21 Oct 2007
Killer queen
http://music.guardian.co.uk/classical/operalivereviews/story/0,,2193804,00.html
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http://www.paris-opera-awards.fr/parisoperraawards-9480.html
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http://www.gresham.ac.uk/lectures-and-events/london-music-under-the-shadow-of-handel
Sir Colin Davis Dead at 85
http://www.telegraph.co.uk/news/obituaries/9994121/Sir-Colin-Davis.html
“Culture: the cement that binds Europe together”
http://europa.eu/rapid/press-release_SPEECH-13-280_en.htm?locale=en
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http://www.nytimes.com/2012/08/19/arts/music/debussys-150th-birthday-gets-little-notice.html?_r=1&ref=music
Bayreuth Does It Again
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Margrave Opera House Receives UNESCO World Heritage Status
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Uwe Erich Laufenberg Fired
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OPERA TODAY ARCHIVES »
News
Princess, sorceress, child-murderer - Medea is a goldmine for dramatists and composers. As a new production of Handel's Teseo tours, Andrew Huth unmasks an exotic myth
[The Guardian, 19 October 2007]
"Nothing that's grim, nothing that's Greek. She plays Medea later this week," they sing at the beginning of Stephen Sondheim's A Funny Thing Happened on the Way to the Forum. And they don't come much grimmer than Medea, who leaves a trail of havoc through a whole series of Greek myths. Myths recounted by Greeks, that is, for the whole point of Medea is that she's not Greek at all. She's an exotic, a sorceress from a mysterious land at the very edge of the world.