Recently in Commentary
This is a revised version of my review of the Sept 5th
1991American premiere of The Death of Klinghoffer, at the
Brooklyn Academy of Music. The opera was first performed at Brussels’ La
Monnaie the previous spring.
"Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development."
Anna Prohaska sings Sister Constance in Poulenc’s Dialogues des
Carmélites at the Royal Opera House. In the same month, she’s also in
London to sing a recital with Eric Schneider at the Wigmore Hall, and to sing
Henze with Sir Simon Rattle at the Barbican Hall.
Garsington Opera celebrates its 25th anniversary this year.
Baritone Brandon Coleman’s mother, Linda, knew that 3-year old Brandon
would be a great singer when a stranger who had heard him, predicted it.
Professional opera returns to the Las Vegas Valley June 6th and 8th with performances of one of the best-known comic operas of all time, Gioachino Rossini's Il Barbiere di Siviglia.
I met with the embattled artistic director of the Opéra et Orchestre National de Montepellier not to talk about his battles. I simply wanted to know the man who had cast and staged a truly extraordinary Mozart/DaPonte trilogy.
Maria Nockin interviews tenor Saimir Pirgu.
Italian conductor Claudio Abbado, former principal conductor of the London Symphony Orchestra, has died aged 80
Matthew Polenzani reprises the role of the Chevalier des Grieux in Jules Massenet’s Manon at the Royal Opera House. “I love coming back to London”, he says, “It’s a very good house and they take care of you as a singer. And the level of music making is unbelievably high”.
On Saturday evening January 25, San Diego Opera opens its 2014 season with Ruggero Leoncavallo’s verismo blockbuster Pagliacci (Clowns).
The Flying Dutchman is a transitional piece because Wagner was only beginning to establish his style. He took some aspects from Carl Maria von Weber and others from Italian composers like Vincenzo Bellini.
The Royal Opera House has its own DVD arm, Opus Arte, and is developing quite a global
following with its cinema broadcasts.
On a personal level, I feel that Dolores is almost like Emmeline grown up. Their circumstances are not exactly parallel, but they are both women at very different points in their lives whose stories involve dilemmas with life-changing outcomes.
With the help of Andrew Welch, a London theatrical producer who had adapted several of King’s works for the stage, including this one, I got the rights to both Dolores Claiborne and Misery.
On September 18, 2013, San Francisco Opera will present the world premiere of Tobias Picker’s opera, Dolores Claiborne, which has a libretto by J. D. McClatchy based on Stephen King’s novel of the same name.
Ermonela Jaho caused a sensation at Covent Garden in London five years ago, when she took over Violetta at short notice from Anna Netrebko.
What do you get if you cross Benjamin Britten, ‘one-page scores’, an innovative performing ensemble and ‘Wigmore Learning’ — the Wigmore Hall’s imaginative outreach programme which aims to provide access to chamber music and song through innovative creative programmes, online resources and events?
Marseille woke up this past January 11 stunned to find itself number two on the New York Times list of 46 places you should visit in 2013 (Rio was number one, Paris just made the list at number 46).
02 Jun 2008
A Tribute to Franco Zeffirelli
Among the tributes that came to the legendary Producer, Designer and Director Franco Zeffirelli, in the remaining days of this past March, a little gem of a celebration was held at the Lincoln Triangle Barnes and Noble bookstore, on the evening of March 28th.
The event, which was free to the public, included an up-close interview with
Franco Zeffirelli, performances from his Metropolitan Opera colleagues, and a
signing of a limited edition of a hagiographical book about his Met
productions as well as other vast memorabilia that documents the career of
the award-winning producer and director of opera, theatre, film and
Franco Zeffirelli interviewed by Ira Siff
Franco Zeffirelli entered the reception to a standing ovation from his
fans, friends, and colleagues. Among audience attendees was the former
General Manager of the Metropolitan Opera, Joseph Volpe, who had a long,
successful collaboration with Franco Zeffirelli, at the Met. The press
coverage was vast and extended to the Italian news media. Independent film
Director Abel Ferrara had his film crew cover the entire event for a
documentary he is shooting on Franco Zeffirelli. Then the fabulous voices of
the Metropolitan Opera house came, both old and new. Aprile Millo was the
gracious hostess and a longtime friend of Franco Zeffirelli, with whom she
had many memorable performances with at the Metropolitan Opera house.
Marcello Giordani performing Nessun Dorma from Turandot.
Marcello Giordani performed the aria Nessun Dorma magnificently,
dedicated to both Franco Zeffirelli and to the late Luciano Pavarotti. Later,
Marcello Giordani joined Aprile Millo for the love duet from Act I of
Tosca. Their voices were golden and clearly gave flight to Franco
Zeffirelli’s visions of opera. Baritone Mark Delavan performed as well to
the delight of the audience. The performances were followed by an interview
with Ira Siff. Franco Zeffirelli, as he settled into the sage green chair
that awaited him, spoke fondly of intriguing memories and kept the audience
captivated in the style of all Zeffirelli productions.
Diane Malone © 2008
All photos: © Caroline P.
[Reprinted by permission of the author from Metroway — The Online Guide to
Everything New York.]
Aprile Millo and Marcello Giordani
performing from Tosca.