Recently in News

Latest news


Bizet’s Carmen Uncovered

The Operas of Sergei Prokofiev

Incoming Artistic Director Rosetta Cucchi announces her 2020 programme inspired by William Shakespeare and the launch of the Wexford Factory Academy for young Irish singers

Music In The Present Tense: Rossini’s Italian Operas in Their Time

The Last Opera: The Rake’s Progress in the Life of Stravinsky and Sung Drama

Prokofiev’s Soviet Operas

The Operas of Benjamin Britten – Expression and Evasion by Claire Seymour

The Opera Singer’s Acting Toolkit

The real Traviata. The Song of Marie Duplessis

Glyndebourne announces new Artistic Director


A musical challenge to our view of the past

Die schöne Müllerin by Mark Padmore

Opera Rara - How to Rescue a Lost Opera

Welsh National Opera explores Madness for autumn season


New Releases from Opera Rara


A Time-Out With Isabel Leonard: In 'L'Heure Espagnole' at San Francisco Symphony


On Site Opera Presents 'Barber of Seville' at Fabbri Mansion on New York’s Upper East Side


Il Trittico: Puccini's most underrated opera


Bizet's Carmen | English National Opera




28 Dec 2006

Un "Idoménée" où la musique est reine,1-0@2-3246,36-850087@51-751675,0.html

tilling_camilla3.png(Photo: Anna Hult) [Le Monde, 28 December 2006]

Idoménée (1781), de Mozart, n'a pas eu beaucoup de chance depuis dix ans à l'Opéra de Paris. On se souvient de l'échec que connut, en 1996, la mise en scène de feu Jean-Pierre Miquel, sous l'ère Hugues Gall, et du naufrage que fut, en 2002, celle que le même directeur avait eu la faiblesse de confier au chef d'orchestre Ivan Fischer.

Send to a friend

Send a link to this article to a friend with an optional message.

Friend's Email Address: (required)

Your Email Address: (required)

Message (optional):