Recently in Commentary
(Boston, MA) — Odyssey Opera, a Boston-based opera company dedicated to exploring the full spectrum of adventurous repertoire, presents the Boston premiere of one of France’s great operas, Le Cid (1885), composed by Jules Massenet (1842–1912).
I’m interviewing Stefano Mastrangelo in the immediate aftermath of his conducting La Traviata for the Chofu City Opera in Tokyo on 22 November 2014; he conveys an air at once of tiredness and exhilaration.
Apotheosis Opera is proud to announce their inaugural production
will be a fully-staged English translation of Richard Wagner’s early
masterpiece TANNHÄUSER on Friday, July 31, 2015, at 7pm and Sunday,
August 2, 2015, at 3pm at the theatre of El Museo del Barrio (1230 5th Avenue)
‘Competitions are for horses, not artists.’ The words of Béla Bartók seemed apposite on Sunday night at the Royal Opera House, as 11 soloists walked swiftly onto the Covent Garden stage, performed their chosen aria, briefly acknowledged the applause and then returned summarily to the wings.
Twin sisters – one pensive, the other gregarious – are soon to wed their beau, whose contrasting characters – one earnestly introverted,
the other a boisterous hedonist – perfectly match their respective betrotheds’.
Derrick Wang is a composer who graduated from law school and has an interest in this country’s highest court.
Sara Gartland is an emerging singer who brings an enormous talent and a delightful personality to the opera stage. Having sung lighter soprano roles such as Juliette in Gounod’s Romeo et Juliette and Violetta in Verdi’s La traviata, Gartland is now taking on the title role in Leoš Janáček’s dramatic opera Jenůfa.
Madness descends upon Welsh National Opera for its autumn 2015 season, with three new productions that will explore human turmoil through some of the finest musical expressions of madness and the human condition.
American composer Jennifer Higdon has won many awards for her imaginative music. Her percussion concerto received the 2009 Grammy Award for Best Contemporary Classical Composition.
Bratislava in Slovakia might seem an unlikely place to come across the opera
I gioielli della Madonna (The Jewels of the Madonna) a 1911 rarity
written by the Italian/German Ermanno Wolf-Ferrari, a composer best known for
his one-act opera Il segreto di Susanna ( Susanna’s Secret)
and his comedies based on Goldoni.
Last year’s Strauss anniversary year — 150 years since his birth —
offered, at least in the United Kingdom, a typical number of opportunities and
On 6 June, Jonathan Dove’s Flight touches down in Kensington,
west London. Opera Holland Park is to stage the first London production of
Dove’s operatic presentation of the real-life story of Mehran Karimi Nasseri,
the Iranian exile who, lacking residency rights or refugee status, was forced
to live in the departure lounge of Terminal One at Charles de Gaulle Airport
for 18 years.
San Diego Opera, the company that General Manager Ian Campbell had scheduled for demolition, proved that it is alive and singing as beautifully as ever. Its 2015 season was cut back slightly and management has become a bit leaner, but the company celebrated its fiftieth season in fine style with a concert that included many of the greatest arias ever written.
Kathleen Ferrier may have been one of the world’s finest contraltos but this year’s Kathleen Ferrier Awards Final, held at the Wigmore Hall, was all about lyric sopranos.
East Coast Premiere at Opera Philadelphia next season. Performances from Cold Mountain at the Guggenheim in New York this Monday, March 30.
Five Young Singers Named Winners of the 2015 Met National Council Auditions, America’s Most Prestigious Vocal Competition
Julia Noulin-Mérat is the principal designer for the Noulin-Merat Studio, an intrepid New York City production design firm that works in theater, film, and television, but emphasizes opera and immersive site-specific theatre.
A brand new opera — especially one that is groundbreaking— can really put an opera company on the map. British composer Barry Seaman’s stunning new work, Mirabai, which explores the story of the free thinking, mystic
16th century Hindu princess, Mira, is ambitious on many levels —
artistically, technically and creatively.
Bampton Classical Opera has announced that applications are now open for the
company’s Young Singers’ Competition 2015. This biennial competition was
first launched in 2013 to celebrate Bampton Classical Opera’s 20th
birthday, and is aimed at identifying the finest emerging young opera singers
currently working in the UK.
Anita Rachvelishvili recently performed the title role in Carmen broadcast by The Metropolitan Opera Live in HD. Here she drops by for a little chat with our Maria Nockin.
17 Jun 2007
New Frocks for Old – Cardiff Singer of the World, 2007
Back in the early 1980’s two good ideas came to fruition: the much-needed new concert hall for Cardiff, capital city of Wales, and plans to hold within it the first “Singer of the World” competition.
When one looks back at early videos of the first competition in 1983 and compares
with today’s slick production several things become evident. In 2007 there is a far larger
geographical spread of contestants and there is now remarkable vocal quality-in-depth. On a
more frivolous front, and perhaps indicative of current obsessions with image in the world of
opera, the frocks on display have also become extremely sexy and chic compared to their
distinctly dowdy predecessors. The men’s tailoring has changed rather less, it must be said,
although it is obvious that they, too, are now more aware of their presentation on stage – one
Finalist this year, countertenor David DQ Lee, looking particularly stylish.
Since that first competition (which, incidentally, Karita Mattila won) there have been many
exciting, memorable performances and vocal trials of strength. Who can forget the 1989 “battle
of the baritones” between Bryn Terrell and Dmitri Hvorostovsky? This bi-annual contest has
grown steadily in size and stature over the years, and it is now regarded as one of the premier
singing competitions in the world. Certainly recent Winners and Finalists of both the Main Prize
and the Lieder Prize read like a contemporary hall of fame: Nicole Cabell, Ailish Tynan, Katarina
Karnéus, Lisa Gasteen, Marius Brenciu, Christopher Maltman and Andrew Kennedy, to name
just a few.
This year’s competition will have been hard-fought and exhausting for both juries and
contestants – over 1000 people applied to take part, 677 from 64 countries took part in auditions
held in 44 locations around the globe, and the final 25 singers who have survived the selection
process so far arrived in Cardiff this week. Although the two Prizes are valuable in monetary
terms - £15,000 and £5,000 for Singer of the World and the Rosenblatt Recital Song Prize
respectively with £2,500 for each of this year’s other four finalists – it is the world media
exposure that is often the key to future success for these young performers. Cardiff is a shop
window, par excellence.
One very famous face who is there to welcome them is the competition’s Patron, Dame Joan
Sutherland who said “the competition is always a wonderful experience for not only the St.
David’s Hall audience and multimedia audiences across the world, but is also a delight for every
competitor taking part.” Today, Cardiff Singer of the World is very much a global
entertainment, with a TV, radio and online audience of eight million able to watch, listen and
download information on the wealth of young vocal talent on display, not forgetting, of course,
The competition is now under way with the two Finals being decided on Friday and Sunday
nights. Details of timings, tickets, master classes and contestants are available online at
Sue Loder © 2007