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19 Oct 2006

Theodora, Barbican Hall, London

By Richard Fairman [Financial Times, 19 October 2006]

In retrospect, it is clear that Glyndebourne’s unforgettable staging of the oratorio Theodora in the mid-1990s marked a watershed. The Handel revival was already well under way by that point, but here was proof that his neglected works were not just worth hearing – some of them, at least, were masterpieces.

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