728.gif

Recently in Commentary

An interview with Tobias Ringborg

I arrive at the Jerwood Space, where rehearsals are underway for Garsington Opera’s forthcoming production of Idomeneo, to find that the afternoon rehearsal has finished a little early.

Opera Las Vegas Announces Full Production of Carmen

Tickets on Sale NOW for June 10 & 12 Performances at UNLV’s Performing Arts Center Box Office

Bampton Classical Opera 2016

A Double-Bill of Divine Comedies

A Conversation with Sir Nicholas Jackson

With its merry-go-round exchange of deluded and bewitched lovers, an orphan-turned-princess, a usurped prince, a jewel and a flower with magical properties, a march to the scaffold and a meddling ‘mistress-of-ceremonies’ who encourages the young lovers to disguise and deceive, William Makepeace Thackeray’s The Rose and the Ring has all the ingredients of an opera buffa.

A Chat With Up-and-Coming Conductor Kathleen Kelly

Kathleen Kelly is an internationally renowned pianist, coach, conductor, and master teacher. She was the first woman and first American named Director of Musical Studies at the Vienna State Opera.

Atsuto Sawakami — Sponsor of Italian Opera in Japan

Atsuto Sawakami is a slightly built man in his late sixties with impeccable, gentlemanly manners. He communicates a certain restless energy and his piercingly bright eyes reveal an undimmed appetite for life.

Mark Stone — Oxford Lieder Festival

‘Lieder v. Opera’? At first glance it might seem to be a pointless or nonsensical question.

Rhymes With Opera Presents New Opera About Dolly Parton Fans

Extreme Dolly Parton fans may sound like unlikely subjects for an opera, but they are the major characters in Heartbreak Express, a collaboration of composer George Lam and librettist John Clum.

Oxford Lieder Festival 2015 - Sholto Kynoch interview

Last year's Oxford Lieder Festival made something of a splash when it encompassed all of Schubert's songs, performed in the space of three weeks. This year's festival, the 14th, which runs from 16 to 31 October 2015 has a rather different, yet still eye-catching theme; Singing Words: Poets and their Songs.

Sondra Radvanovsky Stars in the Title Role of Anna Bolena

The First of Three Donizetti Queens She Will Sing at the Met This Season

For Odyssey Opera, No Operatic Challenge is Too Great

For a company founded in 2013, Odyssey Opera has an astounding track record. To take on Korngold’s Die tote Stadt is ambitious enough, but to do so within only a year of the company’s founding seems almost single-minded.

Hibla Gerzmava to Debut at Carnegie Hall

The name of Hibla Gerzmava has been famous in the opera world since 1994, when at age 24 the Abkhazian-Russian soprano won the Grand Prix at Tchaikovsky International Competition, entering its history as the first and only vocalist to have been awarded the highest prize.

A Chat with Tenor René Barbera

American tenor René Barbera is fast making a name for himself as one of the top bel canto singers in opera houses around the world.

Odyssey Opera Presents the Boston Premiere of Le Cid in One-­Night-­Only Concert Event

(Boston, MA) — Odyssey Opera, a Boston-based opera company dedicated to exploring the full spectrum of adventurous repertoire, presents the Boston premiere of one of France’s great operas, Le Cid (1885), composed by Jules Massenet (1842–1912).

Stefano Mastrangelo — An Italian in Japan

I’m interviewing Stefano Mastrangelo in the immediate aftermath of his conducting La Traviata for the Chofu City Opera in Tokyo on 22 November 2014; he conveys an air at once of tiredness and exhilaration.

Apotheosis Opera to Stage Tannhäuser

Apotheosis Opera is proud to announce their inaugural production will be a fully-staged English translation of Richard Wagner’s early masterpiece TANNHÄUSER on Friday, July 31, 2015, at 7pm and Sunday, August 2, 2015, at 3pm at the theatre of El Museo del Barrio (1230 5th Avenue) .

Operalia 2015

‘Competitions are for horses, not artists.’ The words of Béla Bartók seemed apposite on Sunday night at the Royal Opera House, as 11 soloists walked swiftly onto the Covent Garden stage, performed their chosen aria, briefly acknowledged the applause and then returned summarily to the wings.

The ‘Other’ Così

Twin sisters – one pensive, the other gregarious – are soon to wed their beau, whose contrasting characters – one earnestly introverted, the other a boisterous hedonist – perfectly match their respective betrotheds’.

Scalia/Ginsburg Premiere at Castleton Festival

Derrick Wang is a composer who graduated from law school and has an interest in this country’s highest court.

Sara Gartland Takes on Jenůfa

Sara Gartland is an emerging singer who brings an enormous talent and a delightful personality to the opera stage. Having sung lighter soprano roles such as Juliette in Gounod’s Romeo et Juliette and Violetta in Verdi’s La traviata, Gartland is now taking on the title role in Leoš Janáček’s dramatic opera Jenůfa.

OPERA TODAY ARCHIVES »

Commentary

Magic Flute (Photo:  David Swanson)
16 Oct 2006

Opera at Curtis

Curtis, America’s top fully funded conservatory, is on the move as one of the nation’s leading opera preparatory programs.

Directed by Mikael Eliasen, internationally renowned vocal collaborator and coach, the Curtis Opera Theatre trains around twenty-five singers, ages 18-28, each year in the Bachelor of Music, Master of Music, and Professional Studies programs. Students from around the world audition, singing four to five selections from opera, oratorio and art song, depending on the desired program. Many audition, but few are accepted to pursue this elite training.

A scene from Albert Herring
Albert-Herring2---photo-cre.png

What makes this program cutting edge is its emphasis on musical and dramatic values, offering weekly classes in movement, repertoire, make-up and foreign language diction, along with performance seminars lead by Eliasen. Students also receive three hours of vocal coaching each week, as well as additional language classes.

A scene from Albert Herring
Albert-Herring---photo-cred.pngIn addition to such diversified classes, students have a chance to apply what they learn in the studio to the stage. Each season Curtis presents fully staged performances, as well as concert productions, in halls such as the Prince Music Theater, Perelman Theater at the Kimmel Center for the Performing Arts, and the Curtis Opera Studio. This year’s offerings include L’Ormido by Francesco Cavalli, The Audition, based on Mozart’s Impresario, Puccini’s La Rondine, and Postcard from Morocco by Argento. Singers also appear in the Field Concert Hall Student Recital Series and in concert performances with the Curtis Symphony Orchestra.

With such extensive training and performing experiences, it is no surprise that more than sixty alumni have sung with the Metropolitan Opera, and Curtis graduates can be found singing on stages worldwide.

Cick here for information on this year's performances at the Curtis Opera Theatre.

Sarah Hoffman

All photos by David Swanson

[Editor's Note: This is the first in a series of articles on music education relating to opera and vocal music.]

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):