Recently in Commentary
What’s an artist’s place in politics? That’s the question
many were asking after actress Meryl Streep made a pointed speech criticizing
President Trump at the Golden Globes. Trump responded directly to Streep, using
his preferred communication medium of Twitter to call Streep
In 2015, Bampton Classical Opera’s production of Salieri’s La grotta di Trofonio - a UK premiere - received well-deserved accolades: ‘a revelation ... the music is magnificent’ (Seen and Heard International), ‘giddily exciting, propelled by wit, charm and bags of joy’ (The Spectator), ‘lively, inventive ... a joy from start to finish’ (The Oxford Times), ‘They have done Salieri proud’ (The Arts Desk) and ‘an enthusiastic performance of riotously spirited music’ (Opera Britannia) were just some of the superlative compliments festooned by the critical press.
How many singers does it take to make an opera? There are single-role operas - Schönberg’s Erwartung (1924) and Eight Songs for a Mad King by Peter Maxwell Davies (1969) spring immediately to mind - and there are operas that just require a pair of performers, such as Rimsky-Korsakov’s Mozart i Salieri (1897) or The Telephone by Menotti (1947).
The college administration and President Denise Battles’ recent
decision to defund the Finger Lakes Opera came as a shock to many and a concern
to more. This decision reflects the administration’s blatant disregard
for the arts and reveals a mindset that is counterproductive to the mission of
Lucerne Festival announces its 2017 Summer Festival.
The GRAMMY Award-winning BEMF Chamber Opera Series returns with an all-new production inspired by the splendor and music of the palace of Versailles. King Louis XIV transformed his father’s pastoral hunting lodge at Versailles into a lavish palace that served as the seat of government and culture in France.
Louis Karchin’s Jane Eyre, a full-length opera in three acts with a libretto by Diane Osen based on Charlotte Bronte’s novel, will receive its world premiere at The Kaye Playhouse (Hunter College) on Thursday, October 20, 7:30pm with a second performance on Saturday, October 22, 8pm. Jane Eyre is Karchin’s second opera, composed in 2014, following his critically acclaimed one-act comic opera Romulus.
Cambridge, MA–The Boston Early Music Festival (BEMF) is pleased to announce the appointment of Melinda Sullivan to the new position of the Lucy Graham Dance Director.
Kseniia Muslanova from the Russian Federation has won the 3rd annual Elizabeth Connell Prize for aspiring dramatic sopranos held at the Sydney Conservatorium of Music in Sydney Australia on 3 September 2016.
Victory Hall Opera is a new company making its debut in Charlottesville Virginia on August 14, 2016. Its first presentation will be Richard Strauss’s and Hugo von Hofmannsthal’s Der Rosenkavalier.
Lyric soprano Elizabeth Caballero’s signature role is Violetta in La traviata, which she portrays with a compelling interpretation, focused sound, and elegant coloratura that floats through the opera house as naturally as waves on the ocean.
Maria Nockin interviews baritone Brian Mulligan.
I arrive at the Jerwood Space, where rehearsals are underway for Garsington
Opera’s forthcoming production of Idomeneo, to find that the
afternoon rehearsal has finished a little early.
Tickets on Sale NOW for June 10 & 12 Performances at UNLV’s Performing Arts Center Box Office
A Double-Bill of Divine Comedies
With its merry-go-round exchange of deluded and bewitched lovers, an orphan-turned-princess, a usurped prince, a jewel and a flower with magical properties, a march to the scaffold and a meddling ‘mistress-of-ceremonies’ who encourages the young lovers to disguise and deceive, William Makepeace Thackeray’s The Rose and the Ring has all the ingredients of an opera buffa.
Kathleen Kelly is an internationally renowned pianist, coach, conductor, and master teacher. She was the first woman and first American named Director of Musical Studies at the Vienna State Opera.
Atsuto Sawakami is a slightly built man in his late sixties with impeccable, gentlemanly manners. He communicates a certain restless energy and his piercingly bright eyes reveal an undimmed appetite for life.
‘Lieder v. Opera’? At first glance it might seem to be a pointless or nonsensical question.
Extreme Dolly Parton fans may sound like unlikely subjects for an opera, but they are the major characters in Heartbreak Express, a collaboration of composer George Lam and librettist John Clum.
17 Jun 2007
New Frocks for Old – Cardiff Singer of the World, 2007
Back in the early 1980’s two good ideas came to fruition: the much-needed new concert hall for Cardiff, capital city of Wales, and plans to hold within it the first “Singer of the World” competition.
When one looks back at early videos of the first competition in 1983 and compares
with today’s slick production several things become evident. In 2007 there is a far larger
geographical spread of contestants and there is now remarkable vocal quality-in-depth. On a
more frivolous front, and perhaps indicative of current obsessions with image in the world of
opera, the frocks on display have also become extremely sexy and chic compared to their
distinctly dowdy predecessors. The men’s tailoring has changed rather less, it must be said,
although it is obvious that they, too, are now more aware of their presentation on stage – one
Finalist this year, countertenor David DQ Lee, looking particularly stylish.
Since that first competition (which, incidentally, Karita Mattila won) there have been many
exciting, memorable performances and vocal trials of strength. Who can forget the 1989 “battle
of the baritones” between Bryn Terrell and Dmitri Hvorostovsky? This bi-annual contest has
grown steadily in size and stature over the years, and it is now regarded as one of the premier
singing competitions in the world. Certainly recent Winners and Finalists of both the Main Prize
and the Lieder Prize read like a contemporary hall of fame: Nicole Cabell, Ailish Tynan, Katarina
Karnéus, Lisa Gasteen, Marius Brenciu, Christopher Maltman and Andrew Kennedy, to name
just a few.
This year’s competition will have been hard-fought and exhausting for both juries and
contestants – over 1000 people applied to take part, 677 from 64 countries took part in auditions
held in 44 locations around the globe, and the final 25 singers who have survived the selection
process so far arrived in Cardiff this week. Although the two Prizes are valuable in monetary
terms - £15,000 and £5,000 for Singer of the World and the Rosenblatt Recital Song Prize
respectively with £2,500 for each of this year’s other four finalists – it is the world media
exposure that is often the key to future success for these young performers. Cardiff is a shop
window, par excellence.
One very famous face who is there to welcome them is the competition’s Patron, Dame Joan
Sutherland who said “the competition is always a wonderful experience for not only the St.
David’s Hall audience and multimedia audiences across the world, but is also a delight for every
competitor taking part.” Today, Cardiff Singer of the World is very much a global
entertainment, with a TV, radio and online audience of eight million able to watch, listen and
download information on the wealth of young vocal talent on display, not forgetting, of course,
The competition is now under way with the two Finals being decided on Friday and Sunday
nights. Details of timings, tickets, master classes and contestants are available online at
Sue Loder © 2007