21 Oct 2007
Raphaela Papadakis seems to like ‘playing with fire’. After her acclaimed performance as the put-upon maid, Anna, in Independent Opera’s production of Šimon Voseček’s Beidermann and the Arsonists at Sadler’s Wells last year, she is currently rehearsing for the premiere this week of And London Burned, a new opera by Matt Rogers which has been commissioned by Temple Music Foundation to commemorate the 350th anniversary of The Great Fire of London.
Princess, sorceress, child-murderer - Medea is a goldmine for dramatists and composers. As a new production of Handel's Teseo tours, Andrew Huth unmasks an exotic myth
[The Guardian, 19 October 2007]
"Nothing that's grim, nothing that's Greek. She plays Medea later this week," they sing at the beginning of Stephen Sondheim's A Funny Thing Happened on the Way to the Forum. And they don't come much grimmer than Medea, who leaves a trail of havoc through a whole series of Greek myths. Myths recounted by Greeks, that is, for the whole point of Medea is that she's not Greek at all. She's an exotic, a sorceress from a mysterious land at the very edge of the world.