22 Feb 2008
Tito Manlio at the Barbican, London
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article3404636.ece
http://www.amazon.com/gp/product/B00980IA3M/ref=as_li_tf_il?ie=UTF8&camp=1789&creative=9325&creativeASIN=B00980IA3M&linkCode=as2&tag=operatoday-20
http://www.amazon.com/dp/B00ABNLASC/ref=as_li_tf_til?tag=operatoday-20&camp=0&creative=0&linkCode=as1&creativeASIN=B00ABNLASC&adid=16Y3BEW3FA6S6WWQQZY8
http://www.nytimes.com/2013/06/19/arts/music/a-boston-biennial-celebrates-the-baroque-tradition.html?ref=music&_r=0
http://www.gresham.ac.uk/lectures-and-events/london-music-under-the-shadow-of-handel
http://www.telegraph.co.uk/news/obituaries/9994121/Sir-Colin-Davis.html
http://europa.eu/rapid/press-release_SPEECH-13-280_en.htm?locale=en
http://www.standard.co.uk/arts/welcome-to-awards-night-at-the-opera-8493092.html
http://www.nytimes.com/2013/02/07/arts/music/are-those-pictures-really-mozart.html?smid=tw-share&_r=1&
http://www.operatoday.com/content/2013/01/a_new_festival_.php
http://www.operatoday.com/content/2012/11/rome_opera_open.php
http://www.operatoday.com/content/2012/10/exciting_glynde.php
http://thesingersappetite.com/
http://www.operatoday.com/content/2012/09/new_attendance_.php
http://www.welt.de/kultur/musik/article108680314/Ich-kann-mir-keine-deutschen-Saetze-merken.html
http://www.nytimes.com/2012/08/19/arts/music/debussys-150th-birthday-gets-little-notice.html?_r=1&ref=music
http://www.operatoday.com/content/2012/08/another_bayreut.php
http://www.operatoday.com/content/2012/07/changes_at_flor.php
http://www.operatoday.com/content/2012/07/changes_in_brat.php
http://www.operatoday.com/content/2012/07/honors_for_bayr.php
http://www.operatoday.com/content/2012/07/continued_progr.php
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article3404636.ece
Neil Fisher [Times Online, 21 February 2008]
On the eve of the latest Baroque exhumation in the Barbican, the scholar who oversaw the new edition of Vivaldi's 1718 opera had some advice. “Should you lack the will to delve into the convoluted text,” she wrote in a national newspaper, “have no fear; at this early stage in the history of opera, you can go without.”