10 Nov 2008
Between Hell and Heaven, a World of Morphing Imagery
http://www.nytimes.com/2008/11/10/arts/music/10faus.html?ref=arts
https://boydellandbrewer.com/bizet-s-i-carmen-i-uncovered.html
https://boydellandbrewer.com/the-operas-of-sergei-prokofiev.html
https://www.wexfordopera.com/media/news/incoming-artistic-director-rosetta-cucchi-announces-her-2020-programme
https://press.uchicago.edu/ucp/books/book/chicago/M/bo43988096.html
http://www.iupress.indiana.edu/product_info.php?products_id=809636
https://www.cambridge.org/us/academic/subjects/music/twentieth-century-and-contemporary-music/prokofievs-soviet-operas?format=HB
https://boydellandbrewer.com/the-operas-of-benjamin-britten.html
https://www.bloomsbury.com/us/the-opera-singers-acting-toolkit-9781350006454/
https://h-france.net/vol18reviews/vol18no52palidda.pdf
http://www.operatoday.com/content/2018/08/glyndebourne_an.php
A musical challenge to our view of the past
https://vimeo.com/operarara/how-to-rescue-an-opera
http://www.nytimes.com/2008/11/10/arts/music/10faus.html?ref=arts
By ANTHONY TOMMASINI [NY Times, 10 November 2008]
The most talked-about element of the director Robert Lepage’s new production of Berlioz’s “Damnation de Faust” for the Metropolitan Opera, which opened on Friday night, is sure to be its stunning use of video imagery. Working with the interactive video designer Holger Förterer, Mr. Lepage has created a staging in which eerily detailed video depictions of everything from a grassy field to a fiery hell shift and morph in response to the movements and singing of the cast and chorus.